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Chapter XIII CULTURE - Government of Karnataka

Chapter XIII CULTURE - Government of Karnataka

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Culture 505<br />

placate gods to bestow goodwill on the subjects. This gave rise to Yakshagana,<br />

Bayalata, Krishna Parijata and many other forms <strong>of</strong> folk theatre. The British<br />

colonialists also contributed in a great way for the development <strong>of</strong> the theatres.<br />

They brought with them theatre troupes, which performed plays <strong>of</strong> Shakespeare<br />

and other popular plays in English. Encouraged by this, translations <strong>of</strong> these<br />

English plays appeared and they were staged successfully.<br />

Gradually, to cater to the people’s tastes, plays with a lot <strong>of</strong> dance and<br />

music in them were written. In the early days, people <strong>of</strong> low castes, who worked<br />

as labourers in the day time were illiterates, used to perform on the stages.<br />

Gradually it changed and all sorts <strong>of</strong> people started acting in plays. Many<br />

literates started performing and another fact was that earlier, only men used<br />

to appear on the stage. Later changes in society encouraged women also to<br />

appear on the stage. Pr<strong>of</strong>essional drama troupes started touring the state and<br />

performing at different centres. Some very old troupes like the Gubbi Company<br />

toured the state successfully. They made a name even in the neighbouring<br />

states and flourished. In North <strong>Karnataka</strong>, the companies like the Konnur<br />

Company, the Shirahatti Company, the Vishwa Gunadarsha Company, etc,, who<br />

had talented actors and singers like Yallamma, Gurusiddappa, Venkoba Rao,<br />

Garooda Sadashiva Rao, Master Waman Rao and others, gained prominence.<br />

In Southern <strong>Karnataka</strong>, there were eminent people like Varadachar, Gubbi<br />

Veeranna, Mohammed Peer, Malavalli Sundaramma, Subbayya Naidu, R.<br />

Nagendra Rao, Hirannayya and others. Thin stories, uninspiring dialogues<br />

and melodrama notwithstanding, these artistes held the audience spell bound<br />

by their melodious voices and irrelevent comedy. Inspite <strong>of</strong> all this, failing to<br />

respond to growing social consciousness and unable to compete successfully<br />

with cinema as a source <strong>of</strong> entertainment, commercial theatres slowly<br />

disintegrated. The latter part <strong>of</strong> the 19th Century and the early 20th Century<br />

were the best times for the commercial theatre.<br />

Shivaramakaranta Rangamandira, Heggodu, Shivamogga District

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