Chapter XIII CULTURE - Government of Karnataka
Chapter XIII CULTURE - Government of Karnataka
Chapter XIII CULTURE - Government of Karnataka
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Culture 505<br />
placate gods to bestow goodwill on the subjects. This gave rise to Yakshagana,<br />
Bayalata, Krishna Parijata and many other forms <strong>of</strong> folk theatre. The British<br />
colonialists also contributed in a great way for the development <strong>of</strong> the theatres.<br />
They brought with them theatre troupes, which performed plays <strong>of</strong> Shakespeare<br />
and other popular plays in English. Encouraged by this, translations <strong>of</strong> these<br />
English plays appeared and they were staged successfully.<br />
Gradually, to cater to the people’s tastes, plays with a lot <strong>of</strong> dance and<br />
music in them were written. In the early days, people <strong>of</strong> low castes, who worked<br />
as labourers in the day time were illiterates, used to perform on the stages.<br />
Gradually it changed and all sorts <strong>of</strong> people started acting in plays. Many<br />
literates started performing and another fact was that earlier, only men used<br />
to appear on the stage. Later changes in society encouraged women also to<br />
appear on the stage. Pr<strong>of</strong>essional drama troupes started touring the state and<br />
performing at different centres. Some very old troupes like the Gubbi Company<br />
toured the state successfully. They made a name even in the neighbouring<br />
states and flourished. In North <strong>Karnataka</strong>, the companies like the Konnur<br />
Company, the Shirahatti Company, the Vishwa Gunadarsha Company, etc,, who<br />
had talented actors and singers like Yallamma, Gurusiddappa, Venkoba Rao,<br />
Garooda Sadashiva Rao, Master Waman Rao and others, gained prominence.<br />
In Southern <strong>Karnataka</strong>, there were eminent people like Varadachar, Gubbi<br />
Veeranna, Mohammed Peer, Malavalli Sundaramma, Subbayya Naidu, R.<br />
Nagendra Rao, Hirannayya and others. Thin stories, uninspiring dialogues<br />
and melodrama notwithstanding, these artistes held the audience spell bound<br />
by their melodious voices and irrelevent comedy. Inspite <strong>of</strong> all this, failing to<br />
respond to growing social consciousness and unable to compete successfully<br />
with cinema as a source <strong>of</strong> entertainment, commercial theatres slowly<br />
disintegrated. The latter part <strong>of</strong> the 19th Century and the early 20th Century<br />
were the best times for the commercial theatre.<br />
Shivaramakaranta Rangamandira, Heggodu, Shivamogga District