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Chapter XIII CULTURE - Government of Karnataka

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Culture 503<br />

Some <strong>of</strong> the popular ballads are Gunasagari, Sarjappa Nayakana Kathe,<br />

Madakari Nayaka, Kitthuru Chennamma, Sangolli Rayanna, Balanagamma,<br />

Malaya Madeswara Kavya, Manteswami Kavya, Yallammana Kavya and<br />

Mailaralingana Kavya.<br />

Folk theatre too has a rich tradition in <strong>Karnataka</strong>. Who, for instance, has<br />

not heard <strong>of</strong> ‘Yakshagana’ <strong>of</strong> Coastal <strong>Karnataka</strong>, also in vogue in different parts<br />

<strong>of</strong> <strong>Karnataka</strong>, as Doddata, Bayalata etc., Puppet theatre is another folk form,<br />

classified into two categories as Thogalugombe and Keelugombe. The former<br />

is shadow play with the help <strong>of</strong> leather cut into human or animal or superhuman<br />

forms and the latter are performed with the help <strong>of</strong> dolls with movable<br />

limbs controlled by strings by the operaters. What Interests as literature is the<br />

narrative technique which would be quite engrossing.<br />

And then there are a host <strong>of</strong> books on folk medicine such as ‘Padartha<br />

Sara’, ‘Vaidyaratnakara’ etc. Many <strong>of</strong> these were brought out by, or with the<br />

help <strong>of</strong> the royal family <strong>of</strong> Mysore.<br />

Closely connected with folk literature are folk arts Kamsaalay, Chaudike,<br />

Ekatari etc., and dances like Lambani dance, Patada Kunita, Nandikolu<br />

Kunita, Veeragase, Dollu Kunita, Gorawara Kunita, Gondala, etc. These are all<br />

connected with religious rituals, tagged with some deity, and Yakshagana and<br />

puppet show are also <strong>of</strong> similar origin.<br />

Govinda Pai Research Centre. Udupi (M.G.M. College) has been doing<br />

unique documentation work, and has collaborated with a Spannish University.<br />

In order to promote folk literature and folk arts, the <strong>Karnataka</strong> Jaanapada<br />

and Yakshagana Academy honours the outstanding folklore scholars and the<br />

artists every year by granting Jaanapada Tagna Award and Annual Awards.<br />

Jaanapada Tagna Award Winners<br />

1986 : Simpi Linganna; 1988 : Mathighatta Krishnamurthy and D.<br />

Javeregowda; 1989: H.L. Nagegowda; 1990 : H.M. Nayak and B.B. Hendi; 1991<br />

: Ku.Shi. Haridasa Bhat and K.R. Lingappa; 1992 : Chandrashekhara Kambara<br />

and Mudenuru Sanganna; 1993: M. Chidananda Murthy, P.R. Thippeswamy<br />

and N.R. Nayak; 1994 : G. Narayana, Goru Channabasappa, Devendra Kumar<br />

Hakari, M.G. Biradara, Amrita Someshwara and C.P. Krishnakumar; 1995:<br />

Ham.Pa Nagarajaiah, Ramegowda (Ragau), Somashekhara Imrapura and R.C.<br />

Hirematha; 1996 : B.A. Vivek Rai, Basavaraja Malashetty and P.K. Rajashekhar;<br />

1997 : M.M. Kalburgi, M.B. Neginahala, T.N. Shankaranarayana, O.K.<br />

Rajendra and P.K. Khandoba; 1998: Kyatanahally Ramanna, Shanthi Nayak<br />

and A.V. Naavada; 1999 : Nam Tapasvikumar, M.N. Vali and H.J. Lakkappa<br />

Gowda; 2000 : Taltaje Keshava Bhatta, C.H. Mahadeva Nayak, M.T. Dhoopada,<br />

T.S. Rajappa and M.A. Jayachandra, 2001: Siddalingaiah, William Madtha,<br />

Shrirama Ittannavar, 2002: Channanna Valikara, B.S.Swamy, Nallur Prasad,<br />

2003: M.G.Eswarappa, Shreekanta Kodige, Prabhakara Joshi, Since 2004, the<br />

Jaanapada Tagna Award being stopped and awards established in the name <strong>of</strong><br />

B.S. Gaddagi Math and Jishampa are given to folklore scholars. Gaddagi math

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