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A bibliography of English military books up to 1642 and of ...

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—<br />

<strong>and</strong> the writers would seem <strong>to</strong> have been employed by certain<br />

printers, John Wolfe in particular in the sixteenth century, <strong>and</strong><br />

Butter <strong>and</strong> Bourne in the seventeenth, as war correspondents.<br />

Much <strong>of</strong> the importance <strong>of</strong> these slight produ6lions lies in the faft<br />

that names <strong>of</strong> persons <strong>and</strong> details concerning aftions are <strong>of</strong>ten <strong>to</strong> be<br />

found in them which may be sought for in vain elsewhere.<br />

In the first instance I had intended <strong>to</strong> include all such his<strong>to</strong>ries<br />

<strong>and</strong> pamphlets bearing on <strong>military</strong> affairs ;<br />

number <strong>of</strong> them was issued<br />

<strong>and</strong> finding how large a<br />

during the Civil Wars in Engl<strong>and</strong><br />

thirty thous<strong>and</strong>, Oldys says,^ on various subje6ts, but many <strong>of</strong> them,<br />

no doubt, relating <strong>to</strong> the wars in progress— I determined <strong>to</strong> break<br />

<strong>of</strong>f at <strong>1642</strong>. I see now that the list might have been better carried<br />

<strong>up</strong> <strong>to</strong> 1660, the date <strong>of</strong> the institution <strong>of</strong> the St<strong>and</strong>ing Army, <strong>and</strong><br />

<strong>of</strong> the feudal militia.<br />

<strong>of</strong> the final merging in it<br />

Although the intention <strong>of</strong> the compilation was originally only<br />

<strong>to</strong> furnish an index <strong>of</strong> works treating <strong>of</strong> the art <strong>of</strong> war as practised<br />

by the <strong>English</strong> people, I soon found that a parasite such as our<br />

<strong>military</strong> literature was in its first period could not be reviewed<br />

independently <strong>and</strong> at the same time efKciently.<br />

Therefore I added<br />

the contemporary foreign works, arranged like the <strong>English</strong> in<br />

chronological order, but, unlike them, having this order subordinated<br />

<strong>to</strong> a classification according <strong>to</strong> subject, in order that the<br />

student, examining an <strong>English</strong> book, may see at a glance what was<br />

being written abroad, about the same time, on the same branch.<br />

This divergence in the plan is rather significant <strong>of</strong> the difference<br />

both in quality <strong>and</strong> number between native <strong>and</strong> foreign produdtions.<br />

The former do not lend themselves <strong>to</strong> subdivision until quite the<br />

close <strong>of</strong> the sixteenth century ; with few exceptions they are<br />

nothing more than compendiums from some bulky foreign treatise,<br />

<strong>and</strong>, not content <strong>to</strong> confine himself <strong>to</strong> one branch, the <strong>English</strong><br />

writer in one volume travels over the whole ground <strong>of</strong> the art,<br />

filching <strong>and</strong> plagiarizing without scr<strong>up</strong>le, <strong>and</strong> without acknowledgment.<br />

An exad: translation was not <strong>to</strong> his liking. In the century<br />

<strong>and</strong> a half between the <strong>English</strong> renderings <strong>of</strong> Christine de Pisan<br />

* "Dissertation <strong>up</strong>on Pamphlets", London, 1731, 4°.<br />

xiv

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