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A bibliography of English military books up to 1642 and of ...

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display in London. The march past was followed by the manual <strong>and</strong> firing<br />

exercise, <strong>to</strong> the time <strong>of</strong> the fife <strong>and</strong> drum. There were three calls, the<br />

Poiture Tune^ the Falling <strong>of</strong>fTune^ <strong>and</strong> the Tune for the Motions.<br />

TheP<strong>of</strong>ture tune.<br />

This was played during the Firing Exercise, once through <strong>to</strong> each posture.<br />

The Falling <strong>of</strong> Tune. .)<br />

-#-<br />

This was for the Manual Exercise, <strong>and</strong> was played once over <strong>to</strong> every rank.<br />

The Tune for the Motions.<br />

This was played for all parade movements, such as Facings, Doublings, etc.<br />

The "Torneo" <strong>of</strong> Pist<strong>of</strong>ilo is the earliest work in which I have seen<br />

<strong>military</strong> music printed.' I cannot say whether Fantini's work on the Bugle<br />

mentioned by Ayala is with, or without, music. [V. Nos. 848 <strong>and</strong> 918.]<br />

144. Sixteen- thirty-nine.<br />

Lawes <strong>and</strong> Ordinances<br />

|<br />

Of<br />

Warre, |<br />

For the better Go-<br />

*<br />

For a transcript <strong>of</strong> a most interesting warrant re martial music, tempo Charles I.,<br />

see Grose, "Mil. Ant.", vol. ii., p. 45,<br />

possession <strong>of</strong> the Earls <strong>of</strong> Huntingdon.<br />

ed. 1801. The original was formerly in the

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