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C H U R C H I L L P R O C E E D I N G S<br />
Future Shock: Weapons of<br />
Mass Destruction<br />
<strong>Churchill</strong>’s “Shall We All Commit Suicide” (1924)<br />
“Without having improved appreciably in virtue or enjoying wiser guidance, [mankind] has got into<br />
its hands for the first time the tools by which it can unfailingly accomplish its own<br />
extermination....Death stands at attention, obedient, expectant, ready to serve, ready to shear<br />
away the peoples en masse; ready, if called on, to pulverize, without hope of repair, what is left of<br />
civilization. He awaits only the word of command. He awaits it from a frail, bewildered being, long<br />
his victim, now—for one occasion only—his Master.” —WSC<br />
P A U L A L K O N<br />
Horace Walpole is credited with<br />
saying, “The world is a comedy<br />
to those that think, a tragedy to<br />
those that feel.” <strong>Churchill</strong> did both.<br />
His writings are ample evidence<br />
of his inclination to think. Their frequent<br />
amusing touches show his appreciation<br />
of the human comedy. Hundreds<br />
of anecdotes record his readiness to respond<br />
emotionally to life’s major and<br />
minor disasters. He could plunge into<br />
despondency—his rather too famous “black dog.” He<br />
was never ashamed to cry at sad events in life and even<br />
on the film screen. As Prime Minister in 1940 he warned<br />
that what lay ahead was not only work and wounds but<br />
grievous emotions: “I have nothing to offer but blood,<br />
toil, tears, and sweat.” 1<br />
Isaiah Berlin, in what I believe is still the best<br />
single essay on <strong>Churchill</strong>, finds that despite <strong>Churchill</strong>’s<br />
joie de vivre and capacity for exuberance, his outlook is<br />
essentially tragic. In this respect Berlin contrasts<br />
<strong>Churchill</strong> with Franklin Roosevelt:<br />
[<strong>Churchill</strong>’s] nature possesses a dimension of depth–and<br />
a corresponding sense of tragic possibilities, which Mr<br />
Roosevelt’s light-hearted genius instinctively passed<br />
by....Mr. <strong>Churchill</strong> is acquainted with darkness as well as<br />
light. Like all inhabitants and even transient visitors of<br />
inner worlds, he gives evidence of seasons<br />
of agonised brooding and slow recovery.<br />
Mr Roosevelt might have spoken of sweat<br />
and blood, but when Mr <strong>Churchill</strong><br />
offered his people tears, he spoke a word<br />
which might have been uttered by<br />
Lincoln or Mazzini or Cromwell but not<br />
Mr Roosevelt, great-hearted, generous,<br />
and perceptive as he was. 2<br />
Berlin’s comment offers the<br />
best key to <strong>Churchill</strong>’s achievement in<br />
general, and in particular to the odd fate of his 1924<br />
essay “Shall We All Commit Suicide”<br />
This article is one of <strong>Churchill</strong>’s most perceptive<br />
insights into future danger. We can easily see this now<br />
because in the light of subsequent history its hints of<br />
atomic weapons stand out, like the more explicit prediction<br />
of them in his later essay “Fifty Years Hence,” as<br />
<strong>Churchill</strong> himself was not shy about remarking after such<br />
weapons became reality.<br />
“Shall We All Commit Suicide” was first published<br />
in the September 1924 number of Nash’s Pall Mall<br />
magazine, and reprinted several times in the 1920s, as<br />
Professor Muller documents in the notes to his edition.<br />
In 1929 <strong>Churchill</strong> adapted the essay within the conclusion<br />
of his book The Aftermath, about a decade following<br />
World War I. The essay was reprinted (as you have it) in<br />
Dr. Alkon, a <strong>Churchill</strong> Centre Academic Adviser, is Leo S. Bing Professor Emeritus of English and American Literature at the<br />
University of Southern California. He has published books on Samuel Johnson, Daniel Defoe, science fiction, and <strong>Winston</strong><br />
<strong>Churchill</strong>’s Imagination (2006). He won our 2003 Somervell Prize for his Lawrence of Arabia features in Finest Hour 119.<br />
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