16.01.2015 Views

Layout 8 - Winston Churchill

Layout 8 - Winston Churchill

Layout 8 - Winston Churchill

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

C H U R C H I L L P R O C E E D I N G S<br />

Future Shock: Weapons of<br />

Mass Destruction<br />

<strong>Churchill</strong>’s “Shall We All Commit Suicide” (1924)<br />

“Without having improved appreciably in virtue or enjoying wiser guidance, [mankind] has got into<br />

its hands for the first time the tools by which it can unfailingly accomplish its own<br />

extermination....Death stands at attention, obedient, expectant, ready to serve, ready to shear<br />

away the peoples en masse; ready, if called on, to pulverize, without hope of repair, what is left of<br />

civilization. He awaits only the word of command. He awaits it from a frail, bewildered being, long<br />

his victim, now—for one occasion only—his Master.” —WSC<br />

P A U L A L K O N<br />

Horace Walpole is credited with<br />

saying, “The world is a comedy<br />

to those that think, a tragedy to<br />

those that feel.” <strong>Churchill</strong> did both.<br />

His writings are ample evidence<br />

of his inclination to think. Their frequent<br />

amusing touches show his appreciation<br />

of the human comedy. Hundreds<br />

of anecdotes record his readiness to respond<br />

emotionally to life’s major and<br />

minor disasters. He could plunge into<br />

despondency—his rather too famous “black dog.” He<br />

was never ashamed to cry at sad events in life and even<br />

on the film screen. As Prime Minister in 1940 he warned<br />

that what lay ahead was not only work and wounds but<br />

grievous emotions: “I have nothing to offer but blood,<br />

toil, tears, and sweat.” 1<br />

Isaiah Berlin, in what I believe is still the best<br />

single essay on <strong>Churchill</strong>, finds that despite <strong>Churchill</strong>’s<br />

joie de vivre and capacity for exuberance, his outlook is<br />

essentially tragic. In this respect Berlin contrasts<br />

<strong>Churchill</strong> with Franklin Roosevelt:<br />

[<strong>Churchill</strong>’s] nature possesses a dimension of depth–and<br />

a corresponding sense of tragic possibilities, which Mr<br />

Roosevelt’s light-hearted genius instinctively passed<br />

by....Mr. <strong>Churchill</strong> is acquainted with darkness as well as<br />

light. Like all inhabitants and even transient visitors of<br />

inner worlds, he gives evidence of seasons<br />

of agonised brooding and slow recovery.<br />

Mr Roosevelt might have spoken of sweat<br />

and blood, but when Mr <strong>Churchill</strong><br />

offered his people tears, he spoke a word<br />

which might have been uttered by<br />

Lincoln or Mazzini or Cromwell but not<br />

Mr Roosevelt, great-hearted, generous,<br />

and perceptive as he was. 2<br />

Berlin’s comment offers the<br />

best key to <strong>Churchill</strong>’s achievement in<br />

general, and in particular to the odd fate of his 1924<br />

essay “Shall We All Commit Suicide”<br />

This article is one of <strong>Churchill</strong>’s most perceptive<br />

insights into future danger. We can easily see this now<br />

because in the light of subsequent history its hints of<br />

atomic weapons stand out, like the more explicit prediction<br />

of them in his later essay “Fifty Years Hence,” as<br />

<strong>Churchill</strong> himself was not shy about remarking after such<br />

weapons became reality.<br />

“Shall We All Commit Suicide” was first published<br />

in the September 1924 number of Nash’s Pall Mall<br />

magazine, and reprinted several times in the 1920s, as<br />

Professor Muller documents in the notes to his edition.<br />

In 1929 <strong>Churchill</strong> adapted the essay within the conclusion<br />

of his book The Aftermath, about a decade following<br />

World War I. The essay was reprinted (as you have it) in<br />

Dr. Alkon, a <strong>Churchill</strong> Centre Academic Adviser, is Leo S. Bing Professor Emeritus of English and American Literature at the<br />

University of Southern California. He has published books on Samuel Johnson, Daniel Defoe, science fiction, and <strong>Winston</strong><br />

<strong>Churchill</strong>’s Imagination (2006). He won our 2003 Somervell Prize for his Lawrence of Arabia features in Finest Hour 119.<br />

FINEST HOUR 148 / 50

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!