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R E V I E W S<br />
STUDENTS’ CHOICE...<br />
the war by two unexpectedly critical<br />
books: Elliot Roosevelt’s As He Saw It<br />
and Harry Butcher’s My Three Years<br />
With Eisenhower. In the process of<br />
refuting them, he negotiated lucrative<br />
literary contracts, making him financially<br />
comfortable for the first time in<br />
his life while acquiring a first-class<br />
pulpit to describe the war as he saw it.<br />
Reynolds delves into <strong>Churchill</strong>’s<br />
book-writing “Syndicate,” including the<br />
distinguished and brilliant Oxford historian<br />
Bill Deakin and the wartime<br />
Cabinet Secretary Norman Brook.<br />
<strong>Churchill</strong> would take their research and<br />
weave it into his own unique style: half<br />
Macaulay, half Gibbon. And, as he’d<br />
written in his autobiography, “I stuck in<br />
a bit of my own from time to time.”<br />
Of the six volumes, Reynolds is<br />
most impressed by the first two: The<br />
Gathering Storm and Their Finest Hour.<br />
The Gathering Storm treats the 1930s as<br />
a decade of lost opportunities, insisting<br />
that there was a real chance to avert<br />
war, but the opportunity was squandered<br />
through the fecklessness of<br />
western leaders. What makes Their<br />
Finest Hour important, Reynolds says, is<br />
that it is <strong>Churchill</strong>’s personal version of<br />
events of that key year between May<br />
1940 and June 1941.<br />
Reynolds holds the next three<br />
volumes of The Second World War<br />
uneven in quality. Many passages are<br />
pedestrian, he writes, because either<br />
<strong>Churchill</strong> relied too much on documents<br />
or because Britain (i.e.,<br />
<strong>Churchill</strong>), didn’t play a crucial role in<br />
those events. But Reynolds thinks the<br />
final volume, Triumph and Tragedy, rises<br />
to a higher level: It has about it another<br />
sense of a lost opportunity, this time to<br />
use the Allied victory to check Soviet<br />
expansionism or at least to avoid an<br />
east-west confrontation.<br />
The Second World War sold over<br />
two million copies and is still in print<br />
today. Despite rampant revisionism of<br />
varying quality, it still influences our<br />
impressions of World War II. As the<br />
late historian J.H. Plumb wrote,<br />
<strong>Churchill</strong>’s memoir “lies at the very<br />
heart of all historiography of the<br />
Second World War and will always<br />
remain there.” Not a bad epitaph. ,<br />
From the Canon: The “Prussians of the Balkans” in<br />
A chance question from a Yugoslavian reader leads us to one of<br />
our author’s most moving and evocative historical dramas.<br />
MICHAEL RICHARDS<br />
The first American Edition, 1931<br />
Mr. Vukašin Stojkov in Yugoslavia<br />
wrote us asking if <strong>Churchill</strong>, as he<br />
had heard, ever compared Serbia and its<br />
role in the forming of Yugoslavia to<br />
Prussia’s role in the unification of<br />
Germany. A strong contender is<br />
Chapter 1 of The Unknown War / The<br />
Eastern Front, volume 5 of The World<br />
Crisis (London: Thornton Butterworth,<br />
New York: Scribners, 1931), where<br />
<strong>Churchill</strong> refers to the Serbs as “the<br />
Prussians of the Balkans.” <strong>Churchill</strong><br />
puts these words in quotes, indicating<br />
that they did not originate with him—<br />
but as it happens, they did.<br />
Searching Google for the<br />
origins of the term, we found sixteen<br />
references, most of which indicate that<br />
the phrase was applied to the<br />
Bulgarians. An 11 August 1903 letter<br />
to The New York Times, by Vladimir<br />
Andreef Tsanoff, Secretary of the<br />
Macedonian Committee of America,<br />
protesting an article on Bulgaria’s dismissal<br />
of pro-Russian cabinet members,<br />
stated: “In a moment of exasperation at<br />
Bulgaria’s obdurate spirit of independence,<br />
the Russian Chancellor, Prince<br />
Lobanoff, called these Bulgars “the<br />
Prussians of the Balkans.”<br />
<strong>Churchill</strong> had nearly a photographic<br />
memory and often dredged up<br />
phrases that he had read many years<br />
before. In the case of The Eastern Front,<br />
however, he certainly goes against all<br />
preceding use of the term. It is likely<br />
that he was either misquoting what he<br />
had read, or liked the phrase so much<br />
that he applied it to the Serbs!<br />
His beginning paragraphs from<br />
The Unknown War are reprinted by<br />
kind permission of the <strong>Churchill</strong><br />
Literary Estate and Randolph<br />
<strong>Churchill</strong>. The text, slightly shortened<br />
for space, conveys I hope a view “from<br />
a great height”—the magnificent prose<br />
of which <strong>Churchill</strong> was a master.<br />
The Dusk of Hapsburg<br />
<strong>Winston</strong> S. <strong>Churchill</strong><br />
If for a space we obliterate from our<br />
minds the fighting in France and<br />
Flanders, the struggle upon the Eastern<br />
Front is incomparably the greatest war<br />
in history. In its scale, in its slaughter,<br />
in the exertions of the combatants, in<br />
its military kaleidoscope, it far surpasses<br />
by magnitude and intensity all similar<br />
human episodes.<br />
All three empires, both sides,<br />
victors and vanquished, were ruined. All<br />
the Emperors or their successors were<br />
slain or deposed. The Houses of<br />
Romanov, Hapsburg and Hohenzollern,<br />
woven over centuries of renown into the<br />
texture of Europe were shattered and<br />
extirpated. The structure of three<br />
mighty organisms built up by generations<br />
of patience and valour and<br />
representing the traditional groupings of<br />
noble branches of the European family,<br />
was changed beyond all semblance.<br />
These pages recount dazzling victories<br />
and defeats stoutly made good. They<br />
record the toils, perils, sufferings and<br />
passions of millions of men. Their<br />
sweat, their tears, their blood bedewed<br />
FINEST HOUR 148 / 42