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R E V I E W S<br />

STUDENTS’ CHOICE...<br />

the war by two unexpectedly critical<br />

books: Elliot Roosevelt’s As He Saw It<br />

and Harry Butcher’s My Three Years<br />

With Eisenhower. In the process of<br />

refuting them, he negotiated lucrative<br />

literary contracts, making him financially<br />

comfortable for the first time in<br />

his life while acquiring a first-class<br />

pulpit to describe the war as he saw it.<br />

Reynolds delves into <strong>Churchill</strong>’s<br />

book-writing “Syndicate,” including the<br />

distinguished and brilliant Oxford historian<br />

Bill Deakin and the wartime<br />

Cabinet Secretary Norman Brook.<br />

<strong>Churchill</strong> would take their research and<br />

weave it into his own unique style: half<br />

Macaulay, half Gibbon. And, as he’d<br />

written in his autobiography, “I stuck in<br />

a bit of my own from time to time.”<br />

Of the six volumes, Reynolds is<br />

most impressed by the first two: The<br />

Gathering Storm and Their Finest Hour.<br />

The Gathering Storm treats the 1930s as<br />

a decade of lost opportunities, insisting<br />

that there was a real chance to avert<br />

war, but the opportunity was squandered<br />

through the fecklessness of<br />

western leaders. What makes Their<br />

Finest Hour important, Reynolds says, is<br />

that it is <strong>Churchill</strong>’s personal version of<br />

events of that key year between May<br />

1940 and June 1941.<br />

Reynolds holds the next three<br />

volumes of The Second World War<br />

uneven in quality. Many passages are<br />

pedestrian, he writes, because either<br />

<strong>Churchill</strong> relied too much on documents<br />

or because Britain (i.e.,<br />

<strong>Churchill</strong>), didn’t play a crucial role in<br />

those events. But Reynolds thinks the<br />

final volume, Triumph and Tragedy, rises<br />

to a higher level: It has about it another<br />

sense of a lost opportunity, this time to<br />

use the Allied victory to check Soviet<br />

expansionism or at least to avoid an<br />

east-west confrontation.<br />

The Second World War sold over<br />

two million copies and is still in print<br />

today. Despite rampant revisionism of<br />

varying quality, it still influences our<br />

impressions of World War II. As the<br />

late historian J.H. Plumb wrote,<br />

<strong>Churchill</strong>’s memoir “lies at the very<br />

heart of all historiography of the<br />

Second World War and will always<br />

remain there.” Not a bad epitaph. ,<br />

From the Canon: The “Prussians of the Balkans” in<br />

A chance question from a Yugoslavian reader leads us to one of<br />

our author’s most moving and evocative historical dramas.<br />

MICHAEL RICHARDS<br />

The first American Edition, 1931<br />

Mr. Vukašin Stojkov in Yugoslavia<br />

wrote us asking if <strong>Churchill</strong>, as he<br />

had heard, ever compared Serbia and its<br />

role in the forming of Yugoslavia to<br />

Prussia’s role in the unification of<br />

Germany. A strong contender is<br />

Chapter 1 of The Unknown War / The<br />

Eastern Front, volume 5 of The World<br />

Crisis (London: Thornton Butterworth,<br />

New York: Scribners, 1931), where<br />

<strong>Churchill</strong> refers to the Serbs as “the<br />

Prussians of the Balkans.” <strong>Churchill</strong><br />

puts these words in quotes, indicating<br />

that they did not originate with him—<br />

but as it happens, they did.<br />

Searching Google for the<br />

origins of the term, we found sixteen<br />

references, most of which indicate that<br />

the phrase was applied to the<br />

Bulgarians. An 11 August 1903 letter<br />

to The New York Times, by Vladimir<br />

Andreef Tsanoff, Secretary of the<br />

Macedonian Committee of America,<br />

protesting an article on Bulgaria’s dismissal<br />

of pro-Russian cabinet members,<br />

stated: “In a moment of exasperation at<br />

Bulgaria’s obdurate spirit of independence,<br />

the Russian Chancellor, Prince<br />

Lobanoff, called these Bulgars “the<br />

Prussians of the Balkans.”<br />

<strong>Churchill</strong> had nearly a photographic<br />

memory and often dredged up<br />

phrases that he had read many years<br />

before. In the case of The Eastern Front,<br />

however, he certainly goes against all<br />

preceding use of the term. It is likely<br />

that he was either misquoting what he<br />

had read, or liked the phrase so much<br />

that he applied it to the Serbs!<br />

His beginning paragraphs from<br />

The Unknown War are reprinted by<br />

kind permission of the <strong>Churchill</strong><br />

Literary Estate and Randolph<br />

<strong>Churchill</strong>. The text, slightly shortened<br />

for space, conveys I hope a view “from<br />

a great height”—the magnificent prose<br />

of which <strong>Churchill</strong> was a master.<br />

The Dusk of Hapsburg<br />

<strong>Winston</strong> S. <strong>Churchill</strong><br />

If for a space we obliterate from our<br />

minds the fighting in France and<br />

Flanders, the struggle upon the Eastern<br />

Front is incomparably the greatest war<br />

in history. In its scale, in its slaughter,<br />

in the exertions of the combatants, in<br />

its military kaleidoscope, it far surpasses<br />

by magnitude and intensity all similar<br />

human episodes.<br />

All three empires, both sides,<br />

victors and vanquished, were ruined. All<br />

the Emperors or their successors were<br />

slain or deposed. The Houses of<br />

Romanov, Hapsburg and Hohenzollern,<br />

woven over centuries of renown into the<br />

texture of Europe were shattered and<br />

extirpated. The structure of three<br />

mighty organisms built up by generations<br />

of patience and valour and<br />

representing the traditional groupings of<br />

noble branches of the European family,<br />

was changed beyond all semblance.<br />

These pages recount dazzling victories<br />

and defeats stoutly made good. They<br />

record the toils, perils, sufferings and<br />

passions of millions of men. Their<br />

sweat, their tears, their blood bedewed<br />

FINEST HOUR 148 / 42

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