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R E V I E W S<br />
Lady Randolph <strong>Churchill</strong> and the Incomparable Lee Remick<br />
No actress will ever hope to<br />
portray Jennie <strong>Churchill</strong> better<br />
than the late Lee Remick,<br />
whom we honored just in time<br />
with the aid of Gregory Peck.<br />
RICHARD M. LANGWORTH<br />
Jennie: Lady Randolph <strong>Churchill</strong>.<br />
Seven-episode television documentary,<br />
1974, starring Lee Remick as<br />
Jennie, Ronald Pickup as Randolph,<br />
Warren Clarke as <strong>Winston</strong>, reissued<br />
by Amazon.com. Six hours, two<br />
CDs, $36.49.<br />
Amazon has brought out a new CD<br />
version of one of the finest-ever<br />
films about <strong>Winston</strong> <strong>Churchill</strong>, featuring<br />
a striking performance by the<br />
late Lee Remick. The original television<br />
documentary, entitled, “The life and<br />
loves of Jennie <strong>Churchill</strong>,” was broadcast<br />
on ITV in Britain and PBS in the<br />
USA in 1974.<br />
Aboard the Queen Mary in Long<br />
Beach, California, on 4 May 1991 the<br />
International <strong>Churchill</strong> Society held a<br />
dinner for Lee, then dying of cancer, to<br />
present her with our Blenheim Award<br />
for notable contributions to knowledge<br />
of the life and times of <strong>Winston</strong><br />
<strong>Churchill</strong>. It was a bittersweet occasion,<br />
Lee’s last appearance in public.<br />
But we did her proud, thanks to the<br />
participation of a special guest, Gregory<br />
Peck, who had this to say of Lee<br />
Remick:<br />
“It was my privilege to work in<br />
only one film with Lee. It was called<br />
‘The Omen.’ It had to do with<br />
Satanism. It had some horrifying<br />
special effects; it was a spine tingler,<br />
excruciatingly suspenseful—and complete<br />
nonsense—and a blockbuster!<br />
People lined up for blocks to see it.<br />
While the studio executives took bows<br />
as the money rolled in, only Lee and I<br />
knew the secret of the film’s extraordinary<br />
success: We did it! It was our<br />
special artistry, our sensitive portrayal<br />
of a married couple very much in love,<br />
to whom all these dreadful things were<br />
happening. We provided the human<br />
element that made it all work. [He said<br />
all this very much tongue-in-cheek.]<br />
“There cannot be another<br />
American actress so well suited, by her<br />
beauty, her high spirits, her intelligence,<br />
and more than that, by the<br />
mystery of a rare quality which I would<br />
call a depth of womanliness, to play the<br />
mother of <strong>Winston</strong> <strong>Churchill</strong>....Playing<br />
opposite this clear-eyed Yankee girl<br />
with the appealing style and femininity<br />
that graces every one of her roles just<br />
simply brings out the best in a man.”<br />
For interested readers, the Lady<br />
Randolph <strong>Churchill</strong> issue, Finest Hour<br />
98, Spring 1998, contains numerous<br />
FINEST HOUR 148 / 38<br />
articles including stills from this documentary,<br />
which critic Stewart Knowles<br />
described, pointing out that Lee was<br />
not a Jennie lookalike: “What cast the<br />
illusion were clothes, wigs, and the<br />
talent of a great actress.”<br />
Knowles was not exaggerating.<br />
Lee Remick was one of the most<br />
remarkable actresses America ever produced.<br />
This was apparent already in her<br />
debut in “A Face in the Crowd” (1957)<br />
and “The Long Hot Summer” (1958)<br />
through her Oscar nomination as the<br />
wife of Jack Lemmon in “The Days of<br />
Wine and Roses” (1962), and her final<br />
film, “Emma’s War” (1986).<br />
She won seven Emmy nominations<br />
for her outstanding roles in<br />
television docudrama, including the