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R E V I E W S<br />

Lady Randolph <strong>Churchill</strong> and the Incomparable Lee Remick<br />

No actress will ever hope to<br />

portray Jennie <strong>Churchill</strong> better<br />

than the late Lee Remick,<br />

whom we honored just in time<br />

with the aid of Gregory Peck.<br />

RICHARD M. LANGWORTH<br />

Jennie: Lady Randolph <strong>Churchill</strong>.<br />

Seven-episode television documentary,<br />

1974, starring Lee Remick as<br />

Jennie, Ronald Pickup as Randolph,<br />

Warren Clarke as <strong>Winston</strong>, reissued<br />

by Amazon.com. Six hours, two<br />

CDs, $36.49.<br />

Amazon has brought out a new CD<br />

version of one of the finest-ever<br />

films about <strong>Winston</strong> <strong>Churchill</strong>, featuring<br />

a striking performance by the<br />

late Lee Remick. The original television<br />

documentary, entitled, “The life and<br />

loves of Jennie <strong>Churchill</strong>,” was broadcast<br />

on ITV in Britain and PBS in the<br />

USA in 1974.<br />

Aboard the Queen Mary in Long<br />

Beach, California, on 4 May 1991 the<br />

International <strong>Churchill</strong> Society held a<br />

dinner for Lee, then dying of cancer, to<br />

present her with our Blenheim Award<br />

for notable contributions to knowledge<br />

of the life and times of <strong>Winston</strong><br />

<strong>Churchill</strong>. It was a bittersweet occasion,<br />

Lee’s last appearance in public.<br />

But we did her proud, thanks to the<br />

participation of a special guest, Gregory<br />

Peck, who had this to say of Lee<br />

Remick:<br />

“It was my privilege to work in<br />

only one film with Lee. It was called<br />

‘The Omen.’ It had to do with<br />

Satanism. It had some horrifying<br />

special effects; it was a spine tingler,<br />

excruciatingly suspenseful—and complete<br />

nonsense—and a blockbuster!<br />

People lined up for blocks to see it.<br />

While the studio executives took bows<br />

as the money rolled in, only Lee and I<br />

knew the secret of the film’s extraordinary<br />

success: We did it! It was our<br />

special artistry, our sensitive portrayal<br />

of a married couple very much in love,<br />

to whom all these dreadful things were<br />

happening. We provided the human<br />

element that made it all work. [He said<br />

all this very much tongue-in-cheek.]<br />

“There cannot be another<br />

American actress so well suited, by her<br />

beauty, her high spirits, her intelligence,<br />

and more than that, by the<br />

mystery of a rare quality which I would<br />

call a depth of womanliness, to play the<br />

mother of <strong>Winston</strong> <strong>Churchill</strong>....Playing<br />

opposite this clear-eyed Yankee girl<br />

with the appealing style and femininity<br />

that graces every one of her roles just<br />

simply brings out the best in a man.”<br />

For interested readers, the Lady<br />

Randolph <strong>Churchill</strong> issue, Finest Hour<br />

98, Spring 1998, contains numerous<br />

FINEST HOUR 148 / 38<br />

articles including stills from this documentary,<br />

which critic Stewart Knowles<br />

described, pointing out that Lee was<br />

not a Jennie lookalike: “What cast the<br />

illusion were clothes, wigs, and the<br />

talent of a great actress.”<br />

Knowles was not exaggerating.<br />

Lee Remick was one of the most<br />

remarkable actresses America ever produced.<br />

This was apparent already in her<br />

debut in “A Face in the Crowd” (1957)<br />

and “The Long Hot Summer” (1958)<br />

through her Oscar nomination as the<br />

wife of Jack Lemmon in “The Days of<br />

Wine and Roses” (1962), and her final<br />

film, “Emma’s War” (1986).<br />

She won seven Emmy nominations<br />

for her outstanding roles in<br />

television docudrama, including the

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