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Layout 8 - Winston Churchill

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Left: WSC’s “Portrait of Sir John Lavery in his Studio, 1915” (Coombs 507) had actually been<br />

exhibited before the “Morin” exhibition, in London in 1919. Below: Another painting likely to<br />

have been exhibited in Paris in 1921 was “The Harbour at St. Jean Cap Ferrat,” painted<br />

January 1921 (Coombs 309). Right: “Ightham Mote,” 1920 (Coombs 235) was the painting<br />

WSC sold to Jean Hamilton for £50, a good investment considering its value ninety years later.<br />

CHARLES MORIN...<br />

“Charles Morin,” and the exclamation<br />

point, suggest that he knew the truth<br />

and was giving Sinclair a “nudge.”<br />

To be strictly accurate, one of<br />

<strong>Churchill</strong>’s paintings, “Portrait of Sir<br />

John Lavery in his Studio” (Coombs<br />

507) had been exhibited two years<br />

earlier in 1919 at the annual exhibition<br />

of the Royal Society of Portrait Painters<br />

in London. Still, the Paris exhibition<br />

appears to be the first where several<br />

pictures by <strong>Churchill</strong> were displayed.<br />

The London exhibit was mentioned<br />

in a 1953 essay on <strong>Churchill</strong> as<br />

artist by the distinguished museum<br />

director, art historian and critic,<br />

Professor Thomas Bodkin (1887-<br />

1961), who added: “The only other<br />

recorded instance of [<strong>Churchill</strong>] submitting<br />

his work for exhibition<br />

occurred shortly before the late war,<br />

when the French painter Charles<br />

Montag organized a one-man show for<br />

him in Paris at which six of his canvases,<br />

described as being by Charles<br />

Maurin [sic] were sold.” 4 It seems likely<br />

from this that the “art critic” and “gentleman<br />

in question” mentioned by<br />

Geiger to Sinclair was Charles Montag.<br />

As Lady Soames observed in her<br />

book on her father’s painting hobby,<br />

Professor Bodkin “does not mention<br />

prices,” though it “must have given

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