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Books, Arts<br />
& Curiosities<br />
Below: “Mimizan,” painted by WSC at the<br />
property of his friend “Bendor,” The Duke<br />
of Westminster, near Bordeaux, spring<br />
1920 (Coombs 69). Although the author<br />
has not yet tracked the paintings<br />
“Charles Morin” exhibited in Paris in<br />
1921, they are likely to have been recent<br />
French scenes like this one.<br />
All paintings reproduced by kind permission<br />
of <strong>Churchill</strong> Heritage Ltd.<br />
Charles Morin and the Search<br />
for <strong>Churchill</strong>’s Nom de Palette<br />
Why did <strong>Winston</strong> <strong>Churchill</strong><br />
exhibit his paintings under<br />
the name of a real painter<br />
only recently deceased<br />
DAVID COOMBS<br />
The first public exhibition of<br />
<strong>Churchill</strong>’s paintings was held in<br />
Paris in 1921 at the Galerie<br />
Druet, a famous and important establishment<br />
at 20 rue Royale, specializing<br />
in Post-Impressionist painters of the<br />
early 20th century. The paintings were<br />
shown under the pseudonym of<br />
Charles Morin, and six were sold.<br />
This is the story, though the surrounding<br />
facts are curious. First, the<br />
gallery archives contain no reference to<br />
the exhibition, and second, Charles<br />
Morin was the name of a real French<br />
painter, who died in 1919.<br />
In January 1921, <strong>Churchill</strong> was<br />
in Paris for discussions about extending<br />
his responsibilities, as Britain’s newly<br />
appointed Colonial Secretary, to<br />
Palestine and Mesopotamia: intense<br />
and complex deliberations detailed at<br />
length in Sir Martin Gilbert’s official<br />
biography.<br />
Despite his official duties,<br />
<strong>Churchill</strong> was able to take time off to<br />
think about his paintings in the<br />
company of Major Gerald Geiger, head<br />
of the British Military Mission to Paris:<br />
an old school friend and one of WSC’s<br />
contemporaries at Sandhurst. On 13<br />
January, Major Geiger wrote to Sir<br />
Archibald<br />
Sinclair, then<br />
<strong>Churchill</strong>’s<br />
private secretary:<br />
“The S. of S.<br />
[Secretary of<br />
State] went with<br />
me and an art<br />
critic to visit the<br />
works of the<br />
painter<br />
CHARLES<br />
MORIN. The<br />
works of this<br />
artist were produced<br />
and<br />
criticised for<br />
forty minutes by<br />
the gentleman in<br />
question and the<br />
S. of S. was very<br />
interested!”<br />
Unfortunately,<br />
there is no clue<br />
in Geiger’s<br />
lengthy letter to<br />
the gallery or<br />
location he and <strong>Churchill</strong> visited. 1<br />
Geiger’s letter is quoted in part<br />
by Sir Martin Gilbert, who explains<br />
that the “Charles Morin was in fact<br />
<strong>Churchill</strong> himself; it was the first<br />
public exhibition of his paintings.” 2<br />
__________________________________<br />
Mr. Coombs (david.coombs@ artnewsletter.com)<br />
is the leading authority on<br />
<strong>Churchill</strong>’s paintings, co-author with Minnie<br />
<strong>Churchill</strong> of <strong>Winston</strong> <strong>Churchill</strong>: His Life<br />
Through His Paintings, and the editor of artnewsletter.com<br />
FINEST HOUR 148 / 31<br />
In his accompanying Companion<br />
Volume, Sir Martin adds that the<br />
“Morin” paintings “were being exhibited<br />
for the first time, under a<br />
pseudonym,” and that <strong>Churchill</strong> had<br />
suggested the name “Mr. Spencer,”<br />
which he had sometimes used “when<br />
seeking to travel incognito to France on<br />
munitions business during the war.” 3<br />
Whether Geiger knew that<br />
“Morin” was <strong>Churchill</strong> is not clear,<br />
although his use of capitals for >>