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Books, Arts<br />

& Curiosities<br />

Below: “Mimizan,” painted by WSC at the<br />

property of his friend “Bendor,” The Duke<br />

of Westminster, near Bordeaux, spring<br />

1920 (Coombs 69). Although the author<br />

has not yet tracked the paintings<br />

“Charles Morin” exhibited in Paris in<br />

1921, they are likely to have been recent<br />

French scenes like this one.<br />

All paintings reproduced by kind permission<br />

of <strong>Churchill</strong> Heritage Ltd.<br />

Charles Morin and the Search<br />

for <strong>Churchill</strong>’s Nom de Palette<br />

Why did <strong>Winston</strong> <strong>Churchill</strong><br />

exhibit his paintings under<br />

the name of a real painter<br />

only recently deceased<br />

DAVID COOMBS<br />

The first public exhibition of<br />

<strong>Churchill</strong>’s paintings was held in<br />

Paris in 1921 at the Galerie<br />

Druet, a famous and important establishment<br />

at 20 rue Royale, specializing<br />

in Post-Impressionist painters of the<br />

early 20th century. The paintings were<br />

shown under the pseudonym of<br />

Charles Morin, and six were sold.<br />

This is the story, though the surrounding<br />

facts are curious. First, the<br />

gallery archives contain no reference to<br />

the exhibition, and second, Charles<br />

Morin was the name of a real French<br />

painter, who died in 1919.<br />

In January 1921, <strong>Churchill</strong> was<br />

in Paris for discussions about extending<br />

his responsibilities, as Britain’s newly<br />

appointed Colonial Secretary, to<br />

Palestine and Mesopotamia: intense<br />

and complex deliberations detailed at<br />

length in Sir Martin Gilbert’s official<br />

biography.<br />

Despite his official duties,<br />

<strong>Churchill</strong> was able to take time off to<br />

think about his paintings in the<br />

company of Major Gerald Geiger, head<br />

of the British Military Mission to Paris:<br />

an old school friend and one of WSC’s<br />

contemporaries at Sandhurst. On 13<br />

January, Major Geiger wrote to Sir<br />

Archibald<br />

Sinclair, then<br />

<strong>Churchill</strong>’s<br />

private secretary:<br />

“The S. of S.<br />

[Secretary of<br />

State] went with<br />

me and an art<br />

critic to visit the<br />

works of the<br />

painter<br />

CHARLES<br />

MORIN. The<br />

works of this<br />

artist were produced<br />

and<br />

criticised for<br />

forty minutes by<br />

the gentleman in<br />

question and the<br />

S. of S. was very<br />

interested!”<br />

Unfortunately,<br />

there is no clue<br />

in Geiger’s<br />

lengthy letter to<br />

the gallery or<br />

location he and <strong>Churchill</strong> visited. 1<br />

Geiger’s letter is quoted in part<br />

by Sir Martin Gilbert, who explains<br />

that the “Charles Morin was in fact<br />

<strong>Churchill</strong> himself; it was the first<br />

public exhibition of his paintings.” 2<br />

__________________________________<br />

Mr. Coombs (david.coombs@ artnewsletter.com)<br />

is the leading authority on<br />

<strong>Churchill</strong>’s paintings, co-author with Minnie<br />

<strong>Churchill</strong> of <strong>Winston</strong> <strong>Churchill</strong>: His Life<br />

Through His Paintings, and the editor of artnewsletter.com<br />

FINEST HOUR 148 / 31<br />

In his accompanying Companion<br />

Volume, Sir Martin adds that the<br />

“Morin” paintings “were being exhibited<br />

for the first time, under a<br />

pseudonym,” and that <strong>Churchill</strong> had<br />

suggested the name “Mr. Spencer,”<br />

which he had sometimes used “when<br />

seeking to travel incognito to France on<br />

munitions business during the war.” 3<br />

Whether Geiger knew that<br />

“Morin” was <strong>Churchill</strong> is not clear,<br />

although his use of capitals for >>

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