February 2006 - Boston Photography Focus

MJanuary a y | | JFebruary u n e 2 02006
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V o llu m e 3 0 ,, N u m b e r r 31

The Yachting Photography of
Willard B. Jackson
At the Peabody Essex Museum, Salem, MA
Opens May 20, 2006
Experience the beauty and power of yachting through the lens of one of America’s
pioneer yachting photographers, Willard B. Jackson. Shooting on the waters off
Marblehead, Mass., between 1898 and 1937, Jackson captured the many dimensions
of New England yachting with meticulous artistry—from graceful boat designs to the
exhilaration of the sport and sailors’ deep affinity with their vessels.
Schooner yacht Resolute,1926, Willard B. Jackson.
Salem, MA | 978-745-9500 | pem.org

from the director
The Mother’s Day Portrait Extravaganza (May 13-14) exemplifies the community’s
support of the Photographic Resource Center. From the time and talent volunteered
by the photographers and photographers’ assistants, to the supplies and
services provided by numerous local and national companies, it is heartening to
see how many people care about this 30-year-old organization.
Out of great respect for this support, and in service to our mission, we are serious
about our role as a center for the New England photography community. We
are proud to champion photography and photographers in every initiative that
we undertake. Whether it is providing regular exhibition opportunities for regional
artists, or properly crediting every photograph on our website or in our printed
materials, we aim to boost awareness of those in this community. We thank all
of you for believing in the PRC’s mission and look forward to serving you for
decades to come.
In other news, the successes of, and overwhelming demand for, some of our
education programs, such as the Portfolio Review Day, have made us take a closer
look at our future programming. We will be further developing and expanding
these programs during the summer months, but are pleased to announce that the
fall lecture series will include photographers Andrea Modica and John Sexton.
Next year’s programming is shaping up to be even more extensive than this year’s!
As always, keep your eye out for future announcements here in the newsletter and
online at prcboston.org.
Best regards,
Terrence Morash
Executive Director
S U P P O R T
THE PROGRAMS AND EXHIBITIONS OF THE PHOTOGRAPHIC RESOURCE CENTER ARE MADE POSSIBLE THROUGH THE GENEROUS SUPPORT OF
ITS MEMBERS, BOSTON UNIVERSITY, VARIOUS GOVERNMENT AND PRIVATE FOUNDATIONS, AND CORPORATIONS INCLUDING:
Adesso
American Printing
Apple
Ardon Vinyl Graphics
Art New England
ArtsMedia
ASMP
Associated Press Photos
Bambara Restaurant
Becket Papers
Bonni Benrubi Gallery
Boston Beer Company
Boston Bluegrass Union
Boston Cultural Council
Boston Park Plaza Hotel
Boston University
Calumet Photographic
Cambridge Offset Printing
The Charles Hotel
Christie’s
City of Boston
CompUSA
Paula Cooper Gallery
Crestar Mfg.
Deborah Bell Photographs
DeCordova Museum and
Sculpture Park
Dixie Butterhounds
Eastman Kodak
Epson
Filene’s
FleetCenter Neighborhood
Charities
Fox River Papers
galleryKayafas
Gallery Naga
Gay’s Flowers and Gifts
Gourmet Caterers
Hasselblad
Harpoon Brewery
Helicon Design
Henrietta’s Table
Hotel Commonwealth
Hotel Marlowe
Mark Hunt Backdrops
Hunter Editions
Ilford
Jameson & Thompson Framers
Kabloom
KISS 108 FM
Robert Klein Gallery
Lee Gallery
E.P. Levine
Luminos Photo. Corp.
ISM
Massachusetts College of Art
Massachusetts Cultural Council
MassEnvelopePlus
MCS Frames
Merry Maids
Miller Block Gallery
Museums Boston
Bee Digital
National Endowment for the Arts
Nielsen & Bainbridge Co.
Nikon Inc.
Nylon Magazine
Olympus
Palm Press
Panopticon, Inc.
Perfecta Camera, Corp.
photocurator.org
Photograph
Polaroid Corporation
Rialto
Rouge
Royal Sonesta Hotel
Sandy’s Music
Sebastian’s Catering
Skinner, Inc.
Sonya’s Catering
Spectrum Select Printing
Stanhope Framers
Trader Joe’s
WBUR
Howard Yezerski Gallery
Zeff Photo Supply
Zona Laboratories
Zoo New England
T H E P R C M I S S I O N
THE PHOTOGRAPHIC RESOURCE CENTER (PRC) AT
BOSTON UNIVERSITY IS AN INDEPENDENT NON-PROFIT
ORGANIZATION THAT SERVES AS A VITAL FORUM FOR
THE EXPLORATION AND INTERPRETATION OF NEW WORK,
IDEAS, AND METHODS IN PHOTOGRAPHY AND RELATED
MEDIA. THE PRC PRESENTS EXHIBITIONS, FOSTERS EDUCA-
TION, DEVELOPS RESOURCES, AND FACILITATES COM-
MUNITY INTERACTION FOR LOCAL, REGIONAL, AND
NATIONAL AUDIENCES.
B O A R D O F D I R E C T O R S
Rick Grossman, President
David Gordenstein, Vice President
Cathy England
Andrew Epstein
Roger Farrington
Peter Fiedler
Jim Fitts
Michael Jacobson
Keith Johnson
Lou Jones
S T A F F
Terrence Morash, Executive Director/Editor
Leslie Brown, Curator
Michael Christiano, Education Coordinator
Emily Gabrian, Programs Coordinator
Alice Hall, Librarian
Laura Bernier, Work/Study Assistant
Christian Ling, Work/Study Assistant
Briana Gerard, Intern
Sarah Pollman, Intern
Lissa Rivera, Intern
Danielle Shepherd, Intern
G E N E R A L I N F O R M A T I O N
Photographic Resource Center at Boston University
832 Commonwealth Avenue, Boston, MA 02215
Tel 617-975-0600 prc@bu.edu
Fax 617-975-0606 prcboston.org
H O U R S
Tuesday–Friday: 10–6pm
Thursday: 10–8pm
Saturday–Sunday: 12–5pm
Closed Mondays
A D M I S S I O N
Rodger Kingston
Gary Leopold
Susan Lewinnek
Walt Meissner
Bruce Myren
Eliot Salloway
Kim Sichel
Jonathan Singer
Adults: $3
Students (with valid ID) and Seniors: $2
Members, children under 18, and school groups are
admitted free. Admission is free on Thursdays and on
the last weekend of every month.
P U B L I C T R A N S P O R T A T I O N
Take the Green Line “B” train to the BU West, three
stops west of Kenmore Square.
C O V E R I M A G E
Katherine Cummings (Brighton, MA), detail of
Rhinoceros, 2005, Gold toned Printing-out paper,
3½ x 3½ inches, Courtesy and copyright the artist
D E S I G N C R E D I T S
Carly Stewart, Intern
Jenny Stonewall, Intern
David Wolf, Intern
This issue of the in the loupe was designed by
Todd Fairchild (www.toddfairchild.com) and printed
by Millennium Graphics.

announcements
SMILE WHILE SUPPORTING
THE PRC
The Mother’s Day Portrait Extravaganza
is nearly here! On May 13th and 14th,
the PRC is bringing the talents of Boston’s
elite artistic and commercial photographers
together to create unique fine art portraits of
family and friends. Second only to the PRC
Benefit Auction in fundraising importance,
the Extravaganza is a terrific way for you to
support the organization while celebrating
your loved ones. Please turn to page 16, or
visit prcboston.org for more details.
THE PRC INTRODUCES NEW
EDUCATIONAL PROGRAMMING
FOR YOUTH.
With a firm commitment to education and
a passion for engaging young people’s
creativity, imagination, and vision through
the power of photography, the PRC is
excited to present a variety of new youth
educational programming, beginning with
the 2006 Summer Photo Camp (see page
6). Additional youth programming will be
offered throughout the year beginning in the
fall. Be sure to check prcboston.org for complete
details.
PRC INSTALLATION HOURS
The PRC will be open by appointment only
from May 8-May 25 due to installation.
PHOTO SLAM! : RECAP
The Paradise Lounge hosted the PRC’s first
Photo Slam! on Monday, April 10th. It was
an hour of enthusiastic art set to wonderfully
bad pop music, and a lot of cowbell (ask
someone who was there). We want to thank
the photographers who dared to PhotoSlam
and the curious audience that showered
them with praise. Monika Ohri of UMass
Lowell walked away with the grand prize,
a round trip to New York on the Fung Wah
Bus. Lounge-goers were also wowed by the
work of Laura Bernier, Kimberly Clemons,
Missy Farmer, Jessica Hassmon, Cailin
Mateleska, Chris Mulready, Sarah Pollman,
John Steck and Marc Sundstrom. Cheer loud
enough, and we may just have another…
SMALL PHOTOGRAPHY
NON-PROFIT IRONICALLY
SEEKS PHOTOGRAPHERS
The marquis at the
Paradise Lounge.
Photograph by
Emily Gabrian.
The next time you plan to attend a PRC
event, we hope that you will consider bringing
your digital camera to help us capture
images of the event for our records or website.
This includes Member Events, as well as
Education Programs and opening receptions.
You may even end up as our “Parting Shot”
on the last page of in the loupe! For the
comfort of our speakers and guests, we are
only able to accommodate one person photographing
per event. Please call or email
Emily Gabrian, egabrian@prcboston.org, for
more details. Any photos used will always
be credited, and your time and expertise are
truly appreciated!
GREETINGS FROM MY BOSTON
EXTENDED
A presentation in the PRC’s storefront windows
features this special project produced
by Student Apprentices from the Citizen
Schools Eighth Grade Academy after-school
program and the 4th Presbyterian Music and
Arts Program. Visit prcboston.org for details.
PARTICIPATE IN THE PRC’S
MONTHLY CRITIQUE GROUPS
The monthly Critique Group is a chance to
relax and discuss your work with other photographers.
Informal presentation and discussion
sessions meet on the third Wednesday
of the month, 7-9pm at the PRC. All are
welcome, no matter your expertise, age, or
interest. For more information or to get on
the group’s email list, contact Jeremiah Johnson
at jeremiah_Johnson@graffiti.net. The
next meeting date is Wednesday, June 21,
2006. There will be no May meeting.
QUALITY TIME : BECAUSE IT’S RUDE TO TALK DURING LECTURES.
By Emily Gabrian, PRC Programs Coordinator
www.prcboston.org | announcements
2
FIELD TRIP! : TUESDAY, MAY 23, 2006, 2:00PM
MEET AT THE PRC AT 1:15, OR AT THE HUNTINGTON STREET ENTRANCE
OF THE MFA AT 1:45PM
The Morse Study Room for Prints, Drawings,
and Photographs
Museum of Fine Arts, Boston, Avenue of the Arts
465 Huntington Avenue, Boston, MA 02115
Patrick Murphy will be our guide through some of the MFA’s Morse Study
room’s collection of photographs. “It is one of the world’s major print rooms
measured by standards of both size and quality” (mfa.org). Unless requested
otherwise, please plan to take the T from the PRC. www.mfa.org.
RSVP by Friday, May 19th.
SHINDIG : WEDNESDAY, MAY 31 & JUNE 28, 6:00-7:30PM
Paradise Lounge, 969 Commonwealth Avenue, Boston
(Green B Train to the St. Paul stop)
As I write this, the first shindig has yet to happen, so with complete blind
confidence, I announce that it was a huge success and we can’t wait to do
it again! Always on the last Wednesday of the month, the Paradise Lounge
is the spot for your PRC Member Shindig. Meet PRC staff and members and
reminisce about how fabulous the Uelsmann & Bey lectures were. The school
year is over, so photo students and educators, join us to celebrate! Come for
the conversation, stay for the $5 dinner menu. Don’t forget to visit the 2006
PRC Student Exhibition or Members’ Exhibition on your way over. You will
see me (Emily Gabrian, your resident Programs Coordinator) there to make
introductions, so introduce yourself! www.thedise.com
STUDIO VISIT : SATURDAY, JUNE 3, 12:30PM
MEET AT THE PRC AT 11:00AM TO CARPOOL TO NORWELL, OR MEET
US AT THE STUDIO AT 12:30PM.
Photographer Cary Wolinsky
Norwell, MA
www.carywolinsky.com
Spend an afternoon viewing the incredible work and studio of internationally
recognized photographer and educator Cary Wolinsky. Call 617-975-
0600, or email egabrian@prcboston.org, by Saturday, May 27th to RSVP.
Directions and studio information will be provided.

presentations
EXHIBITIONS IN THE GALLERY
T.J. Kirkpatrick, ROTC maneuvers, April 2005, Ink
jet print, 13 x 19 inches, Boston University School of
Communications, Photojournalism major, Class of ‘06
2006 PRC Student Exhibition
APRIL 7-MAY 7, 2006
The PRC is thrilled to host its 5th annual PRC
Student Exhibition celebrating regional talent.
This year’s show features student work
juried by the following Boston area photography
programs: Art Institute of Boston at
Lesley University; Boston University; Endicott
College; Emerson College; Hallmark Institute
of Photography; Massachusetts College of
Art; Massachusetts Institute of Technology;
Newbury College; New England School
of Photography; Northeastern University;
School of the Museum of Fine Arts, Boston;
Simmons College; University of Massachusetts
at Lowell; University of New Hampshire;
and Wellesley College.
2006 PRC Members’ Exhibition
MAY 26-JULY 2, 2006
Opening Reception, Thursday, May 25,
5;30-7:30pm
The PRC proudly presents its 11th annual
PRC Members’ Exhibition. This year, Jeanine
Fijol, Photo Editor of Photo District News
(PDN), chose 12 photographers out of 268
entries for exhibition. For more about the
PRC Members’ Exhibition, its history and
images by each selected photographer,
please turn to page 10.
Katherine Cummings (Brighton, MA), Rhinoceros,
2005, Gold toned Printing-out paper (POP), 3½ x
3½ inches, Courtesy and copyright the artist
EXHIBITIONS ONLINE
The PRC announces the next installments of Northeast Exposure Online (NEO). The virtual gallery is by invite only and features a selection
of images, a biography, artist and curator statements, and links.
Robert Knight, Mr.
Alan H., Boston
(South End), MA,
2005, Archival Ink Jet
print, 31 x 40 inches,
Courtesy of the artist
Dwelling and The Harry Project. In Dwelling,
Knight looks for interiors that act as
surrogates for their creators. Also featured
is The Harry Project, in which Knight documented
the first 2 years of being a parent
work has been shown at the Bonnie Benrubi
Gallery (New York, NY), Caro D’Offay
Gallery (Chicago, IL), and Laconia Gallery
(Boston, MA). In addition, he has been juried
into the Griffin Museum of Photography’s
to his son, Harry. In both series, there is an
annual exhibition (Winchester, MA) by Andy
attention to light and minutia as a means
Grundberg and the Photographic Center
to understand people’s relationship to their
Northwest’s Annual Photographic Competi-
MAY
Robert Knight
www.bu.edu/prc/knight.htm
Robert Knight is expected to earn his MFA
from the Massachusetts College of Art this
May (his thesis show at MassArt’s Bakalar
Gallery runs through May 6). Knight’s
diverse background also includes a BA
in Economics and Architecture from Yale
University. His work has been shown at the
Essex Art Center, Cambridge Art Association,
Sherman Gallery at Boston University
and is included in the Boston Drawing Project
in the Bernard Toale Gallery. Featured
online are selections from two projects:
created spaces and roles.
JUNE
Joe Johnson
www.bu.edu/prc/johnson.htm
Joe Johnson, Ten
Windows, 2004,
C-print, 40 x 40
inches, Courtesy
of the artist
Joe Johnson received his MFA from the Massachusetts
College of Art in 2004 and his
BFA from the San Francisco Art Institute. His
tion (Seattle, WA) by Roy Flukinger. This
spring, Johnson’s work is featured in this
year’s highly-anticipated DeCordova Annual
at the DeCordova Museum of Art and Sculpture
Park in Lincoln, MA (April 29 – August
20, 2006). Currently, Johnson teaches
photography at Emerson College (Boston,
MA). Featured online are selections from his
ongoing series of night photographs of cities
as well as a series focusing on the Colonial
Theatre in Boston.
www.prcboston.org | presentations
3

education
SEMINAR
A Guide to Stock Photography
with Christina Micek
FRIDAY, MAY 5, 2006, NOON
www.prcboston.org | education
4
Boston University’s School of Education,
Auditorium 130, Two Sherborn St, Boston
$5 Members/$10 Non-Members
Free for Full-time Students and Seniors
Grab some lunch and pick up some tips
on how to navigate the world of stock photography
from Christina Micek, a picture
researcher, art buyer, and photographer for
the publishing industry. Ms. Micek was also
a photo editor for Index Stock Imagery and
is a contributing writer for the magazine
MacTribe. She lectures on photography topics
for local colleges and universities. Ms.
Micek will discuss, among other things, what
agencies and researchers are looking for
when they seek an image, how they find it,
and how photographers can best present
their stock work. Ms. Micek will be available
after the talk for a brief and informal
portfolio sharing. Participants may bring up
to 15 images for review.
LECTURE/BOOK-SIGNING
Recycled Realities, with John
Willis and Tom Young
THURSDAY, JUNE 1, 2006, 7:00PM
Boston University’s College of
Communications, Auditorium 101
640 Commonwealth Avenue, Boston
Free to the public
Join photographers John Willis and Tom
Young for a discussion about their new
book, Recycled Realities, followed by a
book signing with the artists. Near the
photographers’ homes is a paper mill that
sits in the otherwise pristine and picturesque
climes of western Massachusetts.
For Willis and Young, this site is one of both
aesthetic and philosophical contradictions:
despite its verdant locale, the mill—with its
ominous smoke stacks and countless bales
of discarded paper—brings to mind the
Above: Elliott Erwitt, USA, NYC. Felix, Gladys, and Rover. 1974. Courtesy of the artist.
Below (inset): Elliott Erwitt and friend.
dreariness of industrialization and the
impermanence of life itself. But the factory
is actually one where such litter is reborn as
reusable paper. Willis and Young’s stunning
black-and-white images, collected in this
unforgettable volume, transform this mill and
the innumerable mounds of recyclable waste
it processes daily into an indelible and
evocative landscape.
“John Willis and Tom Young’s haunting
photographs transform a New England
paper mill factory and it’s mounds of raw
material – recyclable printed matter cast off
from the insatiable publishing industry – into
an evocative archaeological landscape,
a contemporary Babel”
– Deborah Martin Kao, Fogg Museum,
Harvard University
LECTURE
Elliott Erwitt
THURSDAY, MAY 18, 2006, 7:00PM
Boston University Photonics Center,
Auditorium 206, 8 St. Mary’s Street, Boston
$10 Members/$15 Non-Members/
Free for Full-time Students and Seniors
Enjoy an evening with
Elliott Erwitt, the man
who defined the New
York street photography
scene during the mid-
20th century. His famed
images pluck the candid and peculiar
from the everyday and present them with a
wonderful sense of humor and irony. Erwitt
began his career under the mentorship of
legendary photographers Edward Steichen,
Robert Capa, and Roy Stryker. Shortly
thereafter Capa invited Erwitt to join his
agency, Magnum photos. Erwitt’s fine art,
journalistic, and commercial images have
been in exhibitions, books, and publications
around the world. He has been featured in
one-man shows at such prestigious venues
as the Museum of Modern Art, The Chicago
Art Institute, the Smithsonian Institution, the
Barbican in London, and the Royal Photographic
Society in Bath. In the 70s, Erwitt
began making documentary films including
Beauty Knows No Pain and Red White and
Blue Grass. He has also produced numerous
television shows for HBO.
This lecture is sponsored in part
by the Hotel Commonwealth
(hotelcommonwealth.com)

education
MASTER WORKSHOPS
Printing at The Atelier at Palm Press
SATURDAY, JUNE 10, 2006, 10:30AM-5:00PM
Palm Press, 23 Bradford Street, Concord, MA 01742
$250 Members/$300 Non-Members/$175 for Full-time students
Truly a once in a lifetime opportunity, the Atelier at Palm Press has
opened up its doors to host a printing workshop for PRC participants.
Don’t miss this chance to master your black and white, gelatin silver
printing skills under the expert guidance of Palm Press staff. Participants
will have the chance to produce 11”x14” or 16”x20” prints from their
own negatives, using Palm Press’ materials, darkrooms and enlargers.
Participants should bring in a guide print. Pre-registration is required for
this program and space is limited. Registration will open on Monday,
May 8th, at 10 a.m. For more information, or to register, please call
617.975.0600.
LECTURE
Left top: Arno Rafael Minkkinen, Self-portrait, Kilberg, Vardo, Norway,
1990, selenium toned gelatin silver print, 16 x 20. Courtesy of the
Robert Klein Gallery. Minkkinen is one of many acclaimed photographers
whose work is printed at Palm Press. Left bottom (inset): Marie Cosindas
photographed by Don Loze. Below: Marie Cosindas, Faye and Peter,
Boston, 1976. Courtesy of the artist.
Marie Cosindas
THURSDAY, JUNE 15, 2006, 7:00PM
Boston University Photonics Center,
Auditorium 206, 8 St. Mary’s Street, Boston
$10 Members/$15 Non-Members
Free for Full-time Students and Seniors
www.prcboston.org | education
Join us for a captivating talk with the legendary Marie Cosindas.
Known for her amazing portraits and still lives, Cosindas has been
a leading figure in photography for some time. Her portraits are a
venerable who’s who of the arts and include the likenesses of Truman
Capote, Faye Dunaway, Paul Newman, Ezra Pound, Andy Warhol,
and Tom Wolfe, among others. Her work played a critical role in
establishing the use of color in fine art photography during the 1960s
and her solo show at the Museum of Modern Art was one of the
institution’s first to feature color work. In addition to being held by
the Museum of Modern Art, Cosindas’ work is in the collections at
the Metropolitan Museum of Art, the Museum of Fine Arts, Boston,
the International Museum of Photography at George Eastman House,
and the Art Institute of Chicago.
This lecture is sponsored in part
by the Hotel Commonwealth
(hotelcommonwealth.com)
6

education
YOUTH PROGRAM
Summer Photo Camp
JULY 17-28, 2006
The Photographic Resource Center is
pleased to offer a variety of fun and educational
summer photography camps for children
ages 8-14. So whether your child is an
aspiring Ansel Adams, sees his/her world
in an interesting light, or is just looking for a
great summer experience, the Summer Photo
Camp at the PRC is the place to be!
Each week-long and age appropriate camp
session is designed to stimulate creativity
and self-expression while fostering an understanding
and appreciation of photography.
Half day or full day options are available
for the 8-10 year olds, while camp for the
11-14 year olds is full day. Students are
encouraged to use their own cameras,
however no previous photography experience
is necessary. Students’ artwork will
be exhibited at the PRC at the close of
Photo Camp. For more information on
the Summer Photo Camp please visit
our website at prcboston.org, or contact
Michael Christiano, Education Manager
at mchristiano@prcboston.org or
617.975.0600.
Please note that students will spend the
majority of their time during camp taking
pictures not developing film.
MASTER WORKSHOP
Night Photography with
Lance Keimig
JULY 7-9, 14, 2006
$250 PRC Members
$295 Non-PRC Members
Reservations required.
Please call 617-975-0600.
Visit prcboston.org
PORTFOLIO REVIEW
Portfolio Reviews with the PRC
Curator
Below you will find dates for 30-minute
monthly portfolio reviews (and corresponding
call-in reservation information) with the
PRC’s Curator, Leslie Brown. Reservations
are still accepted on a first-call, first-served
basis. It is highly recommended that you
bring supporting materials (resume, images,
and statement). You must be a PRC member
to participate in the reviews and members
are limited to one review per year.
REVIEW DATE : MONDAY, JUNE 19
CALL IN FOR RESERVATIONS ON FRIDAY, MAY 19
www.prcboston.org | education
7

ook review
Left: Ansel Adams, Jeffrey Pine, Sentinel Dome, Yosemite National Park, California, c. 1940. Collection Center for Creative Photography, University of Arizona ©Trustees
of the Ansel Adams Publishing Rights Trust. Right: Mark Klett and Byron Wolfe, The trunk of the Jeffrey pine, killed by drought, Sentinel Dome, 2002.
Below: Mark Klett and Byron Wolfe, Panorama from Sentinel Dome connecting three views by Carleton Watkins, 2003. Left insert: From the Sentinel Dome, Down
the Valley, Yosemite, 1865–66. Center insert: Yosemite Falls from the Sentinel Dome, 1865–66. Right insert: The Domes, from the Sentinel Dome, 1865–66. Watkins’
pictures courtesy Jeffrey of Fraenkel.
www.prcboston.org | book review
Yosemite In Time: Ice Ages,
Tree Clocks, Ghost Rivers
by Mark Klett, Rebecca
Solnit, and Byron Wolfe.
San Antonio, Texas: Trinity
University Press, 2005.
BY REBECCA SENF
PHD CANDIDATE, ART HISTORY PROGRAM,
BOSTON UNIVERSITY
Rebecca Solnit, author of Savage Dreams:
A Journey into the Landscape Wars of the
American West (1999), has returned to
California’s Yosemite Valley in her newest
book, Yosemite in Time. This thought-provoking
and beautiful production is the result
of collaboration between Solnit and two
photographers, Mark Klett and Byron
Wolfe. Klett, a Regents’ professor of photography
at Arizona State University, was
part of the 1970s Rephotographic Survey,
in which a team of photographers made
comparative images of the sites of historic
western survey photographs. Developed as
a tool for scientists, particularly geologists,
to compare changes in the landscape,
Klett and other rephotographers made the
process self-reflexive, using it to learn about
the photography as well. Wolfe worked
with Klett on the recent continuation of the
1970s project, in which a third view of
each location was made.
Most of the book’s images are “rephotographs”
by Klett and Wolfe paired with
originals by Eadweard Muybridge,
Carleton Watkins, Edward Weston and
Ansel Adams. The most captivating of these
are the panoramas that incorporate those
earlier pictures into a new photographic
continuum, creating one scene that unites
disparate photographers over distant
decades into one illustration. The lengthy
titles become an important part of each
work, identifying locations and the original
photographers’ views. The results are pleasing
visual puzzles with layers of meaning.
For those interested in photography, Solnit’s
first essay, “Ghost River,” will be the most
compelling of the three. Here she talks about
Muybridge’s photographs of the Valley. She
also positions Watkins, Weston, and Adams
as part of the photographic legacy she,
Klett and Wolfe grappled with in their visits
to Yosemite. In her typically lyrical way she
ruminates broadly on the idea of time, drawing
in various philosophies: is time a river,
a flowing continuum Or is time a series of
discrete moments, like those captured on
photographic film Or perhaps time can be
likened to a tree, infinitely branching out into
new possibilities Balancing specific technical
descriptions of the rephotographic process
with the larger ideas developed during
the team’s days in the Valley, Solnit weaves
a provocative and informative narrative.
8

ook review
Left: Ansel Adams, Jeffrey Pine, Sentinel Dome, Yosemite National Park, California, c. 1940. Collection Center for Creative Photography, University of Arizona ©Trustees
of the Ansel Adams Publishing Rights Trust. Right: Mark Klett and Byron Wolfe, The trunk of the Jeffrey pine, killed by drought, Sentinel Dome, 2002.
Below: Mark Klett and Byron Wolfe, Panorama from Sentinel Dome connecting three views by Carleton Watkins, 2003. Left insert: From the Sentinel Dome, Down
the Valley, Yosemite, 1865–66. Center insert: Yosemite Falls from the Sentinel Dome, 1865–66. Right insert: The Domes, from the Sentinel Dome, 1865–66. Watkins’
pictures courtesy Jeffrey of Fraenkel.
www.prcboston.org | book review
Yosemite In Time: Ice Ages,
Tree Clocks, Ghost Rivers
by Mark Klett, Rebecca
Solnit, and Byron Wolfe.
San Antonio, Texas: Trinity
University Press, 2005.
BY REBECCA SENF
PHD CANDIDATE, ART HISTORY PROGRAM,
BOSTON UNIVERSITY
Rebecca Solnit, author of Savage Dreams:
A Journey into the Landscape Wars of the
American West (1999), has returned to
California’s Yosemite Valley in her newest
book, Yosemite in Time. This thought-provoking
and beautiful production is the result
of collaboration between Solnit and two
photographers, Mark Klett and Byron
Wolfe. Klett, a Regents’ professor of photography
at Arizona State University, was
part of the 1970s Rephotographic Survey,
in which a team of photographers made
comparative images of the sites of historic
western survey photographs. Developed as
a tool for scientists, particularly geologists,
to compare changes in the landscape,
Klett and other rephotographers made the
process self-reflexive, using it to learn about
the photography as well. Wolfe worked
with Klett on the recent continuation of the
1970s project, in which a third view of
each location was made.
Most of the book’s images are “rephotographs”
by Klett and Wolfe paired with
originals by Eadweard Muybridge,
Carleton Watkins, Edward Weston and
Ansel Adams. The most captivating of these
are the panoramas that incorporate those
earlier pictures into a new photographic
continuum, creating one scene that unites
disparate photographers over distant
decades into one illustration. The lengthy
titles become an important part of each
work, identifying locations and the original
photographers’ views. The results are pleasing
visual puzzles with layers of meaning.
For those interested in photography, Solnit’s
first essay, “Ghost River,” will be the most
compelling of the three. Here she talks about
Muybridge’s photographs of the Valley. She
also positions Watkins, Weston, and Adams
as part of the photographic legacy she,
Klett and Wolfe grappled with in their visits
to Yosemite. In her typically lyrical way she
ruminates broadly on the idea of time, drawing
in various philosophies: is time a river,
a flowing continuum Or is time a series of
discrete moments, like those captured on
photographic film Or perhaps time can be
likened to a tree, infinitely branching out into
new possibilities Balancing specific technical
descriptions of the rephotographic process
with the larger ideas developed during
the team’s days in the Valley, Solnit weaves
a provocative and informative narrative.
8

MAY 26–JULY 2, 2006 | BY LESLIE K. BROWN, PRC CURATOR
The Photographic Resource Center at Boston
University is pleased to host an annual juried
exhibition for its members. We were delighted to have Jeanine Fijol,
Photo Editor of Photo District News (PDN) magazine, as the 2006
guest juror. For this year’s exhibition, Fijol selected 12 photographers
out of 268 submissions.
PRC MEMBERS’ SHOW HISTORY
The PRC Members’ Exhibition is a great opportunity to view a slice
of the best and brightest as well as to witness topics in which contemporary
minds are engaged. Further, it is a testament to the depth
of talent in the PRC membership. In total, over 230 photographers
have shown in the PRC Members’ Exhibitions—representing an array
of established photographers and those cited as “ones to watch.”
Past jurors of the PRC Members’ Exhibition have included: Alison
Devine Nordström, Curator of Photographs, George Eastman House
International Museum of Photography and Film (Rochester, NY);
Rachel Rosenfield Lafo, Director of Curatorial Affairs at the DeCordova
Museum and Sculpture Park (Lincoln, MA); Chris Enos, artist,
educator, and founder of the PRC; Diana Gaston, then Independent
Curator; Deborah Martin Kao, Curator of Photography, Fogg Art
Museum, Harvard University (Cambridge, MA); Richard B. Woodward,
former Editor at Large, Doubletake Magazine; Edward Earle,
Curator of Digital Media, International Center of Photography (New
York, NY).
The objective of this prestigious exhibition perhaps rings even more
true today than when it was first announced in 1996: “[the Members’
show] signals the Center’s deepening commitment to area
artists and its support of the range of photography produced in the
New England region.” Join us in congratulating the featured artists of
the PRC’s 11th annual juried exhibition.
ABOUT THE 2006 GUEST JUROR, JEANINE FIJOL
Jeanine Fijol is the photography editor of PDN, based in New York,
NY. She has been on the panel of judges for the “30 Emerging
Photographers” issue, and she manages the artwork for PDN and
PDN Online. Prior to joining the magazine, she worked as an art
buying coordinator at the Young & Rubicam Hispanic division, The
Bravo Group, where she licensed stock photography and produced
photo shoots, and has also served as a freelance photo editor at the
Associated Press.

Opposite: Elizabeth Albert (Belmont, MA), Martha’s
Vineyard, 2005, C-print (original in color), 16 x
20 inches, Courtesy and copyright the artist
Left: Hannah Smith Allen (Brooklyn, NY), Yellow
Stain, 2005, C-print (original in color), 16 x 20
inches, Courtesy and copyright the artist
Right: Ri Anderson (Cambridge, MA and San
Miguel de Allende, Mexico), Matching Cuts,
2004/2005, C-print (original in color), 36¾ x
29 inches, Courtesy and copyright the artist
ABOUT THE ARTISTS
Elizabeth Albert BELMONT, MA
Albert’s series addresses everyday moments with her children. To
create her composition, she uses a Holga camera and captures
two scenes over two frames. The overlapping, dreamlike imagery
seems halfway between reality and memory. Albert received her
MFA from the Maryland Institute College of Art (Baltimore, MD) and
currently teaches at the Winsor School in Boston. She has exhibited
in numerous juried shows, including the Danforth Museum of Art
(Framingham, MA), Cambridge Art Association (Cambridge, MA),
and the Soho Photo Gallery’s Krappy Kamera Competition (New
York, NY).
Hannah Smith Allen BROOKLYN, NY
Allen conveys a sense of tension between the seductive and the
carnal in her series of color images, titled Tuft, which features fragmentary
bodies and interiors. Whether it is a braid that appears disembodied
or perspiration stains on a brightly colored shirt, she aims
to create psychological and poetic moments that prompt viewers to
question their relationships to the human body and desire. Allen is
currently a graduate student in photography at the School of Visual
Arts (New York, NY) and holds a BFA from the Rhode Island School
of Design (Providence, RI). She has exhibited at numerous juried
exhibitions, including the Print Center (Philadelphia, PA), and is a
founding member of collective#nine, a South Brooklyn-based, artist
collective. Her website is www.hannahsmithallen.com.
Ri Anderson
CAMBRIDGE, MA AND SAN MIGUEL DE ALLENDE, MEXICO
Anderson’s work explores the archetype of the mother/child relationship.
Since she became a mother in 2002, Anderson has
been photographing her mother, daughter, and herself with a large
format camera. Drawing on an interest in religious art historical
imagery, she investigates the intense and often contradictory emotions
and dynamics by way of Edenistic and Madonna and Child
compositional allusions and settings. Anderson received her MFA
in photography from Massachusetts College of Art (Boston, MA) in
2005. Her work has been shown at numerous venues including the
Griffin Museum of Photography (Winchester, MA), Studio Soto (Boston,
MA), and the 2000 DeCordova Annual (Lincoln, MA), among
many others. Her website is www.rianderson.com and for more
information contact the Bernard Toale Gallery (Boston, MA).
www.prcboston.org | 2006 prc members’ exhibition
11

Top: Kerry Stuart Coppin (Providence, RI), In
my Father’s House/ St. Louis, Senegal, Africa,
2001/2003, Ink jet print, 6 x 16 inches,
Courtesy and copyright the artist
Bottom: Margarida Correia (Brooklyn, NY),
Paula, 2005, C-prints in three frames (originals
in color), approximately 30 x 30 inches, Courtesy
and copyright the artist
Michael Cirelli LONDONDERRY, NH
Kerry Stuart Coppin PROVIDENCE, RI
Margarida Correia BROOKLYN, NY
www.prcboston.org | 2006 prc members’ exhibition
In a unique twist on the photogram, Cirelli
creates photographic drawings using electricity.
To make the work, he places metal
objects onto photographic paper and
shocks them with a Tesla coil. The silver in
the paper then conducts the electricity and
produces illumination, resulting in hauntingly
beautiful and elegant tracings. Cirelli earned
his BFA from the Cleveland Institute of Art
(Cleveland, OH). He has assisted with
the 20x24 Polaroid studio and currently
teaches photography full-time at Merrimack
High School (Merrimack, NH). He has
exhibited at venues such as Panopticon
Gallery (Waltham, MA) and artSPACE@16
(Malden, MA), among others. His website
is www.cirelliworks.com.
An American artist of African descent and
a documentary-style photographer, Coppin
aims at providing a different view of urban
Africa and African Diaspora. Many of these
panoramic images are from Dakar and St.
Louis, Senegal, the latter of which was once
the capital of the French colonies in all of
West Africa. In his work, Coppin hopes to
use his art as a means of political and social
reconstruction. Coppin holds a MFA from the
Rhode Island School of Design (Providence,
RI) and is presently an Associate Professor
of Art in the Visual Art Department at Brown
University (Providence, RI). He has curated
and exhibited in countless solo and group
shows and received numerous accolades,
grants, and purchase awards as well
as served on many boards, committees,
and panels.
Intrigued by relationships of people to their
personal items, Correia creates unique
triptychs composed of several framed color
images. In this series, titled Saudade, each
piece includes a portrait in the present of
the subject wearing the object, a reproduction
of an old photograph of the original
owner using the same object, and a still life
of the object. These items were meant to
be ephemeral yet have somehow lasted the
test of time, and now take on new owners
and new roles. A recipient of the Individual
Photographer’s Fellowship from the Aaron
Siskind Foundation, Correia holds a MFA
in photography and related media from
the School of Visual Arts (New York, NY)
and has exhibited at many solo and group
shows, including the Photographic Center
Northwest (Seattle, WA) and an upcoming
exhibition at the AIR Gallery (New York, NY).
12

Left: Nicolaus Czarnecki (South Boston, MA),
Flood Line 1, 2005, C-print (original in color),
13 x 13 inches, Courtesy and copyright the artist
Right: Surendra Lawoti (Somerville, MA), Photo
Album, 2004, C-print (original in color), 20 x 24
inches, Courtesy and copyright the artist
Bottom: Michael Cirelli (Londonderry, NH), Photogram,
Photographic Drawing #52.1, 2005, ink
jet print, 3½ x 3½ inches, Courtesy and copyright
the artist
Katherine Cummings
BRIGHTON, MA
Cummings photographs the dioramas and
displays in natural history museums with an
eye towards giving life back to these taxidermied
animals. To create the final pieces,
she uses the historical printing-out-paper
process and then gold-tones the prints. The
process yields a timeless look, which is
further complemented by her presentation.
Cummings is a recent BFA graduate of the
Art Institute of Boston (Boston, MA) and
currently works at Calumet Photographic
(Cambridge, MA). She has an upcoming
solo show at Suffolk University’s College of
Art and Design (Boston, MA) this summer
(July 13-August 18, 2006). Her website is
www.katherinecummings.com.
Nicolaus Czarnecki
SOUTH BOSTON, MA
In this subtle, yet powerful series, Czarnecki
depicts New Orleans five months after
hurricanes Katrina and Rita. In an effort
to show an alternative view to the typical
photographs of the area, he chose not to
document the destruction overtly, but instead
depict the haunting remnants of its cause:
the flood lines. Currently a photojournalism
major and documentary minor at the New
England School of Photography (Boston,
MA), Czarnecki is also working as assistant
to Boston-based photographer Bill Burke.
Surendra Lawoti SOMERVILLE, MA
For his series, titled Pictures from the Nepali
Diaspora, Lawoti photographed his fellow
Nepalese immigrants in America. Using a
large format camera and photographing
with the aesthetic of family snapshots, Lawoti
creates quiet, subtly toned color images of
interior spaces that allude to the emotional
impact of leaving one place and moving
to another. Lawoti came to the US in 1994
and attended Columbia College (Chicago,
IL) and then went on to receive his MFA
from Massachusetts College of Art (Boston,
MA) in 2005. Lawoti works at Color
Services Inc. (Needham, MA) and teaches
photography at Montserrat College of Art
(Beverly, MA). His work has been featured
recently as a part of the PRC’s group
show, DOCUMENT: Contemporary Social
Documentary Work from Greater Boston.
Lawoti received a 2006 Artist Fellowship
Grant from Somerville Arts Council. In
addition, his work will be on display at
the Cambridge Art Association’s National
Prize Show this spring (May 3-June 22,
2006), for which he won the Zeff Photo
Supply Photographic Award. His website is
www.surendralawoti.com.
www.prcboston.org | 2006 prc members’ exhibition
13

Sam Sweezy ARLINGTON, MA
Sweezy’s series is a part of a grant-funded
project with a Cornell University professor
and former graduate student on the built
environment of the Panama Canal Zone,
and is made in support of a future exhibition.
Sweezy and these landscape architects
and planners have been studying the canal
area and its history, including several US
Military bases and towns that were built
as a part of the “City Beautiful” movement
to house workers. A graduate of Boston
University with a degree in film, Sweezy is
a freelance architectural photographer who
specializes in project-based location work.
His published projects include a book, Armenian
Folk Arts, Culture, and Identity, and an
interactive CD, The Layers of Rome. His “in
progress” studies address a variety of topics,
including cathedral builders of Claremont
and landscape painting at Pompeii.
Bob O’Connor WHITMAN, MA
O’Connor’s featured works are a group of
striking landscapes from Iceland. In his imagery,
he concentrates on simplicity, always
bringing his clean straightforward style to
his subjects. O’Connor is a commercial photographer
specializing in location work for
editorial, advertising, and corporate clients,
including Boston Magazine, Dwell, Discover,
and Volkswagen, among others. He was
recently named on0e of PDN’s “30 Emerging
Photographers to Watch” in 2006. His
website is www.boboconnor.net.
Julia Sapir JAMAICA PLAIN, MA
Sapir’s project explores the relationship of
her family to a 200-year old farmhouse that
has been in her family for three generations.
Her parents, who are professors, and her
family eagerly look forward to the leisurely
time spent there each summer. Her grandfather,
who bought the retreat, was also
professor; part of the magic of being there,
she explains, is existing within the realm of
his memory. In her tranquil and beautifully
lit images, she conveys a sense of timelessness
and nostalgia as well as considers how
each successive generation interacts with
the house and nature. A graduate of Brown
University (Providence, RI) and the Post-Baccalaureate
program at the School of the
Museum of Fine Arts, Boston (Boston, MA),
Sapir will attend graduate school for photography
at the University of New Mexico
(Albuquerque, NM) this fall.
www.prcboston.org | 2006 prc members’ exhibition
Left top: Sam Sweezy (Arlington, MA), Gatun, Canal Zone,
2006, C-print (original in color), 16 x 20 inches, Courtesy and
copyright the artist
Left bottom: Bob O’Connor (Whitman, MA), Near Laugarás, Iceland,
2005, Ink jet print (original in color), 19 x 24 inches, Courtesy
and copyright the artist
Right top: Julia Sapir (Jamaica Plain, MA), Morning, 2005, C-print
(original in color), 16 x 18 inches, Courtesy and copyright the artist
14

The Twelfth Juried Exhibition
On exhibit May 11 – August 13, 2006
Opening reception May 11, 2006, 7 - 8:30 PM
Keiko Hiromi
Mark Story
Henry Dombey
Paul Giguere
67 Shore Road, Winchester, MA | For details, call 781-729-1158 | Or visit griffinmuseum.org
VERSION: 1 DATE: 03-21-2006 ZWEPUB106-017-203
PG 1
TRAF lauren b
TIME USED
MAC js
ART
COPY
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PROD
PROOF
kara, mona
B
T1
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7.5" x 4.75"
In the Loupe
1/2 pg
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RELEASED TO
VENDOR
Vendor:_______________
in the loupe
Date:_________________
03-22-06

Portrait by David Binder
Portrait by John Kennard
Portraits by David Binder
Saturday-Sunday, MAY 13–14, 2006, 9am–6pm
Proceeds benefit the Photographic Resource Center, a non-profit
organization dedicated to photographic education and presentation.
This Mother’s Day weekend, the Photographic Resource Center is bringing
the talents of Boston’s elite artistic and commercial photographers together
to create unique fine art portraits of family and friends. Celebrate this holiday
with us and you won’t just leave with a portrait, but a memorable
experience that will last a lifetime.
PRICING AND SESSION INFORMATION
Groups of three or fewer
$95 — 20 minute session
Groups of four or more
$145 — 40 minute session
The session fee includes one 8x10 inch color or
black and white print. Additional print are available
on location.
PORTRAIT OPTIONS (two options)
Our Polaroid Studios offer luscious Polaroid
prints created with traditional large format cameras.
Our Digital Studios offer gorgeous archival ink
jet prints using professional equipment.
Visit prcboston.org for details. Call 617-975-0600 for reservations
FEATURED PHOTOGRAPHERS
Kristin Anderson
David Binder
Judith Black
George Bouret
Andrew Brilliant
Melinda Bruno
Ronald Cowie
Marnie Crawford Samuelson
Darlene DeVita
Jeffrey Dunn
Steve Dunwell
Jack Foley
Todd Gieg
Michael Hintlian
Lou Jones
Lance Keimig
John Kennard
DIGITAL STUDIOS
PHOTOGRAPHIC RESOURCE CENTER
832 Commonwealth Avenue
Boston, MA 02215
E.P. LEVINE
23 Dry Dock Avenue
Boston, MA 02210
HOTEL MARLOWE
25 Edwin H. Land Boulevard
Cambridge, MA 02141
ZEFF PHOTO SUPPLY
11 Brighton Street
Belmont, MA 02478
Stefanie Klavens
Liz Linder
Wild Bill Melton
Meghan Moore
George Panagakos
Sarah Putnam
Stu Rosner
Rebecca Sher
Frank Siteman
Sylvia Stagg-Giuliano
Ian Tuck
Peter Urban
Jan Van Steenwijk
Larry Volk
Christian Waeber
Paul Weiner
POLAROID STUDIOS
MACY’S AT THE NATICK MALL
1245 Worcester Road
Natick, MA 01760
DECORDOVA MUSEUM AND SCULPTURE PARK
51 Sandy Pond Road
Lincoln, MA 01773
The Mother's Day Portrait Extravaganza is made possible by the generous support of Macy's, Polaroid, E.P. Levine, Zeff Photo
Supply, Ilford, Nikon, Apple Computer, DeCordova Museum and Sculpture Park, the Hotel Marlowe, BeeDigital, Mark Hunt Backdrops,
Mom’s Moving, Trader Joe’s and BU Parking Services. Special thanks to all of the photographers and volunteers!
Visit prcboston.org
for photographer
and location details.

Note to Millenium : place spectrum ad
from january, (with car)
(please send file to todd fairchild for future
placement, tafairchild@comcast.net)

listings
www.prcboston.org | listings
18
EVENTS AROUND NEW
ENGLAND AND BEYOND
MASSACHUSETTS
ADDISON GALLERY OF AMERICAN ART
In Focus: 75 Years of Collecting American Photography
(Apr 11-Jul 31). 75 Years of Giving (Apr 11-Jul 31). Artist’s
Project: Type A (Apr 28-Jul 31). William Wegman-Funny/
Strange (Apr 7-Jul 31). 75 Favorites, the Alumni’s Choose
(thru 2006). Tue-Sat, 10-5; Sun, 1-5. Phillips Academy,
180 Main Street, Andover, MA 01810. 978-749-4015.
www.andover.edu/addison
ARLINGTON CENTER FOR THE ARTS
Out of Site (Jun 12-Jul 14) Opening Reception Jun 15, 6-8
pm. Mon-Fri, 9-6. 41 Foster Street, Arlington, MA 02474.
781-648-6220. www.acarts.org
ART COMPLEX MUSEUM AT DUXBURY
Complex Conversations: Tom and Carol Odell (Apr 23-
Jun 25) Reception: May 21, 1:30-3:30. Shaker Forward
(May 14-Sep 10) Reception: May 21, 1:30-3:30. Tue-Sat,
10:30-5:30. 189 Alden Street, Duxbury, MA 02331.
781-934-6634. www.artcomplex.org
ART INSTITUTE OF BOSTON
BFA Graduate Exhibiton (May 15- Jun 30). Mon-Fri, 9-6;
Sat, 9-5; Sun, 12-5. 700 Beacon Street, Boston, MA
02215. 617-585-6600. www.aiboston.edu
ART INTERACTIVE
Urban Networks (Jun 9-Aug 6), Opening Reception:
June 9th, 6pm. Sat-Sun, 10-6. 130 Bishop Allen Drive,
Cambridge, MA 02139. 617-498-0100.
www.artinteractive.org
artSPACE @ 16
Configurations: A Mixed Media Exhibit (May 13-Jun10).
Potluck Reception: May 20, 2-5. Mon-Fri, evenings by
appt. 16 Princeton Road, Malden, MA 02148.
781-321-8058 *3.
BERNARD TOALE GALLERY
Laura McPhee: Silent Steps (May 3-Jul 1). Opening
Reception: May 5, 5:30-7:30. Tue-Sat, 10:30-5:30. 450
Harrison Avenue, Boston, MA 02118. 617-482-2477.
www.bernardtoalegallery.com
BOSTON ATHENAEUM
Welcome Back George & Martha: George & Martha
Washington (thru May 13). Mon-Fri, 9-5:30. 10½
Beacon Street, Boston, MA 02108. 617-227-0270.
www.bostonathenaeum.org
BOSTON PUBLIC LIBRARY- HONAN-ALLSTON BRANCH
Annual Allston-Brighton Art Exposition (May 6-31). Opening
Reception: May 6, 1-4. 300 North Harvard Street, Allston,
MA 02134. 617-787-6313.
BOSTON UNIVERSITY ART GALLERY
Annual CFA Student Exhibition (thru May). Tue-Fri, 10-5;
Sat-Sun, 1-5. College of Fine Arts, 855 Commonwealth
Avenue, Boston, MA 02215. 617-353-3329.
www.bu.edu/art
BROOKLINE ARTS CENTER
Remembering the Familiar: Recent Images by Marc Goldring
(thru May 12). Brookline Open Studios (May 20-21),
11-6. Mon-Fri, 9-4:30. 86 Monmouth Street, Brookline,
MA 02446. 617-738-8760. www.brooklineartscenter.com
BUSCH-RESISINGER MUSEUM
Tempo, Tempo! The Bauhaus Photomontages of Marianne
Brandt (thru May 21). Mon-Sat 10-5; Sun 1-5. 32
Quincy Street. Cambridge, MA 02138. 617-495-9400.
www.artmuseums.harvard.edu/busch/
CAMBRIDGE MUTICULTURAL ARTS CENTER
Spring Art Exhibition: Cambridge Public Schools (May
8-Jun 2). Artist’s Reception: May 18, 5-8. Mon-Fri,
10-6. 41 Second Street, Cambridge, MA 02141.
617-577-1400, x12. www.cmacusa.org
CARPENTER CENTER FOR THE VISUAL ARTS
VES Thesis Exhibition (May 4-Jun 8), Reception: May 12,
5:30-6:30, Main Gallery. 24 Quincy Street, Cambridge,
MA 02138. 617-495-3251. www.ves.fas.harvard.edu
CARNEY GALLERY AT REGIS COLLEGE
Annual Student Exhibition (thru May 15). Mon-Fri, 1-4;
Sat-Sun (by appointment). Fine Arts Center, Regis College,
235 Wellesley Street, Weston, MA 02493.
www.regiscollege.edu/student/fac/cg/cg_about.html
COPLEY SOCIETY OF ART
James Robbins: Intimate Time (Jun 24 – Jul 22); Dawn
Bradway: Optical Illusions, Math in Art (Jun 24 – July 22).
Tue-Sat, 10:30-5:30. 158 Newbury Street, Boston, MA
02116. 617-536-5049. www.copleysociety.org
DANFORTH MUSEUM OF ART
Neeta Madahar: Sustenance (thru Jun 4). Wed-Sun,
12-5. 123 Union Avenue, Framingham, MA 01702.
508-620-0050. www.danforthmuseum.org
DECORDOVA MUSEUM AND SCULPTURE PARK
2006 DeCordova Annual Exhibition. (thru Aug 20)
Opening reception: May 4 6-9. 21st Annual Art in the
Park Festival and Sale, June 11, 10-5. Tue-Sun, 11-5. 51
Sandy Pond Road, Lincoln, MA 01773. 781-259-8355.
www.decordova.org
DUXBURY ART ASSOCIATION
View From the Window (thru May 5). Wed-Sun, 1-4.
64 St. George Street, Duxbury, MA 02331. 781-934-
2731*4. www.duxburyart.org
ESSEX ART CENTER
Patterns and Palettes: Large-Scale Photographs of Nature
and Man-Made Objects by Goodloe Suttler and John
Wawrzonek (May 19- June 16). Tue-Thu, 10-7; Fri, 10-3.
Main Gallery and the Elizabeth A. Beland Gallery, 56
Island Street, Lawrence, MA 01840. 978-685-2343.
www.essexartcenter.com
FITCHBURG ART MUSEUM
New England/New Talent (Mar 12-Jun 4). Some Assembly
Required, artist talk May 7, 1-2. Tue-Sun, 12-4.
185 Elm Street, Fitchburg, MA 01420. 978-345-4207.
www.fitchburgartmuseum.org
FOGG ART MUSEUM
The Western Tradition: Art since the Renaissance (thru
Jul 30), Mon-Sat, 10-5; Sun 1-5. 32 Quincy Street,
Cambridge, MA 02138. 617-495-2325.
www.artmuseums.harvard.edu/fogg/
GALLERY KAYAFAS
Dr. Harold Edgerton: Classic and Vintage Prints 1932-
1986, (May 3-Jun 10). Back Gallery: Katherine Gulla
and Constance Jacobson. Tue-Fri, 1-5:30; Sat, 12-5:30.
450 Harrison Avenue, Suite 223, Boston, MA 02118.
617-482-0411. www.gallerykayafas.com
GALLERY AT SPENCER LOFTS
Rock and Roll: Photographs by Ron Powell (May). Opening
reception: Tue, May 9, 6-9. Sat, 3-5 and by appointment.
978-505-7660. 60 Dudley Street, Chelsea, MA.
galleryspencerlofts@yahoo.com
GRIFFIN MUSEUM OF PHOTOGRAPHY
12th Juried Show (May 11-Aug 13). Opening Reception
May 11, 7-8:30, RSVP by May 4. Tue-Sun, 12-4. 67
Shore Road, Winchester, MA 01890. 781-729-1158.
www.griffinmuseum.org
GRIMSHAW-GUDEWICZ ART GALLERY
Annual Juried Student Art and Design Exhibit (thru May 5).
Mon, Wed, Sat, 1-4, Tue, Thu, Fri, 10-1. Jackson Arts
Center Bristol Community College, 777 Elsbree Street,
Fall River, MA 02720. 508.678.2811, x 2631.
www.bristolcommunitycollege.edu/gallery/
GROSSMAN GALLERY AT SCHOOL OF THE MUSEUM OF FINE ARTS
Fifth Year Exhibition ’06 (Apr. 7-May 6). Graduating
Students Exhibition (May 19-June 9) (special gallery hours
M-F 10-5) Mon-Wed,10-5; Thu,10-8; Fri-Sat 10-5. School
of the Museum of Fine Arts, Boston, 230 The Fenway,
Boston, MA 02115. 617-369-3718 www.smfa.edu
HALLMARK MUSEUM OF CONTEMPORARY PHOTOGRAPHY
Retrospective: Jay Maisel (thru Jun 18). Thu-Sun 1-5. 85
Avenue A, Turners Falls, MA 01376. 413-863-0009.
www.hmcp.org
HARVARD MUSEUM OF NATURAL HISTORY
Looking at Landscape: Environmental Puzzles from
Three Photographers: Alex S. MacLean, Anne Whiston
Spirn, Camilio Jose Vergara (Opens April 29). 26
Oxford Street, Cambridge, MA. 02138. Mon-Sun 9-5.
www.hmnh.harvard.edu
HONAN-ALLSTON BRANCH, BOSTON PUBLIC LIBRARY
20th Annual Allston-Brighton Art Exposition. May 6-31.
Opening Reception (May 6), 1-4. 300 N. Harvard Street,
Allston, MA 02134. Mon 12-8, Tue 10-6, Wed 12-8,
Thu 10-6, Fri & Sat 9-5. 617-787-6313.
www.bpl.org/branches/allston.htm
HOWARD YEZERSKI GALLERY
Neeta Madahar: Falling Series (Apr 21-May 23). Tue-Sat,
10-5:30. 14 Newbury Street, Boston, MA 02116. 617-
262-0550. www.howardyezerskigallery.com
in the loupe listings deadlines
July/August issue:
June 2, 2006
September/October issue:
August 4, 2006
INSTITUTE OF CONTEMPORARY ART
Living in Motion (thru May 7). Wed-Fri, 12-5; Thu, 12-9;
Sat-Sun, 12-5. 955 Boylston Street, Boston, MA 02115.
617-266-5152. www.icaboston.org
IRIS GALLERY
In the Garden: Beth Dow, Underworld: Barbara Cole. May
26- June 25. Opening Reception May 27 5:30-7. Thu-Mon
12-6 or by appointment. 47 Railroad Street, Great Barrington,
MA 01230. 413-644-0045. www.irisgallery.net
KHAKI GALLERY
Rancho Canada Larga (thru May). Opening Reception:
May 4, 6-8. Craig Perini, John Steck & Nahid Khaki:
Urbania (Jun 3-29). Opening Reception: Jun 8, 6-8.
Mon-Sat 10-6. 9 Crest Road, Wellesley, MA 02482.
781-237-1095. www.nahidkhaki.com
MASSACHUSETTS COLLEGE OF ART, BAKALAR GALLERY
MFA Thesis Show II, (thru May 6), MFA Thesis Show III,
(May11-22), Reception: May 18, 6-8pm. Senior Show
Reception: May 18, 6pm. Mon-Fri, 10-6; Sat, 11-5. 621
Huntington Avenue, Boston, MA 02115. 617-879-7000.
www.massart.edu
MASSACHUSETTS MUSEUM OF CONTEMPORARY ART
A Historic Occasion: Artists Making History (Opens May
28). Mon-Sun, 11-5, closed Tue. 87 Marshall Street, North
Adams, MA 01247. 413-664-4481. www.massmoca.org
MILLS GALLERY AT THE BOSTON CENTER FOR THE ARTS
Amber Davis Tourlentes: Parade Swag, South End, Boston
2002-2006 (April 7-May 28). Wed-Thu, 12-5; Sat-Sun,
12-10; Sun, 12-5. 539 Tremont Street, Boston, MA
02116. 617-426-8835. bcaonline.org
MIT MUSEUM MAIN GALLERY
Scopes, Station Wagons and Solder (thru Jul 4). Dean’s
Gallery: Aaron Fink: Elements, and other Prints (thru May
12). Tue-Fri, 10-5; Sat-Sun, 12-5. 265 Massachusetts
Avenue, Cambridge, MA 02139. 617-253-4444.
web.mit.edu/museum
MIT VISUAL ARTS CENTER
9 Evenings Reconsidered: Art, Theatre, and Engineering,
1966 (May 4-Jul 9). Tue-Thu, Sat, Sun 12-6; Fri 12-8.
20 Ames Street Building E15, Cambridge, MA, 02139.
617-253-4680. web.mit.edu/lvac
MONTSERRAT GALLERY
Senior Show (May 1-19). Mon-Thu, 11-7; Fri, 11-5;
Sat, 12-4. 23 Essex Street, Beverly, MA 01915.
978-921-4242. www.montserrat.edu/galleries/
MUSEUM OF FINE ARTS, BOSTON
Laura McPhee: River of No Return (May 13-Sep 17). Mon-
Tue, 10-4:45; Wed-Fri, 10-9:45, Sat-Sun, 10-5:45. 465
Huntington Avenue, Boston, MA 02115. 617-267-9300.
www.mfa.org
NEW ART CENTER IN NEWTON
Mixing Speak: featuring photographer Annu Palakunnathu
Matthew (thru May 21). Mon-Fri 9-5, Sun 1-5. 61 Washington
Park, Newtonville , MA 02460. 617-964-3424.
www.newartcenter.org
CENTER FOR PHOTOGRAPHIC EXHIBITIONS AT NEW ENGLAND
SCHOOL OF PHOTOGRAPHY
2006 Local High School: Group Show (thru May 21).
NESOP Graduates: Group Show (May 29- Jun 30).
Mon-Fri, 9-5. 537 Commonwealth Avenue, Boston, MA
02215. 617-437-1868. www.nesop.com
PANOPTICON GALLERY
Soul Sanctuary: Images of the African American Worship
Experience: by Jason Miccolo Johnson (Apr 27-Jun 10)
Reception: Sat, Apr 29, 5:30-7:30. Mon-Fri, 10-6; Sat,
11-5. 435 Moody Street, Waltham, MA 02453.
781-647-0100. The Elements: Panopticon’s Annual Juried
Exhibition (May 4-July 8) Reception: Thu, May 11, 6-8.
Tue-Sat, 11-6. 502c Commonwealth Avenue, Boston, MA
02215. 617-267-8929. www.panopt.com

listings
PEABODY ESSEX MUSEUM
Taj Mahal, The Building of a Legend (thru Jul 23); The
Yachting Photography of Willard B. Jackson (May 20-Jan
21). Tue-Sat, 10-5; Sun, 12-5. East India Square,
Salem, MA 01970. 978-745-9500. 866-745-1876.
www.pem.org
PEABODY MUSEUM OF ARCHEOLOGY AND ETHNOLOGY
Pusan, Korea, 1952-1954: The Photographs of Roger
Marshutz (thru Sep 10). Mon-Sun, 9-5. 11 Divinity
Avenue, Cambridge, MA 02138. 617-496-0099.
www.peabody.harvard.edu
PUCKER GALLERY
Paul Cary Goldberg: Out on a Ledge (Apr 22-May
16). 171 Newbury Street, Boston, MA 02116.
617-267-9473. www.puckergallery.com
RHYS GALLERY
Synergetic, Featuring artists Lana Z.Caplan, Harvey Loves
Harvey, Reese Inman (thru May 6). Sat, 12-5, or by appt.
70 Northampton Street #105, Boston, MA 02118.
617-541-2534. www.therhysgallery.com
ROBERT KLEIN GALLERY
Elliott Erwitt (May 4-Jun 10). Tue-Fri, 10-5:30; Sat, 11-5.
38 Newbury Street, Boston, MA 02116. 617-267-7997.
www.robertkleingallery.com
THE ROSE ART MUSEUM AT BRANDEIS UNIVERSITY
Erwin Wurm: I Love My Time, I Don’t Like My Time (thru Jul
30). Tue-Sun, 12-5; Thu,12-9. 415 South Street, Waltham,
MA 02454. 781-736-3434. www.brandeis.edu/rose
SOUTH SHORE ART CENTER
White, Black and Shades of Gray (thru May 21). Mon-
Sat, 10-4; Sun 12-4. 119 Ripley Road, Cohasset MA
02025. 781-383-2787. www.ssac.org
TUFTS UNIVERSITY ART GALLERY, AIDEKMAN ARTS CENTER
Artur Zmijewski: 80064 (thru May 21). MFA Thesis
Exhibition and Tufts Museum Studies Program Exhibition,
(May 4-21). Tue-Sun, 11-5; Thu until 8. Aidekman Arts
Center, 40 Talbot Avenue, Medford, MA 02155.
617-627-3518. www.tufts.edu/as/gallery
WILLIAMS COLLEGE MUSEUM OF ART
Regeneration: Contemporary Chinese Art From China
and the US (thru May 14). Tue-Sat, 10-5; Sun, 1-5. 15
Lawrence Hall Drive, Suite 2, Williamstown, MA 02116.
413-597-2429. www.wcma.org
WORCESTER ART MUSEUM
Biographical Landscape: The Photography of Stephen
Shore, 1968-1993 (thru Jun 25), artist talk May 7, 2pm.
Wed-Sun, 11-5; Thu, 11-8; Sat, 10-5. 55 Salisbury Street,
Worcester, MA 01609. 508-799-4406.
www.worcesterart.org
ELSEWHERE IN NEW ENGLAND
BANNISTER GALLERY AT RHODE ISLAND COLLEGE
Annual Student Exhibition, May 11-20. Opening
Reception: May 11, 7pm. Mon-Wed, Fri 11-5. Thu
12-9. 600 Mt. Pleasant Avenue, Providence, RI 02908.
401-456-9765. www.ric.edu/bannister
CENTER FOR MAINE CONTEMPORARY ART
Biennial Juried Exhibition (thru May 27). 162 Russell
Avenue, P.O Box 147, Rockport, ME 04856.
207-263-2875. www.artsmaine.org
DAVID WINTON BELL GALLERY AT BROWN UNIVERSITY
Seven Documentarians: Berenice Abbott, Larry Clark, Jim
Dow, Walker Evans, Danny Lyon, August Sander, Garry
Winogrand, Jay Wolke (thru May 10). Mon-Fri, 11-4;
Sat-Sun, 1-4. List Art Center, Brown University, 64 College
Street, Providence, RI 02912. 401-863-2932.
www.brown.edu/Facilities/David_Winton_Bell_Gallery
THE HEIDE FAMILY GALLERY
Cole Caswell: Extended View. (April 7- May 7). 1879
Chapel Lane, Plymouth, NH 03227 (Exit 25 I-93).
603.779.5387.
HOPKINS CENTER AT DARTMOUTH COLLEGE
Jane Hammond: Artist in Residence (thru May 7). Tue-Sat,
12:30-10. Sun 12:30-5:30. Jaffe-Friede & Strauss
Galleries, HB 6081 Dartmouth College, Hanover, NH
03755. 603-646-3651.
HUDSON MUSEUM, UNIVERSITY OF MAINE
Maine Women: Living on the Land by Lauren Shaw (thru
May 28). Tue-Fri 9-4; Sat 11-4. 5476 Maine Center
for the Arts, Orono, ME 04469-5746. 207-581-1901.
www.umaine.edu/hudsonmuseum
NEWPORT ART MUSEUM
Four Indias: Photographs by Annu Palakunnathu Matthew,
Olivia B. McCullough, Jonahtan Sharlin, and David H.
Wells (thru June 18). 76 Bellevue Avenue, Newport, RI
02840. 401-848-8200. www.newportartmuseum.com
PORTLAND MUSEUM OF ART
In Our Time: The World as Seen by Magnum
Photographers (Apr 6-Jun 11); The Quiet Landscapes
of William B. Post (Jun 3-Aug 27); Pictorial Photography
in Maine (Jun 3-Aug 27). Tue, Wed, Sat-Sun, 10-5,
Thu-Fri, 10-9. Congress Square, Portland, ME 04101.
207-775-6148. www.portlandmuseum.org
RADIANT LIGHT GALLERY
Landscapes by Barry Thompson (May 1-Jun 30). Sat,
12-6:30. 615 Congress Street, Suite 409, Portland, ME
04101. 207-252-7258. www.radiantlightgallery.com
SALT INSTITUTE FOR DOCUMENTARY STUDIES
African-American Hamlets of Kentucky’s Bluegrass Region
(Spring). Mon-Fri, 11:30-4:30. 110 Exchange Street,
Portland, ME 04112. 207-761-0660. www.salt.edu
UNIVERSITY OF RHODE ISLAND PHOTOGRAPHY GALLERY
Stadiums, by Jim Dow (thru May 3). Tue-Fri, 12-4, 7:30-
9:30; Sat-Sun, 1-4. Fine Arts Center Galleries, 105 Upper
College Road, Kingston, RI 02881. 401-874-2775.
www.uri.edu/artgalleries
THORNE-SAGENDORPH ART GALLERY AT KEENE STATE COLLEGE
Emerging Art: The Annual Keene State College Art Students
Exhibition (Apr 17-May 7) Sat-Wed, 12-4 Thru and Fri,
12-7. 101 Wayman Way, Keene, NH. 603-358-2720.
www.keene.edu/tsag
UNIVERSITY OF CONNECTICUT, THOMAS J. DODD
RESEARCH CENTER
The Holy City: Early Photographs of Jerusalem (thru May
19). Storrs, CT 06269. www.lib.uconn.edu/online/
research/speclib/ACS/
UNIVERSITY OF MAINE MUSEUM OF ART
Kenro Izu: Sacred Places (thru Jul 1). Tue-Sat, 9-6; Sun,
11-5. Norumbega Hall, 40 Harlow Street, Bangor, ME
04401. 207-561-3350. www.umma.umaine.edu
UNIVERSITY OF NEW ENGLAND
In Black and White and Color: Photographs by Dine Froehlich
and Murad Sayen (May 4- Jul 2). Wed, Fri, Sat-Sun
1-4; Thru 1-7. 716 Stevens Avenue, Portland, ME 04103.
207-221-4499. http://www.une.edu/artgallery/
UNIVERSITY OF NEW HAMPSHIRE ART GALLERY
2006 Senior B.A and B.F.A Exhibition (Apr 22-May 20).
MFA Thesis Exhibition 1 (Apr 22- May 3), MFA Thesis
Exhibition II, (May 10-20). Wed, 10-4; Thu, 10-8; Sat-
Sun, 1-5. Paul Creative Arts Center, University of New
Hampshire, Durham, NH 03824. 603-862-3712.
www.unh.edu/art-gallery.html
WADSWORTH ATHENEUM MUSEUM OF ART
Double Exposure: African Americans Before and Behind the
Camera (thru Jun 18). Eloquent Vistas: The Art of 19th Century
American Landscape Photography from the George
Eastman House Collection. (May 20-Aug. 13). Tue-Fri, 11-
5; Sat-Sun, 11-5. 600 Main Street, Hartford, CT 06103.
860-278-2670. www.wadsworthatheneum.org
WESLEYAN UNIVERSITY DAVISON ART CENTER
Philip Trager: A Retrospective (thru May 28). Tues-Sun
12-4. 301 High Street campus of Wesleyan University.
860-685-2500. www.wesleyan.edu/dac
WHITNEY ART WORKS
Plush, Photographs by Stephen Burt and Denise Fasanello
(May 3–Jun 10). Opening Reception: May 5, 5-8; Scott
Davis: New Work (Jun 14 – Jul 15). Opening Reception:
July 7, 5-8. 45 New York Street, Portland, ME 04101.
207-780-0700. www.whitneyArtworks.com
ZILKHA GALLERY AT WESLEYAN UNIVERSITY
Philip Trager: A Retrospective (May 5-May 28). Opening
Reception: May 5, 5-7. Tue-Sun, 12-4. Center for the Arts,
Wesleyan University, Middletown, CT 06459. 860-685-
2684 or 860-685-2076. www.wesleyan.edu/CFA
EDUCATION
Jonathan Bailey is offering a one-week summer workshop
in his home and studio in Tenants Harbor, Maine
(August 6-12). The class explores numerous historical
toning processes, contemporary gold-based split-toning
processes (including his signature GP-1 Gold process), and
the unusual and exotic Mordancage process. The week’s
fee includes dinner each evening (prepared and served by
Jonathan and his partner Jane Matthews) - and a boat fare
for a day on Monhegan Island. For more information, visit
www.jonathan-bailey.com.
Center for Photography Woodstock A-I-R
This non-profit organization provides photographers with
educational, exhibition, publication, residency, collection,
fellowship, and workspace opportunities. The center
is open 24-hours and offers a spacious environment for
photographers to develop and explore their photographic
careers with extensive facilities and a supportive staff. For
more info visit www.cpw.org or call 845-679-9957
Photographers’ Formulary in beautiful Swan Valley,
Montana features Cyanotype/Artists’ Books taught by Laura
Blacklow (Jun 25-30). Call toll free 800-922-5255 or find
more information at www.photoformulary.com.
Night Sky Photo Workshops presents it’s 2006
Schedule with photo tours to the West of Ireland in September,
The Isle of Skye and Orkeny in Scotland in July, and a
Night Photography conference at Mono Lake in California
in August. More Information at www.thenightskye.com
The George Eastman House is hosting a week program
of lectures and workshops entitled “Preserving Photographs
in a Digital World.” The focus will be on learning
the materials and techniques used in photograph preservation
and a comparison to the newly adopted digital ways.
Workshop date: August 19-24. Costs: $1,495. Includes
all instructional materials. For more info www.imagepermanenceinstitute.org
or www.eastmanhouse.org.
Santa Fe Workshops offer a wide variety of workshops
and programs for the 2006 Spring and Summer
schedule. For more information please contact Santa Fe
Workshops, PO Box 9916, Santa FE, NM 87504, or go
to www.santafeworkshops.com or call 508-983-1400.
ENTRIES/ OPPORTUNIES
2006 Photo Review Photography Competition will be
juried by Philip Brookman, Senior Curator of Photography
and Media Arts, Corcoran Gallery of Art, Washington,
DC. The Photo Review, a highly acclaimed critical journal
of photography, is sponsoring its 22nd annual photography
competition with a difference. The Photo Review will
reproduce accepted entries in its 2006 competition issue in
addition to photographers who will be chosen for an exhibition
at the photography gallery of The University of the
Arts, Philadelphia, which will be exhibited on The Photo
Review’s website. Various additional prizes. All entries must
be received by mail between May 1 and May 15, 2006.
For a prospectus and details, visit http://www.photoreview.org/compete.htm
or call 215-891-0214.
DeCordova Museum and Sculpture Park is hosting
their 21st Annual Art in the Park festival and art sale
and is searching for volunteers. The event will take place
Sunday, June 11, 2006 from 10am-5 pm. Contact at
development@decordova.org or 781-259-3615. www.
decordova.org
Photomedia Center Open Juried Exhibition is accepting
entries. All photographic mediums will be accepted.
Artists may enter up to 10 pieces by CD only. Entry fee:
$5 per image, early entry $3 an image. Entry fees are
waived to all Photomedia members. No applications will
be accepted via email. Postmarked deadline is June 10,
2006. Accepted file formats are either JPEG or TIFF only.
For an application or more info visit www.photomediacenter.org/06Entrycall.html
Khaki Gallery, a contemporary gallery of photography
and art in Wellesley, MA is inviting artists working
in photography and related media to submit works for
group/solo shows 2006-07 season. We are interested in
unified bodies of original work with strong themes and a
distinctive artist’s view. Please send artist’s statement,10 low
resolution images in JEPG format on a CD or via email, or
Web address, or 10 slides and SASE. Please do not send
original materials. Khaki Gallery, 9 Crest Road , Wellesley,
MA 02482, 781-237-1095 www.nahidkhaki.com
The Brookline Arts Gallery is hosting a juried exhibition
Enamel: Facing the Future, sponsored by the Enamelist
Society. Entry fee is $10. Postmark deadline: May 15,
2006. Submit no more than 3 images in Slide or digital
format (no original pieces). Send Brief resume and SESE if
you wish return of the images. Notification will be mailed
by June 1, 2006. The exhibition runs July 24-August 31.
Contact bac@brooklineartscenter.com or for more info visit
www.brooklineartscenter.com
www.prcboston.org | listings
19

join the community
Do you love photography
In the answer is yes, then you have a
home in the Photographic Resource
Center. A non-profit organization serving
the community since 1976, the PRC
challenges with its thought-provoking
exhibitions; inspires with its distinctive
education programs; informs with its
wide-ranging resources; and tantalizes
with its unique special events. By becoming
a member, you join a community of
individuals who eat, drink, and sleep
photography.
A subscription to this newsletter is only
one benefit of a PRC membership. For
more information, visit prcboston.org.
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What best describes your interest in photography
Check all that apply.
■ Artist
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■ New Membership
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Indicate your desired membership level.
■ Individual: $45 ■ Student/Senior: $25
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Return this form, or the requested information, with payment (and
copy of ID, if required) to: Membership Office, Photographic
Resource Center, 832 Commonwealth Avenue, Boston, MA 02215
The Photographic Resource Center is a non-profit, 501(c)3 corporation
and membership fees are tax-deductible as allowed by law.
For information on tax-deductible portions of your membership,
please contact the Membership Office at 617-975-0600.
phonelines
Laura Blacklow’s book, New Dimensions, releases its
fourth edition while Photo Processes: A Step-by-Step
Manual on Alternative Techniques will be coming out
at the end of summer 2006.
John Gitelson’s one man show, The Car Project, will be
opening at Peter Miller Gallery in Chicago on March
17th and will be running through April 22nd. The Car
Project received an honorary mention at Review Santa
Fe and can be viewed on the web at www.thegit.net.
Gitelson also participated in a group show at the Dazibou
Centre de Photographies Actuelles in Montreal.
The show will be traveling to Neutral Ground in Regina
Saskatchewan. He spoke at SPE conference in Chicago
with fellow artists Brian Ulrich and Matt Siber in March.
Cristina Hajosy had eight images from her new series
“Unfairest Of Them All” selected as part of a group
show at the Slater Gallery at the Aidekman Arts Center
at Tufts University in the exhibition Body Image: Animus
& Ardor. The March exhibition was sponsored by Tufts
University Health Services in recognition of National
Eating Disorders Awareness Month.
Linda J. Hirsch’s work was selected for numerous exhibitions
around Massachusetts since February, including the
Duxbury Art Association’s Annual Winter Juried Show,
Juror: Lou Jones and the Newburyport Art Association’s
Members’ Winter Juried Show, Juror: Cindy Meyers
Foley of the Institute of Contemporary Art at Maine College
of Art. In addition, Hirsch presented a slide show
at the Wellesley Free Library, Leap of Faith: A Jewish
Community in Cienfuegos, Cuba.
Henry Horenstein’s exhibition Honky Tonk: Country
Music 1972-1981 opened at the Smithsonian National
Museum of American History in March, complimented
with a review in the Boston Globe. The exhibition of
Horenstein’s photographs and memorabilia from the
museum’s collections runs through September 5, 2006.
www.americanhistory.si.edu. www.honkytonkbook.com
Lou Jones’ photographs Olypmics: 22 Years exhibited at
the Center for Digital Imaging Arts, at Boston University,
274 Moody Street, Waltham, MA. The April exhibition
highlighted images from this most recent winter Olympics
in Torino, as well as images from his collection from
22 years of coverage of both summer & winter games.
www.fotojones.com
parting
shot
The scene from the mezzanine
at the PRC Student Exhibition’s
recent opening. Photograph by
Emily Gabrian.
Phonelines is a long-running program allowing PRC
members to tout their recent achievements. To be
included in the July/August Phonelines, please email
us at prc@bu.edu by June 2ndd.
Esther Pullman’s photographs of greenhouses were
exhibited at the Wellesley College Botanic Gardens’
Vistor Center, Wellesley, MA December 2005 through
April, 2006. Since 1999 Pullman has been photographing
greenhouses in this country and abroad. The Margaret
C. Ferguson Greenhouse at Wellesley College
was the first and now ongoing subject of the series.
www.wellesley.edu/FOH
Dianna Rust’s most recent work will be shown at the
Space Gallery, in Portland Maine, in their juried show
Plugged In, from March 3-24. Her photographs will
be projected as part of an installation designed in collaboration
with filmmaker Walter Ungerer.
Lauren Shaw’s exhibition Maine Women: Living on the
Land was featured at the Reed Art Gallery: University
of Maine, Presque Isle, February 5 through March 17,
2006. Shaw’s Documentary Film, Maine Women: Living
on the Land was shown in conjunction with the exhibition,
which travels to the Hudson Museum, University of
Maine, Orno. March 29- May 28, 2006. From Orno
it will be exhibited at the Maine State Capital Gallery
Augusta, through August 2006. At each venue there
will be artist’s talk and book signing as well as panel
discussions with the women in the exhibition.
Holly Smith Pedlosky gave a slide talk on the history
of photography of the nude at the Griffin Museum of
Photography on March 2, in conjunction with the exhibit
The Body Familiar: Current Perspectives of the Nude at
the Griffin.
Holly Smith Pedlosky & Neal Rantoul are taking a group
of Northeastern University students in May for a summer
semester in Venice Italy, where they will study digital
photography and Venetian art history for NU credit.
Sylvia Stagg-Giuliano’s work “Dispatches” is featured
at Sasaki Associates, Inc. March 30-June 5, 2006. Her
images focus on war zones of the world. Sponsored by
Sasaki Associates, 64 Pleasant St. Watertown Mass,
02472. View her images at www.stagg-giuliano.com
John S. Tilney, Jr. has a one-person show of recent
work at Gallery Black and White in Boston at 295
Huntington Avenue. The show runs from April 5th to
May 5th. Also, Mr. Tilney has two pieces in the national
juried competition entitled White, Black and Shades of
Gray at the South Shore Art Center in Cohasset, MA
(Juror: Lisa Tung), exhibition dates, April 7th to May 21.
Finally, Mr. Tilney has one piece in the 19th Annual
National Juried Photography Exhibition, Photowork
‘06, at the Barrett Art Center in Poughkeepsie, N.Y.
(Juror: Allison Morley).

Biographical Landscape:
The Photography of Stephen Shore, 1968 – 1993
Through June 25
In the seventies Stephen Shore began a series of road trips across the United States.
Photographs from these trips illustrate a visual diary of Shore's life,
and depict a view of America that we don't often see in a Museum.
Visit us online at www.worcesterart.org for information on this and other exhibitions.
Exhibition organized by Aperture Foundation. Generous support provided by
UnumProvident Corporation, the Worcester Telegram and Gazette and WICN Public Radio 90.5 FM.
WO R C E S T E R A R T M U S E U M 55 Salisbury Street, Worcester, MA 0 1 6 0 9
Wed.– Sun. 11–5, Thurs. 11–8, Sat. 10–5 508.799.4406 www.worcesterart.org

Photographic Resource Center
at Boston University
832 Commonwealth Avenue
Boston, MA 02215