January | February 2006 - Boston Photography Focus
January | February 2006 - Boston Photography Focus
January | February 2006 - Boston Photography Focus
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4 | education<br />
LECTURE/BOOK-SIGNING<br />
The cover of Steven B. Smith’s book The Weather and a Place<br />
to Live.<br />
The Weather and a Place to Live<br />
Photographs of the Suburban West<br />
by Steven B. Smith<br />
Thursday, <strong>January</strong> 26, <strong>2006</strong>, 7:00pm<br />
BOSTON UNIVERSITY’S COLLEGE OF<br />
COMMUNICATIONS, AUDITORIUM 101,<br />
640 COMMONWEALTH AVENUE, BOSTON<br />
FREE FOR MEMBERS, FULL-TIME STUDENTS, AND<br />
SENIORS / $5 NON-MEMBERS<br />
COPIES OF SMITH’S BOOK CAN BE PURCHASED<br />
FROM THE PRC FOR $40<br />
Join Steven Smith, professor of photography<br />
at the Rhode Island School of Design, for a<br />
discussion of his new book The Weather and a<br />
Place to Live, which recently earned the Center<br />
for Documentary Studies/Honickman First<br />
Book Prize. This compelling work portrays<br />
the manmade landscape of the western United<br />
States, where we come face to face with the<br />
surreal intersection of the American appetite<br />
for suburban development and the resistant,<br />
rolling, arid country of the desert West. Mr.<br />
Smith will be on-hand to sign copies of the<br />
book following the talk.<br />
PANEL DISCUSSION<br />
To Document Lives<br />
Thursday, <strong>February</strong> 2, <strong>2006</strong>, 7:00pm<br />
BOSTON UNIVERSITY’S COLLEGE OF<br />
COMMUNICATIONS, AUDITORIUM 101,<br />
640 COMMONWEALTH AVENUE, BOSTON<br />
FREE TO THE PUBLIC<br />
The exhibition DOCUMENT features innovative<br />
social documentary work by <strong>Boston</strong><br />
area artists. Several featured artists have used<br />
their work to explore the lives of people often<br />
marginalized by society. Join these artists for a<br />
discussion on what issues compel them to create<br />
projects and how they execute their work.<br />
Among other topics, panelists will address<br />
how and why they select their subjects and<br />
gain access into their worlds, and how they<br />
decide to present those worlds to the public.<br />
Speakers include Chris Churchill, Lisa Kessler,<br />
and Michael Manning.<br />
PROFESSIONAL SEMINAR:<br />
Answering the Call (for entries): A<br />
How-To Guide with Leslie Brown<br />
and Jim Dow<br />
Tuesday, <strong>February</strong> 7, <strong>2006</strong>, 7:00pm<br />
BOSTON UNIVERSITY’S SARGENT COLLEGE,<br />
ROOM 101,<br />
635 COMMONWEALTH AVENUE, BOSTON<br />
$10 MEMBERS/$20 NON-MEMBERS/FREE FOR<br />
FULL-TIME STUDENTS AND SENIORS<br />
Back by popular demand, the PRC’s survival<br />
guide for submitting work to a call for entry!<br />
Find out how you can develop a strong presentation<br />
and stand out from the masses.<br />
Experience the jurying process first-hand<br />
as PRC curator Leslie Brown goes through<br />
examples and offer an insider’s perspective.<br />
This will be a fun, lively, and insightful evening.<br />
Don’t miss out on this opportunity<br />
to hone your submission for the <strong>2006</strong> PRC<br />
Members’ Exhibition.<br />
FILM SCREENING<br />
Film still from PEEPING TOM<br />
PEEPING TOM<br />
Co-presented with the<br />
Coolidge Corner Theatre<br />
Special introduction by <strong>Boston</strong><br />
Phoenix film critic Peter Keough<br />
Monday, <strong>February</strong> 6, <strong>2006</strong>, 7:30pm<br />
THE COOLIDGE CORNER THEATRE<br />
290 HARVARD STREET, BROOKLINE<br />
$6.50 CCT AND PRC MEMBERS<br />
$9.50 GENERAL ADMISSION<br />
This seminal shocker from 1960 nearly<br />
destroyed the career of director Michael Powell<br />
(THE RED SHOES), but is every bit as<br />
good as the thriller that came out just one<br />
year later, PSYCHO. Mark Lewis grew up as a<br />
guinea pig for his father, a biologist who sadistically<br />
tortured his son so he could film the<br />
reactions. Now Mark is a creepy loner whose<br />
only companion is his trusty camera. But this<br />
peeping Tom is not obsessed not with naked<br />
bodies—he’s out to capture the true look of<br />
fear. And he uses his camera to frighten and,<br />
yes, kill the young ladies he spots through the<br />
lens. (Michael Powell, 1960, with Carl Boehm<br />
and Anna Massey)