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January | February 2006 - Boston Photography Focus

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4 | education<br />

LECTURE/BOOK-SIGNING<br />

The cover of Steven B. Smith’s book The Weather and a Place<br />

to Live.<br />

The Weather and a Place to Live<br />

Photographs of the Suburban West<br />

by Steven B. Smith<br />

Thursday, <strong>January</strong> 26, <strong>2006</strong>, 7:00pm<br />

BOSTON UNIVERSITY’S COLLEGE OF<br />

COMMUNICATIONS, AUDITORIUM 101,<br />

640 COMMONWEALTH AVENUE, BOSTON<br />

FREE FOR MEMBERS, FULL-TIME STUDENTS, AND<br />

SENIORS / $5 NON-MEMBERS<br />

COPIES OF SMITH’S BOOK CAN BE PURCHASED<br />

FROM THE PRC FOR $40<br />

Join Steven Smith, professor of photography<br />

at the Rhode Island School of Design, for a<br />

discussion of his new book The Weather and a<br />

Place to Live, which recently earned the Center<br />

for Documentary Studies/Honickman First<br />

Book Prize. This compelling work portrays<br />

the manmade landscape of the western United<br />

States, where we come face to face with the<br />

surreal intersection of the American appetite<br />

for suburban development and the resistant,<br />

rolling, arid country of the desert West. Mr.<br />

Smith will be on-hand to sign copies of the<br />

book following the talk.<br />

PANEL DISCUSSION<br />

To Document Lives<br />

Thursday, <strong>February</strong> 2, <strong>2006</strong>, 7:00pm<br />

BOSTON UNIVERSITY’S COLLEGE OF<br />

COMMUNICATIONS, AUDITORIUM 101,<br />

640 COMMONWEALTH AVENUE, BOSTON<br />

FREE TO THE PUBLIC<br />

The exhibition DOCUMENT features innovative<br />

social documentary work by <strong>Boston</strong><br />

area artists. Several featured artists have used<br />

their work to explore the lives of people often<br />

marginalized by society. Join these artists for a<br />

discussion on what issues compel them to create<br />

projects and how they execute their work.<br />

Among other topics, panelists will address<br />

how and why they select their subjects and<br />

gain access into their worlds, and how they<br />

decide to present those worlds to the public.<br />

Speakers include Chris Churchill, Lisa Kessler,<br />

and Michael Manning.<br />

PROFESSIONAL SEMINAR:<br />

Answering the Call (for entries): A<br />

How-To Guide with Leslie Brown<br />

and Jim Dow<br />

Tuesday, <strong>February</strong> 7, <strong>2006</strong>, 7:00pm<br />

BOSTON UNIVERSITY’S SARGENT COLLEGE,<br />

ROOM 101,<br />

635 COMMONWEALTH AVENUE, BOSTON<br />

$10 MEMBERS/$20 NON-MEMBERS/FREE FOR<br />

FULL-TIME STUDENTS AND SENIORS<br />

Back by popular demand, the PRC’s survival<br />

guide for submitting work to a call for entry!<br />

Find out how you can develop a strong presentation<br />

and stand out from the masses.<br />

Experience the jurying process first-hand<br />

as PRC curator Leslie Brown goes through<br />

examples and offer an insider’s perspective.<br />

This will be a fun, lively, and insightful evening.<br />

Don’t miss out on this opportunity<br />

to hone your submission for the <strong>2006</strong> PRC<br />

Members’ Exhibition.<br />

FILM SCREENING<br />

Film still from PEEPING TOM<br />

PEEPING TOM<br />

Co-presented with the<br />

Coolidge Corner Theatre<br />

Special introduction by <strong>Boston</strong><br />

Phoenix film critic Peter Keough<br />

Monday, <strong>February</strong> 6, <strong>2006</strong>, 7:30pm<br />

THE COOLIDGE CORNER THEATRE<br />

290 HARVARD STREET, BROOKLINE<br />

$6.50 CCT AND PRC MEMBERS<br />

$9.50 GENERAL ADMISSION<br />

This seminal shocker from 1960 nearly<br />

destroyed the career of director Michael Powell<br />

(THE RED SHOES), but is every bit as<br />

good as the thriller that came out just one<br />

year later, PSYCHO. Mark Lewis grew up as a<br />

guinea pig for his father, a biologist who sadistically<br />

tortured his son so he could film the<br />

reactions. Now Mark is a creepy loner whose<br />

only companion is his trusty camera. But this<br />

peeping Tom is not obsessed not with naked<br />

bodies—he’s out to capture the true look of<br />

fear. And he uses his camera to frighten and,<br />

yes, kill the young ladies he spots through the<br />

lens. (Michael Powell, 1960, with Carl Boehm<br />

and Anna Massey)

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