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January | February 2006 - Boston Photography Focus

January | February 2006 - Boston Photography Focus

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presentations | 3<br />

EXHIBITIONS IN THE GALLERY<br />

DOCUMENT:<br />

Contemporary Social Documentary Work from<br />

Greater <strong>Boston</strong><br />

FEBRUARY 2-MARCH 26, <strong>2006</strong><br />

Opening Reception:<br />

Thursday, <strong>February</strong> 9, 5:30-7:30pm<br />

THE BU ART GALLERY WILL ALSO BE HOSTING<br />

A RECEPTION FROM 6-8PM<br />

Open House for College Art<br />

Association:<br />

Thursday, <strong>February</strong> 22, 5:30-7pm<br />

THIS RECEPTION WILL OCCUR AT BOTH THE<br />

BU ART GALLERY AND THE PRC<br />

DOCUMENT showcases recent social<br />

documentary work from <strong>Boston</strong> and<br />

on <strong>Boston</strong> through the eyes of 9<br />

emerging and early mid-career photographers. The exhibition aims to<br />

spotlight a new generation of <strong>Boston</strong> documentary photographers as<br />

well as consider a variety of projects and unique approaches to the idea<br />

of social documentary work and the “document.” DOCUMENT is<br />

held in conjunction with <strong>Boston</strong>-themed offerings at the <strong>Boston</strong> University<br />

Art Gallery and <strong>Boston</strong> University’s College of Fine Arts. Please<br />

see page 10 for an essay on this 21st-century view of “<strong>Boston</strong> by <strong>Boston</strong>ians”<br />

and to the right for more information on related exhibitions and<br />

programs by partner institutions.<br />

Above: Surendra Lawoti (Somerville, MA), District Chief Peter St. Clair (Appointed October 31,<br />

1977), from the series “Fire,” C-print (original in color), 2005, 40 x 30 inches, Courtesy of the<br />

artist. Above Right: Ben Gest, Chuck, Alice, and Dale, 2003, printed 2004, pigmented ink jet<br />

print, 40 x 40 inches, Courtesy of the artist and Stephen Daiter Gallery, Chicago, IL<br />

THROUGH JANUARY 22, <strong>2006</strong><br />

As family and friends return home after<br />

the holidays, it’s a great time to get out and<br />

go to a gallery. This group show highlights<br />

emerging and mid-career photographers who<br />

engage and challenge the genres of narrative<br />

and group portraiture. Featured artists<br />

include Julie Blackmon, Ben Gest, Jessica<br />

Todd Harper, Amy Montali, and Sage Sohier. Within their groupings,<br />

these artists—all of whom use their own family and friends in interiors—investigate<br />

ideas of the self and the group as well as the dynamics<br />

of relationships and situations. See how your family pictures stand up!<br />

Visit www.bu.edu/prc/groupportrait for more information.<br />

A CELEBRATION ON COMMONWEALTH AVENUE!<br />

DOCUMENT is held in conjunction with the <strong>Boston</strong> University Art Gallery’s<br />

exhibition A Photographic Portrait of <strong>Boston</strong>, 1840-1865, and will coincide with<br />

the College Art Association’s (CAA) national conference, which will be held<br />

in <strong>Boston</strong>, <strong>February</strong> 22-25. In addition, <strong>Boston</strong> University’s School of Visual<br />

Arts is also sponsoring and hosting a juried BFA show featuring work by New<br />

England area art programs in <strong>Boston</strong> University’s 808 Gallery. Altogether,<br />

these offerings make for many great reasons to get off at the BU West T-stop<br />

(or f-stop as we like to call it)!<br />

BOSTON UNIVERSITY ART GALLERY: 855 COMMONWEALTH AVENUE<br />

A Photographic Portrait of <strong>Boston</strong>, 1840-1865, <strong>February</strong> 10 - April 2, <strong>2006</strong><br />

BOSTON UNIVERSITY 808 GALLERY: 808 COMMONWEALTH AVENUE<br />

New England Regional BFA Exhibition, <strong>February</strong> 14-25, <strong>2006</strong><br />

EXHIBITIONS ONLINE<br />

Northeast Exposure Online — The PRC announces the next installments of Northeast Exposure Online (NEO). The virtual gallery is by invitation only and features a selection of images,<br />

a biography, artist and curator statements, and links.<br />

JANUARY<br />

Sarah Sorg<br />

www.bu.edu/prc/sorg.htm<br />

A graduate of Massachusetts College<br />

of Art, Sara Sorg received her MA<br />

with teacher’s certificate in art and<br />

education from Columbia University<br />

in 2001. Currently, Sorg is a resident of Bangor, ME and teaches high<br />

school art and photography at the Maine Central Institute in Pittsfield,<br />

ME. Her work has been featured at the Bangor Public Library as well<br />

as many venues in MA, including the Cambridge Art Association,<br />

Essex Art Center, and the Fitchburg Art Museum. Featured online are<br />

images from a new series of night photographs. Sorg draws upon her<br />

imagination and interest in astronomy in her stunning images of local<br />

towns, neighbor’s houses, and fields. The images are quiet, still meditations<br />

on the seeming perfection of the world above, combined with the<br />

fleeting, humble domestic realm below.<br />

Sarah Sorg (Bangor, ME), Neighbor and Stars, 2005, Gelatin silver print, 16 x 20 inches,<br />

Courtesy and copyright Sarah Sorg<br />

FEBRUARY<br />

CJ Heyliger<br />

www.bu.edu/prc/heyliger.htm<br />

A graduating senior at the Art<br />

Institute of <strong>Boston</strong> and a native<br />

of Colorado, CJ Heyliger has<br />

been featured in Taking In: The<br />

Best of AIB <strong>Photography</strong> and multiple shows at AIB’s Gallery South. In<br />

addition, he was juried twice into the PRC Student Exhibition and also<br />

featured on the cover of the 2004 student issue of in the loupe. Currently,<br />

he is studio manager and digital printer for Peter Vanderwarker<br />

and darkroom assistant to Jack Lueders-Booth. Featured online will<br />

be selections from his project on industrial cities in New England,<br />

begun in <strong>January</strong> 2005. From Lowell, MA to Lewiston, ME, Heyliger<br />

is tracing the current condition of cities that once boasted large fiber<br />

industries along with their attendant system of mills, canals, dams and<br />

railroads. In his skillfully composed and printed gelatin silver prints,<br />

Heyliger hopes to offer a current document of this post-industrial<br />

past—from dormant and dilapidated sites to converted museums and<br />

high-end lofts—during this important time of transition.<br />

CJ Heyliger (Brookline, MA), Millyard, W.S. Libbey Mills, Lewiston, Maine, 2005, Gelatin silver<br />

print, 16 x 20 inches, Courtesy of the artist

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