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THE USES OF ROLE-PLAYING 453<br />

<br />

<br />

<br />

of position occupants. Role-playing provides a<br />

means of exploring such stereotypes and developing<br />

a deeper understanding of the point of<br />

view and feelings of someone who finds herself<br />

in a particular role.<br />

Experiencing the pressures which create roles:<br />

role-playing provides study material for group<br />

members on the ways in which roles are created<br />

in, for example, a committee. It enables<br />

subjects to explore the interactions of formal<br />

structure and individual personalities in<br />

role-taking.<br />

Testing out for oneself possible modes of behaviour:<br />

in effect, this is the rehearsal syndrome: the trying<br />

out in one’s mind in advance of some new<br />

situation that one has to face. Role-playing can<br />

be used for a wide variety of situations where<br />

the subject, for one reason or another, needs to<br />

learn to cope with the rituals and conventions<br />

of social intercourse and to practise them so<br />

that they can be repeated under stress.<br />

Simulating a situation for others (and possibly oneself)<br />

to learn from: here, the role-player provides<br />

materials for others to use and work upon.<br />

In the simplest situation, there is just one<br />

role-player acting out a specific role. In more<br />

complex situations such as the Stanford Prison<br />

study discussed in Box 21.2, role-playing is<br />

used to provide an environment structured on<br />

the interactions of numerous role incumbents.<br />

Teachers wishing to use role-play in classroom<br />

settings might find the sequence from Van<br />

Ments (1983) useful. He suggests commencing<br />

with setting objectives and deciding how to integrate<br />

role-play into the teaching programme,<br />

then determining any external constraints on<br />

the situation, followed by listing critical factors<br />

in the problem to be explored. After this<br />

decisions are taken on the type and structure<br />

of the role-play, and then writing the briefs or<br />

the materials. Following this the session is run,<br />

with a subsequent debriefing and follow-up.<br />

what exactly their intentions are in teaching by<br />

means of role-play. Is it, for example, to teach facts,<br />

or concepts, or skills, or awareness, or sensitivity<br />

Depending on the specific nature of the teacher’s<br />

objective, role-play can be fitted into the timetable<br />

in several ways. Van Ments (1983) identifies the<br />

following:<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

as an introduction to the subject<br />

as a means of supplementing or following on<br />

from a point that is being explored<br />

as the focal point of a course or a unit of work<br />

as a break from the routine of the classroom or<br />

the workshop<br />

as a way of summarizing or integrating diverse<br />

subject matter<br />

as a way of reviewing or revising a topic<br />

as a means of assessing work.<br />

Determining external constraints<br />

Role-play can be extremely time-consuming. It<br />

is vital therefore that from the outset, teachers<br />

should be aware of the following factors that may<br />

inhibit or even preclude the running of a role-play<br />

(see Van Ments 1978):<br />

<br />

<br />

<br />

suitable room or space (size, layout, furniture,<br />

etc.)<br />

sufficient time for warm-up, running the actual<br />

role-play and debriefing<br />

availability of assistance to help run the session.<br />

Critical factors<br />

The teacher, Van Ments (1983) advises, must lo<strong>ok</strong><br />

at the critical issues involved in the problem area<br />

encompassed by the role-play and decide who has<br />

the power to influence those issues as well as who<br />

is affected by the decisions to be taken. By way of<br />

example, Box 21.3 identifies some of the principal<br />

protagonists in a role-play session to do with young<br />

people sm<strong>ok</strong>ing.<br />

Chapter 21<br />

Setting objectives<br />

The first observation made by Van Ments (1983)<br />

is that teachers must begin by asking themselves<br />

Choosing or writing the role-play<br />

The choice lies with teachers either to<br />

buy or to borrow a ready-made role-play or

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