post-colonial_translation
post-colonial_translation
post-colonial_translation
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84 André Lefevere<br />
father. The latter two fight the fleet the Maatschappij has sent against<br />
them with great heroism, but fail to overcome it, not least because Abdul<br />
intervenes with his troops on the side of the Maatschappij, against his<br />
father and his brother. As the play ends, Abdul will be king, but Bantam’s<br />
freedom will be lost.<br />
The theme of intrigue and treason, for or against the Maatschappij,<br />
for or against the rulers, is prominent in both de Marre and van Haren,<br />
and has obviously shaped the Dutch perception of the ‘natives’ by<br />
the time Haafner’s son publishes his father’s early adventures. The<br />
dangers to the Maatschappij’s rule are stereotyped in Batavia (p. 33)<br />
as follows:<br />
These are not Iberians, who mean you harm;<br />
No, these are your friends, who intrigue for your ruin:<br />
I hear the cry of anguish that rustles through Java’s forests:<br />
I see evil Christians, with the sword in their fists,<br />
Marching up to your inheritance: I see the cunning<br />
Bantam flattering<br />
To lead you into the snare, under the guise of help.<br />
The Maatschappij is, therefore, constantly the target of attacks<br />
by both Christians – the Iberians, who stand for the Spaniards<br />
and the Portuguese (also called the Lusitanians), and later the<br />
English – and by pagans, among whom the Bantamese appear to<br />
occupy the most prominent position. It is interesting to note, in<br />
this respect, that de Marre sees the Dutch <strong>colonial</strong> adventures in<br />
Holland, to some extent, as the logical conclusion of the Dutch<br />
War of Independence against Spain, an interesting parallel to the<br />
<strong>post</strong>-World War II situation, when most of the Dutch thought<br />
that the liberation of Holland from Nazi occupation would find<br />
its logical conclusion in the reoccupation of Indonesia by Dutch<br />
troops.<br />
It is no coincidence that the allegorical figure most in evidence in<br />
Batavia is Discord. The Dutch use it to divide the Indonesian rulers,<br />
and the British and the Portuguese use it against the Dutch. The rule of<br />
thumb seems to be that if it is ‘our’ discord, meaning discord that leads<br />
to a favourable outcome for the Dutch, it is all right; if it is ‘their’ discord,<br />
on the other hand, it is reprehensible. De Marre can, therefore, describe<br />
the Portuguese in terms immediately reminiscent of the Dutch, without<br />
being in the least conscious of the fact that his description might easily