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Composing the other 93 of the epic, all those who dare stand against her have to be the villains of that same epic even if they are, as is so often the case, merely acting in self-defence. By opting for neo-classical tragedy (then rated second, or first ex aequo in the hierarchy of genres), van Haren was able to open a philosophical debate about the role of the Dutch and the Maatschappij in the East Indies. The genre gave him the opportunity to use different mouthpieces for different philosophical and political positions. Obviously his conceptual grid was not unthinkingly and adoringly pro-Maatschappij and pro-Dutch. He knew what he was talking about, even though he had never been to the East Indies, and he had his own axe to grind. He had been one of the leading statesmen of the Dutch Republic, who must have been privy to decisions made on the highest level, affecting the Maatschappij and the country as a whole, and he was brought low by an accusation of incest with two of his daughters. That accusation, never proved or disproved, banished him from public life and made him take up a second career as a writer. It remains – to anticipate criticism that is not entirely without ground – to analyse to what extent the operation of the two grids I have <strong>post</strong>ulated can be more easily detected and dissected in a historical period in which literature was still first and foremost a craft, one that statesmen could learn in disgrace and merchants in retirement, and not an activity inspired by the muse, laudanum, or both, to be engaged in only by those ‘called’ to it, preferably with their eyes in some fine frenzy rolling. Finally, the genre Haafner chooses to relate his Adventures gives him ample scope to reveal the feet of clay on which the Maatschappij walks in the East Indies. Because he is not bound to lofty tone and diction, he is able to furnish moving descriptions and incisive comments that reveal, perhaps more than anything else, the folly of the <strong>colonial</strong> endeavour, Dutch or otherwise. We have discussed three writers who composed the same reality, constrained by three different conceptual and textual grids. I hope the part played by those grids has become abundantly clear. References Haafner, J. ‘Lotgevallen en vroegere zeereizen van Jacob Haafner’, ed. C.M. Haafner (Amsterdam, 1820). Repr. in De Werken van Jacob Haafner, vol. 1, ed. J.A. de Moor and P.G.E.I.J. van der Velde (Zutphen: De Walburg Pers, 1992) pp. 41–160.
94 André Lefevere Haren, O.Z. van. ‘Agon, Sultan van Bantam’, Leven en werken van W. en O.Z. van Haren, ed. J. van Vloten (Deventer: A ter Gunne, 1874) pp. 232–55. Lefevere, A. Translation, Rewriting, and the Manipulation of Literary Fame (London and New York: Routledge, 1992). Marre, J. de. Batavia (Amsterdam: Adriaan Wor en de Erve G. onder de Linden, 1740).
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To André Lefevere (1945-1996), who
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viii Contents 6 A.K. Ramanujan’s
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Contributors Rosemary Arrojo is Ass
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xii Contributors Bangalore Universi
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2 Susan Bassnett and Harish Trivedi
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10 Susan Bassnett and Harish Trived
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20 Maria Tymoczko be sure) in which
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22 Maria Tymoczko in practice by th
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24 Maria Tymoczko translation, ther
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26 Maria Tymoczko In both cases the
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28 Maria Tymoczko which is frequent
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30 Maria Tymoczko meanings of names
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32 Maria Tymoczko hegemony means th
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34 Maria Tymoczko the dominant cult
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36 Maria Tymoczko Notes 1 See Ngãu
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38 Maria Tymoczko 32 Joyce, for exa
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40 Maria Tymoczko Tymoczko, M. (199
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Page 79 and 80: 66 Sherry Simon writers. Translatio
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Page 83 and 84: 70 Sherry Simon texts an extremely
Page 85 and 86: 72 Sherry Simon the creation of new
Page 87 and 88: 74 Sherry Simon Brossard, N. (1987)
Page 89 and 90: 76 André Lefevere An educated memb
Page 91 and 92: 78 André Lefevere to tell the read
Page 93 and 94: 80 André Lefevere incidentally, re
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Page 99 and 100: 86 André Lefevere None of them can
Page 101 and 102: 88 André Lefevere The courageous m
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Page 113 and 114: 100 Else Ribeiro Pires Vieira novel
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Page 121 and 122: 108 Else Ribeiro Pires Vieira alleg
Page 123 and 124: 110 Else Ribeiro Pires Vieira Choru
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Page 129 and 130: 116 Vinay Dharwadker His desire to
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Page 133 and 134: 120 Vinay Dharwadker the translator
Page 135 and 136: 122 Vinay Dharwadker one. The Notes
Page 137 and 138: 124 Vinay Dharwadker translation of
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Page 141 and 142: 128 Vinay Dharwadker German) but, a
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Page 153 and 154: 140 Vinay Dharwadker and the philos
Page 155 and 156: 142 Rosemary Arrojo upon the expedi
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144 Rosemary Arrojo with Clarice Li
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146 Rosemary Arrojo Kafka’s story
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148 Rosemary Arrojo published trans
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150 Rosemary Arrojo make. Cixous ha
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152 Rosemary Arrojo through a certa
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154 Rosemary Arrojo to be in the mo
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156 Rosemary Arrojo Kafka and Joyce
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158 Rosemary Arrojo inside of the f
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160 Rosemary Arrojo References Ambr
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Chapter 8 Shifting grounds of excha
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164 Vanamala Viswanatha and Sherry
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Chapter 9 Translation and literary
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184 Ganesh Devy classification of t
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186 Ganesh Devy linguistic levels o
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188 Ganesh Devy References Catford,
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190 Bibliography —— ‘Interrog
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192 Bibliography Eliot, T.S. ‘Tra
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194 Bibliography —— A Paixão s
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196 Bibliography Schwab, R. The Ori
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198 Bibliography von Humboldt, W. O
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200 Name Index Ellenwood, Ray 175 E
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