post-colonial_translation
post-colonial_translation
post-colonial_translation
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Composing the other 89<br />
Haafner further maintains that it is Dutch rule that has made the ‘natives’<br />
into what the Dutch – at least in Batavia – perceive them to be (p. 107):<br />
As long as these acts of violence and mistreatment that cry to<br />
heaven are not reined in, you must not hope that the wretched<br />
creatures who labour under your iron sceptre will fear death or<br />
the torments with which you render it more heavy; rather they<br />
look on it as the end of their suffering, and rightly so, and,<br />
thinking of their imminent liberation, they undergo the most<br />
cruel pains with an incredible steadfastness, without allowing<br />
a sigh to escape or even to show pain in any feature of their faces.<br />
Perhaps the most telling opposition between Batavia and Haafner’s<br />
Lotgevallen is to be found in the description of the Malay custom of<br />
‘amok’. Here, first, is de Marre (pp. 71–2):<br />
When you [opium] help the mutineer’s vengeful heart to fury,<br />
Incite the evil-doer to a horrible evil deed,<br />
Where he runs out of his senses, and murders along market<br />
and street,<br />
Or shouts Amok! Amok! in blood-curdling tones;<br />
Then you are full of danger for those who live in the town.<br />
Now for Haafner (p. 107):<br />
One should not imagine, as so many travellers and white<br />
inhabitants pretend, that these creatures who have been<br />
plagued so much shout amok for every little thing and give<br />
themselves up to certain death – Oh no! Only after the most<br />
steadfast and often the most humiliating torments does he take<br />
the decision to die, but not unavenged, like the meek Hindu,<br />
who bends his neck sighing, but without resistance, under the<br />
murderous axe; he, on the other hand, grips the snaked kris in<br />
his fist, and captured by the intoxicating power of bang, or<br />
opium, he first kills his torturer and runs then, his long jetblack<br />
hair waving wildly around his head, through the streets<br />
rich with people.<br />
Finally, van Haren’s Agon describes the Dutch as ‘natives’ from the<br />
Indonesian point of view (p. 233b):