Musicology Today 2012 100 Years of Polish Musicology

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7 Łucjan Kamieński (1885–1964) as an Ethnomusicologist and Man in his Works and Letters Bożena Muszkalska Figure 7.1 A portrait of Łucjan Kamieński painted in 1950 by his son Jan Jakub Kamieński
Łucjan Kamieński as an Ethnomusicologist and Man 95 Łucjan Kamieński is one of the leading figures in the history of Polish musicology. His main place of activity was Poznań at the time when musicology as an academic discipline was beginning to develop in Poland. Apart from publications, archives contain many materials related to his activity. Among the most significant are: Kamieński’s correspondence, mostly with Adolf Chybiński, 1 letters to and from Moritz von Hornbostel, 2 as well as to his son, Jan Jakub Kamieński. 3 The correspondence with Chybiński and von Hornbostel comes from the period of Kamiński’s work at the University of Poznań and presents an interesting picture of the history of Polish ethnomusicology. 4 His letters to all the three persons mentioned above provide us with important “footnotes” to those research ideas that Kamieński expounded in his published works. The discourse of these letters — strict and precise at times, but also free and colourful, full of witty or “unprintable” statements, of foreign terms, quite different from the language of his publications — as well as the self-analytic type of narration appearing in many fragments — bring to mind associations with Bronisław Malinowski’s Diary in the Strict Sense of the Term (Malinowski 2008). The letters strike the reader as thoroughly authentic, and they speak volumes of the Professor’s time in Poznań, of the events that irrevocably changed his life, and about himself as a researcher and a man. They reveal him as a man wearing no masks, a devoted friend and caring father, a great erudite and a modern academic, who combined the desire to conduct research on a European level with a conviction that this research must be dedicated primarily to one’s native music. The headings of letters testify to the friendly relations that Kamieński and Chybiński maintained for nearly twenty years before the war: “Dear and 1 Biblioteka Jagiellońska, shelf mark K/1-90. 2 12 letters from the period between 28 th September 1928 and 14 th June 1932 were made available to me courtesy of Dr Susanne Ziegler of the Berlin Phonogramm Archiv. 3 These letters were donated to the Chair of Musicology, Adam Mickiewicz University in Poznań by Jan Kamieński’s wife, Nadia Kamienski. Many materials, including the photos in this article, were also provided by Jan’s daughter, Barbara. I am grateful to both the wife and the daughter for their contribution. Some of the information comes from Jan Kamieński himself, whom I contacted on the telephone and by post not long before his death. 4 The archive of UAM Adam Mickiewicz University also contains Kamieński’s personal files and the minutes of the meetings of the Historical-Philosophical Department Council and the University’s Senate, some of which refer to Kamieński.
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Musicology Today ⋄ 2012 Volume 9
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Contents 1 From the Editor page 5 2
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6 Sławomira Żerańska-Kominek Emp
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8 Małgorzata Woźna-Stankiewicz Th
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10 Małgorzata Woźna-Stankiewicz s
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12 Małgorzata Woźna-Stankiewicz T
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14 Małgorzata Woźna-Stankiewicz g
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16 Małgorzata Woźna-Stankiewicz e
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18 Małgorzata Woźna-Stankiewicz T
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20 Małgorzata Woźna-Stankiewicz d
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22 Małgorzata Woźna-Stankiewicz A
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24 Małgorzata Woźna-Stankiewicz t
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26 Małgorzata Woźna-Stankiewicz A
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28 Małgorzata Woźna-Stankiewicz f
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32 Małgorzata Woźna-Stankiewicz J
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34 Małgorzata Woźna-Stankiewicz I
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3 Prof. Adolf Chybiński (1880-1952
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40 Michał Piekarski and Grieg (Chy
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42 Michał Piekarski Lvov and Its U
Page 44 and 45: 44 Michał Piekarski The Beginnings
Page 46 and 47: 46 Michał Piekarski Figure 3.1 “
Page 48 and 49: 48 Michał Piekarski Note that as a
Page 50 and 51: 50 Michał Piekarski Musicology at
Page 52 and 53: 52 Michał Piekarski Figure 3.2 Ann
Page 54 and 55: 54 Michał Piekarski centuries). Al
Page 56 and 57: 56 Michał Piekarski sicology. In 1
Page 58 and 59: 58 Michał Piekarski Commander’s
Page 60 and 61: 60 Michał Piekarski with a one-yea
Page 62 and 63: 62 Michał Piekarski Chybiński Ado
Page 64 and 65: 64 Michał Piekarski Winowicz Kryst
Page 66 and 67: 66 Piotr Dahlig Julian Pulikowski (
Page 68 and 69: 68 Piotr Dahlig Doctor Pulikowski r
Page 70 and 71: 70 Piotr Dahlig tation (nearly 5.00
Page 72 and 73: 72 Piotr Dahlig musicology. His res
Page 74 and 75: 5 Bronisława Wójcik-Keuprulian (1
Page 76 and 77: 76 Piotr Dahlig Doctor Wójcik-Keup
Page 78 and 79: 78 Piotr Dahlig Mersmann. Being a p
Page 80 and 81: 80 Piotr Dahlig Rhythms in Chopin
Page 82 and 83: 82 Bożena Muszkalska Maria Klement
Page 84 and 85: 84 Bożena Muszkalska Our priest ha
Page 86 and 87: 86 Bożena Muszkalska and functions
Page 88 and 89: 88 Bożena Muszkalska the Lvov peri
Page 90 and 91: 90 Bożena Muszkalska very desirabl
Page 92 and 93: 92 Bożena Muszkalska In March 1959
Page 96 and 97: 96 Bożena Muszkalska near”, “M
Page 98 and 99: Figure 7.2 continuation
Page 100 and 101: 100 Bożena Muszkalska many visits
Page 102 and 103: 102 Bożena Muszkalska Figure 7.3 T
Page 104 and 105: 104 Bożena Muszkalska was foreign,
Page 106 and 107: 106 Bożena Muszkalska As for the W
Page 108 and 109: 108 Bożena Muszkalska To begin wit
Page 110 and 111: 110 Bożena Muszkalska the house at
Page 112 and 113: 112 Bożena Muszkalska Your letter
Page 114 and 115: 114 Bożena Muszkalska Like his Ber
Page 116 and 117: 116 Bożena Muszkalska cal archives
Page 118 and 119: 118 Bożena Muszkalska the incipits
Page 120 and 121: 120 Bożena Muszkalska Both inventi
Page 122 and 123: Figure 7.7 Transcription of the son
Page 124 and 125: 124 Bożena Muszkalska It was for c
Page 126 and 127: 126 Bożena Muszkalska Figure 7.8 C
Page 128 and 129: 128 Bożena Muszkalska Poland, whic
Page 130 and 131: 130 Bożena Muszkalska Kamieński
Page 132 and 133: 8 On Zofia Lissa’s (1908-1980) Mu
Page 134 and 135: 134 Zbigniew Skowron Lissa became a
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Page 138 and 139: 138 Zbigniew Skowron nearly 30 year
Page 140 and 141: 140 Zbigniew Skowron in 1949, prece
Page 142 and 143: 142 Zbigniew Skowron lation to them
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144 Zbigniew Skowron ‘Recepcja mu
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146 Zbigniew Skowron the text ‘O
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148 Zbigniew Skowron at the time an
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150 Zbigniew Skowron Lissa Zofia (1
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152 Zbigniew Skowron Lissa Zofia (1
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9 The Double Centenary of Polish Mu
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156 Irena Poniatowska At the Univer
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158 Irena Poniatowska proach and to
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160 Irena Poniatowska 1760, then cl
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162 Irena Poniatowska logical order
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164 Irena Poniatowska historical tr
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166 Irena Poniatowska In Musical Fo
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168 Irena Poniatowska qualities —
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170 Irena Poniatowska preludes into
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172 Irena Poniatowska chromaticism,
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174 Irena Poniatowska to inconsiste
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176 Irena Poniatowska exclusively o
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178 Irena Poniatowska Chomiński J
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10 The Rev. Prof. Hieronim Feicht,
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182 Elżbieta Zwolińska 2008: 3-4)
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184 Elżbieta Zwolińska request, I
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186 Elżbieta Zwolińska work (Perz
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188 Elżbieta Zwolińska Some music
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190 Elżbieta Zwolińska Feicht Hie
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192 Contributors Michał Piekarski
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194 Contributors Elżbieta Zwolińs
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Musicology Today 2012 100 Years of Polish Musicology

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