Musicology Today 2012 100 Years of Polish Musicology

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92 Bożena Muszkalska In March 1959 Szczepańska was a member of the Musicological Committee at the Philosophical-Historical Department, which addressed the Ministry of Higher Education with another written request to reactivate regular studies in Poznań. It seemed that this time the request would be granted, as musicology was on the list of the Department’s sections sent by the Ministry. For this reason the University began to enrol students for the 1 st year and to look for appropriate staff. The hopes proved futile again, though, as it turned out that the list was meant for the University of Warsaw and had been sent to Poznań by mistake (Muszkieta 1974: 54). Despite all these failures, the campaign to save Poznań musicology was not abandoned, as evident from Sobieski’s letter of 16 th May 1961: Michał is determined to fight for the Poznań Chair with Zofia. He claims that even if this year enrolment for the musicology studies did not start, the opening of doctoral studies is a good beginning. This last sentence refers to the opening of the conferment procedure for eight doctoral degrees in Poznań in 1961; Szczepańska was the supervisor of six of the doctoral theses, but, due to her death, did not see the completion of any of these, and they were taken over by Prof. Chomiński and Prof. Feicht. In the late 1950s and early 1960s, Szczepańska continued intensive academic work. She became a member of a body working on Polish music history. She selected the examples of 15 th -century music for the anthology Z dziejów polskiej kultury muzycznej [History of Polish Musical Culture] edited by Szweykowski (1958). She was herself the editor of a volume containing Jarzębski’s Concerti. She also edited more Polish compositions for the series Monumenta musicae in Polonia, edited by Feicht. Chomiński commissioned her to prepare an edition of Zieleński’s Communiones with commentary for the State Institute of Art. She also prepared for print the large Leningrad Library Manuscript No. 375. She became a member of the F. Chopin Society, and in 1960 delivered a paper on Chopin’s work at the 1 st International Musicological Congress, dedicated to Chopin. She died unexpectedly on 18 th October 1962, a few days before the 10 th anniversary of Prof. Chybiński’s death, leaving not only her doctoral stu-
The Figure of Maria Szczepańska 93 dents, but also — many planned academic projects, some already at a very advanced stage. Czesław Sikorski’s posthumous tribute to Maria Szczepańska ends with these words: With her death we lose an industrious researcher of Polish musical culture, and excellent teacher and a wonderful, though extremely modest person, who will never be forgotten by the society she lived in (Sikorski 1962: 7). Let us hope that these words will prove true. Works cited Jachimecki Zdzisław (1930), ‘Na marginesie pieśni studenckiej z XV-go wieku. Wyjaśnienie utworu Breve regnum eróla igitur z rekopisu nr. 52. Bibljoteki Krasińskich w Warszawie’ [On the Margins of a 15 th -Century Student Song. Interpretation of the song Breve regnum eróla igitur from Krasiński Library Signature 52], Cracow: the author’s imprint. Muszkieta Salomea (1974), ‘Muzykologia poznańska w latach 1945–1965’ [The Poznań Musicology in 1945–65], Zeszyt Naukowy Poznańskiego Towarzystwa Muzycznego im. Henryka Wieniawskiego, May. Rudnicka-KruszewskaH. (1974), ‘Maria Szczepańska’, Zeszyt Naukowy Poznańskiego Towarzystwa Muzycznego im. Henryka Wieniawskiego, May. Sikorski Czesław (1962), Doc. dr Maria Szczepańska. Wspomnienie pośmiertne [Reader Maria Szczepańska, Ph.D. Posthumous Tribute], Ruch Muzyczny No. 22. Szczepańska Maria (1928–1929), ‘Wielogłosowe opracowania hymnów marjańskich w rękopisach polskich XV wieku’. [Polyphonic Arrangements of Marian Hymns in 15 th -century Polish Manuscripts], Kwartalnik Muzyczny 1928 No. 1., pp. 1–19; 1929 No. 2, pp 107–124, No. 3. pp. 219–226, No. 4, pp. 339– 345. SzczepańskaMaria (1936), ‘Lwowskie arcydzieło muzyki wielkanocnej’ [The Lvov Masterpiece of Easter Music], Krytyka i życie No. 15.
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Musicology Today ⋄ 2012 Volume 9
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Contents 1 From the Editor page 5 2
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6 Sławomira Żerańska-Kominek Emp
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8 Małgorzata Woźna-Stankiewicz Th
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10 Małgorzata Woźna-Stankiewicz s
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12 Małgorzata Woźna-Stankiewicz T
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16 Małgorzata Woźna-Stankiewicz e
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18 Małgorzata Woźna-Stankiewicz T
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20 Małgorzata Woźna-Stankiewicz d
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22 Małgorzata Woźna-Stankiewicz A
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24 Małgorzata Woźna-Stankiewicz t
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26 Małgorzata Woźna-Stankiewicz A
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28 Małgorzata Woźna-Stankiewicz f
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32 Małgorzata Woźna-Stankiewicz J
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34 Małgorzata Woźna-Stankiewicz I
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3 Prof. Adolf Chybiński (1880-1952
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40 Michał Piekarski and Grieg (Chy
Page 42 and 43: 42 Michał Piekarski Lvov and Its U
Page 44 and 45: 44 Michał Piekarski The Beginnings
Page 46 and 47: 46 Michał Piekarski Figure 3.1 “
Page 48 and 49: 48 Michał Piekarski Note that as a
Page 50 and 51: 50 Michał Piekarski Musicology at
Page 52 and 53: 52 Michał Piekarski Figure 3.2 Ann
Page 54 and 55: 54 Michał Piekarski centuries). Al
Page 56 and 57: 56 Michał Piekarski sicology. In 1
Page 58 and 59: 58 Michał Piekarski Commander’s
Page 60 and 61: 60 Michał Piekarski with a one-yea
Page 62 and 63: 62 Michał Piekarski Chybiński Ado
Page 64 and 65: 64 Michał Piekarski Winowicz Kryst
Page 66 and 67: 66 Piotr Dahlig Julian Pulikowski (
Page 68 and 69: 68 Piotr Dahlig Doctor Pulikowski r
Page 70 and 71: 70 Piotr Dahlig tation (nearly 5.00
Page 72 and 73: 72 Piotr Dahlig musicology. His res
Page 74 and 75: 5 Bronisława Wójcik-Keuprulian (1
Page 76 and 77: 76 Piotr Dahlig Doctor Wójcik-Keup
Page 78 and 79: 78 Piotr Dahlig Mersmann. Being a p
Page 80 and 81: 80 Piotr Dahlig Rhythms in Chopin
Page 82 and 83: 82 Bożena Muszkalska Maria Klement
Page 84 and 85: 84 Bożena Muszkalska Our priest ha
Page 86 and 87: 86 Bożena Muszkalska and functions
Page 88 and 89: 88 Bożena Muszkalska the Lvov peri
Page 90 and 91: 90 Bożena Muszkalska very desirabl
Page 94 and 95: 7 Łucjan Kamieński (1885-1964) as
Page 96 and 97: 96 Bożena Muszkalska near”, “M
Page 98 and 99: Figure 7.2 continuation
Page 100 and 101: 100 Bożena Muszkalska many visits
Page 102 and 103: 102 Bożena Muszkalska Figure 7.3 T
Page 104 and 105: 104 Bożena Muszkalska was foreign,
Page 106 and 107: 106 Bożena Muszkalska As for the W
Page 108 and 109: 108 Bożena Muszkalska To begin wit
Page 110 and 111: 110 Bożena Muszkalska the house at
Page 112 and 113: 112 Bożena Muszkalska Your letter
Page 114 and 115: 114 Bożena Muszkalska Like his Ber
Page 116 and 117: 116 Bożena Muszkalska cal archives
Page 118 and 119: 118 Bożena Muszkalska the incipits
Page 120 and 121: 120 Bożena Muszkalska Both inventi
Page 122 and 123: Figure 7.7 Transcription of the son
Page 124 and 125: 124 Bożena Muszkalska It was for c
Page 126 and 127: 126 Bożena Muszkalska Figure 7.8 C
Page 128 and 129: 128 Bożena Muszkalska Poland, whic
Page 130 and 131: 130 Bożena Muszkalska Kamieński
Page 132 and 133: 8 On Zofia Lissa’s (1908-1980) Mu
Page 134 and 135: 134 Zbigniew Skowron Lissa became a
Page 136 and 137: 136 Zbigniew Skowron and function o
Page 138 and 139: 138 Zbigniew Skowron nearly 30 year
Page 140 and 141: 140 Zbigniew Skowron in 1949, prece
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142 Zbigniew Skowron lation to them
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144 Zbigniew Skowron ‘Recepcja mu
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146 Zbigniew Skowron the text ‘O
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148 Zbigniew Skowron at the time an
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150 Zbigniew Skowron Lissa Zofia (1
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152 Zbigniew Skowron Lissa Zofia (1
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9 The Double Centenary of Polish Mu
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156 Irena Poniatowska At the Univer
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158 Irena Poniatowska proach and to
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160 Irena Poniatowska 1760, then cl
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162 Irena Poniatowska logical order
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164 Irena Poniatowska historical tr
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166 Irena Poniatowska In Musical Fo
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168 Irena Poniatowska qualities —
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170 Irena Poniatowska preludes into
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172 Irena Poniatowska chromaticism,
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174 Irena Poniatowska to inconsiste
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176 Irena Poniatowska exclusively o
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178 Irena Poniatowska Chomiński J
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10 The Rev. Prof. Hieronim Feicht,
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182 Elżbieta Zwolińska 2008: 3-4)
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184 Elżbieta Zwolińska request, I
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186 Elżbieta Zwolińska work (Perz
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188 Elżbieta Zwolińska Some music
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190 Elżbieta Zwolińska Feicht Hie
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192 Contributors Michał Piekarski
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194 Contributors Elżbieta Zwolińs
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