Musicology Today 2012 100 Years of Polish Musicology

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52 Michał Piekarski Figure 3.2 Anna Czekanowska, who, though she studied with Chybiński already after the war at Poznań University, stressed that in many respects the forms of teaching were similar to those developed in Lvov (Czekanowska 2002: 169).
Prof. Adolf Chybiński (1880–1952) – Founder of Polish Musicology 53 Classes were taught in the form of lectures, topical seminars or analytic workshops. 18 The syllabus covered four disciplines: music history, music theory, musical analysis and musical paleography. Particular emphasis was placed on the teaching of the history and theory of early music. At the centre of the curriculum, there were lectures dedicated to individual fields, concentrating primarily on the history of music. Professor Chybiński was aware of how many undiscovered sources were still lying in archives throughout Poland. He was also convinced that a synthesis of Polish music history would not be possible until we have studied the entire body of historical sources related to this field (Chomiński 1953: 15). He knew, therefore, that carefully verified primary sources constituted the basis for all studies (Czekanowska 2003: 49). Classes were held at appointed hours — in the mornings (mostly those taught by the assistant lecturer), as well as the afternoons and evenings (reserved for the Professor). They began with introductory, lower, higher and undergraduate seminars (depending on the students’ level), followed by a lecture, which ended before the start of the various concerts held in the city. 19 The vast majority of classes were taught by Adolf Chybiński himself, which can serve as a proof of his versatility as a musicologist — but was also a standard in the one-person faculties of that day. This system consisting of a “free university” and a faculty subordinated to the authority of one eminent professor ensured that each student could be equipped with a thorough knowledge of the field (Czekanowska 2002: 162–163). Chybiński’s teaching activity at the Jan Kazimierz University led to the development between the two world wars of the Lvov School of Musicology, which was Poland’s first such comprehensive school dedicated to this discipline. Professor Chybiński’s educational aims were fulfilled, as out of the 24 doctoral dissertations and master’s theses written at this faculty in 1917–1939, as many as six were strictly dedicated to the Polish music of the 15 th –18 th centuries, while 13 dealt with early music (from the 13 th to the 18 th 18 A detailed list of subjects taught at the Faculty of Musicology can be found in Mazepa and Mazepa 2003 vol. 1: 260–265. 19 Czekanowska 2002: 167. A walk from the Faculty to the philharmonic or the opera house took not more than 10 minutes.
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Page 3: Contents 1 From the Editor page 5 2
Page 6 and 7: 6 Sławomira Żerańska-Kominek Emp
Page 8 and 9: 8 Małgorzata Woźna-Stankiewicz Th
Page 10 and 11: 10 Małgorzata Woźna-Stankiewicz s
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Page 20 and 21: 20 Małgorzata Woźna-Stankiewicz d
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Page 32 and 33: 32 Małgorzata Woźna-Stankiewicz J
Page 34 and 35: 34 Małgorzata Woźna-Stankiewicz I
Page 38 and 39: 3 Prof. Adolf Chybiński (1880-1952
Page 40 and 41: 40 Michał Piekarski and Grieg (Chy
Page 42 and 43: 42 Michał Piekarski Lvov and Its U
Page 44 and 45: 44 Michał Piekarski The Beginnings
Page 46 and 47: 46 Michał Piekarski Figure 3.1 “
Page 48 and 49: 48 Michał Piekarski Note that as a
Page 50 and 51: 50 Michał Piekarski Musicology at
Page 54 and 55: 54 Michał Piekarski centuries). Al
Page 56 and 57: 56 Michał Piekarski sicology. In 1
Page 58 and 59: 58 Michał Piekarski Commander’s
Page 60 and 61: 60 Michał Piekarski with a one-yea
Page 62 and 63: 62 Michał Piekarski Chybiński Ado
Page 64 and 65: 64 Michał Piekarski Winowicz Kryst
Page 66 and 67: 66 Piotr Dahlig Julian Pulikowski (
Page 68 and 69: 68 Piotr Dahlig Doctor Pulikowski r
Page 70 and 71: 70 Piotr Dahlig tation (nearly 5.00
Page 72 and 73: 72 Piotr Dahlig musicology. His res
Page 74 and 75: 5 Bronisława Wójcik-Keuprulian (1
Page 76 and 77: 76 Piotr Dahlig Doctor Wójcik-Keup
Page 78 and 79: 78 Piotr Dahlig Mersmann. Being a p
Page 80 and 81: 80 Piotr Dahlig Rhythms in Chopin
Page 82 and 83: 82 Bożena Muszkalska Maria Klement
Page 84 and 85: 84 Bożena Muszkalska Our priest ha
Page 86 and 87: 86 Bożena Muszkalska and functions
Page 88 and 89: 88 Bożena Muszkalska the Lvov peri
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Page 92 and 93: 92 Bożena Muszkalska In March 1959
Page 94 and 95: 7 Łucjan Kamieński (1885-1964) as
Page 96 and 97: 96 Bożena Muszkalska near”, “M
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102 Bożena Muszkalska Figure 7.3 T
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104 Bożena Muszkalska was foreign,
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106 Bożena Muszkalska As for the W
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108 Bożena Muszkalska To begin wit
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110 Bożena Muszkalska the house at
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112 Bożena Muszkalska Your letter
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114 Bożena Muszkalska Like his Ber
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116 Bożena Muszkalska cal archives
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118 Bożena Muszkalska the incipits
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120 Bożena Muszkalska Both inventi
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Figure 7.7 Transcription of the son
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124 Bożena Muszkalska It was for c
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126 Bożena Muszkalska Figure 7.8 C
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128 Bożena Muszkalska Poland, whic
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130 Bożena Muszkalska Kamieński
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8 On Zofia Lissa’s (1908-1980) Mu
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134 Zbigniew Skowron Lissa became a
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136 Zbigniew Skowron and function o
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138 Zbigniew Skowron nearly 30 year
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140 Zbigniew Skowron in 1949, prece
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142 Zbigniew Skowron lation to them
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144 Zbigniew Skowron ‘Recepcja mu
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146 Zbigniew Skowron the text ‘O
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148 Zbigniew Skowron at the time an
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150 Zbigniew Skowron Lissa Zofia (1
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152 Zbigniew Skowron Lissa Zofia (1
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9 The Double Centenary of Polish Mu
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156 Irena Poniatowska At the Univer
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158 Irena Poniatowska proach and to
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160 Irena Poniatowska 1760, then cl
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162 Irena Poniatowska logical order
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164 Irena Poniatowska historical tr
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166 Irena Poniatowska In Musical Fo
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168 Irena Poniatowska qualities —
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170 Irena Poniatowska preludes into
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172 Irena Poniatowska chromaticism,
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174 Irena Poniatowska to inconsiste
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176 Irena Poniatowska exclusively o
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178 Irena Poniatowska Chomiński J
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10 The Rev. Prof. Hieronim Feicht,
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182 Elżbieta Zwolińska 2008: 3-4)
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184 Elżbieta Zwolińska request, I
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186 Elżbieta Zwolińska work (Perz
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188 Elżbieta Zwolińska Some music
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190 Elżbieta Zwolińska Feicht Hie
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192 Contributors Michał Piekarski
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194 Contributors Elżbieta Zwolińs
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Musicology Today 2012 100 Years of Polish Musicology

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