Musicology Today 2012 100 Years of Polish Musicology

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188 Elżbieta Zwolińska Some musicologists have expressed their regret that Prof. Feicht did not manage to write a synthetic history of Polish, or even – of early Polish music. However, there are also arguments that despite new discoveries it was still too early for such a synthesis, and that Feicht’s methodological preferences may have made it difficult for him to undertake such tasks. 21 Feicht’s own statement, quoted in the Sketches, may shed some light on this issue: As soon as I retire, I intend to write a concise, but possibly comprehensive history of Polish musical culture, since there is an urgent need for such a book — it would be very useful for the general public, and quite necessary for our students (Kałamarz 2012: 17). Again, we can see how he conceived this task in terms of “duty” — work not for academic fame, but “f o r t h e g e n e r a l p u b l i c” and for the benefit of the younger generation — of his beloved “s t u d e n t s”. ∗∗∗ The importance of Rev. Prof. Hieronim Feicht’s work was rightly summed up by Józef M. Chomiński already in 1967: he was not only an eminent scientist, educator and organiser, but, first and foremost, a wonderful person, capable of combining his religious vocation with the needs of science, of our country and society, in an extremely harmonious way (Chomiński 1967: 3). Among his many achievements, one of the greatest was the training of academic staff characterised by clear scientific views and strict methodological principles. He himself was extremely conscientious and aimed to discover unquestionable scientific truths on the basis of classical methodological principles, which attached much significance to sources and their proper interpretation. These were the rules that he passed on to his students (Chomiński 1967: 5). 21 Kałamarz 2012: 133, 66: such opinions were expressed e.g. by Danuta Idaszak and Jerzy Morawski.
The Rev. Prof. Hieronim Feicht, CM 189 Works cited Chomiński Józef M. (1967), ‘Hieronim Feicht 1894–1967’, Muzyka XII, No. 1, pp. 3–5. Feicht Hieronim (1925), Kompozycje religijne Bartłomieja Pękiela [Pękiel’s Sacred Compositions] (diss., University of Lwów), reprinted in: Opera musicologica Hieronymi Feicht, ed. Z. Lissa, D. Idaszak, vol. III, Studia nad muzyką polskiego renesansu i baroku [Studies on Polish Renaissance and Baroque Music], Cracow 1980, pp. 290–454. Feicht Hieronim (1928), ‘Przyczynki do dziejów kapeli królewskiej w Warszawie za rządów kapelmistrzowskich Marca Scacchiego’ [Contributions to the History of the Royal Chapel in Warsaw under the Leadership of Marco Scacchi], Kwartalnik muzyczny No. 1, pp. 20–34, No. 2 pp. 125–144, reprinted in: Opera musicologica Hieronymi Feicht, vol. III, pp. 243–289. Feicht Hieronim (1930), ‘O ‘Mszy wielkanocnej’ Marcina Leopolity’ [On ‘Missa Paschalis’ by Marcin Leopolita], Kwartalnik Muzyczny, Nos. 6/7, pp. 106– 157, reprinted in: Opera musicologica Hieronymi Feicht, vol. III, pp. 7–82. Feicht Hieronim (1935), ‘Łysków koło Słonima’ [Łysków near Słonim], Roczniki Obu Zgromadzeń XXXVIII, Cracow, pp. 311–333. Feicht Hieronim (1948), Ronda Fryderyka Chopina [Rondos by Fryderyk Chopin], Kwartalnik Muzyczny Nos. 21/22, pp. 35–59, No. 23, pp. 23–62 and No. 24, pp.7– 54. Feicht Hieronim (1957), Polifonia renesansu [Renaissance Polyphony], Cracow, reprinted in: Opera musicologica Hieronymi Feicht, vol. II, Cracow. Feicht Hieronim (1960), ‘Dwa cykle wariacyjne na temat ‘Der Schweizerbua’ Fryderyka Chopina i J. F. Marcksa’ [Two Cycles of Variations on the Theme of ‘Der Schweizerbua’ by Fryderyk Chopin and J. F. Marcks], in: Proceedings of the Congress Fryderyk Chopin, Warsaw, pp. 56–78. Feicht Hieronim (1962), Bogurodzica,in:Bogurodzica,ed.H.Feicht,E.Ostrowska.J. Woronczak, Wrocław, reprinted in: Opera musicologica Hieronymi Feicht,vol. I, pp. 131–232. Feicht Hieronim (1965), ‘Muzyka liturgiczna w polskim średniowieczu’ [Liturgical Music in Medieval Poland], in: Musica medii aevi vol. I, Cracow, pp. 9–52, reprinted in: Opera musicologica Hieronymi Feicht, vol. I, pp. 270–327. Feicht Hieronim (1968),‘Polska pieśń średniowieczna’ [Polish Medieval Songs], in: Musica medii aevi, vol. II, Cracow, pp. 52–70, reprinted in: Opera musicologica Hieronymi Feicht, vol. I, pp. 361–88. Feicht Hieronim (1968a), ‘Królewsko-polska i kurfirstowsko-saska kapela muzyczna w Dreźnie’ [Royal-Polish and Electoral-Saxon musical chapel in Dresden], in: Sarmatia artistica. Księga pamiątkowa ku czci prof. W. Tomkiewicza [Commemorative Book in Honour of Prof. W. Tomkiewicz], Warsaw, pp. 151–159, reprinted in: Opera musicologica Hieronymi Feicht, vol. III, pp. 483–498.
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Musicology Today ⋄ 2012 Volume 9
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Contents 1 From the Editor page 5 2
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6 Sławomira Żerańska-Kominek Emp
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8 Małgorzata Woźna-Stankiewicz Th
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10 Małgorzata Woźna-Stankiewicz s
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22 Małgorzata Woźna-Stankiewicz A
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26 Małgorzata Woźna-Stankiewicz A
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32 Małgorzata Woźna-Stankiewicz J
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34 Małgorzata Woźna-Stankiewicz I
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3 Prof. Adolf Chybiński (1880-1952
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40 Michał Piekarski and Grieg (Chy
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42 Michał Piekarski Lvov and Its U
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44 Michał Piekarski The Beginnings
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46 Michał Piekarski Figure 3.1 “
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48 Michał Piekarski Note that as a
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50 Michał Piekarski Musicology at
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52 Michał Piekarski Figure 3.2 Ann
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54 Michał Piekarski centuries). Al
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56 Michał Piekarski sicology. In 1
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58 Michał Piekarski Commander’s
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60 Michał Piekarski with a one-yea
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62 Michał Piekarski Chybiński Ado
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64 Michał Piekarski Winowicz Kryst
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66 Piotr Dahlig Julian Pulikowski (
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68 Piotr Dahlig Doctor Pulikowski r
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70 Piotr Dahlig tation (nearly 5.00
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72 Piotr Dahlig musicology. His res
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5 Bronisława Wójcik-Keuprulian (1
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76 Piotr Dahlig Doctor Wójcik-Keup
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78 Piotr Dahlig Mersmann. Being a p
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80 Piotr Dahlig Rhythms in Chopin
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82 Bożena Muszkalska Maria Klement
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84 Bożena Muszkalska Our priest ha
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86 Bożena Muszkalska and functions
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88 Bożena Muszkalska the Lvov peri
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90 Bożena Muszkalska very desirabl
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92 Bożena Muszkalska In March 1959
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7 Łucjan Kamieński (1885-1964) as
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96 Bożena Muszkalska near”, “M
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Figure 7.2 continuation
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100 Bożena Muszkalska many visits
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102 Bożena Muszkalska Figure 7.3 T
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104 Bożena Muszkalska was foreign,
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106 Bożena Muszkalska As for the W
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108 Bożena Muszkalska To begin wit
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110 Bożena Muszkalska the house at
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112 Bożena Muszkalska Your letter
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114 Bożena Muszkalska Like his Ber
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116 Bożena Muszkalska cal archives
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118 Bożena Muszkalska the incipits
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120 Bożena Muszkalska Both inventi
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Figure 7.7 Transcription of the son
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124 Bożena Muszkalska It was for c
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126 Bożena Muszkalska Figure 7.8 C
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128 Bożena Muszkalska Poland, whic
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130 Bożena Muszkalska Kamieński
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8 On Zofia Lissa’s (1908-1980) Mu
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134 Zbigniew Skowron Lissa became a
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136 Zbigniew Skowron and function o
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Page 180 and 181: 10 The Rev. Prof. Hieronim Feicht,
Page 182 and 183: 182 Elżbieta Zwolińska 2008: 3-4)
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Page 192 and 193: 192 Contributors Michał Piekarski
Page 194: 194 Contributors Elżbieta Zwolińs
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