Musicology Today 2012 100 Years of Polish Musicology

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102 Bożena Muszkalska Figure 7.3 The Kamieński family in Breslau (now Wrocław), c. 1890 He could lecture you on Schopenhauer or, by God, even Kant, which would be pretty difficult, as I look at the Kritik der Reinen Vernunft right there [on shelf]. But he had the principles, the idea of the whole thing, so he could discuss it knowledgably (Ibidem).
Łucjan Kamieński as an Ethnomusicologist and Man 103 In 1910 Łucjan Kamieński defended a doctoral dissertation entitled Hasses Oratorien im musikhistorischen Zusammenhange (published in Leipzig in 1912 as Die Oratorien von Johann Adolf Hasse), written under the supervision of Hermann Kretzschmar. It was Kretzschmar, a researcher open to the study not only of German music, but of other European traditions, who encouraged Kamieński to explore the Polish-German connections in the folk music of the Polish western frontier, which was to become the main subject of research for the future author of Pieśni ludu pomorskiego [Songs of the Pomerelian Folk] (Kamieński 1934). 14 Carl Stumpf, in his turn, was the founder of comparative musicology (vergleichende Musikwissenschaft) in Berlin. As a trained psychologist, Stumpf conducted research in musical psychology, acoustics and physiology using non-European instruments and music. 15 Together with his pupils Erich Moritz von Hornbostel and Otto Abraham, in 1905 he created a phonographic archive, which was part of the Institute of Psychology he had founded. The archive collected mostly non-European music, recorded during field work by various scholars. These materials were used in the Institute to measure selected sound parameters. Kamieński observed these activities and later carried out similar projects in Poland. In 1909, even before the defence of his doctoral thesis, Kamieński took up the post of music section editor in the daily Königsberger Allgemeine Zeitung, published in Königsberg (now Kaliningrad). In the same city he also gave lectures for secondary school teachers, composed music, and wrote dissertations, mostly on the history of music. It was also in Königsberg that Kamieński met the singer Linda Harder (see Figure 7.4), whom he married in 1913. Jan Kamieński describes the inside story of this marriage: [...] there is an interesting sideline to that. My father’s family was somewhat apprehensive about him marrying a person of German descent, until he explained to them that the family was not pure German, but it had a great shot of Swedish blood in its ancestry. And Italian, on my grandmother’s side. So that mollified my paternal grandparents. And equally, at the same time, my maternal grandparents were apprehensive about her marrying a Polack. Because he wrote himself Dołęga-Kamieński, and that 14 Cf. also Piotrowski 1987: 211. 15 Stumpf’s paper entitled ‘Lieder der Bellakula Indianer’ (1886), was the first presentation, transcription and analysis of works performed by an Indian band performing in Berlin, and is regarded as the first study in the field comparative musicology in Germany.
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Musicology Today ⋄ 2012 Volume 9
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Contents 1 From the Editor page 5 2
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6 Sławomira Żerańska-Kominek Emp
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8 Małgorzata Woźna-Stankiewicz Th
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10 Małgorzata Woźna-Stankiewicz s
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12 Małgorzata Woźna-Stankiewicz T
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20 Małgorzata Woźna-Stankiewicz d
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22 Małgorzata Woźna-Stankiewicz A
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24 Małgorzata Woźna-Stankiewicz t
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26 Małgorzata Woźna-Stankiewicz A
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28 Małgorzata Woźna-Stankiewicz f
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32 Małgorzata Woźna-Stankiewicz J
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34 Małgorzata Woźna-Stankiewicz I
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3 Prof. Adolf Chybiński (1880-1952
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40 Michał Piekarski and Grieg (Chy
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42 Michał Piekarski Lvov and Its U
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44 Michał Piekarski The Beginnings
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46 Michał Piekarski Figure 3.1 “
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48 Michał Piekarski Note that as a
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50 Michał Piekarski Musicology at
Page 52 and 53: 52 Michał Piekarski Figure 3.2 Ann
Page 54 and 55: 54 Michał Piekarski centuries). Al
Page 56 and 57: 56 Michał Piekarski sicology. In 1
Page 58 and 59: 58 Michał Piekarski Commander’s
Page 60 and 61: 60 Michał Piekarski with a one-yea
Page 62 and 63: 62 Michał Piekarski Chybiński Ado
Page 64 and 65: 64 Michał Piekarski Winowicz Kryst
Page 66 and 67: 66 Piotr Dahlig Julian Pulikowski (
Page 68 and 69: 68 Piotr Dahlig Doctor Pulikowski r
Page 70 and 71: 70 Piotr Dahlig tation (nearly 5.00
Page 72 and 73: 72 Piotr Dahlig musicology. His res
Page 74 and 75: 5 Bronisława Wójcik-Keuprulian (1
Page 76 and 77: 76 Piotr Dahlig Doctor Wójcik-Keup
Page 78 and 79: 78 Piotr Dahlig Mersmann. Being a p
Page 80 and 81: 80 Piotr Dahlig Rhythms in Chopin
Page 82 and 83: 82 Bożena Muszkalska Maria Klement
Page 84 and 85: 84 Bożena Muszkalska Our priest ha
Page 86 and 87: 86 Bożena Muszkalska and functions
Page 88 and 89: 88 Bożena Muszkalska the Lvov peri
Page 90 and 91: 90 Bożena Muszkalska very desirabl
Page 92 and 93: 92 Bożena Muszkalska In March 1959
Page 94 and 95: 7 Łucjan Kamieński (1885-1964) as
Page 96 and 97: 96 Bożena Muszkalska near”, “M
Page 98 and 99: Figure 7.2 continuation
Page 100 and 101: 100 Bożena Muszkalska many visits
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Page 108 and 109: 108 Bożena Muszkalska To begin wit
Page 110 and 111: 110 Bożena Muszkalska the house at
Page 112 and 113: 112 Bożena Muszkalska Your letter
Page 114 and 115: 114 Bożena Muszkalska Like his Ber
Page 116 and 117: 116 Bożena Muszkalska cal archives
Page 118 and 119: 118 Bożena Muszkalska the incipits
Page 120 and 121: 120 Bożena Muszkalska Both inventi
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Page 124 and 125: 124 Bożena Muszkalska It was for c
Page 126 and 127: 126 Bożena Muszkalska Figure 7.8 C
Page 128 and 129: 128 Bożena Muszkalska Poland, whic
Page 130 and 131: 130 Bożena Muszkalska Kamieński
Page 132 and 133: 8 On Zofia Lissa’s (1908-1980) Mu
Page 134 and 135: 134 Zbigniew Skowron Lissa became a
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Page 138 and 139: 138 Zbigniew Skowron nearly 30 year
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Page 142 and 143: 142 Zbigniew Skowron lation to them
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Page 150 and 151: 150 Zbigniew Skowron Lissa Zofia (1
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152 Zbigniew Skowron Lissa Zofia (1
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9 The Double Centenary of Polish Mu
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156 Irena Poniatowska At the Univer
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158 Irena Poniatowska proach and to
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160 Irena Poniatowska 1760, then cl
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162 Irena Poniatowska logical order
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164 Irena Poniatowska historical tr
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166 Irena Poniatowska In Musical Fo
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168 Irena Poniatowska qualities —
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170 Irena Poniatowska preludes into
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172 Irena Poniatowska chromaticism,
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174 Irena Poniatowska to inconsiste
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176 Irena Poniatowska exclusively o
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178 Irena Poniatowska Chomiński J
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10 The Rev. Prof. Hieronim Feicht,
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182 Elżbieta Zwolińska 2008: 3-4)
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184 Elżbieta Zwolińska request, I
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186 Elżbieta Zwolińska work (Perz
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188 Elżbieta Zwolińska Some music
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190 Elżbieta Zwolińska Feicht Hie
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192 Contributors Michał Piekarski
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194 Contributors Elżbieta Zwolińs
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Musicology Today 2012 100 Years of Polish Musicology

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