Appliqué in Sonepur District - Subarnapur
Appliqué in Sonepur District - Subarnapur
Appliqué in Sonepur District - Subarnapur
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<strong>Appliqué</strong> <strong>in</strong> <strong>Sonepur</strong> <strong>District</strong><br />
Brief about the SC Women artisan of the <strong>Sonepur</strong> Block<br />
The Women artisans’ communities of <strong>Sonepur</strong> Block l are resid<strong>in</strong>g <strong>in</strong> the<br />
<strong>Subarnapur</strong> district s<strong>in</strong>ce <strong>in</strong>dependence. The Major Craft activities<br />
practiced by the artisans are patchwork, appliqué, embroidery and folder<br />
mak<strong>in</strong>g. This crafts have a cultural relationship with the local festivals &<br />
local traditions.<br />
Present Production Process & Raw Materials:<br />
The SC Women artisans of <strong>Sonepur</strong> Town and its locality are<br />
produc<strong>in</strong>g different utility & decorative products as per the demand of<br />
local market. The ma<strong>in</strong> products are folders, Wall hang<strong>in</strong>gs, Bags,<br />
Garments and Tent equipments. These artisans are procur<strong>in</strong>g raw<br />
materials from sonepur town, Bolangir and Pipili market. The artisan<br />
are engaged <strong>in</strong> community production and market<strong>in</strong>g of their product.<br />
The details of the production process are<br />
v Preparation of Sketches as per the motifs.<br />
v Cutt<strong>in</strong>g of Cloths <strong>in</strong> different size as per the sketches.<br />
v Sew<strong>in</strong>g<br />
v Stitch<strong>in</strong>g<br />
v F<strong>in</strong>ish<strong>in</strong>g<br />
v Packag<strong>in</strong>g<br />
Market<strong>in</strong>g of the Products:<br />
The SC Women artisans of <strong>Sonepur</strong> Town and its locality are<br />
market<strong>in</strong>g their products through different exhibition, melas & craft<br />
bazaar. Some of them have also market<strong>in</strong>g Tie up with showroom of<br />
Raipur & New Delhi.<br />
Skill level of the artisan & present tools & equipments used for production:<br />
The skill levels of the artisans are highly appreciable. They can make<br />
any type of prototypes as per the designs. The artisans are produc<strong>in</strong>g<br />
both traditional & modern products. The ma<strong>in</strong> hand tools and<br />
equipments used by the artisans are<br />
1. Hand operated sew<strong>in</strong>g mach<strong>in</strong>e<br />
2. Scissor<br />
3. Scale<br />
4. Knife<br />
5. Niddle<br />
6. Play board<br />
Recently, a tie up has been made Hyderabad based Tar<strong>in</strong>i Handicraft, Proprietor Sailabala<br />
Sahu to purchase all the appliqué product of <strong>Sonepur</strong>.<br />
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INTERVENTION OF JAQUARD IN SONEPUR DISTRICT<br />
At the outset, Spl. SGSY project <strong>in</strong> <strong>Sonepur</strong> district has<br />
wide vision<strong>in</strong>g of modernization & diversification of weav<strong>in</strong>g<br />
technology. Towards backward l<strong>in</strong>kage, DSMS has taken<br />
<strong>in</strong>itiative for identification of groups, avail<strong>in</strong>g these groups with<br />
revolv<strong>in</strong>g fund and some groups with <strong>in</strong>come generat<strong>in</strong>g<br />
activity fund, capacity build<strong>in</strong>g through basic orientation, skill<br />
development tra<strong>in</strong><strong>in</strong>g and exposure visit to outside state with<br />
active co-operation of local NGOs & other village level<br />
organization. 66 swarojgaries were tra<strong>in</strong>ed on jacquard weav<strong>in</strong>g<br />
and tye & dye. About 54 women SHG members were tra<strong>in</strong>ed hav<strong>in</strong>g a basic knowledge on<br />
weav<strong>in</strong>g equipment. 12 male SHG members and <strong>in</strong>dividuals were tra<strong>in</strong>ed on production<br />
process of Jaquard weav<strong>in</strong>g. 20 swarojgaries has visited to IIHT, Salem for jacquard tra<strong>in</strong><strong>in</strong>g<br />
for a month period.<br />
Apart from this, mechanization of pre & post loom facilities was established at<br />
Common Facility Centre, <strong>Sonepur</strong>. All this <strong>in</strong>puts have greater impact <strong>in</strong> the area to transfer<br />
the technology at their doorstep.<br />
The handloom artisans of the area are mostly habitual <strong>in</strong> work<strong>in</strong>g with primitive<br />
shuttle pit looms & jalla weav<strong>in</strong>g for extra weft design <strong>in</strong> the boarder / anchal.<br />
At present, weav<strong>in</strong>g scenario is chang<strong>in</strong>g. DSMS with all efforts to motivate and<br />
mobilize the weaver’s community follows the pr<strong>in</strong>ciple “Slow & Steady W<strong>in</strong> the Race”.<br />
The demonstration effect of jacquard weav<strong>in</strong>g is <strong>in</strong>troduced <strong>in</strong> the district. About<br />
33nos jacquard mach<strong>in</strong>e (mostly of 120 hooks) have been <strong>in</strong>stalled by the weavers <strong>in</strong> our<br />
district. Gradually the process is go<strong>in</strong>g on hav<strong>in</strong>g convergence programme with DDT,<br />
<strong>Sonepur</strong> under RLTAP fund (40 jaquard has been distributed <strong>in</strong> <strong>Sonepur</strong> and Ulunda block)<br />
and with EDI & SBI, <strong>Sonepur</strong> for their supportive hand for skill development tra<strong>in</strong><strong>in</strong>g and<br />
credit l<strong>in</strong>kages.<br />
While <strong>in</strong> the field visit, the weavers of Kendupali, Rathisai,<br />
Champapur, Baghapali and Sukha village revealed that by us<strong>in</strong>g<br />
jacquard they are benefited by<br />
• Less manpower (one man handle the total weav<strong>in</strong>g)<br />
• Less time (one saree weaved <strong>in</strong> 3 days)<br />
• Low cost of production (cost benefit around Rs.400/- per<br />
saree)<br />
• Increase <strong>in</strong> work efficiency<br />
• Increase <strong>in</strong> production (experience weavers produce just<br />
double semi skill <strong>in</strong> jacquard weave two more from orig<strong>in</strong>al production)<br />
• Increase <strong>in</strong> <strong>in</strong>cremental <strong>in</strong>come ( Rs.2500-Rs.3500 per month)<br />
The district, which is rich <strong>in</strong> weav<strong>in</strong>g entrepreneurship, can<br />
atta<strong>in</strong> economic augmentation. The entrepreneurs organize the<br />
economic ventures for produc<strong>in</strong>g goods at lower cost with<br />
objects to transfer of new technology and sett<strong>in</strong>g up new<br />
production milestone.<br />
DSMS, <strong>Sonepur</strong> act as resource facilitator to organize skill<br />
development tra<strong>in</strong><strong>in</strong>g for SHG weavers to improve design,<br />
acqua<strong>in</strong>ted with new technology skills. The tra<strong>in</strong><strong>in</strong>g cum production centre (TCPC) provides<br />
ample scope for the weavers to learn new lessons-Believ<strong>in</strong>g <strong>in</strong> Do<strong>in</strong>g. The practice will<br />
enable the handloom artisans to <strong>in</strong>crease the efficiency and productivity with an <strong>in</strong>crease <strong>in</strong><br />
<strong>in</strong>cremental <strong>in</strong>come.<br />
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Revival of Languish<strong>in</strong>g crafts of <strong>Subarnapur</strong> district<br />
The age old crafts of <strong>Subarnapur</strong> district were neglected and<br />
almost dy<strong>in</strong>g stage s<strong>in</strong>ce 30 years. NRDC has played vital role to<br />
br<strong>in</strong>g out the die<strong>in</strong>g craft to the ma<strong>in</strong> stream of the handicrafts<br />
sector of the district. DIC, <strong>Subarnapur</strong> has made the Action Plan<br />
under RLTAP (D.W) for revival of the traditional Pa<strong>in</strong>ted Wooden<br />
Toys of Champamal village, Birmaharajpur block. As a result SHG<br />
has been formed consist<strong>in</strong>g 15 nos. of artisan, skill upgradation &<br />
product diversification tra<strong>in</strong><strong>in</strong>g programme was organized, need<br />
base tools & equipments have been supplied by DIC, <strong>Subarnapur</strong> under RLTAP (D.W).<br />
DSMS, NRDC, DC, Handicrafts, Utkalika are also provid<strong>in</strong>g<br />
market<strong>in</strong>g assistance to the artisan of village Champamal to boost of<br />
their production for susta<strong>in</strong>ability of craft and livelihood. The local<br />
branch of UGB, B.M.Pur block has also provided credit support to the<br />
SHG artisan for their production and market<strong>in</strong>g. The entire artisan have<br />
availed artisan Identity card from Orissa State Coop. Haqndicrafts<br />
Corporation and Health Card under Rajiv Gandhi Shilpi Swathya Bima Yojana.<br />
The milestone cont<strong>in</strong>ued the progress with the assistance from NABARD to develop<br />
new design and modern craft as per the market demand. With a<br />
cont<strong>in</strong>uous effort the skill level of the artisan has <strong>in</strong>creased.<br />
DRDA has suggested <strong>in</strong>creas<strong>in</strong>g new artisan about 30 more for<br />
which skill development tra<strong>in</strong><strong>in</strong>g assistance will be provided by<br />
the DRDA. DSMS provides every support to participate <strong>in</strong><br />
exhibition with<strong>in</strong> state where DC, Handicraft provides them every<br />
scope to participate <strong>in</strong> outside exhibition. Besides this, NRDC<br />
make necessary arrangement to tie up with some show room<br />
outside state as well as with Utkalika. DSMS and NRDC made a<br />
tie up with Pidilite Industries Ltd. For provid<strong>in</strong>g assistance of colour required for pa<strong>in</strong>ted<br />
wooden toys and buy back for replication <strong>in</strong> other areas with<strong>in</strong> and outside state.<br />
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LINIKING YARN BANK WITH THE WEAVER’S OF<br />
SUBARNAPUR<br />
INTRODUCTION:<br />
<strong>Subarnapur</strong> is a Temple City <strong>District</strong> of orissa and famous for its handloom (silk and<br />
f<strong>in</strong>e cotton bomkei) Products. Near about 20,000 nos. weavers are<br />
produc<strong>in</strong>g saris, dress materials and other utility products.<br />
However, market<strong>in</strong>g of Yarn as raw material of handloom products<br />
is constra<strong>in</strong>ed due to scanty availability of yarn bank and high<br />
prevalence of middle man. Lack of proper <strong>in</strong>frastructure, lack of<br />
market<strong>in</strong>g <strong>in</strong>telligence and awareness has diluted the market<strong>in</strong>g of<br />
yarn unviable to the Weavers. The losses <strong>in</strong> handl<strong>in</strong>g of yarn from<br />
middle man Channel is estimated about 2% to 5% per Kg. It has<br />
been observed that the value of handloom product, is always high <strong>in</strong> comparison to other<br />
handloom market due to high cost of Yarn availed by common Weavers. Common Weavers<br />
faced problem <strong>in</strong> controll<strong>in</strong>g market price that degrades the quality and effectiveness of the<br />
product. A large nos. of small retailer, each handl<strong>in</strong>g small quantities <strong>in</strong>cur high overheads<br />
cost lead<strong>in</strong>g high marg<strong>in</strong> product pric<strong>in</strong>g. Due to dissatisfaction of weavers, traders &<br />
producers the traditional market<strong>in</strong>g system is yet to be recognised.<br />
The availability of raw material is proportionately less than the demand of the<br />
weavers vis-à-vis rise <strong>in</strong> price. Very few wholesalers cater to handloom market. Weavers<br />
those reside <strong>in</strong> villages, urban town commute for market<strong>in</strong>g of Yarn. The supply cha<strong>in</strong> of<br />
raw material <strong>in</strong> this sector is un- organised. In the year 2008, The <strong>District</strong> Supply and<br />
Market<strong>in</strong>g Society took steps for alternate market<strong>in</strong>g strategy “Yarn Bank” to make the<br />
system weavers friendly <strong>in</strong> coord<strong>in</strong>ation with NRDC, a lead<strong>in</strong>g NGO <strong>in</strong> the district hav<strong>in</strong>g<br />
vast experience <strong>in</strong> handloom and handicraft sector.<br />
OBJECTIVE:<br />
The ma<strong>in</strong> objective of promotion of Yarn Bank is to<br />
have a common platform for direct <strong>in</strong>terface with the<br />
producers, provide market <strong>in</strong>formation and availability of raw<br />
material less than the market price. In this process middlemen<br />
has to face the competition and price can be controlled. Yarn<br />
Bank commenced from June 2008 <strong>in</strong> the NRDC office premises,<br />
<strong>Sonepur</strong> town. The whole system will be monitored by the<br />
committee compris<strong>in</strong>g of Project Director, DRDA <strong>Subarnapur</strong>,<br />
Deputy Director (Textiles), General Manager, <strong>District</strong> Industries Centre, <strong>Subarnapur</strong>, Chief<br />
Executive DSMS & Member Secretary NRDC, <strong>Sonepur</strong>. The proposed programme was<br />
funded under Spl. SGSY project.<br />
OPERATIONAL MECHANISM:<br />
Interested <strong>in</strong>dividual weavers and weavers SHGs are<br />
identified by DSMS, DIC, DDT & NRDC to enrol them <strong>in</strong> Yarn<br />
Bank membership and ways to spread over the area. A<br />
prescribed form is be<strong>in</strong>g developed by the Committee. The<br />
form conta<strong>in</strong>s detail address of Weaver, BPL No., Total No.,<br />
family members engaged <strong>in</strong> the loom, production capacity,<br />
monthly yarn requirement, market<strong>in</strong>g channels, Photocopy of<br />
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BPL Card. The membership registration is valid for one year only and renewal of the<br />
registration has to be completed before 15 days of expir<strong>in</strong>g date.<br />
The market price of the raw material is fluctuat<strong>in</strong>g <strong>in</strong> the wholesale market. In order<br />
move <strong>in</strong> the same pace, market price is collected and accord<strong>in</strong>gly price is fixed. In this<br />
process a weaver get a profit marg<strong>in</strong> of 2% to 5%.<br />
The amount <strong>in</strong>vested for the establishment is one time grant to NRDC and a source<br />
of revolv<strong>in</strong>g fund to cont<strong>in</strong>ue the operational mechanism. Employees are entrust<strong>in</strong>g to<br />
manage the whole operational mechanism. The marg<strong>in</strong>al profit earned by the organisation<br />
will be re-<strong>in</strong>vested for expansion of the programme.<br />
Yarn Bank has been an outstand<strong>in</strong>g success <strong>in</strong> <strong>Subarnapur</strong> <strong>District</strong> of Orissa and has<br />
brought immense benefit and pleasure to the weavers.<br />
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TERRACOTTA PREVELANCE IN SUBARNAPUR DISTRICT<br />
About the <strong>District</strong>:<br />
<strong>Subarnapur</strong> is situated <strong>in</strong> the confluence of river Mahanadi and Tel. The headquarters<br />
town is of the same name and was a city of fame from the time of Somavamsi rulers. The<br />
district of <strong>Subarnapur</strong> is known for its rich cultural heritage, arts and crafts. The textiles and<br />
terracotta work of <strong>Subarnapur</strong>, brass metal works and philigri crafts of Tarva and B<strong>in</strong>ka,<br />
Stone carv<strong>in</strong>g of Ullunda and Paddy crafts of Dunguripali have earned worldwide reputation.<br />
The poet and prophet of Mahima Dharma, Santh Bhima Bhoi was a literary genius of the<br />
soil. The ideas of Santh Bhima Bhoi were appreciated by the people of different sections <strong>in</strong><br />
spite of their different religion adherence. He was true humanistic poet of the soil. The town<br />
is known as temple town. The district spreads over an area of 2337 sq. km with two sub<br />
division namely <strong>Sonepur</strong> and Birmaharajpur and four tahasil ie <strong>Sonepur</strong>, B<strong>in</strong>ka, Rampur &<br />
Birmaharajpur.<br />
Entrepreneurship Development <strong>in</strong> Terracotta craft:<br />
Entrepreneurship development <strong>in</strong> terracotta craft proved a<br />
suitable approach for economic empowerment <strong>in</strong> the district. The<br />
traditional practices of kumbhar now diversified to different product<br />
design for utility and decorative items. The rural artisans organized<br />
<strong>in</strong> a group operate bus<strong>in</strong>ess enterprise that facilitated them to access<br />
to resources and market actual ownership and active control.<br />
Terracotta which has a high degree of demand among the<br />
young customers generally produced <strong>in</strong> various shape and designs<br />
through different stages of <strong>in</strong>tervention from creation to f<strong>in</strong>ish<strong>in</strong>g. Artisans of this area have<br />
portrayed earthen to create new design terracotta items. The ma<strong>in</strong> potential terracotta craft<br />
pockets of the district are Kuhibahal, Silati of B<strong>in</strong>ka block, Balijuri of <strong>Sonepur</strong> block,<br />
Daulpadar of Tarva block and Anilachhat of Ullunda block.<br />
Emerg<strong>in</strong>g terracotta craft <strong>in</strong> <strong>Sonepur</strong> Block:<br />
At the backdrop, a rural artisan from Balijuri village named Jayakrushna Rana<br />
<strong>in</strong>itiated traditional practice to modern practice s<strong>in</strong>ce 14 years back. He f<strong>in</strong>d hard to susta<strong>in</strong><br />
his livelihood without any f<strong>in</strong>ancial, market<strong>in</strong>g and tra<strong>in</strong><strong>in</strong>g support from govt. or non-govt.<br />
agencies. Mean time he formed a group named Koral SHG but got defunct. DIC, Balangir<br />
took him as MCM and he rendered his skill <strong>in</strong> that district. The dream to develop the craft <strong>in</strong><br />
his village came true when NRDC, a lead<strong>in</strong>g NGO work<strong>in</strong>g <strong>in</strong> art and craft <strong>in</strong> the district<br />
supported emerg<strong>in</strong>g rural artisan <strong>in</strong>to Suresan SHG and provided all support for nurtur<strong>in</strong>g<br />
the group. S<strong>in</strong>ce 3 – 4 months the group is function<strong>in</strong>g well. Encouraged by the tra<strong>in</strong><strong>in</strong>g<br />
support through DC, Handicraft under AHVY, NRDC implemented for a period of four<br />
months. Almost 15 artisans were tra<strong>in</strong>ed by the MCM, Jayakrushna Rana with a smil<strong>in</strong>g<br />
face. The tra<strong>in</strong>ees produced different utility and decorative product<br />
amount<strong>in</strong>g to Rs.50000/- out of which Rs.30000/- has been<br />
marketed <strong>in</strong> the exhibition with a profit of Rs.25000/-.<br />
This demonstration made visitors from different agencies to visit the<br />
village and provided guidance for future perspective. As a result, SC<br />
rural artisans were organized <strong>in</strong> a group <strong>in</strong> same village for<br />
terracotta development. DRDA will provide support for 3 months skill<br />
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development tra<strong>in</strong><strong>in</strong>g and br<strong>in</strong>g them <strong>in</strong>to ma<strong>in</strong>stream of their <strong>in</strong>come source.<br />
The MCM Jayakrushna Rana has received tra<strong>in</strong><strong>in</strong>g from DIC, Balangir, DC, Handicraft,<br />
Kolkata and from Bhubaneswar.<br />
Market<strong>in</strong>g support through Exhibition and tie up with different showroom and agencies:<br />
DSMS, DC, Handicraft, NRDC, and NABARD. In this short period they have received order<br />
from exhibition ground about Rs,100000/-<br />
30 nos of households can be engaged <strong>in</strong> this profession as primary livelihood and agriculture<br />
as secondary livelihood at present due to marg<strong>in</strong>al or no agricultural land. The magic f<strong>in</strong>ger<br />
is chang<strong>in</strong>g their livelihood pattern.<br />
The product produced <strong>in</strong> this area are deep, god ganesha <strong>in</strong> different style, flower vessel,<br />
goddess laxmi, d<strong>in</strong>osaur, dragon, cutt<strong>in</strong>g tree, cow/calf, pen stand, kalasa, co<strong>in</strong> sav<strong>in</strong>g box,<br />
god siva l<strong>in</strong>ga, wall hang<strong>in</strong>g and bird nest.<br />
Terracotta Craft <strong>in</strong> Ullunda block:<br />
In Anilachhat village a rural artisan named<br />
Iswar Rana is <strong>in</strong>volved <strong>in</strong> terracotta craft. S<strong>in</strong>ce 20<br />
years he is engaged <strong>in</strong> this work as primary source of<br />
<strong>in</strong>come earn<strong>in</strong>g. He has 2.5 ac of agricultural land.<br />
Now the total family members of 5 are engaged <strong>in</strong><br />
this terracotta work. He is a MCM s<strong>in</strong>ce 15 years,<br />
tra<strong>in</strong>ed from Regional Design & Technical<br />
Development Centre, Kolkatta. His earn<strong>in</strong>g source<br />
from terracotta is Rs.40,000/- and Rs.20000/- from<br />
agriculture per annum. He has educated his son and<br />
daughter to metric and +2 also. He is well versed<br />
with oriya and h<strong>in</strong>di language participat<strong>in</strong>g <strong>in</strong> various<br />
exhibition from DSMS and DC, Handicraft with<strong>in</strong> and outside state. He is organized with an<br />
SHG named Laxmi Narayan. In that group some artisans are engaged <strong>in</strong> traditional practice<br />
but hav<strong>in</strong>g <strong>in</strong>terest to learn the modern practices of terracotta. The opportunity can be<br />
trapped and 20 HHs can be benefited, as one of the next best alternative <strong>in</strong>come sources, if<br />
any skill development tra<strong>in</strong><strong>in</strong>g programme can be supported from DRDA or any other<br />
sources.<br />
Terracotta Craft <strong>in</strong> B<strong>in</strong>ka block:<br />
Silati village is one of the potential pockets of terracotta<br />
craft. In that village 6 SHGs is formed out of which 3<br />
male SHG and 3 female SHG. In this village caste is not<br />
the barrier <strong>in</strong> this activity where not only kumbhar but<br />
also teli caste is <strong>in</strong>volved <strong>in</strong> terracotta production and<br />
sale.<br />
In past teli caste families were <strong>in</strong>volved <strong>in</strong> masala<br />
powder production and sale. Kusha Sahoo was the<br />
<strong>in</strong>spiration who had an outlook to learn terracotta work<br />
from Debraj Sahoo, Designer (art & craft) at<br />
Bhubaneswar for 3 years. He was educated a degree course <strong>in</strong> art college, Bhubaneswar.<br />
Now he is undergo<strong>in</strong>g Diploma course <strong>in</strong> design development at CIDAC, Cottage Industry,<br />
Directorate Handicraft, Bhubaneswar. For the first time he participated <strong>in</strong> Kerela exhibition<br />
through DC, Handicraft. Confidence levels enable him to promote 10 to 12 artisan on<br />
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terracotta production. At present, these households are engaged <strong>in</strong> this activity as primary<br />
livelihood. The <strong>in</strong>come source from terracotta is Rs.80000/- per annum and Rs. 40000/-<br />
from agriculture. They supply the order to private party at a tune of Rs.20000/- per annum.<br />
In the same village, kumbhar family were produc<strong>in</strong>g traditional items like khapar,<br />
pot, deep etc but their earn<strong>in</strong>g was less rarely fulfill their basic needs. The idea of<br />
Brundaban Rana worked under Iswar Rana of Anilachhat village for 6 months. He visited to<br />
Calcutta exhibition with the Iswar Rana and ga<strong>in</strong>ed experience. Once he alone participated<br />
<strong>in</strong> Bhopal exhibition through DC, Handicraft. The self confidence made him create<br />
awareness <strong>in</strong> the village and encouraged for production of terracotta product. Another rural<br />
artisan Gannanath Rana <strong>in</strong>spired by his wife who knew the art of terracotta helped both wife<br />
and husband to go for terracotta production. After that 25 households engaged <strong>in</strong> product<br />
diversification work. This work attracted fund<strong>in</strong>g agencies to <strong>in</strong>vest for skill development<br />
tra<strong>in</strong><strong>in</strong>g for 3 months from DC, Handicraft through NRDC, RLTAP sponsored for 2 months<br />
and Design Development programme from DRDA for 1 month. These families <strong>in</strong>come source<br />
from terracotta is 30000/- to 50000/- from terracotta craft and Rs.10000/- from agriculture.<br />
At present <strong>in</strong> this village 3 MCM are present named as Brundaban Rana, Gananath Rana and<br />
Kusha Sahoo those have visited different district to impart tra<strong>in</strong><strong>in</strong>g on terracotta.<br />
Market<strong>in</strong>g support through Exhibition and tie up with different showroom and agencies:<br />
DSMS, DC, Handicraft, NRDC and DIC.<br />
The product produced are lamp set, hang<strong>in</strong>g bell, vessel, mask, ganesha, wall hang<strong>in</strong>g<br />
items, flower vessel, pen stand, brush stand, agarbati stand, decorative item, elephant /<br />
horses / bullock cart, night lamp, hang<strong>in</strong>g lamp, swastika hang<strong>in</strong>g, kalasha, design pot.<br />
In Kuhibahal village, 3 SHGs are named as terracotta SHG where 21 households<br />
changed their lives from traditional practice to modern utility product as per the market<br />
demand. The chang<strong>in</strong>g <strong>in</strong>itiative was taken up by Mukunda Rana <strong>in</strong> the year 1997. Earlier<br />
their <strong>in</strong>come source was Rs.12000/- from traditional items produced and Rs.10000/- from<br />
agriculture per annum. Mukunda Rana learn the new lesson from Manabodha Rana a artisan<br />
from Barpali, Bargarh worked with him for 2 months and started production by himself.<br />
NRDC was the stepp<strong>in</strong>g stone to support and develop these artisans to new frame. Some<br />
artisan participated <strong>in</strong> the exhibition with<strong>in</strong> and outside state.<br />
They have been provided Design Development tra<strong>in</strong><strong>in</strong>g for 15<br />
days, 6 months, 3 months from DC, Handicraft <strong>in</strong>volv<strong>in</strong>g 21<br />
HHs. Debraj Sahoo, Designer has imparted tra<strong>in</strong><strong>in</strong>g to them.<br />
At present they are earn<strong>in</strong>g Rs.30000/- from terracotta and<br />
Rs.20000/- from agriculture per annum. At present some<br />
artisan are recognized as MCM. They are Makunda Rana,<br />
Asadu Rana, Gadadhar Rana, Bhubaneswar Rana, Pancha<br />
Rana and Dhiren Rana.<br />
Market<strong>in</strong>g support through Exhibition and tie up with different showroom and agencies:<br />
DSMS, DC, Handicraft, NRDC, and DIC.<br />
The products produced are ganesha, manna, flower vessel, mosquito coil cover, pen stand,<br />
candle stand, wall hang<strong>in</strong>g and animal items.<br />
Emerg<strong>in</strong>g Terracotta Craft <strong>in</strong> Tarva block:<br />
In Daulpadar village there are 40 potter families work<strong>in</strong>g with their traditional items<br />
and sell<strong>in</strong>g local market and neighbour village vend<strong>in</strong>g. Two families were work<strong>in</strong>g with<br />
terracotta craft but later on one left this activity due to his domestic problem. Ratnakar<br />
Rana a rural artisan has under gone tra<strong>in</strong><strong>in</strong>g at Bhubaneswar by Debraj Sahoo, Designer art<br />
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& craft for 5 months. He is a landless family hav<strong>in</strong>g APL card. Earlier with his traditional<br />
work he was earn<strong>in</strong>g 50000/- per annum. They are 15 members jo<strong>in</strong>t family <strong>in</strong>volved <strong>in</strong><br />
product diversification of terracotta craft earn<strong>in</strong>g 10000/- per month s<strong>in</strong>ce last 3-4 months.<br />
DSMS came to rescue to make him participate <strong>in</strong> various exhibition<br />
programme with<strong>in</strong> state. Now he is happy with <strong>in</strong>crease earn<strong>in</strong>g.<br />
The opportunity here is that other HHs is <strong>in</strong>terested for product<br />
diversification and jo<strong>in</strong>s modern work to produce utility and decorative<br />
product.<br />
Raw Material base:<br />
The artisans are collect<strong>in</strong>g good quality soil, fire wood and other need base raw materials<br />
from their nearby village. For f<strong>in</strong>ish<strong>in</strong>g of their product their collect<strong>in</strong>g polish<strong>in</strong>g soil from<br />
Kuibahal of B<strong>in</strong>ka block.<br />
Exist<strong>in</strong>g production Process:<br />
• Collection of soil<br />
• Clay preparation & mould mak<strong>in</strong>g<br />
• F<strong>in</strong>ish<strong>in</strong>g & siz<strong>in</strong>g<br />
• Dry<strong>in</strong>g<br />
• Fir<strong>in</strong>g<br />
Tools & Equipments used by artisan:<br />
• Hand made potter wheel<br />
• Wooden f<strong>in</strong>ish<strong>in</strong>g set<br />
• Tongs with long handle<br />
• Iron brash<br />
• Plash<br />
Skill level of the artisan:<br />
The terracotta artisans of the <strong>Sonepur</strong> district are produc<strong>in</strong>g traditional & utility<br />
products. The artisans are produc<strong>in</strong>g different type of decorative products dur<strong>in</strong>g the festive<br />
occasion. Some of them also are produc<strong>in</strong>g utility & decorative products and attend<strong>in</strong>g<br />
different exhibitions / melas / market<strong>in</strong>g events <strong>in</strong>side and outside state.<br />
Market Potentiality of Terracotta Craft of <strong>Subarnapur</strong> <strong>District</strong>:<br />
Consider<strong>in</strong>g the magic of the f<strong>in</strong>gers of terracotta artisan, it is the wealth of terracotta<br />
artisan abounds <strong>in</strong> the Western Orissa here that the master craftsman still faithfully<br />
preserve the age old expertise passed on from generation to generation.<br />
• Contemporary style:<br />
It is the commitment to the socio economic upliftment of the artisans.<br />
• Terracotta craft is a dist<strong>in</strong>ctive & <strong>in</strong>tegral part of life of Orissa still that <strong>in</strong> heritage<br />
traditionally by the artisan <strong>in</strong> age old.<br />
• Delicate design of terracotta products captured the beauty & <strong>in</strong>tricate, patterns<br />
<strong>in</strong>digenous form an artistic tradition.<br />
• Reta<strong>in</strong><strong>in</strong>g typical character of identify <strong>in</strong>novation of latest modern wall hang<strong>in</strong>g, deep<br />
stand, hang<strong>in</strong>g lamp shade to keep <strong>in</strong> l<strong>in</strong>e with fashion today.<br />
• The rich panorama of Indian handicrafts forms a repository of traditional terracotta<br />
craft.<br />
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Strength:<br />
• Inherit skill<br />
• New product diversification as per market demand<br />
• Availability of resources<br />
• Market<strong>in</strong>g through Exhibition<br />
• Low production cost<br />
Weakness:<br />
• Age old practice<br />
• F<strong>in</strong>ancial constra<strong>in</strong>t<br />
• Lack of modern technology<br />
• No workshed / common platform to work<br />
• Packag<strong>in</strong>g<br />
Opportunity:<br />
• Expansion of the activity<br />
• MCM are available <strong>in</strong> the district<br />
• Low cost modern technology can be adopted<br />
Threats:<br />
• Climatic condition<br />
• Transportation breakage<br />
• Piracy<br />
Suggestion / Recommendation:<br />
• More market<strong>in</strong>g events / market<strong>in</strong>g support<br />
• New design development tra<strong>in</strong><strong>in</strong>g programme<br />
• Common platform workshed<br />
• Low cost chula<br />
• Improved modern tools / scientific technology to <strong>in</strong>crease efficiency and productivity<br />
• F<strong>in</strong>ancial support<br />
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