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Owner Manual - AVR 158 (English EU) - Harman Kardon

Owner Manual - AVR 158 (English EU) - Harman Kardon

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<strong>AVR</strong> <strong>158</strong><br />

Table A9 – Surround Modes (cont.)<br />

Surround Mode Description Incoming Bitstream or Signal<br />

dtS digital using a different encoding/decoding method from dolby digital, dtS digital<br />

also provides up to five discrete main channels, plus an lFe channel.<br />

dtS-hd dtS-hd is a high-definition audio format that complements the high-definition video<br />

found on blu-ray disc and hd-dVd discs. It is transmitted using a dtS core with<br />

high-resolution extensions. even when only dtS 5.1 surround sound is desired (or<br />

available, if the multizone system is in use), the higher capacity of high-resolution<br />

discs serves up dtS at twice the bit rate used on dVd-Video discs.<br />

dtS-hd Master Audio dtS-hd Master Audio technology delivers bit-for-bit reproductions of studio master<br />

recordings for an incredibly accurate performance.<br />

dtS Stereo delivers a two-channel downmix of dtS digital materials or presents a matrixencoded<br />

surround presentation.<br />

logic 7<br />

Mode group<br />

logic 7<br />

Movie<br />

logic 7<br />

Music<br />

logic 7<br />

game<br />

A hArMAn proprietary technology, logic 7 technology enhances two-channel<br />

and matrix-encoded recordings by deriving separate information for the surround<br />

back channels. It provides more accurate placement of sound, improves panning<br />

and expands the sound field, even when used with 5.1-channel systems. logic 7<br />

technology uses 96khz processing and is available in 5.1 mode. three variants are<br />

available.<br />

especially suited to two-channel sources containing dolby Surround or matrix<br />

encoding, logic 7 Movie mode increases centre-channel intelligibility.<br />

the AVr is programmed at the factory to default to this mode for twochannel<br />

signals. logic 7 Music mode is well suited to conventional twochannel<br />

music recordings.<br />

• dtS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or<br />

.1, 2/2/.0 or .1, 3/2/.0 or .1<br />

• dtS-eS Matrix (played as 5.1)<br />

• dtS-eS discrete (played as 5.1)<br />

Appendix<br />

• blu-ray disc or hd-dVd discs encoded with dtS-hd modes,<br />

delivered via hdMI connection<br />

• blu-ray disc or hd-dVd discs encoded with dtS-hd Master<br />

Audio technology, delivered via hdMI connection<br />

• dtS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0<br />

or .1, 2/2/.0 or .1, 3/2/.0 or .1<br />

• dtS 96/24<br />

• dtS-eS Matrix<br />

See below<br />

• Analogue (two-channel)<br />

• tuner<br />

• pcM (32khz, 44.1khz, 48khz, 96khz)<br />

• Analogue (two-channel)<br />

• tuner<br />

• pcM (32khz, 44.1khz, 48khz, 96khz)<br />

use logic 7 game mode to enhance enjoyment of video-game consoles. • Analogue (two-channel)<br />

• tuner<br />

• pcM (32khz, 44.1khz, 48khz, 96khz)<br />

5-channel Stereo useful for parties, the left- and right-channel information is played through both<br />

the front and surround speakers on each side, while the centre speaker plays a<br />

summed mono mix.<br />

2-channel Stereo turns off all surround processing and plays a pure two-channel signal or a<br />

downmix of a multichannel signal. the signal is digitised and bass management<br />

settings are applied, making it appropriate when a subwoofer is used.<br />

• Analogue (two-channel)<br />

• tuner<br />

• pcM (32khz, 44.1khz, 48khz, 96khz)<br />

• Analogue (two-channel; dSp downmix available for multichannel)<br />

• tuner<br />

• pcM (32khz, 44.1khz, 48khz, 96khz)<br />

31<br />

ENGLISH

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