MILTON BRADLEY - Paris / Berlin : 20 years of Underground Techno
MILTON BRADLEY - Paris / Berlin : 20 years of Underground Techno
MILTON BRADLEY - Paris / Berlin : 20 years of Underground Techno
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ADAM X<br />
SONIC GROOVE<br />
SONICGROOVE.COM<br />
Adam X is a sonic techno onslaught –<br />
crossing the parallels <strong>of</strong> the many styles <strong>of</strong><br />
underground <strong>Techno</strong>, Broken Beat Electro,<br />
Industrial & EBM genres <strong>of</strong> electronic<br />
music.His history dates back to 1990 in<br />
New York City, where he teamed up with<br />
brother Frankie Bones in running the first<br />
all-techno record shop in America entitled<br />
“Groove Records,” – later named “Sonic<br />
Groove Records”. At the present time Adam<br />
X calls East <strong>Berlin</strong>, Germany his home base,<br />
where most <strong>of</strong> his time is spent in between<br />
traveling across the world to perform.<br />
KAREEM<br />
ZHARK BERLIN<br />
ZHARK.DE<br />
Zhark <strong>Berlin</strong>'s hard-line revisionist doctrine<br />
holds no hostages – rejecting the myopic<br />
conventions <strong>of</strong> the electronic/club medium,<br />
with its caustic amalgam <strong>of</strong> minimalist<br />
electroid-components savagely dismantled<br />
into an extreme free-fire zone <strong>of</strong> depravity.<br />
Founder <strong>of</strong> Zhark Recordings <strong>Berlin</strong>, Kareem<br />
has been presenting heavy armoured track<br />
material since 1996, challenging the<br />
conventions <strong>of</strong> sound, pushing them deep<br />
into the abyss. His definition <strong>of</strong> the<br />
Zharkesthetic lies in conveying a<br />
claustrophobic state - an atmosphere <strong>of</strong><br />
threatening sound architecture and almost<br />
static soundwalls.<br />
REGIS<br />
DOWNWARDS<br />
WHERENEXT.TUMBLR.COM<br />
Karl O'Connor AKA Regis is England's<br />
reigning heir to the throne <strong>of</strong> electronic<br />
incognito. Working solely within Britain's<br />
arm <strong>of</strong> industrial might and decay in the<br />
Birmingham borough <strong>of</strong> Halesowen,<br />
O'Connor and Peter Sutton (Female)<br />
launched Downwards Records in late 1993.<br />
Magnetic electronic thunder cut dark<br />
swathes through the big parties for the first<br />
time with O'Connor’s instantaneously<br />
recognizable black envelope <strong>of</strong> deep<br />
atmosphere and suffocating basslines.<br />
Shirking conforming compromise and<br />
defying media darling status never<br />
sounded so good.<br />
FUNCTION<br />
SANDWELL DISTRICT<br />
WHERENEXT.TUMBLR.COM<br />
One <strong>of</strong> techno's true underground heroes,<br />
Function, real name Dave Sumner, has<br />
been DJing and making music for over 15<br />
<strong>years</strong>. Hailing from New York, Dave started<br />
to produce music and from the mid-90s<br />
onwards, put out music on Damon Wild's<br />
Synewave and his own Infrastructure<br />
imprint. Together with Karl O'Connor aka<br />
Regis he worked as Portion Reform, putting<br />
out uncompromising music on Downwards<br />
and becoming the only non-Birmingham<br />
producer to release on the label. More<br />
recently, Dave moved to <strong>Berlin</strong> and, still<br />
working with O'Connor and J. Mendez, set<br />
up the acclaimed Sandwell District imprint.<br />
ANCIENT METHODS<br />
AM/DOWNWARDS<br />
ANCIENTMETHODS.COM<br />
There’s something about the fearsome<br />
crunch <strong>of</strong> Ancient Methods‘ sounds that<br />
defies dry technical description and<br />
demands that you go over the top, whether<br />
in talking about it or moving to it. Whether<br />
they’re a leap forward or a consolidation <strong>of</strong><br />
techno classicism though, is not really<br />
relevant once you’re plugged into their<br />
sound – immersed in the noise in a dark<br />
room with smoke and strobes, they<br />
represent electronic music at its absolute,<br />
most direct, straight- into-the-back-<strong>of</strong>the-brain<br />
best.<br />
LUCY<br />
STROBOSCOPIC ARTEFACTS<br />
STROBOSCOPICARTEFACTS.COM<br />
Lucy: producer, DJ, founder <strong>of</strong> Stroboscopic<br />
Artefacts. That’s probably how you know<br />
him. But there’s also Luca Mortellaro, a<br />
published author, experimental sound<br />
designer, and the man behind the Lucy<br />
moniker. There’s no doubt that the two are<br />
linked, but it’s certainly the hidden facets <strong>of</strong><br />
Luca Mortellaro that are responsible for the<br />
dynamic output <strong>of</strong> Lucy. As he delved<br />
deeper into electronic music, Lucy made<br />
the essential move to <strong>Berlin</strong>. It was here he<br />
launched record label Stroboscopic<br />
Artefacts, a platform that illuminates<br />
pioneering electronic music.<br />
PARIS/BERLIN : <strong>20</strong> YEARS OF UNDERGROUND TECHNO • 8