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MILTON BRADLEY - Paris / Berlin : 20 years of Underground Techno

MILTON BRADLEY - Paris / Berlin : 20 years of Underground Techno

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ELECTRIC RESCUE<br />

SKRYPTOM<br />

ELECTRICRESCUE.COM<br />

Few French electronic music artists<br />

combine experience, avant-gardism and<br />

guaranteed success on dance floors as<br />

Electric Rescue does. This artist, coming<br />

from the first French raves, is able to rock<br />

any party with his ultra- dynamic techno<br />

and sensual flights <strong>of</strong> tunes. Promoting his<br />

own labels Calme Records and Skryptöm,<br />

Electric Rescue is truly passionate, flushing<br />

out big tubes and new talents. His<br />

reputation is well-established in France.<br />

Resident at the Rex Club (Skryptöm parties)<br />

and organising «Play» rave parties in <strong>Paris</strong>,<br />

he invited and played with the most<br />

famous international DJs.<br />

HEARTBEAT<br />

DEMENT3D<br />

DEMENT3D.FR<br />

With a righteously chosen deep-into-life<br />

pseudonym, Heartbeat is a vital organ <strong>of</strong><br />

DEMENT3D, where he <strong>of</strong>ficiates as an artist, as<br />

well as co-founder. DEMENT3D is a <strong>Paris</strong>based<br />

record label, designed to let its artists<br />

freely express the most <strong>of</strong> their creativity.<br />

<strong>Techno</strong> is his milestone, with a deep and<br />

industrial background inherited from the<br />

Detroit / Chicago roots, and <strong>Berlin</strong>/ New York /<br />

Birmingham blossoms. Through his spiritual<br />

and versatile DJ sets and <strong>of</strong>f-beat productions,<br />

he's an explorer <strong>of</strong> all the boundaries techno<br />

shares with Deep House, Dub, Bass Music and<br />

Dubstep, Ambient/ Noise, Krautrock, Avant<br />

Garde/Experimental, and even Jazz.<br />

LAURENT BAYLET /<br />

PATRICK BAMBERGER<br />

DIMUSCHI DIMUSCHI.COM<br />

Dimuschi is a limited series <strong>of</strong> private<br />

parties, in existence since <strong>20</strong>04. Each<br />

edition begins with the search for a space<br />

never before used as the site <strong>of</strong> a party and<br />

in contrast to the preceding venue. This<br />

space is then transformed in keeping with<br />

its character, as well as with the visual and<br />

musical theme <strong>of</strong> the event. The aim is to<br />

surprise an audience with a refined taste<br />

for electronic and amplified music. The<br />

spirit <strong>of</strong> Dimuschi is a result <strong>of</strong> the synergy<br />

between artistic and technical skills. A<br />

strong sense <strong>of</strong> unity and harmony works<br />

to catalyse fusions <strong>of</strong> music, images and<br />

visual art in unexpected venues.<br />

CHRISTOPHE<br />

TOOLBOX<br />

TOOLBOXRECORDS.COM/FR/<br />

Christophe created Toolbox Distribution<br />

back in 1998, which focused on electronic<br />

music and vinyl autoproduction. He also<br />

worked at KGB at Puces de Clignancourt<br />

from 1995 to 1997. Created the<br />

“démothèque” (home-taping in 1990), and<br />

is DJing since 1994.<br />

REMOTE<br />

KILL THE DJ<br />

KILLTHEDJ.COM/ARTISTS/REMOTE.HTML<br />

Black sleeve, ironical title and suitable<br />

sound. With a voluntary opaqueness,<br />

against the tide <strong>of</strong> trendiness, Remote play<br />

it heavy and slow, the exact opposite <strong>of</strong> the<br />

light fluffy minimalist clouds. This is a<br />

storm we are talking about...and Carpenter<br />

is not far <strong>of</strong>f. Dark but not cold. Hard but<br />

not insensitive. Remote sounds like the<br />

result <strong>of</strong> mutant dancefloor generated on<br />

a sinister night by Plastikman at the time <strong>of</strong><br />

Consumed and an intensely blasé<br />

Smagghe.<br />

HENNING BAER/<br />

<strong>MILTON</strong> <strong>BRADLEY</strong><br />

K<strong>20</strong>9 / GROUNDED THEORY<br />

K<strong>20</strong>9.NET<br />

Henning Baer is a man on a mission who's<br />

slowly been building his name in <strong>Berlin</strong> and<br />

beyond. As one half <strong>of</strong> the team behind the<br />

Grounded Theory <strong>Berlin</strong> project, they’ve<br />

hosted names such as Marcel Dettmann, Ben<br />

Klock, Function, Redshape, Traversable<br />

Wormhole, Perc, Pattern Repeat, Terence<br />

Fixmer to name a few. Back in the late 80ies,<br />

the upcoming <strong>of</strong> Acidhouse marked the<br />

beginning <strong>of</strong> Milton Bradley’s passion for this<br />

kind <strong>of</strong> music. First he was a record collector,<br />

but in the end <strong>of</strong> 1991 he started spinning<br />

records and since 1994 he played in different<br />

clubs. After <strong>years</strong> <strong>of</strong> DJing all around Germany<br />

he started the independent label DO NOT<br />

RESIST THE BEAT! to release his own material.<br />

PARIS/BERLIN : <strong>20</strong> YEARS OF UNDERGROUND TECHNO • 10

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