Spring 2012 - Clarion University
Spring 2012 - Clarion University
Spring 2012 - Clarion University
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I n<br />
2001, I discovered the script for Eve Ensler’s The Vagina Monologues at<br />
the annual PASSHE Women’s Consortium Conference. The show was so radical at the time that<br />
Louann Williams, director of PASSAGES, Inc., our first beneficiary, feared the agency would<br />
lose their faithful donors. On the other hand, Mel Michel remained unruffled. She had complete<br />
confidence in <strong>Clarion</strong>’s readiness for Ensler’s message.<br />
Many of my students and I couldn’t even say “vagina” without blushing. We’d say “vah” and<br />
stop. We’d whisper “vagina” and then cover our faces with our hands. We could not say the<br />
V-word with a straight face.<br />
However, we took our role to promote the show seriously. Recognizing we dare not<br />
utter, “Come to ‘The Vah… Monologues’, or start giggling in the middle of explaining what the<br />
VDay cause stood for, the students and I made a pact. We promised to say “vagina” 50 times<br />
a day until we could say it with confidence. We also named our vaginas to feel close to this<br />
emerging source of empowerment.<br />
Twelve years later, the sounds I most associate with the WGS Center are the voices of<br />
Vagina Warriors practicing their parts. All manner of moans in high and low pitches, ranting at<br />
the top of lungs, muted, sensual tones and gut-deep laughter penetrated my office door.<br />
I wonder at the variety of activities the casts enjoyed “to bond,” they said. I purchased<br />
a pink carpet for a slumber party in the Center. There were sex toy parties, selling Sheetz<br />
coupons, vagina cookies and vagina lollipops to raise funds. Student organizations got involved by<br />
draping banners from the Chapel’s balcony railings, decorating tees for the Clothesline Project.<br />
Once we simulated a vagina with all manner of pink, red and purple fabric at the auditorium<br />
entrance.<br />
The next three writers share their standpoint on the power of Ensler’s work. They show<br />
what speaking the word “vagina” without hesitation, fanfare or judgment means. They break<br />
through the silence that surrounds gender violence.<br />
Gifted poet Maya Angelou warns, “words get on the walls and into the wall paper. They<br />
get in the rugs and they get into us.” I hope she is right. After 20 years of women-centered<br />
community, I like thinking that silly ideas and giggles, the “aha” moments of insight, and turning<br />
“pain into power” vagina stories, are still there ready to “get into” others.<br />
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