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L Cindy Sherman,<br />

an American photographer<br />

and film director known for<br />

her conceptual self-portraits.<br />

Untitled #112 from1982<br />

(Courtesy Skarstedt Fine Art,<br />

New York)<br />

R Picture discovered in<br />

the booth of gallery<br />

Johnen + Schoettle<br />

(Koeln, Berlin, Muenchen).<br />

Who is watching whom?<br />

R Jeanette Chávez,<br />

Jeanette Ostrich, 2006,<br />

C-print, 80x121 cm, Action<br />

performed in Havana, Cuba<br />

(Courtesy Myto, Polanco,<br />

México)<br />

20<br />

In 2002, Sam Keller, the longstanding Director of the<br />

Basel Art Fair, took Art Basel to Miami and elevated this<br />

Florida metropolis to the new art Mecca for collectors,<br />

curators, artists and art lovers. Since then, the crème de la<br />

crème has been meeting annually at the Art Basel Miami<br />

Beach (AB<strong>MB</strong>) for five days and nights. Last December,<br />

280 gallery owners from all over the world participated<br />

– a veritable art marathon.<br />

What made Art Basel Miami Beach so special last year,<br />

however, was the omnipresence of the City of Berlin, its<br />

protagonists, its art and its creativity. The Bass Museum of<br />

Art honoured the German capital with the show »Constructing<br />

New Berlin«, displaying works by the Berlin artist<br />

Thomas Demand and the photographer Ali Kepenek.<br />

Many internationally renowned Berlin gallery owners<br />

attended the fair, including famous names such as Contemporary<br />

Fine Arts, Eigen & Art, Galerie Max Hetzler,<br />

Kicken Berlin, Galerie Klosterfelde, Galerie Neuneugerriemschneider,<br />

Galerie Neu, Galerie Giti Nourbakhsch<br />

and Esther Schipper.<br />

In addition to the fair itself, art obsessed visitors were also<br />

drawn to the beach, naturally not to lie on the sand, but<br />

to appraise the works at »Art Positions«. 22 ship containers<br />

had been individually redesigned as gallery spaces and<br />

offered a playground for newcomers to the art scene. The<br />

centrepiece was provided by the imposingly designed<br />

South Beach Bar. The installation of the German artist<br />

Thorsten Passfeld lent the bar an impressive »trash poetry«:<br />

the entrance area and bar counter were made of<br />

driftwood, building rubble and flotsam. Also represented<br />

at »Art Positions« were the young talents from the Galerie<br />

Michael Zink and Galerie Kamm in Berlin.<br />

DesignMiami – With the success of AB<strong>MB</strong>, Miami has<br />

changed its image and become a melting pot for art, design<br />

and architecture, as demonstrated by the fact that a<br />

second internationally recognised event, Design Miami,<br />

running parallel to AB<strong>MB</strong>, was initiated here two years<br />

ago. The person behind Design Miami is Ambra Medda.<br />

She has succeeded in luring top gallery owners, designers<br />

and architects – in other words the cream of design<br />

– to Miami. And she managed it with her first attempt.<br />

Design06 was already a success: »Thirteen of the world’s<br />

best galleries brought their pieces to the Design District«,<br />

says the attractive Italian, whose partner is one of Miami’s<br />

most powerful men, the project developer and patron of<br />

the arts, Craig Robins. He is also responsible for transforming<br />

a rundown local neighbourhood into the desirable<br />

Miami Design District.<br />

One of the highlights of DesignMiami is the presentation<br />

of the »Designer of the Year« award. Last year’s<br />

winner was 43-year old industrial designer, Marc Newson,<br />

who has now achieved cult status. »For me, in only<br />

its second year, this fair has become one of the most important<br />

design events in the USA«, says Newson. »This<br />

is due to the quality of its pieces and the large number of<br />

visitors. Overall, this creates an unbelievable dynamic<br />

and commercial clout«. His Lockheed Lounge piece,<br />

a lounge seat beaten together from different pieces of<br />

metal, went under the hammer at Sotheby’s recently<br />

for just under $1 million. The piece can now be seen as<br />

part of the design exhibition at the well-known Moore<br />

Building, a design store of unprecedented dimensions<br />

and excellence. Newson’s artworks, which are always<br />

limited editions of 12, are now in the same league as<br />

those of Damien Hirst or Vik Muniz.

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