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L Cindy Sherman,<br />
an American photographer<br />
and film director known for<br />
her conceptual self-portraits.<br />
Untitled #112 from1982<br />
(Courtesy Skarstedt Fine Art,<br />
New York)<br />
R Picture discovered in<br />
the booth of gallery<br />
Johnen + Schoettle<br />
(Koeln, Berlin, Muenchen).<br />
Who is watching whom?<br />
R Jeanette Chávez,<br />
Jeanette Ostrich, 2006,<br />
C-print, 80x121 cm, Action<br />
performed in Havana, Cuba<br />
(Courtesy Myto, Polanco,<br />
México)<br />
20<br />
In 2002, Sam Keller, the longstanding Director of the<br />
Basel Art Fair, took Art Basel to Miami and elevated this<br />
Florida metropolis to the new art Mecca for collectors,<br />
curators, artists and art lovers. Since then, the crème de la<br />
crème has been meeting annually at the Art Basel Miami<br />
Beach (AB<strong>MB</strong>) for five days and nights. Last December,<br />
280 gallery owners from all over the world participated<br />
– a veritable art marathon.<br />
What made Art Basel Miami Beach so special last year,<br />
however, was the omnipresence of the City of Berlin, its<br />
protagonists, its art and its creativity. The Bass Museum of<br />
Art honoured the German capital with the show »Constructing<br />
New Berlin«, displaying works by the Berlin artist<br />
Thomas Demand and the photographer Ali Kepenek.<br />
Many internationally renowned Berlin gallery owners<br />
attended the fair, including famous names such as Contemporary<br />
Fine Arts, Eigen & Art, Galerie Max Hetzler,<br />
Kicken Berlin, Galerie Klosterfelde, Galerie Neuneugerriemschneider,<br />
Galerie Neu, Galerie Giti Nourbakhsch<br />
and Esther Schipper.<br />
In addition to the fair itself, art obsessed visitors were also<br />
drawn to the beach, naturally not to lie on the sand, but<br />
to appraise the works at »Art Positions«. 22 ship containers<br />
had been individually redesigned as gallery spaces and<br />
offered a playground for newcomers to the art scene. The<br />
centrepiece was provided by the imposingly designed<br />
South Beach Bar. The installation of the German artist<br />
Thorsten Passfeld lent the bar an impressive »trash poetry«:<br />
the entrance area and bar counter were made of<br />
driftwood, building rubble and flotsam. Also represented<br />
at »Art Positions« were the young talents from the Galerie<br />
Michael Zink and Galerie Kamm in Berlin.<br />
DesignMiami – With the success of AB<strong>MB</strong>, Miami has<br />
changed its image and become a melting pot for art, design<br />
and architecture, as demonstrated by the fact that a<br />
second internationally recognised event, Design Miami,<br />
running parallel to AB<strong>MB</strong>, was initiated here two years<br />
ago. The person behind Design Miami is Ambra Medda.<br />
She has succeeded in luring top gallery owners, designers<br />
and architects – in other words the cream of design<br />
– to Miami. And she managed it with her first attempt.<br />
Design06 was already a success: »Thirteen of the world’s<br />
best galleries brought their pieces to the Design District«,<br />
says the attractive Italian, whose partner is one of Miami’s<br />
most powerful men, the project developer and patron of<br />
the arts, Craig Robins. He is also responsible for transforming<br />
a rundown local neighbourhood into the desirable<br />
Miami Design District.<br />
One of the highlights of DesignMiami is the presentation<br />
of the »Designer of the Year« award. Last year’s<br />
winner was 43-year old industrial designer, Marc Newson,<br />
who has now achieved cult status. »For me, in only<br />
its second year, this fair has become one of the most important<br />
design events in the USA«, says Newson. »This<br />
is due to the quality of its pieces and the large number of<br />
visitors. Overall, this creates an unbelievable dynamic<br />
and commercial clout«. His Lockheed Lounge piece,<br />
a lounge seat beaten together from different pieces of<br />
metal, went under the hammer at Sotheby’s recently<br />
for just under $1 million. The piece can now be seen as<br />
part of the design exhibition at the well-known Moore<br />
Building, a design store of unprecedented dimensions<br />
and excellence. Newson’s artworks, which are always<br />
limited editions of 12, are now in the same league as<br />
those of Damien Hirst or Vik Muniz.