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February 2006 September | October 2006 - Boston Photography Focus

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<strong>September</strong> January | <strong>February</strong> <strong>October</strong> <strong>2006</strong><br />

V o lV uo ml ue m e 3 03 , 0 , N Nu mu mb be er r 51


<strong>September</strong> January | <strong>February</strong> <strong>October</strong> <strong>2006</strong><br />

V o lV uo ml ue m e 3 03 , 0 , N Nu mu mb be er r 51


from the director<br />

As many of you know, these past few years have been quite exciting for the<br />

Photographic Resource Center. With the development of a strong education<br />

program, the continued success of its exhibitions, and the growth of participation<br />

and patronage, the PRC has greatly increased its ability to serve its community.<br />

Secure in the knowledge that the PRC will continue to thrive, I am stepping down<br />

from my post as Executive Director to pursue several wonderful opportunities for<br />

my family that will take us out of the area. My wife, Jennifer Tanner, Ph.D., has<br />

accepted a Research Fellowship at Rutgers, the State University of New Jersey, and<br />

I am returning to full-time design (you can find out more information about this<br />

side of me at terrencemorash.com).<br />

As you can guess, this decision was certainly not easy. I care deeply about the<br />

PRC and all of the fabulous individuals whom I have met over the past six<br />

years and will continue to support the organization through this transition (and<br />

beyond). I will remain at the PRC through early <strong>October</strong>. In the interim, PRC<br />

Board Member Jim Fitts will serve as Acting Executive Director.<br />

On a related note and knowing that our search for a new Executive Director is just<br />

beginning (see page 3), I encourage you to help start the new programming year<br />

on a strong foot by attending and bidding at the upcoming PRC Benefit Auction<br />

on <strong>October</strong> 5th. It is truly a wonderful evening and an important fundraiser for<br />

the PRC. See you there!<br />

Best regards,<br />

Terrence Morash<br />

Executive Director<br />

s u p p o r t<br />

The programs and exhibitions of the Photographic Resource Center are made possible through the generous support of<br />

its members, <strong>Boston</strong> University, various government and private foundations, and corporations including:<br />

Adesso<br />

American Printing<br />

Apple<br />

Ardon Vinyl Graphics<br />

Art New England<br />

ArtsMedia<br />

ASMP<br />

Associated Press Photos<br />

Bambara Restaurant<br />

Becket Papers<br />

Bonni Benrubi Gallery<br />

<strong>Boston</strong> Beer Company<br />

<strong>Boston</strong> Bluegrass Union<br />

<strong>Boston</strong> Cultural Council<br />

<strong>Boston</strong> Park Plaza Hotel<br />

<strong>Boston</strong> University<br />

Calumet Photographic<br />

Cambridge Offset Printing<br />

The Charles Hotel<br />

Christie’s<br />

City of <strong>Boston</strong><br />

CompUSA<br />

Paula Cooper Gallery<br />

Crestar Mfg.<br />

Deborah Bell Photographs<br />

DeCordova Museum and<br />

Sculpture Park<br />

Dixie Butterhounds<br />

Eastman Kodak<br />

Epson<br />

Filene’s<br />

FleetCenter Neighborhood<br />

Charities<br />

Fox River Papers<br />

galleryKayafas<br />

Gallery Naga<br />

Gay’s Flowers and Gifts<br />

Gourmet Caterers<br />

Hasselblad<br />

Harpoon Brewery<br />

Helicon Design<br />

Henrietta’s Table<br />

Hotel Commonwealth<br />

Hotel Marlowe<br />

Mark Hunt Backdrops<br />

Hunter Editions<br />

Ilford<br />

Jameson & Thompson Framers<br />

Kabloom<br />

KISS 108 FM<br />

Robert Klein Gallery<br />

Lee Gallery<br />

E.P. Levine<br />

Luminos Photo. Corp.<br />

ISM<br />

Massachusetts College of Art<br />

Massachusetts Cultural Council<br />

MassEnvelopePlus<br />

MCS Frames<br />

Merry Maids<br />

Miller Block Gallery<br />

Museums <strong>Boston</strong><br />

Bee Digital<br />

National Endowment for the Arts<br />

Nielsen & Bainbridge Co.<br />

Nikon Inc.<br />

Nylon Magazine<br />

Olympus<br />

Palm Press<br />

Panopticon, Inc.<br />

Perfecta Camera, Corp.<br />

photocurator.org<br />

Photograph<br />

Polaroid Corporation<br />

Rialto<br />

Rouge<br />

Royal Sonesta Hotel<br />

Sandy’s Music<br />

Sebastian’s Catering<br />

Skinner, Inc.<br />

Sonya’s Catering<br />

Spectrum Select Printing<br />

Stanhope Framers<br />

Trader Joe’s<br />

WBUR<br />

Howard Yezerski Gallery<br />

Zeff Photo Supply<br />

Zona Laboratories<br />

Zoo New England<br />

t h e p r c m i s s i o n<br />

The Photographic Resource Center (PRC) at<br />

<strong>Boston</strong> University is an independent non-profit<br />

organization that serves as a vital forum for<br />

the exploration and interpretation of new work,<br />

ideas, and methods in photography and related<br />

media. The PRC presents exhibitions, fosters education,<br />

develops resources, and facilitates community<br />

interaction for local, regional, and<br />

national audiences.<br />

B o a r d o f D i r e c t o r S<br />

Rick Grossman, President<br />

David Gordenstein, Vice President<br />

Cathy England<br />

Andrew Epstein<br />

Roger Farrington<br />

Peter Fiedler<br />

Jim Fitts<br />

Michael Jacobson<br />

Lou Jones<br />

Emily Kahn<br />

S t a f f<br />

Terrence Morash, Executive Director/Editor<br />

Leslie Brown, Curator<br />

Michael Christiano, Education Coordinator<br />

Emily Gabrian, Programs Coordinator<br />

Alice Hall, Librarian<br />

Laura Bernier, Work/Study Assistant<br />

Christian Ling, Work/Study Assistant<br />

Briana Gerard, Intern<br />

Samantha Kanter, Intern<br />

Christine Livingood, Intern<br />

Sarah Pollman, Intern<br />

Lissa Rivera, Intern<br />

Carly Stewart, Intern<br />

G e n e r a l I n f o r m a t i o n<br />

Photographic Resource Center at <strong>Boston</strong> University<br />

832 Commonwealth Avenue, <strong>Boston</strong>, MA 02215<br />

Tel 617-975-0600 prc@bu.edu<br />

Fax 617-975-0606 prcboston.org<br />

H o u r s<br />

Tuesday–Friday: 10–6pm<br />

Thursday: 10–8pm<br />

Rodger Kingston<br />

Gary Leopold<br />

Susan Lewinnek<br />

Walt Meissner<br />

Bruce Myren<br />

Eliot Salloway<br />

Kim Sichel<br />

Jonathan Singer<br />

Saturday–Sunday: 12–5pm<br />

Closed Mondays<br />

A d m i s s i o n<br />

Adults: $3<br />

Students (with valid ID) and Seniors: $2<br />

Members, children under 18, and school groups are<br />

admitted free. Admission is free on Thursdays and on<br />

the last weekend of every month.<br />

P u b l i c T r a n s p o r t a t i o n<br />

Take the Green Line “B” train to the BU West, three<br />

stops west of Kenmore Square.<br />

C o v e r i m a g e<br />

John Reuter, detail of Highlights, 2005, ink jet print of<br />

digital collage, 12x12.5 inches..<br />

D e s i g n C r e d i t s<br />

This issue of the in the loupe was designed by<br />

Jim Fitts (www.jimfitts.com) and printed<br />

by Millennium Graphics.


a little fun. In order to facilitate these objectives, I have coordinated some programs (hence the title “Programs Coordinator”) that provide comfortable venues and convenient<br />

times to enjoy one another’s company. See below for details.<br />

announcements<br />

The PRC Announces<br />

its fall Visiting<br />

Artist Lecture Series<br />

During the spring series the PRC hosted a<br />

unique combination of established photographers.<br />

Visiting artists included the prominent<br />

photojournalist from the VII Photo Agency,<br />

Antonin Kratochvil, the celebrated<br />

Jerry Uelsmann, the internationally<br />

renowned fine art photographer Dawoud<br />

Bey, the famed New York street photographer<br />

Elliott Erwitt, and the legendary<br />

color portraitist Marie Cosindas. Our<br />

fall program promises to be just as exciting!<br />

The series kicks off in <strong>October</strong> with a lecture<br />

by John Sexton, one of the world’s bestknown<br />

landscape photographers. Duane<br />

Michals, a living legend in the world of<br />

fine art photography, will speak in November.<br />

Andrea Modica, one of the most critically<br />

acclaimed contemporary documentary and<br />

fine art photographers, will close the series<br />

in December. For a more detailed description<br />

of John Sexton’s lecture, please see the calendar<br />

section. Keep tuned to the website, prcboston.org,<br />

for further information on other upcoming talks.<br />

Clear your walls.<br />

The <strong>2006</strong> PRC Benefit Auction<br />

is <strong>October</strong> 5th!<br />

Get your paddle ready and mark your calendars<br />

for the <strong>2006</strong> PRC Benefit Auction. Hundreds<br />

of photographs are on display and for sale<br />

at the PRC and <strong>Boston</strong> University’s 808 Gallery.<br />

The live auction is slated for Thursday,<br />

<strong>October</strong> 5 at <strong>Boston</strong> University’s 808 Gallery.<br />

For more information, turn to page 10.<br />

Duane Michals,<br />

Magritte with Hat, 1965,<br />

Gelatin silver print<br />

with hand applied text,<br />

6 3/4 x 9 7/8 inches,<br />

Copyright Duane Michals,<br />

Courtesy Pace/MacGill Gallery,<br />

New York (desc. DMI.012)<br />

Michals lectures on November<br />

8th. See page 6 for detaisl.<br />

quality time : Your PRC Away from the PRC<br />

By Emily Gabrian, PRC Programs Coordinator<br />

Sponsored by Friends of the PRC<br />

www.prcboston.org | announcements<br />

<br />

“What is ‘Quality Time’” you might ask.<br />

“Quality Time” is the excuse for PRC Members to<br />

broaden their networks, creative and social circles,<br />

and if all goes well, have a little fun. In order to<br />

facilitate these objectives, I have coordinated some<br />

programs (hence the title “Programs Coordinator”)<br />

that provide comfortable venues and convenient times to<br />

enjoy one another’s company.<br />

Soiree<br />

Thursday, <strong>September</strong> 7th after the PRC Benefit Auction<br />

Preview Exhibition opening reception.<br />

Middlesex Lounge<br />

315 Massachusetts Ave, Cambridge, MA<br />

What started out as a Shindig (after-work drinks at the Paradise Lounge) has<br />

been officially upgraded to a Soiree (post-opening reception gathering).<br />

Meet exhibition artists and appreciators at the PRC opening receptions and<br />

continue the conversation at the Middlesex Lounge. Voted Best of <strong>Boston</strong><br />

2005, Middlesex is located next to Miracle of Science, just a short drive<br />

over the BU Bridge or ride via the #1 bus into Central Square.<br />

Open Studios Tour<br />

South End Open Studios, <strong>September</strong> 16, <strong>2006</strong><br />

Meet at the PRC at 10:30am to carpool to the South End, or meet us at the<br />

corner of Harrison Avenue and Wareham Street at 11am.<br />

Take a PRC Member tour of South End Open Studios. We will visit with a<br />

few participating artists and galleries, who also happen to be PRC Members.<br />

Studios to visit will include those of Jessica Burko and Bruce Myren, among<br />

others. We will end at the Bernard Toale Gallery at 450 Harrison Avenue.<br />

More information about all Fall Open Studios can be seen at<br />

www.bostonopenstudios.org<br />

RSVP with Emily Gabrian by <strong>September</strong> 13th at 617-975-0600 or<br />

egabrian@prcboston.org.<br />

Meet our Friends<br />

Meeting for Friends of the PRC, <strong>September</strong> 6, 6:00pm<br />

Friends of the PRC is a group of members and volunteers who support PRC<br />

community and fundraising events. A few times a year these individuals set<br />

aside an evening or a weekend to make sure that the PRC can continue to<br />

offer inspiring events to the public. Friends of the PRC also enjoy the benefits<br />

of “Quality Time”, helping to spread the word about this new networking<br />

series for members. Join us to discuss new officers for <strong>2006</strong>-2007, as well as<br />

upcoming Auction volunteer and party planning opportunities.


announcements<br />

PRC to Host SPE Northeast<br />

Regional Conference<br />

The PRC is pleased to host the Society for<br />

Photographic Education Northeast Regional<br />

Conference, Intersections December 1-3,<br />

<strong>2006</strong>. The conference will feature an<br />

exciting line-up of lectures, imagemaker<br />

presentations, and panel discussions. For a<br />

schedule and registration information please<br />

visit www.spenortheast.org.<br />

Auction Volunteers and<br />

Gallery Sitters needed<br />

During the <strong>2006</strong> PRC Benefit Auction Preview<br />

Exhibition, the PRC needs weekend gallery<br />

sitters to enjoy the work at the 808 Showroom<br />

from 12-5pm. We are also seeking<br />

volunteers to help us with everything from<br />

registration to wrapping artwork during the<br />

Live Auction gala on <strong>October</strong> 5th. To inquire<br />

about times or to become a volunteer, email<br />

Emily Gabrian egabrian@prcboston.org or<br />

join us at the Friends meeting on <strong>September</strong><br />

6th at the PRC.<br />

EMployment opportunity<br />

Executive director<br />

The Photographic Resource Center at<br />

<strong>Boston</strong> University seeks an enthusiastic<br />

individual to lead the 30-year-old contemporary<br />

photography organization. In<br />

addition to advancing an overall vision, the<br />

Executive Director serves the PRC’s mission<br />

through strategic planning, financial management,<br />

program administration, and<br />

general staff and operations oversight.<br />

Responsibilities include: working with the<br />

Board of Directors to secure operating<br />

and program support; coordinating regular<br />

fund-raising events; organizing Board<br />

committee activities; directing communication<br />

efforts including bi-monthly newsletter<br />

and website; preparing annual budget<br />

and quarterly reports; and supervising<br />

finances. The Executive Director serves<br />

as the primary spokesperson for the<br />

organization and reports to the Board of<br />

Directors.<br />

Qualifications<br />

Degree in related field and extensive<br />

cross-disciplinary knowledge of photography,<br />

including programming,<br />

administration, and development (grant<br />

writing and board/donor cultivation) in a<br />

non-profit environment. Successful candidate<br />

will be entrepreneurial, highly motivated,<br />

and well organized—a team player with<br />

strong oral, written, and computer skills.<br />

Compensation<br />

Salary commensurate with experience.<br />

Other benefits included health insurance,<br />

vacation, and flexible hours.<br />

How to Apply<br />

Please send a cover letter, resume/cv,<br />

salary history, and three references to:<br />

Search Committee<br />

Photographic Resource Center at <strong>Boston</strong><br />

University<br />

832 Commonwealth Avenue<br />

<strong>Boston</strong>, MA 02215<br />

Fax: 617-975-0606<br />

Email: prc@bu.edu<br />

The search will remain open until the<br />

position is filled. No phone calls please.<br />

a fresh look for<br />

prcboston.org<br />

The PRC’s website has been redesigned to<br />

be easier to use for its more than 60,000<br />

annual visitors. The new look launches in<br />

early <strong>September</strong>. Make sure you receive the<br />

annnouncement by joining the email list via<br />

the homepage.<br />

Call for Entries<br />

“In the WINDOWS”: Inspired by the success<br />

of This is MY <strong>Boston</strong>, a display of<br />

picture postcards by <strong>Boston</strong> youth in our<br />

storefront space, the PRC seeks proposals<br />

on a rolling deadline for a periodic display<br />

of work in our windows. Artists would be<br />

responsible for producing materials and<br />

installation and exhibitions would last 3-6<br />

months. For more information on how to<br />

submit, please visit our website click on<br />

exhibitions, then “Calls for entries.”<br />

Installation Hours<br />

The PRC will be closed for installation<br />

<strong>October</strong> 6 – November 2 for installation.<br />

CALL FOR ENTRIES<br />

CambridgeART is proud to announce<br />

Carole Anne Meehan,<br />

ICA/Vita Brevis Project Director<br />

as the juror for BLUE, CambridgeART’s<br />

Annual New England Open Show<br />

Open to all artists living and working in New England<br />

Drop-off dates: Wed. November 8 (2-8pm)<br />

& Thurs. November 6 (12-6pm)<br />

Location:<br />

Kathryn Schultz Gallery<br />

(25 Lowell Street, Cambridge MA)<br />

Exhibition Dates: November 16 <strong>2006</strong> - January 4 2007<br />

please see www.cambridgeart.org to download a prospectus<br />

Kathryn Schultz Gallery and Offices 25 Lowell Street Cambridge MA 02138<br />

University Place Gallery 124 Mt Auburn Street Cambridge MA 02138<br />

p. 617 876 0246 f. 617 876 1880 info@cambridgeart.org www.cambridgeart.org<br />

www.prcboston.org | announcements


presentations<br />

Exhibitions in the Gallery<br />

<strong>2006</strong> PRC Benefit Auction<br />

and Preview Exhibition<br />

PREVIEW EXHIBITION DATES:<br />

<strong>September</strong> 8 – <strong>October</strong> 1, <strong>2006</strong><br />

Opening Reception: Thursday, <strong>September</strong> 7,<br />

5:30-7:30pm. Both are free to the public.<br />

LOCATIONS:<br />

PRC Gallery, 832 Commonwealth Avenue,<br />

and 808 Gallery, 808 Commonwealth<br />

Avenue<br />

LIVE AUCTION:<br />

Thursday, <strong>October</strong> 5, 808 Commonwealth<br />

Avenue, 6:00pm Reception/ Silent Auction,<br />

Live Auction, 7:30pm<br />

Featuring over 200 contemporary and vintage<br />

photographs of diverse media on display<br />

(and for sale!), the exhibition is not only a<br />

chance to preview your next collection addition,<br />

but also an incredible photography survey.<br />

Where else can you glimpse the latest photograph<br />

by Olivia Parker alongside a classic<br />

Camerawork photogravure<br />

Turn to page 10 for more information.<br />

PRC/POV: The Next 30 Years<br />

NOVEMBER 3 – JANUARY 28, 2007<br />

In honor of PRC’s founding in 1976 and the<br />

first newsletter in 1977, this fall and winter<br />

we present an unique exhibition directing<br />

attention to new and novel ideas in photography<br />

and related media. This show will feature<br />

an assortment of emerging artists, organizations,<br />

venues, publications, and the like<br />

suggested by a combination of PRC’s current<br />

and past luminaries as well as staff. A wide<br />

net was cast and nominators were asked to<br />

suggest artists or entities that were just getting<br />

attention (or deserved more) and will likely<br />

make a significant contribution to our field in the<br />

coming years. More information will follow<br />

in the November/December in the loupe.<br />

exhibitions online<br />

Northeast Exposure Online (NEO), presented<br />

by Zeff Photo Supply, is an online monthly<br />

series showcasing regional emerging artists.<br />

The presentations are by invite only and<br />

feature a selection of images, a biography,<br />

artist and curator statements, and links.<br />

<strong>September</strong><br />

Amy Thompson<br />

www.bu.edu/prc/thompson.htm<br />

Amy Thompson (Medford, MA) is currently<br />

completing her MA in documentary photography<br />

from Ohio University (Athens,<br />

OH). She has worked as a freelance and<br />

staff photographer for The New York Times<br />

(Washington D.C. bureau), The Valley<br />

News (Lebanon, NH), several newspapers in<br />

Michigan, and has been a featured photographer<br />

in National Geographic Magazine.<br />

Thompson has lived and worked all over the<br />

world, including North Africa, the Middle<br />

East, Europe and Asia. In 2003-2004, she<br />

received a Fulbright fellowship to travel to<br />

Morocco for a project titled Behind Walls.<br />

For Thompson, this was also a homecoming;<br />

as a child, she had lived there while her father<br />

served in the military.<br />

Featured online are selections from her Fulbright<br />

project. For 11 months, Thompson lived in<br />

Morocco, studying the local Arabic dialect<br />

and gaining access to one of the girls’ dormitories<br />

(known as Dar Talibas) set up as<br />

part of a national initiative to combat illiteracy<br />

among young girls in rural areas. The girls<br />

stay at The Dar Taliba for weeks while<br />

attending school and return home as time<br />

and finances permit. Through her elegantly<br />

composed images in available light, she<br />

shows a world where girls are themselves,<br />

given cultural and economic realities.<br />

october<br />

Sonia Targontsidis<br />

www.bu.edu/prc/targontsidis.htm<br />

Born in Brockton, MA, Sonia Targontsidis<br />

(Jamaica Plain, MA) received her MFA from<br />

Massachusetts College of Art in 2003 and<br />

also holds a BS in Biology from Stonehill<br />

College (North Easton, MA). Her work has<br />

been featured in curated and juried shows<br />

at venues such as Artspace (New Haven,<br />

CT), Center for <strong>Photography</strong> at Woodstock<br />

(Woodstock, NY), Copley Society of Art<br />

(<strong>Boston</strong>, MA), and recently Silvereye Center<br />

of <strong>Photography</strong> (Pittsburgh, PA). Targontsidis<br />

works at Massachusetts College of Art (<strong>Boston</strong>,<br />

MA) and will teach part-time at Stonehill this fall.<br />

Visitors might remember her color work from<br />

her thesis show in the 2003 PRC Members’<br />

www.prcboston.org | presentations<br />

Amy Thompson<br />

(Medford, MA), After Class, El Hanchane, Morocco, 2004,<br />

Archival Ink Jet print, 11 x 17 inches,<br />

Courtesy of the artist.<br />

Sonia Targontsidis<br />

(Jamaica Plain, MA), Untitled, 2005,<br />

10 x 10 inches, Gelatin silver print,<br />

Courtesy of the artist


education<br />

Exhibition, juried by PRC Founder Chris<br />

Enos. In this brand new black and white<br />

work, Targontsidis has continued to work<br />

with her mother and father as models, but<br />

has broadened her purview to include<br />

elements of the domestic both inside and<br />

outside—quiet interiors, modest backyard<br />

gardens, various household pets, and other<br />

friends and family. In her elegantly composed<br />

and lit images, she lends a keen eye to the poetry<br />

found in heightened, everyday moments.<br />

SEMINAR: A Review of<br />

Contemporary <strong>Photography</strong><br />

Tuesdays, <strong>September</strong> 12, 19, 26, <strong>2006</strong>,<br />

and <strong>October</strong> 3, <strong>2006</strong>, 7pm<br />

Boson University’s College of Arts and Sciences,<br />

3rd Floor, Room 313, 725 Commonwealth<br />

Avenue, <strong>Boston</strong><br />

$50 Members/$75 Non-Members/<br />

$30 Full-time Students/<br />

$20 for Students of Institutional Members<br />

Registration required. Please call<br />

617.975.0600 to register.<br />

Seminar participants will have the opportunity<br />

to study the photographers, movements, and<br />

trends that have shaped what photography<br />

is today. In the 1960s, artists and theorists<br />

questioned how the medium was understood<br />

and conceptualized in an important new<br />

way, by asking the most basic, yet most<br />

complicated, question: what is photography<br />

In the first session, we will address the new<br />

consideration of photography within the<br />

larger art world, looking at the relationship<br />

of photography both to painting and<br />

conceptual art movements of the time.<br />

Subsequent sessions will be structured thematically<br />

to cover a range of photographic<br />

issues from the 1970s to today. Topics will<br />

include new approaches to landscape,<br />

looking at artists such as Richard Misrach<br />

and Joel Sternfeld; the evolving nature of the<br />

portrait, with artists such as Nan Goldin,<br />

Thomas Ruff, and Nikki S. Lee; and attitudes<br />

towards constructed realities, both in the<br />

manner of digital production by artists such<br />

as Aziz + Cucher and theatrical tableau by<br />

artists such as Gregory Crewdson. Questions<br />

and discussion will be encouraged at each<br />

meeting, and suggested readings will be<br />

available for further study. This program is<br />

offered in conjunction with the PRC’s 30th<br />

anniversary Auction Exhibition and in anticipation<br />

of the 30th anniversary exhibition.<br />

Instructor’s Bio:<br />

Kate Palmer is currently enrolled in the PhD<br />

program in Art History at <strong>Boston</strong> University,<br />

where she is working on her dissertation, titled<br />

“Archive / Atlas / Album: The Photographic<br />

Records of Christian Boltanski, Dinh Q. Lê,<br />

and Gerhard Richter.” She works part-time in<br />

the Department of Photographs at Harvard<br />

University’s Fogg Art Museum, where she<br />

contributed to the recent exhibition, A New<br />

Kind of Historical Evidence: Photographs<br />

from the Carpenter Center Collection. She<br />

has been active in teaching courses in<br />

the history of photography, modern, and<br />

contemporary art at BU. Before moving to<br />

<strong>Boston</strong>, Kate worked in the photography<br />

department at the Los Angeles County<br />

Museum of Art, at the California Museum<br />

of <strong>Photography</strong> in Riverside, CA, and at the<br />

James Danziger Gallery in New York.<br />

LECTURE/BOOK SIGNING<br />

American Series with Neal Rantoul<br />

Thursday, <strong>October</strong> 12, <strong>2006</strong>, 7pm<br />

<strong>Boston</strong> University’s College of Communications,<br />

Auditorium 101, 640 Commonwealth<br />

Avenue, <strong>Boston</strong><br />

Free<br />

Join Neal Rantoul for a discussion of his<br />

new book American Series. This monograph<br />

captures Rantoul’s fascination for the varied<br />

and diverse landscape, both natural and<br />

manmade, that comprises America. The lush<br />

black-and-white duotones represent more<br />

than twenty years of the artist’s work, never<br />

before published, and together create a<br />

sense of place that is at once familiar yet<br />

distant, nostalgic and immediate. The artist<br />

will be available after the lecture to sign<br />

copies of the book.<br />

Left to right: The Cover of Neal Rantoul’s book American Series; Neal Rantoul, Photographs from Atlanta, Georgia 2001 series.<br />

www.prcboston.org | education


education<br />

www.prcboston.org | education<br />

LECTURE<br />

John Sexton<br />

Thursday, <strong>October</strong> 26, <strong>2006</strong>, 7pm<br />

<strong>Boston</strong> University’s Photonics Center, Auditorium<br />

206, 8 St. Mary’s Street, <strong>Boston</strong><br />

$10 Members/$15 Non-Members/<br />

$5 Full-time Students/Free for Students of<br />

Institutional Members<br />

One of our time’s foremost landscape photographers,<br />

John Sexton creates images that<br />

range from intimate and contemplative to<br />

bold and sublime. His majestic landscapes<br />

reference an American photographic tradition<br />

characterized by his longtime friend, mentor,<br />

and colleague, Ansel Adams. His luminous<br />

black and white prints have earned him<br />

international acclaim, not only as a superior<br />

photographer, but also as one of the medium’s<br />

great printmakers. As Director of the<br />

John Sexton <strong>Photography</strong> Workshops<br />

program, he shares his craft with many<br />

eager students each year.<br />

Many prestigious publications have featured<br />

Sexton’s photographs including Time, Life,<br />

and American Photo. His work has been the<br />

subject of three award-winning monographs.<br />

The first, Quiet Light, presents fifteen years of<br />

his work and pays tribute to photography’s<br />

activating force. Listen to the Trees chronicles<br />

Sexton’s passion for the natural environment.<br />

His third book, Places of Power: The Aesthetics<br />

of Technology, renders in film human<br />

technological achievements from historical<br />

Anasazi sites in the American Southwest to<br />

space shuttles. Sexton will discuss his upcoming<br />

fourth monograph, Recollections: Three<br />

Decades of Photographs, during the lecture.<br />

Sexton’s work is in exhibitions and permanent<br />

collections across the globe. Copies of<br />

Recollections will be available for sale at the<br />

lecture and the artist will be on hand to sign<br />

copies after the talk.<br />

LECTURE<br />

Duane Michals<br />

Wednesday, November 8, <strong>2006</strong>, 7pm<br />

<strong>Boston</strong> University’s Morse Auditorium, 602<br />

Commonwealth Avenue, <strong>Boston</strong><br />

$10 Members/$15 Non-Members/<br />

$5 Full-time Students/Free for Students of<br />

Institutional Members<br />

One of the most innovative and maverick<br />

photographers of the 20th century, Duane<br />

Michals continues to inspire and influence<br />

generations of artists. His fine art photography,<br />

stamped with his unique and sometimes<br />

surreal aesthetic, is a fascinating tapestry<br />

of visual images, written text, personal narrative,<br />

and references to film, literature, and<br />

philosophy. His unique body of work often<br />

reflects the most basic yet compelling of<br />

human conditions such as love, mortality,<br />

memory, familial relationships, desire, and<br />

the interplay between fantasy and reality.<br />

Michals’s work has been widely collected<br />

and exhibited by such prestigious institutions<br />

as the The Museum of Modern Art, New<br />

York; the International Center of <strong>Photography</strong>,<br />

New York; the Fotomuseum Winterthur,<br />

Switzerland; and the Metropolitan Museum<br />

of Art, New York, among others. He has<br />

received numerous awards including a<br />

National Endowment for the Arts Fellowship,<br />

the International Center of <strong>Photography</strong> Infinity<br />

Award for Art, and the Foto España International<br />

Award. His books include Nature<br />

of Desire; Duane Michals: Now Becoming<br />

Then; Salute, Walt Whitman; The Essential<br />

Duane Michals; and Questions Without Answers.<br />

CONFERENCE<br />

The Society for Photographic<br />

Education Northeast Regional<br />

Conference, “Intersections” Hosted by<br />

the Photographic Resource Center<br />

December 1-3, <strong>2006</strong><br />

<strong>Boston</strong> University’s George Sherman Union,<br />

Conference Auditorium, 775 Commonwealth<br />

Avenue, <strong>Boston</strong><br />

$75 PRC and SPE Members/$10 Students<br />

Please call 617.975.0600 for more information.<br />

Please visit www.spenortheast.org to register.<br />

The Photographic Resource Center is<br />

pleased to host the Society for Photographic<br />

Education Northeast Regional Conference,<br />

Intersections. The conference will feature<br />

an exciting line-up of lectures, imagemaker<br />

presentations, and panel discussions. For<br />

updated and registration information please<br />

visit www.spenortheast.org.<br />

LECTURE<br />

Andrea Modica<br />

Thursday, December 7, <strong>2006</strong>, 7pm<br />

<strong>Boston</strong> University’s Photonics Center,<br />

Auditorium 206, 8 St. Mary’s Street, <strong>Boston</strong><br />

$10 Members/$15 Non-Members/<br />

$5 Full-time Students/Free for Students of<br />

Institutional Members<br />

Critically acclaimed contemporary photographer<br />

Andrea Modica uses an 8 x 10<br />

camera to create images that are documentative<br />

and theatrical, wistful and tender. Her<br />

book Treadwell, for which she spent ten<br />

years photographing a group of children in<br />

rural upstate New York, is her most widely<br />

recognized body of work. In addition to<br />

Treadwell her photography graces the pages<br />

of numerous other monographs including<br />

Minor League, Human Being, Real Indians,<br />

and Barbara, whose namesake, a prominent<br />

personality in Treadwell, succumbed to juvenile<br />

diabetes, and whose last images are captured<br />

in this book.<br />

In addition to her fine art work Modica<br />

has managed a very successful commercial<br />

career, which she will also discuss during<br />

her lecture. Her photographs have been<br />

included in publications such as American<br />

Photo, Harper’s, Life Magazine, Newsweek,<br />

The New Yorker, Vanity Fair and others. Her<br />

work is extensively exhibited and can be<br />

found in the permanent collections of many<br />

prestigious institutions such as the Biblioteque<br />

Nationale, Paris; Metropolitan Museum of Art,<br />

New York; Museum of Modern Art, New<br />

York; and the Whitney Museum of American<br />

Art, New York. She has received numerous<br />

awards including a Guggenheim Fellowship,<br />

and an Aaron Siskind Foundation Grant.<br />

Guest accomodations are generously provided<br />

by the Hotel Commonwealth.


education<br />

Andrea Modica<br />

Fountain, CO, 2004<br />

Courtesy of the artist and the<br />

Catherine Edelman Gallery.<br />

tionally renowned artists to learn more about<br />

their compelling work. Interviews will be<br />

audio recorded and podcasted on the PRC’s<br />

website, serving as an added interpretive<br />

program for others.<br />

For more information on these programs, or<br />

if you are a student interested in applying to<br />

prcessTHIS, please contact Michael Christiano,<br />

Education Manager, at mchristiano@<br />

prcboston.org.<br />

After-school photography<br />

program<br />

achievements, Tech<strong>Boston</strong> Academy and the<br />

Photographic Resource Center will exhibit<br />

PORTFOLIO REVIEW<br />

Portfolio Reviews with the PRC<br />

Curator<br />

The Photographic Resource Center and<br />

Tech<strong>Boston</strong> Academy, a <strong>Boston</strong> Public<br />

School pilot high school in Dorchester, MA,<br />

have partnered to launch an after-school<br />

photography program for Tech<strong>Boston</strong> Academy<br />

9th graders.<br />

Under the guidance of Surendra Lawoti, an<br />

experienced artist/educator, students will<br />

have the opportunity to create works of art<br />

inspired by their own lives while learning<br />

the basics of photography. Students will<br />

study a variety of photographic techniques<br />

and genres such as portraiture, still life,<br />

photomontage, street photography, etc. In<br />

recognition and celebration of the students’<br />

their finished work at both venues.<br />

processTHIS: Conversations<br />

in <strong>Photography</strong><br />

processTHIS is a seminar for <strong>Boston</strong> area<br />

public and private high school students who<br />

are interested in studying contemporary photography.<br />

The program will create an open<br />

and supportive forum in which students will<br />

explore and discuss the work of each visiting<br />

artist from the PRC’s visiting artist lecture<br />

series, prior to that artist’s visit. Students will<br />

also work collaboratively to execute assignments<br />

that integrate the visiting artist’s technical<br />

and/or conceptual concerns. Students will<br />

then meet with and interview these interna-<br />

Below you will find dates for 30-minute<br />

monthly portfolio reviews (and corresponding<br />

call-in reservation information) with the<br />

PRC’s Curator, Leslie Brown. Reservations<br />

are still accepted on a first-call, first-served<br />

basis. It is highly recommended that you<br />

bring supporting materials (resume, images,<br />

and statement). You must be a PRC member<br />

to participate in the reviews and members<br />

are limited to one review per year.<br />

Review Date: Monday, <strong>October</strong> 23 (call in for<br />

reservations at 10 am, Friday, <strong>September</strong> 15)<br />

Review Date: Monday, November 13 (call in<br />

for reservations at 10 am, Friday, <strong>October</strong> 20)<br />

www.prcboston.org | education


While many use cardboard boxes<br />

to store their memories, Craig Barber<br />

uses them to record his.<br />

The pinhole photography of Craig Barber’s “Ghosts in the Landscape: Vietnam Revisited” opens August 29, <strong>2006</strong><br />

67 Shore Road, Winchester, MA 01890 781.729.1158 griffinmuseum.org


Four of the artists who caught this reviewer’s<br />

eye are from Northern Europe. Pétur Thomsen,<br />

of Iceland, focuses on the major – and<br />

controversial – dam building projects of his<br />

country, creating otherworldly landscapes<br />

that appear simultaneously vast and toy-like<br />

in their scale. Also capitalizing on exquisite<br />

Northern landscapes is Julie Edel Hardenberg,<br />

of Greenland, finding desolate manbook<br />

review<br />

reGeneration:<br />

50 Photographers<br />

of Tomorrow<br />

William A. Ewing, Nathalie Herschdorfer,<br />

and Jean-Christophe Blaser.<br />

New York: Aperture, <strong>2006</strong>.<br />

Published on the occasion of an exhibition<br />

of the same name at Aperture in New York.<br />

By Kate Palmer, PhD Candidate, Art History<br />

Program, <strong>Boston</strong> University<br />

If you haven’t heard of many – or any – of<br />

the photographers in this new survey, don’t<br />

feel badly: all fifty of them only finished art<br />

school in the past few years, many just a<br />

year ago. The curators at Lausanne’s Musée<br />

de l’Elysée invited sixty-five art schools to<br />

nominate their top photography students for<br />

inclusion in an exhibition that would attempt<br />

to identify fifty photographers whose work<br />

would be known in the year 2025; reGeneration<br />

is the culmination of this “audacious” (as<br />

they put it) goal. It was a truly international<br />

effort: students from Asia, the Americas, Africa,<br />

and all regions of Europe were all invited,<br />

though not all made the final cut.<br />

The curators’ selections are strong, even surprisingly<br />

so. Inevitably, some work calls to<br />

mind that of prominent photographers – the<br />

influence of Tina Barney, Louise Lawler,<br />

Andreas Gursky, Wolfgang Tillmans, and<br />

Gregory Crewdson, among others, are all<br />

in evidence. Color work prevails; only two<br />

artists in the show use decidedly old-fashioned<br />

black and white. Unfortunately, print<br />

dimensions are not included in the catalog.<br />

Digital work is well represented, though<br />

with mixed results. Most effective are those<br />

artists who work with the technology subtly,<br />

such as Eva Lauterlein, who creates vaguely<br />

unsettling portraits of men and women that<br />

are revealed to be constructed composite<br />

bodies without personal identity. Less successful<br />

are the photographs that appear to<br />

be primarily about their own manipulation,<br />

flaunting technological effects.<br />

The cover of reGeneration: 50 Photographers of Tomorrow.<br />

Image by Keren Assaf, Untitled, Israel, 2003,<br />

21.3x25.2 inches. Page 24 in the book.<br />

Image courtesy of the artist and Aperture Foundation.<br />

made geometric structures within extraordinary<br />

natural beauty. Miklos Gaál, of<br />

Finland, creates what appear to be scenes<br />

from a dollhouse miniature theatrical production,<br />

yet in fact are real-life ice hockey<br />

players, young swimmers, or shoppers at<br />

the trendy H&M. Perhaps the most poignant<br />

images in the show are made by Mieke<br />

Van De Voort of the Netherlands, who in<br />

the series People Who Died Alone collaborated<br />

with the social services department<br />

in Amsterdam to document the cluttered<br />

interiors of the homes of those deceased<br />

without known friends or relatives. In these<br />

apartments, the seemingly banal takes on<br />

the resonance of hidden, unknown lives.<br />

Even within this small group, the range of<br />

approaches the curators’ found – from landscape,<br />

to political commentary, to theatrical<br />

constructions, to a kind of social documentary<br />

– is evident.<br />

The catalog presentation follows a democratic<br />

alphabetical order, an approach<br />

that avoids curatorial heavy-handedness.<br />

The short essays give a clear explanation of<br />

the curators’ questions and methodology at<br />

the outset regarding their self-appointed task.<br />

Somewhat disappointingly, they shy away<br />

from proposing answers, perhaps preferring<br />

to let the reader draw his or her own conclusions.<br />

Still, given the volume of high quality<br />

student work they saw one would have<br />

hoped for a more in-depth critical analysis<br />

of current trends.<br />

The Art Institute of <strong>Boston</strong> is exhibiting<br />

reGeneration: 50 Photographers of Tomorrow<br />

in two parts. Part I is being shown from<br />

<strong>September</strong> 5-30, <strong>2006</strong>. Part II is being<br />

shown from <strong>October</strong> 5 - November 5,<br />

<strong>2006</strong>. For more information, please visit<br />

http://www.lesley.edu/aib/events/events.<br />

html or call 617. 585.6676.<br />

www.prcboston.org | book review


above:<br />

Pelle Cass, Darkroom Key, 2005, gelatin silver print,<br />

14.25”x18.25”, edition 1/15, signed verso. Courtesy<br />

of the artist.<br />

right:<br />

Anonymous, Bob and Pat, undated, gelatin silver<br />

print, 4.625”x3”. Courtesy of Rodger Kingston.<br />

opposite:<br />

John Sexton, Aspen Forest, Dusk, Near Aspen,<br />

Colorado, 1983, selenium toned gelatin silver print,<br />

10.25”x13”, signed recto. Courtesy of the artist<br />

12


opposite:<br />

Kahn/Selesnick, Gedankenlosersender (Thoughtlesstransmitter), 1999, giclee print on gampi paper,<br />

6”x16”, edition 10/15, signed recto. Courtesy of the artists and the Pepper Gallery.<br />

above:<br />

Ernest Withers, Tina Turner, Ike and Tina Revue, Club Paradise, 1962, gelatin silver print, printed 2004,<br />

11”x13”, ap, signed verso. Courtesy of the artist and Panopticon Gallery.


listings<br />

www.prcboston.org | listings<br />

EXHIBITIONS<br />

Addison Gallery of American Art<br />

Wendy Ewald: American Alphabets (Sep 23-Dec<br />

31). Tue-Sat, 10-5; Sun, 1-5. Phillips Academy, 180<br />

Main Street, Andover, MA 01810. 978-749-4015.<br />

www.andover.edu/addison<br />

The Aldrich Contemporary Art Museum<br />

Paul Fusco: Bitter Fruit (Thru-Feb 25). Reception: Sun,<br />

Oct 15, 3-6; Josh Azzarella: <strong>2006</strong> Emerging Artist<br />

Award Exhibition (Oct 15-Feb 15). Reception: Oct<br />

15, 3-6; David Haislip: Artists at the Aldrich (Oct<br />

15-Jan 21). Tue-Sun, 12-5. 258 Main Street, Ridgefield,<br />

CT 06877. 203-438-4519. www.aldrichart.org<br />

Alpha gallery<br />

Summer Selections (thru Sep 13). Tue-Fri, 10-5:30<br />

or by appointment. 14 Newbury Street, <strong>Boston</strong>, MA<br />

02116. 617-536-4465. www.alphagallery.com<br />

Art Institute of <strong>Boston</strong><br />

reGeneration: 50 Photographers of Tomorrow Part I<br />

(Sep 5-30); Part II (Oct 5-Nov 5). Mon-Fri, 9-6; Sat,<br />

9-5; Sun, 12-5. 700 Beacon Street, <strong>Boston</strong>, MA<br />

02215. www.aiboston.edu<br />

Art Interactive<br />

Art Showdown (Sep 15-Nov5). Reception: Sep<br />

15, 6-8. Sat-Sun, 10-6. 130 Bishop Allen Drive,<br />

Cambridge, MA 02139. 617-498-0100. www.<br />

artinteractive.org<br />

Arthur M. Sackler Museum<br />

Sharon Lockhart: Pine Flat Project (thru Nov 19). Mon-<br />

Sat, 11-5; Sun, 1-5. 485 Broadway, Cambridge,<br />

MA 02138. 617-495-9400. www.artmuseums.<br />

harvard.edu/sackler<br />

artist’s Foundation<br />

Bruce Myren, “Markers: Memory” (Sep 16-Oct 21);<br />

Candice Ivy-video room (Sep 16-Oct 21). Opening<br />

Reception: Sep 30, 3-5. Sat, 12-5 and by appointment.<br />

516 East Second Street, <strong>Boston</strong>, MA 02127.<br />

617-464-3559. www.artistsfoundation.org<br />

artspace@16<br />

Proof: Black and White <strong>Photography</strong> Exhibition (Oct<br />

28-Nov18). Select Sat, 12-5 and by appointment.<br />

16 Princeton Road, Malden, MA 02148. 781-321-<br />

8058*3. www.artSPACEat16.com<br />

Barbara krakow gallery<br />

Edward Burtynsky (Sep 2-Oct 18). Tue-Sat, 10-5:30.<br />

10 Newbury Street, <strong>Boston</strong>, MA 02116. 617-262-<br />

4490. www.barbarakrakowgallery.com<br />

the gallery at Barrington Center for the Arts<br />

The Next Generation: Contemporary Expressions<br />

of Faith (thru Oct 14). Gordon College, 255<br />

Grapevine Road, Wenham, MA 01984.<br />

978-867-4414. www.gordon.edu<br />

Belmont Gallery of Art<br />

Summer’s Waning and Botanical Regeneration: Two<br />

Projects by Somerville Photographer Meg Birnbaum<br />

(Aug 4-Sep 15). Public Reception: Fri, Sep 8, 5:30-8.<br />

Belmont Cultural Council, P.O.Box 292, Belmont, MA<br />

02478. 617-484-0304. www.belmontgallery.org<br />

Bernard Toale Gallery<br />

Laura McPhee: Silent Steps Steps; It Was a Very<br />

Good Year (Thru Sep 17) Tue-Sat, 10:30-5:30.<br />

450 Harrison Avenue, <strong>Boston</strong>, MA 02118.<br />

617-482-2477. www.bernardtoalegallery.com<br />

boston architectural center<br />

Photographs by Jennifer Uhrhane (Sept). Mon-Thu, 9-<br />

9; Fri-Sat, 9-5; Sun, 12-5. Stankowicz Gallery, 320<br />

Newbury Street, 4th floor, <strong>Boston</strong>, MA 02115. 617-<br />

282-0228. www.detailphoto.com<br />

<strong>Boston</strong> University 808 Gallery<br />

GULAG: Soviet Forced Labor Camps and the Struggle<br />

for Freedom (Oct 24-Jan 14). Tue-Fri 11-5, Sat-<br />

Sun 1-5. 808 Commonwealth Avenue, <strong>Boston</strong>, MA<br />

02215. 617-358-0922. www.bu.edu/art<br />

<strong>Boston</strong> University art Gallery<br />

Offspring: Representation of Children in Contemporary<br />

Visual Culture (Sep 5-Oct 5). Tue-Fri 10-5, Sat-Sun 1-5.<br />

College of Fine Arts, 855 Commonwealth Avenue, <strong>Boston</strong>,<br />

MA 02215. 617-353-3329. www.bu.edu/art<br />

Brookline Arts Center<br />

Shirin Adhami: Establishing the Other (thru Sep 15).<br />

Discussion with the artist, Sep 7, 6:30-8:30. Closing<br />

reception Sep 15, 6:30-8. Mon-Fri, 9-4:30. 86<br />

Monmouth Street, Brookline, MA 02446. 617-738-<br />

8760. www.brooklineartscenter.com<br />

Cape Cod Museum of Art<br />

Cape Collision One: Exhibition of MIT Scientists and<br />

Artists (thru Sep 3). Tue-Sat 10-5, Sun 12-5. Route 6A,<br />

Dennis, MA. 508-385-4477. www.cmfa.org<br />

Carpenter Center for the Visual Arts<br />

Sharon Harper and Helen Mirra (Sep 11- Oct 13).<br />

Reception: Thu, Sep 21, 5:30-6:30. 24 Quincy<br />

Street, Cambridge, MA 02138. 617-495-3251.<br />

www.ves.fas.harvard.edu<br />

Center for Maine Contemporary Art<br />

Jed Devine: Stills and Pairings (thru Sep 30). 162<br />

Russell Avenue, P.O Box 147, Rockport, ME 04856.<br />

207-263-2875. www.artsmaine.org<br />

Chase gallery<br />

Vanessa Tropeano: The Lexington Project (Sep 6-30).<br />

Reception: Fri, Sep 8, 5-7. Mon-Sat, 10-5:30. 129<br />

Newbury Street, <strong>Boston</strong>, MA 02116. 617-859-7222<br />

www.chasegallery.com<br />

Concord art association<br />

7th Annual Frances N. Roddy Open Competition<br />

Exhibition (Sep 14-Oct 1). Tue-Sat 10-4; Sun, 12-4.<br />

37 Lexington Road, Concord, MA 01742. 978-369-<br />

2578. www.concordart.org<br />

Copley Society of Art (Lower Gallery)<br />

Co/So Artists A-Z: Gone Astray (thru Oct 21). Tue-<br />

Sat, 10:30-5:30. 158 Newbury Street, <strong>Boston</strong>, MA<br />

02116. 617-536-5049. www.copleysociety.org<br />

Currier museum of art<br />

Currently closed for expansion. 201 Myrtle Way,<br />

Manchester, NH 03104. 603-669-6144. www.currier.org<br />

Davis Museum and Cultural Center<br />

Currently closed for renovations. Wellesley College,<br />

106 Central Street, Wellesley, MA 02481. 781-<br />

283-2051. www.davismuseum.wellesley.edu<br />

DeCordova Museum and Sculpture Park<br />

Going Ape: Animals in Contemporary Art (Sep 2- Jan<br />

7) Opening Reception Sep 7; Approaches to Narrative<br />

(Oct 7-Oct 2007); Social Studies: Documentary<br />

<strong>Photography</strong>: Charles “Teenie” Harris (ongoing).<br />

Tue-Sun, 10-5. 51 Sandy Pond Road, Lincoln, MA<br />

01773. 781-259-8355. www.decordova.org<br />

DNA Gallery<br />

Sight-Specific (Thru 5-Sep 5). Daily, 11-7. 288<br />

Bradford Street, Provincetown, MA 02657.<br />

508-487-7700. www.dnagallery.com<br />

Duxbury Art Association<br />

89th Annual MidSummer Show Winners (Thru<br />

Sep26); Spirits in the Material World (Oct 12- Nov<br />

10). Wed-Sun, 1-4. 64 St. George Street, Duxbury, MA<br />

02331. 781-934-2731, x4. www.duxburyart.org<br />

essex art center<br />

Landscape: New Work by Jason Flack- Elizabeth<br />

A. Beland Gallery (Sep 15-Oct 20). Opening<br />

Reception: Fri, Sep 15, 5-7. Merrimack Camera<br />

Club Exhibition - Main Gallery (Sep 15-Oct 20).<br />

Opening Reception: Fri, Sep 15, 5-7. Tue-Thu,<br />

10-7; Fri, 10-3. Main Gallery and the Elizabeth A.<br />

Beland Gallery, 56 Island Street, Lawrence,<br />

MA 01840. 978-685-2343.<br />

www.essexartcenter.com<br />

Fitchburg Art Museum<br />

71st Regional Exhibition of Art and Craft (thru Sep<br />

10); Kindred Spirits: Intimate Photographs by Robert<br />

Sargent Fay (thru Sep 10). Tue-Sun, 12-4. 185 Elm<br />

Street, Fitchburg, MA 01420. 978-345-4207.<br />

www.fitchburgartmuseum.org<br />

Flinn gallery at greenwich library<br />

The Western Tradition: Art Since the Renaissance<br />

(Sep 14-Oct 19); In and Out of the Garden<br />

(Oct 26-Dec 7). Mon, Tue, Wed, Fri,10-5;<br />

Thu,10-8; Sat, 10-5; Sun, 1-5. 101 West Putnam<br />

Avenue, Greenwich, CT 06830. 203-622-7947.<br />

www.flinngallery.com<br />

Fogg Art Museum<br />

Nominally Figured: Recent Acquisitions in Contemporary<br />

Art (thru Feb 25). Mon-Sat, 10-5; Sun 1-5. 32<br />

Quincy Street, Cambridge, MA 02138. 617-495-2325.<br />

www.artmuseums.harvard.edu/fogg<br />

in the loupe listings deadlines<br />

November/December issue:<br />

<strong>September</strong> 27, <strong>2006</strong><br />

January/<strong>February</strong> issue:<br />

November 29, <strong>2006</strong><br />

Gallery at elm street<br />

Malden Contemporary (Sep 9-Nov 12); Opening<br />

Reception: Sep 10, 12-3. Tue, Fri, 10-1; Sat, 10-2;<br />

Sun, 10-1. First Parish in Malden, Universalist,<br />

2 Elm Street, Malden, MA 02148. 781-322-0474.<br />

www.malden.ma.uua.org.<br />

Gallery Kayafas<br />

Full of Light: Photographs from 1994-<strong>2006</strong> by David<br />

Akiba (Sep 6-Oct 14). Opening Reception: Oct 6,<br />

5-8:30. Tue-Fri, 1-5:30; Sat, 12-5:30. 450 Harrison<br />

Avenue, Suite 223, <strong>Boston</strong>, MA 02118. 617-482-<br />

0411. www.gallerykayafas.com<br />

Griffin Museum of <strong>Photography</strong><br />

Ghosts in the Landscape: Vietnam Revisited, Images<br />

by Craig Barber (Thru 29-Nov 12). Nomadic Mongolia,<br />

Images by Elaine Ling-Emerging Artist Gallery<br />

(Thru 29-Nov 12). Tue-Sun, 12-4. 67 Shore Road,<br />

Winchester, MA 01890. 781-729-1158. www.<br />

griffinmuseum.org.<br />

Hallmark Museum of Contemporary <strong>Photography</strong><br />

Bridging People/Bridging Culture: Documentary Photographs<br />

of People and Places by Kevin Burbiski (thru<br />

Sep 24). Thu-Sun, 1-5. 85 Avenue A, Turners Falls,<br />

MA 01376. 413-863-0009. www.hmcp.org<br />

Hood museum of art dartmouth college<br />

Alfredo Jaar: The Eyes of Gutete Emerita-Harrington<br />

Gallery (thru Sep 3). Paris 1968: Photographs by<br />

Serge Hambourg (Sep 9-Nov 18). Tue-Sat, 10-5;<br />

Wed, 10-9; Sun, 12-5. Wheelock Street, Dartmouth<br />

College, Hanover, NH 03755. 603-646-2808.<br />

hoodmuseum.dartmouth.edu<br />

Howard yezerski gallery<br />

Raishad Glover and Emily Eastridge: The Buffet Illusion<br />

(Sep 8-Oct 10). Gallery Talk: Sep 23, 1:30;<br />

John Beech: Photographs (Oct 13-Nov 14). Tue-Sat,<br />

10-5:30. 14 Newbury Street, <strong>Boston</strong>, MA 02116.<br />

617-262-0550. www.howardyezerskigallery.com<br />

Hunt-Cavanagh Gallery at Providence College<br />

Stonescapes: Photographs by Nick Johnson (Sep<br />

5-Oct 12); Providence College Student Show (Oct<br />

16-26). Reception: Oct 19, 5-9. Mon-Fri, 9-4.<br />

Hunt-Cavanagh Hall on the East Campus, 549 River<br />

Avenue, Providence, RI 02918. 401-865-2401.<br />

www.providence.edu/art/gallery.html<br />

Institute of Contemporary Art<br />

Super Vision (Sep); Momentum 6: Sergio Vega<br />

(Sep). Wed-Fri, 12-5; Thu, 12-9; Sat-Sun, 12-5.<br />

<strong>Boston</strong>, MA. 617-266-5152. www.icaboston.org<br />

Iris Gallery<br />

Frank Grisdale and Andy Anderson (Sep 1-Oct 2).<br />

Reception: Sat, Sep 2, 5-7; JoSon and Jane<br />

McWhorter (Oct 6-Nov 6). Reception: Sat, Oct 7,<br />

5-7. Thu-Mon, 12-6 or by appointment. 47 Railroad<br />

Street, Great Barrington, MA 01230. 413-644-<br />

0045. www.irisgallery.net<br />

Isabella Stewart Gardner Museum<br />

Henrik Hakansson: Cyanopsitta spixii Case Study<br />

#001 (thru Sep 17). Tue-Sun, 11-5. 280 The Fenway,<br />

<strong>Boston</strong>, MA 02115. 617-566-1401. www.<br />

gardnermuseum.org<br />

Isole Gallery of Art + Industrial Design<br />

Judith Aronson Retrospective (thru Sep 6). Open by<br />

appointment. 4 Park Plaza, <strong>Boston</strong> MA 02116.<br />

617-482-2267. www.isolegallery.com<br />

Judy ann goldman fine art<br />

David Armstrong: Beautiful Boys (Oct 11-Nov 4).<br />

Opening reception: Fri, Oct 13, 4-6.Tue-Sat, 10:30-5:30.<br />

14 Newbury Street, <strong>Boston</strong>, MA 02116. 617-424-<br />

8468 www.judygoldmanfineart.com/index.html<br />

Judi Rotenberg Gallery<br />

Dave Cole: New Work (Sep 7-30), Opening Reception:<br />

Sep 7, 6-8. Tue-Sat, 10-6. 130 Newbury<br />

Street, <strong>Boston</strong>, MA 02216. 617-437-1518. www.<br />

judirotenberg.com<br />

14


listings<br />

KHAKI Gallery<br />

Christy Romanick: Green (Sep 5- Oct 17). Opening<br />

reception: Sep 8, 6-8. 9 Crest Road, Wellesley, MA<br />

02482. 781-237-1095,www.khakigallery.net<br />

Kingston Gallery<br />

Kingston Sampler: Member’s Show (Sep 5-30). Tue-<br />

Sat, 12-5 or by appointment. 450 Harrison Avenue,<br />

<strong>Boston</strong>, MA 02118. 617-423-4113. www.kingstongallery.com<br />

Laconia gallery<br />

South End Open Studios Group Show (Sep). Sat and<br />

Sun, Sep 16 and 17, 11-6; Sat, Sep 9 and 23,<br />

12-4. Opening Reception: Sep 8, 5:30-8. 433 Harrison<br />

Avenue, <strong>Boston</strong>, MA 02118. 617-670-1568.<br />

www.laconiagallery.org.<br />

Lesley University<br />

<strong>Photography</strong> Atelier <strong>2006</strong> (thru Sep 22). Mon-Sat<br />

8am-10pm. Porter Exchange Building, 3rd Floor,<br />

1815 Massachusetts Avenue, Cambridge, MA<br />

02138. www.photographyatelier.com<br />

Massachusetts College of Art, Bakalar Gallery<br />

Crafty (Sep 5-Oct 14). Mon-Fri, 10-6; Sat, 11-5.<br />

621 Huntington Avenue, <strong>Boston</strong>, MA 02115. 617-<br />

879-7000. www.massart.edu<br />

Massachusetts museum of contemporary art<br />

Ahistoric Occasion: Artists Making History (thru<br />

March 2007). Mon-Sun, 11-5, closed Tue. 87 Marshall<br />

Street, North Adams, MA 01247. 413-664-<br />

4481. www.massmoca.org<br />

MIT List Visual Art Center<br />

Sensorium: Embodied Experience, Technology, and<br />

Contemporary Art (Part 1: Oct 12-Dec 31). Tue-Thu,<br />

12-6; Fri, 12-8; Sat-Sun, 12-6. 20 Ames Street<br />

Building E15, Atrium Level, Cambridge, MA 02139.<br />

617-253-4680. www.mit.edu/lvac<br />

Museum of Fine Arts, <strong>Boston</strong><br />

Laura McPhee: River of No Return (thru Sep 17).<br />

Mon-Tue, 10-4:45; Wed-Fri, 10-9:45, Sat-Sun,<br />

10-5:45. 465 Huntington Avenue, <strong>Boston</strong>, MA<br />

02115. 617-267-9300. www.mfa.org<br />

national heritage museum<br />

Gershwin to Gillespie: Portraits in American Music<br />

(thru Sep 17); Journey out of Darkness: American<br />

Heroes in Hitler’s POW Camps (thru Jan 7); In<br />

Motion: The African-American Migration Experience<br />

(Oct 14-Feb 25). Mon-Sat, 10-5; Sun, 12-5. 33<br />

Marrett Road, Lexington, MA 02421. 781-861-<br />

6559. www.monh.org<br />

Panopticon Gallery BOSTON<br />

Maritime Photographs by Norman Fortier (thru Sep<br />

10); Images from the 1950’s: Photographs by Martin<br />

Karplus-<strong>Boston</strong> (thru Sep 18); Tide Pool Figures:<br />

Karin Rosenthal (thru Oct 2); Bruce Myren: Markers:<br />

History (Sep 5-Oct 16). Tue-Sat, 11-6. 502c Commonwealth<br />

Avenue, <strong>Boston</strong>, MA 02215. 617-267-<br />

8929. www.panopt.com<br />

Panopticon<br />

Keith Johnson: New Work (2000-2005)-Waltham<br />

(thru Sep 30). Reception: Fri, Sep 22, 6-8. Gallery<br />

Talk: Sat, Sep 23, 2. Mon-Fri. 10-6; Sat, 11-5.<br />

435 Moody Street, Waltham, MA. 781-647-0100.<br />

www.panopt.com<br />

Peabody Essex Museum<br />

The Yachting <strong>Photography</strong> of Willard B. Jackson (thru<br />

Jan 21) Tue-Sat, 10-5; Sun, 12-5. East India Square,<br />

Salem, MA 01970. 978-745-9500. 866-745-<br />

1876. www.pem.org<br />

Portland Museum of Art<br />

Maine: The Way Life Is, Contemporary Photographs<br />

from the Collection (Sep 23-Nov 26). Tue, Wed, Sat-<br />

Sun, 10-5; Thu-Fri, 10-9. Congress Square, Portland,<br />

ME 04101. 207-775-6148. www.portlandmuseum.org<br />

Providence Art Club<br />

Allen Russell Hall, Leonard Rumpler and John Wheatley:<br />

Paintings and Photographs - Maxwell Mays<br />

Gallery; Elizabeth Curtin: The Thayer Street Project-<br />

Dodge House Gallery (thru Sep 15) Receptions: Sun,<br />

Sep 10, 2-4. Mon-Wed, Fri, 12-4; Thu, 12-7; Sat-<br />

Sun, 2-4. 11 Thomas Street, Providence, RI 02903.<br />

www.providenceartclub.org<br />

Pucker gallery<br />

Fine Choices <strong>2006</strong>: Memories and Dreams (thru<br />

Sep 4). Tony King & Judy King (Sep 9-Oct 5) Reception:<br />

Sep 9, 3-6. Mon-Sat, 10-5:30; Sun, 1-5. 171<br />

Newbury Street, <strong>Boston</strong>, MA 02116. 617-424-<br />

9759. www.puckergallery.com<br />

Real Art Ways Center for Contemporary Culture<br />

Sigrid Jakob: Bears (thru Sep 18). Tue-Thu, Sun, 2-<br />

9:30; Fri-Sat, 2-10. 56 Arbor Street, Hartford, CT<br />

06106. 860-232-1006. www.realartways.org<br />

Rhode Island School of Design, Museum<br />

An-My Le: Small Wars (thru Oct 15). Tue-Sun, 10-5.<br />

224 Benefit Street, Providence, RI 02903. 401-454-<br />

6502. www.risd.edu<br />

Robert klein gallery<br />

Kenro Izu (Sep 8-Nov 4). Tue-Fri, 10-5:30; Sat, 11-<br />

5. 38 Newbury Street, <strong>Boston</strong>, MA 02116. 617-<br />

267-7997. www.robertkleingallery.com<br />

the schoolhouse gallery<br />

Gallery Artists Including: William Hamlin and Phil<br />

Smith (Sep 22-Oct 11). Daily, 11-9. 494 Commercial<br />

Street, Provincetown, MA 02657. 508-487-<br />

4800. www.theschoolhousegalleries.com<br />

Scollay Square Gallery<br />

Faces of <strong>Boston</strong>: A City-Wide Exhibit of <strong>Boston</strong>ian<br />

Portraits Throughout City Hall (thru Sep 1). 3rd Floor,<br />

<strong>Boston</strong> City Hall One City Hall Plaza, <strong>Boston</strong>, MA<br />

0220. www.cityofboston.gov/arts/galleries.asp<br />

Sommerville arts gallery<br />

Second Nature: Somerville Artists Explore the Genre<br />

of Landscape (thru Nov 1). Reception: Thu, Sep 16,<br />

6-7 at Somerville City Hall, 93 Highland Avenue.<br />

City Hall Annex, 50 Evergreen Avenue, Somerville,<br />

MA 02145. 617-625-6600, x2985 www.somervilleartscouncil.org<br />

Stevens Gallery at University of Connecticut<br />

Documenting Human Rights Violations (thru Oct 13).<br />

Mon-Thu, 8-midnight; Fri, 8-10; Sat, 10-10; Sun, 10-<br />

midnight. University of Connecticut, Homer Babbidge<br />

Library, U-1005A, Storrs, CT 06269. 860-486-<br />

6020. www.lib.uconn.edu/exhibits<br />

Thorne-Sagendorph Art Gallery at Keene State College<br />

Art = Body + Mind (thru Oct 15); Sat-Wed, 12-4;<br />

Thu, Fri, 12-7. 101 Wayman Way, Keene, NH.<br />

603-358-2720. www.keene.edu/tsag<br />

Tufts University Art Gallery, Aidekman Arts Center<br />

Gunther Selichar: Media Machines (Sep 8-Nov 19).<br />

Reception: Fri, Sep 8, 6-8:30. Tue-Sun, 11-5; Thu<br />

until 8. Aidekman Arts Center, 40 Talbot Avenue,<br />

Medford, MA 02155. 617-627-3518. www.tufts.<br />

edu/as/gallery<br />

University Gallery at University of Massachusetts<br />

Beat Streulli: Cities 2001-2005 (Sep 20-Nov 5).<br />

Tue-Fri, 11-4:30; Sat-Sun, 2-5. Fine Arts Center,<br />

University of Massachusetts, 151 Presidents Drive,<br />

Amherst, MA 01003. 413-545-3670. www.umass.<br />

edu/fac/universitygallery<br />

University of maine museum of art<br />

Sam Cady: Reality and Reverie; Jocelyn Lee: Youth<br />

(thru Oct 7). Tue-Sat, 9-6; Sun, 11-5. Norumbega<br />

Hall, 40 Harlow Street, Bangor, ME 04401. 207-<br />

561-3350. www.umma.umaine.edu<br />

University of new hampshire art gallery<br />

Art Faculty Review: Julle Holcombe, Craig Hood and<br />

Scott Schnepf (Oct 28-Dec 11). Preview Reception:<br />

Oct 27, 5-7. Wed, 10-4; Thu, 10-8; Sat-Sun, 1-5.<br />

Paul Creative Arts Center, University of New Hampshire,<br />

Durham, NH 03824. 603-862-3712. www.<br />

unh.edu/art-gallery.html<br />

University of Rhode Island <strong>Photography</strong> Gallery<br />

Speaking Volumes (Sep 6-30). Closing Reception<br />

Sep 28, 4-6pm. “Ancestor Portrait Series” by Donna<br />

Hamil Talman (Sep 14- Oct 29). Anna Palakunnathu<br />

Matthew: The Virtual Immigrant (Oct 20-Dec 10).<br />

Opening Reception: Oct 25, 4-6. Public conversation<br />

with the artist led by Prof. Winifred Poster, Nov 1, 4-6. Tue-<br />

Fri, 12-4, 7:30-9:30; Sat-Sun, 1-4. Fine Arts Center<br />

Galleries, 105 Upper College Road, Kingston, RI<br />

02881. 401-874-2775. www.uri.edu/artgalleries<br />

vermont center for photography<br />

In-Sight <strong>Photography</strong> Project’s 7th Annual Silent Auction<br />

and Exhibit (Oct 6-28). Opening Reception: Fri,<br />

Oct 6, 5:30-8:30, Closing Bidding Party: Sat, Oct<br />

28, 5-8. Tue-Thu 2-6; Fri, 2-7; Sat-Sun, 12-5. 49<br />

Flat Street, Brattleboro, VT 05301. 802-251-9960.<br />

www.insight-photography.org<br />

Wadsworth Atheneum Museum of Art<br />

Shifting Terrain: Contemporary Landscape <strong>Photography</strong><br />

(thru Nov 5). Edward Weston: A Photographers<br />

Love Life (Sep 16-Dec 31); Falconry and Fencing,<br />

Photographs by Michelle Elzay/Matrix 156 (Sep<br />

7-Jan 7). Opening Reception: Thu, Sep 7. Tue-Fri,<br />

11-5; Sat-Sun, 11-5. 600 Main Street, Hartford, CT<br />

06103. 860-278-2670. www.wadsworthatheneum.org<br />

Willliams college museum of art<br />

Perry Hall: Material Intelligence (thru Dec 3); The<br />

Moon is Broken: A Collection of <strong>Photography</strong> and<br />

Poetry (Oct 12-Dec 24). Tue-Sat, 10-5; Sun, 1-5.15<br />

Lawrence Hall Drive, Suite 2, Williamstown, MA<br />

02116. 413-597-2429. www.wcma.org<br />

ENTRIES/ OPPORTUNIES<br />

Center for <strong>Photography</strong> Woodstock A-I-R.<br />

This non-profit organization provides photographers<br />

with educational, exhibition, publication, residency,<br />

collection, fellowship, and workspace opportunities.<br />

The center is open 24-hours and offers a spacious<br />

environment for photographers to develop and<br />

explore their photographic careers with extensive<br />

facilities and a supportive staff. For more info visit<br />

www.cpw.org or call 845-679-9957<br />

Khaki Gallery<br />

Khaki Gallery, a contemporary gallery of photography<br />

and art in Wellesley, is inviting artists working in<br />

photography and related media to submit works for<br />

group/solo shows <strong>2006</strong>-07 season. We are interested<br />

in unified bodies of original work with strong<br />

themes and a distinctive artist’s view. Please send<br />

artist’s statement,10 low resolution images in JEPG<br />

format on a CD or via email, or Web address, or<br />

10 slides and SASE. Please do not send original<br />

materials. Khaki Gallery, 9 Crest Road , Wellesley,<br />

MA 02482,781-237-1095 www.khakigallery.net,<br />

khaki@khakigallery.net<br />

Living Artists Cover Contest seeks submissions for cover.<br />

First place: winning artist showcased on the front<br />

cover. Second place(s): artworks by 2-5 winners<br />

showcased on the back cover and in the introduction.<br />

Honorable Mention(s): approx. 5 artists will be<br />

showcased within the quarter-page section. $30 for<br />

up to 3 slides. All artwork must be original work be<br />

the artist on the application form, email 72dpi jpgs.<br />

Subject on email should read: 15th edition contest/<br />

your name #1, #2, #3. 35 mm (no glass mounted)<br />

slides are also acceptable. Deadline <strong>September</strong> 15.<br />

For more info, visit www.artmarketing.com<br />

Silver Eye Center for <strong>Photography</strong><br />

Fellowship <strong>2006</strong> Competition and New Works Galleries,<br />

Deadline for submission: <strong>October</strong> 7, <strong>2006</strong>.<br />

Silver Eye Center for <strong>Photography</strong>, invites photographers<br />

to submit entries for our juried Fellowship<br />

Competition and our New Works Galleries juried by<br />

Rod Slemmons, Director of the Museum of Contemporary<br />

<strong>Photography</strong>, Columbia College Chicago. One<br />

photographer will be selected to receive a $5000<br />

Fellowship and have a one-person exhibition in the<br />

Main Gallery of Silver Eye. Ten photographers will<br />

be recognized with the distinction of Honorable Mention.<br />

They will receive a $100 honorarium and will<br />

be invited to exhibit one photograph each. Exhibition:<br />

November 15, <strong>2006</strong>- <strong>February</strong> 10, 2007. This<br />

competition is open to photographers who join Silver<br />

Eye at the $70 level or for students who join at the<br />

$35 level. Please send a Self Addresses Stamped<br />

Envelope to Silver Eye Center for <strong>Photography</strong>,<br />

Exhibition Opportunities, 1015 East Carson Street,<br />

Pittsburgh, PA 15203, For more information and prospectus,<br />

visit www.silvereye.org.<br />

Tamron<br />

“It’s a Wild World <strong>2006</strong> Contest.” The photographer<br />

with the award-winning image will be the recipient<br />

of a new Tameron AF18-200 Di-II lens. The winning<br />

photo must be taken with a Tamron lens. Submit<br />

scanned or original image(s) to webmaster@tamron.<br />

com with subject line: “It’s a wild world <strong>2006</strong> contest.”<br />

Tameron USA Inc., 10 Austin Boulevard, Commack,<br />

NY 11725. Attn: “It’s a Wild World <strong>2006</strong><br />

Contest.” www.tamron.com<br />

www.prcboston.org | listings<br />

15


parting<br />

shot<br />

Untitled, by Marco,<br />

age 15,a participant in<br />

the PRC Summer Photo Camp.<br />

phonelines<br />

Phonelines is a long-running program allowing<br />

PRC members to tout their recent achievements.<br />

To be included in the November/December<br />

Phonelines, please email us at prc@bu.edu by<br />

<strong>September</strong> 27th.<br />

Meg Birnbaum is exhibiting two projects in a solo<br />

show at the Belmont Gallery of Art, 19 Moore St.,<br />

Belmont, MA, August 4-<strong>September</strong> 15. Another of<br />

her series, Enchanted Landscapes will be included<br />

in a three-person exhibition at Stonehill College in<br />

<strong>September</strong>, <strong>2006</strong>.<br />

Dominic Chavez, award-winning Globe photographer,<br />

exhibited his photojournalistic work at the<br />

Spencer Gallery, 60 Dudley St., Chelsea, MA.<br />

The show ran July 1-August 30, <strong>2006</strong><br />

Katherine Cummings held her first solo exhibition<br />

in the Project Space at the New England<br />

School of Art and Design at Suffolk University, 74<br />

Arlington St., <strong>Boston</strong>, MA. The show featured her<br />

Diorama Series, photography of natural history<br />

museum dioramas. July 13-August 14, <strong>2006</strong>.<br />

California Member, Tony De Bone had a crossprocessed<br />

Giclee print selected from his series Cinema<br />

Tropica for the Soho Photo <strong>2006</strong> National<br />

Competition. The exhibition, juried by Gerard<br />

Vezzusso, was held at Soho Photo and ran July 6<br />

through August 5, <strong>2006</strong>.<br />

Yolanda del Amo’s work was included in the RISD<br />

Biennial NYC <strong>2006</strong> exhibition, which features<br />

Rhode Island School of Design alumni working<br />

within the New York City alumni club mailing<br />

area. The show, curated by Robert Storr, was held<br />

at Exit Art, 475 10th Ave., New York, and ran<br />

June 15-June 17, <strong>2006</strong>. www.exitart.com<br />

Jesseca Ferguson’s image Lieder ohne Worte, a<br />

pinhole cyanotype with collage, was featured in<br />

exhibition The Image Wrought: Historical Photographic<br />

Approaches in the Digital Age, paired<br />

alongside an original 19th century cyanotope by<br />

British photographer Anna Atkins. Ferguson was<br />

also part of a related panel discussion. The show<br />

was held at the Galleries of the Harry Ransom<br />

Center for the Humanities at the University of Texas at<br />

Austin, running January 31 through August 6, <strong>2006</strong>.<br />

Erik Hansen’s series I-Scapes (Imaginary Landscapes)<br />

was shown this spring at the NESOP Center<br />

for Photographic Exhibitions, <strong>Boston</strong>, MA. The<br />

show ran March 20 through April 14, <strong>2006</strong>.<br />

Stephen Jennings exhibited several of his Carbon<br />

Pigment Prints this summer. One interior image<br />

was selected by juror Bonnie Benrubi, of the Bonni<br />

Benrubi Gallery, New York, for the 12th Annual<br />

Griffin Museum Juried Show, May 11-August 13.<br />

He exhibited an abstract landscape image in the<br />

Cambridge Art Association’s New Members’ Show<br />

at the Kathryn Schultz Gallery in Cambridge, July<br />

12-July 27. Another two landscapes are included<br />

in the Cambridge Art Association’s 3rd Annual Art<br />

Fair at the University Place Gallery in Cambridge,<br />

July 12-<strong>September</strong> 5, <strong>2006</strong>.<br />

www.stephenjennings.com<br />

Rania Matar’s photographs were recently featured<br />

in a four page spread of August’s Special Issue<br />

edition of B&W Magazine. Matar was the recipient<br />

of its Excellence Award. www.raniamatar.com<br />

Chandra Messig’s projects, Las Vegas, Nevada,<br />

America and Motel Pictures are included in the<br />

Away exhibition held by the artistic collective Available-Art<br />

at the Gallery Camelot in Krakow, Poland,<br />

July 14-August 6, <strong>2006</strong>. Another three images<br />

from the project “backs of photographs” were<br />

selected for Resonance: 11th Annual Photographic<br />

Competition Exhibition¸ juried by Paul Kopeikin.<br />

The show is being held at the Photographic Center<br />

Northwest in Seattle, Washington, from July 14-<br />

August 30, <strong>2006</strong>.<br />

Meghan Moore recently exhibited new photographs<br />

of the city of Lowell at the A Beautiful Day<br />

Salon, 885 Main Street, Tewksbury, MA.<br />

Monika Ohri’s work was featured in a solo exhibition<br />

at the Eggroll Café, 110 University Ave.,<br />

Lowell, MA.<br />

Neal Rantoul, head of the photography program<br />

at Northeastern University in <strong>Boston</strong>, has published<br />

his first monograph. With a foreword by Joe Deal,<br />

and introduction by Jeffrey Hoone, American Series<br />

was published by Pond Press with the editing of<br />

Henry Horenstein. More information about the<br />

book can be found at www.nealrantoul.com. Also,<br />

Rantoul will be exhibiting work at the Panopticon<br />

Gallery in Waltham in <strong>October</strong>.<br />

Diana Rust’s most recent photographs were shown<br />

in March at the SPACE Gallery, Portland, Maine,<br />

in their juried show Plugged In. Her photographs<br />

were projected as part of an installation in collaboration<br />

with filmmaker Walter Ungerer.<br />

Donna Hamil Talman’s Ancestor Portraits Series will<br />

be on exhibit at the University of Rhode Island Fine<br />

Arts Center Galleries from <strong>September</strong> 14-<strong>October</strong><br />

29, <strong>2006</strong>.<br />

John S. Tilney, Jr. exhibited work at the Gallery<br />

Black and White, 295 Huntington Ave., <strong>Boston</strong>,<br />

MA. The show ran from April 5-May 5, <strong>2006</strong><br />

Kurt Gilbert Wahlstrom premiered a new video<br />

work entitled Kuret & Dad: new [musical] works on<br />

video (<strong>2006</strong>) as well as other recent work, momdadkuretshimmy<br />

and artskit, at the Artists Foundation,<br />

516 E. 2nd St., <strong>Boston</strong>, MA. The show ran<br />

June through July 8, <strong>2006</strong>.<br />

join the community<br />

Do you love photography<br />

In the answer is yes, then you have a<br />

home in the Photographic Resource<br />

Center. A non-profit organization serving<br />

the community since 1976, the PRC<br />

challenges with its thought-provoking<br />

exhibitions; inspires with its distinctive<br />

education programs; informs with its<br />

wide-ranging resources; and tantalizes<br />

with its unique special events. By becoming<br />

a member, you join a community of<br />

individuals who eat, drink, and sleep<br />

photography.<br />

A subscription to this newsletter is only<br />

one benefit of a PRC membership. For<br />

more information, visit prcboston.org.<br />

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Check all that apply.<br />

■ Artist<br />

■ Professional Photographer<br />

■ Amateur<br />

■ Student<br />

■ Other<br />

■ New Membership<br />

■ Educator<br />

■ Collector<br />

■ Membership Renewal<br />

Would you like to receive information about the PRC Friends<br />

■ Yes<br />

■ No<br />

Indicate your desired membership level.<br />

■ Individual: $45 ■ Student/Senior: $25<br />

■ Family: $60 ■ Supporter: $125<br />

■ Contributor: $300 ■ Benefactor: $600<br />

■ Patron: $1,200 ■ Angel: $2,400<br />

Payment Method (check one): ■ Visa<br />

■ Mastercard<br />

■ Check enclosed (payable to Photographic Resource Center)<br />

Credit Card #<br />

Expiration Date<br />

Signature<br />

Return this form, or the requested information, with payment (and<br />

copy of ID, if required) to: Membership Office, Photographic<br />

Resource Center, 832 Commonwealth Avenue, <strong>Boston</strong>, MA 02215<br />

The Photographic Resource Center is a non-profit, 501(c)3 corporation<br />

and membership fees are tax-deductible as allowed by law.<br />

For information on tax-deductible portions of your membership,<br />

please contact the Membership Office at 617-975-0600.


Photographic Resource Center<br />

at <strong>Boston</strong> University<br />

832 Commonwealth Avenue<br />

<strong>Boston</strong>, MA 02215

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