09.01.2015 Views

NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...

NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...

NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

1826. According to Mackenzie’s 1827 historical account of Newcastle this society<br />

consisted of 100 ordinary members, who paid 4s each every month, and<br />

received three tickets of admission, and 36 honorary members, or performers,<br />

who were presented with two tickets. The audience usually consisted of about<br />

340 persons, excluding performers and with the ladies all dressed to pleasing<br />

effect. The band was made up of amateurs and performed gratis. Concerts were<br />

held in the Turk’s Head Hotel, Long Room in the Bigg Market. A press review of<br />

their first concert on 29 th November 1826 firstly introduces the society ‘a society<br />

of gentlemen in this town who entitle themselves the “Phil-Harmonic Society”,<br />

and goes on to say that the music was both vocal and instrumental but it was not<br />

a concert on which criticism could be employed with the same freedom which<br />

would be called for in a public exhibition but it was justice to say that as a whole<br />

the singing and the oratorios were such as to reflect great credit on the<br />

respective parties. The reader is then informed that it was emphatically a dress<br />

concert and attended by upwards of 300 persons of respectability. The review<br />

ends with the following paragraph, which both points to the exclusivity of these<br />

concerts and to the entirely different approach our forefathers had to concert<br />

going:<br />

‘A correspondent suggests the propriety of having a ball at the end of the Phil-<br />

Harmonic Society‘s concerts. We have ourselves repeatedly suggested the<br />

establishment of tradesmen’s dancing assemblies in this town and we should be<br />

happy to see this affair taken up by the subscribers to the Phil-harmonic Society,<br />

or by a distinct set of gentlemen. Assemblies for the trading part of the<br />

community are certainly much wanted, and if properly conducted could not fail to<br />

meet with adequate support.’<br />

The Phil-Harmonic Society concerts and their after-concert entertainments<br />

became very popular and continued into the 1850s. Some twenty years earlier<br />

they had had to move into the Large Assembly Rooms to accommodate the<br />

growing numbers and in 1851 a letter to the Gazette suggested the society<br />

rename itself the Terpsichorean Club. However, their success did not go down<br />

well with everyone as a letter to the Editor of the Tyne Mercury in April 1837<br />

shows.<br />

‘Sir,<br />

The Standard newspaper has been made the vehicle of an attempt to ridicule<br />

the Concerts of this Society, the leader and the committee knowing well and<br />

thoroughly the contemptible little catiff from whom these puny dribblings of tap<br />

house wit have emanated. The committee can laugh at his puny malice, and<br />

even afford to wish that he may be able to muster a more numerous list of<br />

subscribers when he brings forward his threatened opposition, than he did the<br />

last time he failed in this creditable manoeuvre. But his brutal attack upon a<br />

talented amateur deserves and will receive from every right-minded person the<br />

most unqualified reprobation. Had it been in his power to injure his own lost<br />

character in this town, this would have furnished the coping-stone to the column<br />

37

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!