NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...
NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...
NEWCASTLE'S MUSICAL HERITAGE AN INTRODUCTION By ...
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1826. According to Mackenzie’s 1827 historical account of Newcastle this society<br />
consisted of 100 ordinary members, who paid 4s each every month, and<br />
received three tickets of admission, and 36 honorary members, or performers,<br />
who were presented with two tickets. The audience usually consisted of about<br />
340 persons, excluding performers and with the ladies all dressed to pleasing<br />
effect. The band was made up of amateurs and performed gratis. Concerts were<br />
held in the Turk’s Head Hotel, Long Room in the Bigg Market. A press review of<br />
their first concert on 29 th November 1826 firstly introduces the society ‘a society<br />
of gentlemen in this town who entitle themselves the “Phil-Harmonic Society”,<br />
and goes on to say that the music was both vocal and instrumental but it was not<br />
a concert on which criticism could be employed with the same freedom which<br />
would be called for in a public exhibition but it was justice to say that as a whole<br />
the singing and the oratorios were such as to reflect great credit on the<br />
respective parties. The reader is then informed that it was emphatically a dress<br />
concert and attended by upwards of 300 persons of respectability. The review<br />
ends with the following paragraph, which both points to the exclusivity of these<br />
concerts and to the entirely different approach our forefathers had to concert<br />
going:<br />
‘A correspondent suggests the propriety of having a ball at the end of the Phil-<br />
Harmonic Society‘s concerts. We have ourselves repeatedly suggested the<br />
establishment of tradesmen’s dancing assemblies in this town and we should be<br />
happy to see this affair taken up by the subscribers to the Phil-harmonic Society,<br />
or by a distinct set of gentlemen. Assemblies for the trading part of the<br />
community are certainly much wanted, and if properly conducted could not fail to<br />
meet with adequate support.’<br />
The Phil-Harmonic Society concerts and their after-concert entertainments<br />
became very popular and continued into the 1850s. Some twenty years earlier<br />
they had had to move into the Large Assembly Rooms to accommodate the<br />
growing numbers and in 1851 a letter to the Gazette suggested the society<br />
rename itself the Terpsichorean Club. However, their success did not go down<br />
well with everyone as a letter to the Editor of the Tyne Mercury in April 1837<br />
shows.<br />
‘Sir,<br />
The Standard newspaper has been made the vehicle of an attempt to ridicule<br />
the Concerts of this Society, the leader and the committee knowing well and<br />
thoroughly the contemptible little catiff from whom these puny dribblings of tap<br />
house wit have emanated. The committee can laugh at his puny malice, and<br />
even afford to wish that he may be able to muster a more numerous list of<br />
subscribers when he brings forward his threatened opposition, than he did the<br />
last time he failed in this creditable manoeuvre. But his brutal attack upon a<br />
talented amateur deserves and will receive from every right-minded person the<br />
most unqualified reprobation. Had it been in his power to injure his own lost<br />
character in this town, this would have furnished the coping-stone to the column<br />
37