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Joel A Lewis Youth Against Fascism.pdf

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DEMOCRACY<br />

published a songbook entitled Songs Of America. 214 Selections from Songs of America<br />

were published monthly in the Young Communist Review to advertise for the songbook.<br />

One song by Sonny Vale entitled "Fighting For Democracy" praised the AFL-CIO "rank<br />

and file" for fighting "in good old Yankee style," ending each verse with a chorus of<br />

"We've got to fight – `Cause we know we're right – We're fighting for Democracy!" 215<br />

Other songs blended themes of freedom and patriotism with class rhetoric. One song<br />

entitled "A Song For the Fourth of July" stated, "If a man has nothing, nothing at all, how<br />

can a man be free – In a land of plenty, plenty for all, that's where a man is free." 216<br />

The YCL incorporated forms of popular entertainment into democratic culture campaigns.<br />

The YCL published a "peppy cheer song" that encouraged youth to, "Get a life<br />

with a purpose – Get a point of view – It's not hard – Just sign a card – And make your<br />

dreams come true!" 217 Some YCL branches attempted to blend traditional culture with<br />

popular youth activities. An YCL branch in Colorado held a "barn party" for Halloween<br />

to bring together Colorado farmers and Mexican farm hands. The YCL made it a popular<br />

event, utilizing beer, pop, pumpkin pie and a "snappy little Spanish band" that got the<br />

"dancing girls swinging it to their hot tune." 218 The YCL utilized CPUSA pamphlets like<br />

Give a Party For the Party that highlighted using popular party activities that could<br />

attract, entertain and politicize youth. 219 During the Popular Front the YCL even revised<br />

their traditional rejection of jazz music and swing dancing. The New York branch of the<br />

YCL held a "swing concert" in Madison Square Garden in 1939, attended by over 10,000<br />

youth. 220 The YCL began to praise jazz as "democratic music" since it was "characterized<br />

by the fellow-feeling among the players… and the folk nature of its melodies and lyrics."<br />

221 Leninist Generation propaganda had focussed cultural articles almost entirely on<br />

praising Soviet initiatives. The Popular Front Generation rejected many of these practices,<br />

seeking to construct an authentic modern American democratic and socialist youth<br />

culture.<br />

Much like their British comrades, the YCLUSA contended that leisure and lifestyle<br />

issues were vital to the health of youth and democratic society. Leisure initiatives<br />

attracted young people to the YCL and were an integral part of their "character building"<br />

campaigns. The YCL critiqued how their organization traditionally had a "tendency to<br />

cast aside the recreations and frivolities of youth;" the Popular Front program needed to<br />

clarify that there "must be no contradiction between being young and being a Communist."<br />

222 In 1938 the YCL began to clarify this new outlook on youth leisure in their<br />

official statements:<br />

At our Eighth National Convention the YCL was characterized as "an organization for<br />

education, action and recreation. We seek to provide cultural and social activities and<br />

sport and recreational facilities for young people. We want to teach them an appreciation<br />

of literature, drama, art and music. We want to enrich their lives, to build their bodies,<br />

to develop their characters, to train them for leadership."… Through our serious<br />

political work coupled with wholesome, healthy activities and popular methods, let us<br />

123

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