Volume 8 Issue 3 (pdf) - Andrew John Publishing Inc
Volume 8 Issue 3 (pdf) - Andrew John Publishing Inc
Volume 8 Issue 3 (pdf) - Andrew John Publishing Inc
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
| paneL disCussion froM the 4th seMinars on audition<br />
Signal Processing Techniques in Hearing Aids<br />
Fourth Annual Seminars on Audition<br />
February 25, 1989 (Toronto)<br />
Co-ordinator: Marshall Chasin, AuD., Reg.<br />
CASLPO (far left)<br />
Speaker: Harry Levitt, PhD, City University of<br />
New York (middle)<br />
Speaker: Edgar Villchur, MS Ed., Foundation for<br />
Hearing Aid Research (left)<br />
Question: Could you please give some<br />
information on the redundancy of<br />
speech<br />
E. Villchur: The consonants are<br />
identified not only by their spectral<br />
makeup, but also by their temporal<br />
pattern. A [t] starts out with a sharp jump<br />
in amplitude and tapers off. Also, the<br />
consonant is affected by the vowel<br />
environment – it is preceded or followed<br />
by one sound or another. If interference<br />
destroys on or two of these cues, the third<br />
one may be enough to identify it. One of<br />
the cues that allows us to understand<br />
speech is the context or meaning of the<br />
speech. If I say “I fell out of the boak,” we<br />
are going to change that [k] to a [t],<br />
because it doesn’t make sense otherwise.<br />
But if I also miss the [b] or the [o], I won’t<br />
have the additional cue.<br />
H. Levitt: Another example of<br />
redundancy is to stress a syllable. In the<br />
word “confuse” – we change the stress<br />
pattern and the meaning is changed.<br />
There are cues that are correlated with<br />
stress, such as the lengthening of the<br />
stressed syllable, the intensity of the<br />
voiced syllable, and the increasing of the<br />
voice pitch of the stressed syllable. All of<br />
these cues depend on the stress, and that<br />
is a redundant situation. If only one of<br />
those cues is heard, such as may be the<br />
case with a hearing impaired person,<br />
then the redundancy is reduced so that<br />
the meaning may not be apparent.<br />
Question: What are your experiences<br />
with frequency displacing hearing aids<br />
which transpose the high frequencies<br />
and impose them on the lower<br />
E. Villchur: Work by Johanssen, in<br />
Sweden, has tried to do this, and indeed<br />
they came out with a commercial<br />
product (under the name of Oticon in the<br />
1970s). There was a modification of this<br />
which was published in an IEEE journal<br />
within the last decade, where instead of<br />
folding the entire high frequency band<br />
onto the low frequency band where they<br />
feared interference effects, he only folded<br />
the energy above 5000 Hz back down, in<br />
effect only affecting the fricatives. I don’t<br />
know of any application of this in any<br />
hearing aid.<br />
H. Levitt: There have been a number of<br />
experimental devices along these lines,<br />
but I’m not familiar with any one of them<br />
which has reached the marketplace other<br />
than the Johanssen device.<br />
E. Villchur: One problem with these<br />
devices is that you have to learn a new<br />
language. You have to learn to recognize<br />
new sounds. The thing I liked about the<br />
synthetic fricatives, which followed<br />
surrogate fricatives (Levitt), is that you<br />
don’t have to learn a new language.<br />
H. Levitt: These transposition devices<br />
can be broken up into three groups (1)<br />
which transposes everything from the<br />
high frequencies to lower ones, (which<br />
have not been particularly successful), (2)<br />
the phonetic transposition devices which<br />
first decides whether it’s a fricative or<br />
another sound, and only that sound is<br />
transposed down, (and that reduces the<br />
46 CANADIAN HEARING REPORT | REVUE CANADIENNE D’AUDITION