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Volume 8 Issue 3 (pdf) - Andrew John Publishing Inc

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| feature<br />

Articles from the Final<br />

Seminars on Audition<br />

By Marshall Chasin, Editor-in-Chief<br />

For the past 28 years, Seminars on<br />

Audition has been one of my<br />

favourite hobbies. Joanne Deluzio and<br />

I began coordinating this one day<br />

conference back in 1986 and we just<br />

had our final one earlier this spring –<br />

the 28th annual Seminars on Audition.<br />

The purpose of this seminar was to get<br />

clinicians, hearing aid design engineers,<br />

and researchers together in one room<br />

and provide a speaker or speakers that<br />

will set the milieu for discussion. In<br />

many ways, much of what was learned<br />

was during coffee breaks and from the<br />

person sitting next to you. Although<br />

there are a number of other continuing<br />

education opportunities now such as<br />

on-line CEUs, there was something<br />

special about a face-to-face meeting<br />

with people who would not normally<br />

cross your paths. All proceeds went to<br />

scholarships either at the University of<br />

Western Ontario (Seminars on Audition<br />

scholarship) or the Institute of<br />

Biomaterials and Biomedical<br />

Engineering at the University of<br />

Toronto (Poul B. Madsen Scholarship).<br />

The Seminars on Audition scholarship<br />

allowed a student in their final year of<br />

their master’s degree to attend an “extraordinary”<br />

facility anywhere in North<br />

America. Recipients over the years have<br />

gone to the Canadian arctic to see how<br />

hearing aid evaluations and follow-up<br />

was performed over a 3000 km distance<br />

by dog sled, and also to world class<br />

pediatric facilities such as Boys Town in<br />

Nebraska.<br />

Previous speakers included EAG Shaw,<br />

Edgar Villchur, Mahlon Burkhart, Lu<br />

Beck, Ruth Bentler, Ken Berger, Elliott<br />

Berger, Rich Tyler, Mead Killion,<br />

William A. Cole, Richard Seewald,<br />

Susan Scollie, Steve Armstrong, Michael<br />

Valente, and Catherine Palmer, to just<br />

name a few.<br />

This last one was the final Seminars on<br />

Audition. We did something a little bit<br />

different this time around. Instead of<br />

participants paying a registration fee, I<br />

sought assistance from the hearing aid<br />

manufacturers in Canada to cover all<br />

costs. Funds were graciously provided<br />

by:<br />

GOLD SPONSORS<br />

Bernafon Canada<br />

GN Resound<br />

Oticon Canada<br />

SILVER SPONSORS<br />

Phonak Canada<br />

Siemens Canada<br />

Widex Canada<br />

Unitron Canada<br />

Registration was therefore offered free<br />

of charge to the first 100 people who<br />

registered. The registrants were asked,<br />

however, to make a voluntary<br />

contribution to one of two scholarships<br />

at Western University’s School of<br />

Communication Sciences and Disorders<br />

– the William A. Cole Scholarship or<br />

the Richard C. Seewald Scholarship.<br />

Contributions can still be given to these<br />

scholarships by contacting Catherine<br />

Dorais-Plesko at cdoraisp@uwo.ca.<br />

Below are three of the summaries from<br />

this last Seminars on Audition entitled<br />

“Hearing Though the Ages” with<br />

contributions from Dr. Susan Scollie,<br />

Dr. Jo DeLuzio, and Marilyn Reed. As<br />

you can probably guess from the areas<br />

of specialty of these people, the seminar<br />

started with young children and ended<br />

with senior citizens and their unique<br />

communication requirements.<br />

Also found, following the above three<br />

articles is a transcript from the<br />

panel/discussion section from the<br />

fourth Seminars On Audition between<br />

Harry Levitt and Edgar Villchur from<br />

1989, who were the speakers for that<br />

meeting. Harry Levitt is a retired<br />

professor from CUNY in New York and<br />

is well known for his pioneering work<br />

on digital hearing aids. Edgar Villchur<br />

invented multi-band compression and<br />

is the father of the air suspended<br />

loudspeaker. Previous issues of the<br />

Canadian Hearing Report have had<br />

Founders of Our Profession columns on<br />

both of these pioneers.<br />

36 CANADIAN HEARING REPORT | REVUE CANADIENNE D’AUDITION

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