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dk nkf - Nordisk Konservatorforbund Danmark

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Figure 3 WW2 airplane with newly-painted engine cowling and propeller. New paint is conspicuous in archival photos. Source:<br />

Library of Congress, Prints and Photographs Division, Washington, D.C. Call Number: LC-USW36-393.<br />

member or maintenance person, will have formed a<br />

reliable memory of the painted finishes. [10]<br />

Finally, we must consider the deficiencies of language.<br />

Most people do not have a reliable or accurate<br />

vocabulary for such things as luster and depth. The<br />

best we can hope for is a memory of “shiny” or “flat.”<br />

Only a paint technician or a professional painter<br />

might have a more accurate vocabulary.<br />

For the same reasons, written records offer little<br />

information in terms of recreating finishes.<br />

Photographs and film<br />

Original finishes on such things as automobiles,<br />

airplanes and locomotives are best viewed in their<br />

original historical context. The best – and arguably<br />

the only – way to do this is to study them in period<br />

photographs. That is, automobiles and airplanes from<br />

the 1940s should be studied in photographs taken<br />

during the 1940s. The Kodachrome transparencies<br />

in the American Library of Congress archive are an<br />

excellent example of a photographic resource. The<br />

photographs show artifacts in use and are extremely<br />

informative. Unfortunately, Kodachrome was not<br />

introduced until 1935, so everything before that<br />

time is in black and white.<br />

The LOC photographs vividly show that new paint<br />

was far from the norm during the 1940s. New paint<br />

stands out in the images. It often indicates that<br />

repairs or maintenance were recently carried out on<br />

a machine, and in many cases, it was only applied<br />

to part of the object. There are signs of wear, dulling<br />

and overspray in the vicinity. [11]<br />

159

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