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e unchanged or, with clear or semi-transparent coating, looking much like the authentic surface. These coatings can, however create a plastic shine that changes an object’s appearance very much. The plastic look seems less obvious when the coating has a wax-like appearance (not too shiny). Protective coatings must either be very reliable or must be regularly checked and maintained. The conservator must make reasonably realistic predictions on a treatment’s protection time and, in choosing, be aware of the costs of any needed follow-up maintenance. Having the possibility of weighing options of treatment against each other by using a decision-making model can make the considerations of conservation more precise and thought-through before acting. Acknowledgements It is with gratitude that I received suggestions from conservation scientist, PhD Michelle Taube on several aspects in the preparation of this paper. The illustrations used are mine but have been optimised by photographer Svend Erik Andersen. Author Karen Stemann-Petersen National Museum of Denmark Department of Conservation I.C. Modewegsvej, Brede DK-2800 Lyngby Denmark Email: karen.stemann@natmus.<strong>dk</strong> References 1) To learn more about products small comparative tests of clear coatings on iron samples prepared in different ways has been carried out by colleagues at the Conservation Department: Vivi Lyndborg Andersen in 1982, Susanne Petersen and Karen Stemann Petersen 1993 and Torben Holst and Bodil Taarnskov 1997. All are unpublished. 2) Shashoua, Y., Taube, M. and Holst, T. 2009: National Museum of Denmark, Department of Conservation: Ongoing comparison of coatings for iron and steel. Personal communication. 3) Götz, K. and Seipelt, B. 1996: Der Schutz von technischem Kulturgut gegen atmosphärische Korrosion. Wihr, R. (Ed.), AdR-Schriftenreihe zur Restaurierung und Grabungtechnik, heft 2, p. 95-100. 4) Hummelen, I-J. (Ed.) 1999: The decisionmaking model for conservation and restoration of modern and contemporary art. Modern Art: Who Cares? Foundation of the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage, pp. 164-172. 5) Otieno-Alego, V., Heath, G., Hallam, D. and Creagh, D. 1998: Electrochemical evaluation of the anti-corroison performance of waxy coatings for outdoor bronze conservation. Mourey, W. and Robbiola, L. (Ed.), Metals 98, p. 309-319. Products Cortec VCI 386 from: Cortec Corporation, 4119 White Bear Parkway, St. Paul, MN 55110 USA email: info@corteccvci.com http://www. CortecVpCI.com Dinitrol 4010 from: DINOL AB, Garnisionsvagen, Hassleholm, Sweden. Tel: +46 45 18 80 00 Grafital 350, a graphite containing alkyd-drying oil paint from: Salcolor, Sofielundsvej 52, DK- 2600 Glostrup, Denmark. Rustilo 2000 from: Castrol a/s, Hasselager Centervej 15, DK-8260 Viby, Denmark. Rust-Oleum 1080, 7500 and a spray-paints from: Rust-Oleum Brands Company, 11 Hawthorn Parkway, Vernon Hills, Illinois 60061, USA. 153
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Preserving the evidence of industri
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Copyright: This publication is issu
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Table of contents Foreword ........
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Contributions KeynotespeaKers
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”The control and disciplination o
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uildings of this age. To sum up: Th
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need tons of cans to fully understa
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one of the first to be industrializ
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manufacture of billiard balls. Hyat
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have very similar characteristics;
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MACHINERIES were introduced, but al
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16) Goodman N., Langages de l’art
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Table 1. Collections containing pla
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Figure 2: A pile of transparent cel
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diisocyanate such as diphenylmethan
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Figure 7: Environmental Stress Crac
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Author Yvonne Shashoua Senior Resea
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Contributions
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Figure 1. H.A. Brendekilde, Odense
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weaving, the imported machine spun
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Figure 2. T. Kloss. Den danske eska
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Annemette B. Scharff, MSc. The Roya
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22. Eckersberg diaries, 29.7.1834:
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The St Just Coast Project 1995 - 20
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Prior to the St Just Coast Project
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shaft. Considering the considerable
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In 2005 the slipway at Cape Cornwal
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Figure 1: The EWO dosimeter holder
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Figure 2: EWO results reporting dia
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Figure 3: Correlation of EWO respon
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The EWO is available on direct orde
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Figure 2. Nature is back at coking
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3a 3b 3c 3d 3e 70 Figure 3a-e Being
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Table 2. Case studies location Hatt
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Flameproofed textiles in museums an
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y strong acidity created as an effe
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textile fibres, especially those of
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Cold storage as an alternative to m
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% of objects 100 90 80 70 60 50 40
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% of very brittle objects (3 hand f
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lie in the range of 20-25 euros per
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Preservation of sponsored films Int
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In the case of A & B rolls the diff
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Table 2. Advantages and disadvantag
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Table 3 “The preservation route
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The scientific committee considered
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DSCF 1304 Preservation of mass-prod
Page 104 and 105: Developing a policy and procedure f
Page 106 and 107: at the (very) occasional public ope
Page 108 and 109: • the object’s current conditio
Page 110 and 111: Polymers in watches manufactured in
Page 112 and 113: as a result of the Watch Valley con
Page 114 and 115: Figure 6. The Astrolon Watch “Ide
Page 116 and 117: of status of the watch is obvious i
Page 118 and 119: [26] Bergeon, S. Ethique et conserv
Page 120 and 121: Gramophones and Records - the first
Page 122 and 123: Record manufacturing process 1925-1
Page 124 and 125: Gramophones The reproducing machine
Page 126 and 127: Pickups (and cutterheads) are very
Page 128 and 129: USS Monitor conservation: preservin
Page 130 and 131: Figure 1: X-radiograph mosaic of US
Page 132 and 133: Figure 4: Detail of ventilation uni
Page 134 and 135: Figure 8: Detail of Monitor’s pac
Page 136: Authors Eric Nordgren, David Krop,
Page 139 and 140: Figure 2. The Ducretet inductor coi
Page 141 and 142: During its time in storage at the N
Page 143 and 144: Figure 8. Wigmore Castle after cons
Page 145 and 146: [14]Henderson, J. And P. Manti (200
Page 147 and 148: The instability of iron when subjec
Page 149 and 150: Fig. 2 Rust stains on the too-thinl
Page 151 and 152: Fig. 4 Some bicycles in use and in
Page 153: 5. Conservation options: Preserving
Page 157 and 158: A large machine might also change o
Page 159 and 160: painting techniques and experience
Page 161 and 162: Most museum professionals would reg
Page 163 and 164: Figure 5 Marlene Dietrich and her 1
Page 165 and 166: 11. The American Library of Congres
Page 167 and 168: Figure 1. The content of solid bind
Page 169 and 170: Table 1. An overview of the most im
Page 171 and 172: Figure 2. A time line shows the use
Page 173 and 174: and 70.75% copal or of 25% pigment,
Page 175 and 176: 25 Alf Johansson stumbled upon this
Page 177 and 178: categorized by the major mechanism
Page 179 and 180: Table 1: Selected protection system
Page 181 and 182: highly glossy, colourless, transpar
Page 183 and 184: Figure 4: Tromm III wax crazed and
Page 185 and 186: Figure 6: Panel coated with Poligen
Page 188 and 189: Proposal for the conservation of we
Page 190 and 191: Figure 2. Dockside crane No.16 in f
Page 192: Figure 5. Diesel-powered water pump
Page 195 and 196: Fig. 2: Design study for the main e
Page 197 and 198: Fig 5: South façade of the engine
Page 199 and 200: Fig 10: 1:1 mockup as a trial for r
Page 201 and 202: Ethical basic rules for the restora
Page 203 and 204: a one-to-one model. In this way the
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Industriedenkmal - Erkennen, stabil
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Figure 2. Fort Brockhurst Bridge be
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Figure 4. Sketch of the design of t
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Figure 10 Fox Talbot’s 1843 photo
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Figure 16 Ferrous chloride and iron
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Once the treatment of the topsides
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KLEVFOS Forever - how long is that?
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and Museum Authority (ABM-utvikling
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ecycling process was profitable. It
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What about biological deterioration
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Hazards in industrial collections o
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and woven into fabric, but its most
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adioactive materials since 1995, an
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Table 1: Pesticide timeline 1877 Ke
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Diversity, commonality and connecti
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Short statements from the panel Pan
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Remarks from the floor and panel (a
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Index of Athors Cecil Krarup Anders
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XVIII congress 2009 Bevaring af ind
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