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dk nkf - Nordisk Konservatorforbund Danmark

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When working on the objects from the Open Air<br />

Museum’s houses it was obvious to test protection<br />

of our painting procedure where the topcoat has to<br />

give the illusion of old iron surface. Graphite alkyd<br />

paint coatings look much as old iron when mixed<br />

and retouched with shades of black alkyd paint, but<br />

would a topcoat with likewise shiny aluminium/<br />

zinc spray (or a spray with stainless steel particles)<br />

function better? For the quick test (Fig. 6A-B) our<br />

procedure of 4-5 layers was minimised to three, to<br />

give a worst-case situation. To compare with these<br />

the lower right corner got a layer of clear acrylic<br />

coat product from Cortec (Cortec VCI 386).<br />

The steel panel for the quick tests seen in figure<br />

6A, was first lightly sandblasted on one side.<br />

(Sandblasting is standard procedure before<br />

application of paint systems for outdoors.) Three<br />

sections of the panel were painted by brush with a<br />

layer of zinc-containing primer, Rust-Oleum 1080,<br />

and then the following different paints were applied<br />

in two layers:<br />

• Top left: a coat of Rust-Oleum 7500 was<br />

then applied, because it is known to seal well<br />

when used as top coat, and over that again the<br />

graphite-containing alkyd paint.<br />

• Bottom left: only an extra coat of the primer<br />

was applied and then the graphite-containing<br />

alkyd paint.<br />

• Top right: the Rust-Oleum 7500 was applied<br />

and then a spray paint from the same company<br />

containing both aluminium and zinc. (Its shiny<br />

appearance could always be altered with black.)<br />

Horizontal lines have been scratched through the<br />

coatings with a scalpel blade so their later protection<br />

when physically altered could also be seen. After one<br />

month’s exposure outdoors, the clear coated corner<br />

is starting to deteriorate, while the painted regions<br />

are stable – even where the paints are scratched<br />

through (Fig. 6B).<br />

Encouraged by the paint’s abilities, three full panels<br />

were coated and sent for accelerated weathering<br />

tests (being supervised by the mentioned colleagues<br />

for their tests). Following this the same types will<br />

also now be included in the connected long-term<br />

outdoor tests. We decided merely on two differences<br />

to the above-described procedure. The steel panels<br />

were only degreased, as were the panels they here<br />

will to be compared with. The top spray paint from<br />

Rust-Oleum now used contained stainless steel<br />

particles (which resembles iron more) instead of Al/<br />

Zn. When ready, the final results and comparison to<br />

evenly applied clear coatings will be published.<br />

Testing a decision making<br />

model<br />

Hopefully the ongoing tests at the National Museum<br />

of Denmark will help us to make more confident<br />

choices for protection of cleaned iron and maybe<br />

even to protect rusty or partly de-rusted iron.<br />

Museum staff in the future should be able to make<br />

reasonably realistic predictions of a treatment’s<br />

protection time, and in choosing, be aware of costs<br />

of any needed follow-up maintenance. Making<br />

decisions is important and requires systematic<br />

judgment.<br />

As of now, if you only wish to partly remove rust<br />

layers and are not willing to fully clean and coat iron<br />

(oil, wax or paint products) the object has to be kept<br />

at very low relative humidity. It may be desired to<br />

save remains of original paint layers or iron may be<br />

an integrated part of a composite construction that<br />

cannot be treated separately. In these cases iron can<br />

be embedded so that rusting mostly happens where<br />

it is unseen and least treatable. Decision-making<br />

for iron conservation is not easy because there are<br />

several important issues:<br />

1. The main conservation factor is the object’s<br />

preservation and, thereby, chemical and<br />

physical stability – The iron surface has to be<br />

quite stable even if the surrounding RH is not<br />

very low. Large metal objects are sometimes<br />

submitted to more physical handling than<br />

museum staff generally considers. The<br />

coating’s strength, therefore, is also an issue.<br />

149

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