Fine Art Auction Including - Fuller's Fine Art Auctions

Fine Art Auction including 

Jewelry, Handbags, Coins and More 

Saturday, December 5, 2009 at 12 Noon 

730 Carpenter Lane, Philadelphia, PA 19119-3406 

Previews: 

Saturday, November 28, 12 Noon - 6 pm 

Monday, November 30, through 

Friday, December 4, 12 Noon – 6pm 

Day of Sale, Saturday, December 5, beginning at 9 am 

Preview reception open to the public 

on Thursday, December 3, 2009, 5 pm until 8 pm 

Location: Fuller’s Fine Art Auctions is located in a Wissahickon Schist 

stone building in the historic northwest section of Philadelphia 

known as West Mt. Airy, one block from Carpenter’s Woods. 

Catalog Contents 

Lots 1 - 246 pages 5 - 36 

Terms and Conditions of Sale pages 37 - 40 

Terms of Guarantee pages 40 - 41 

Alphabetical Index of Artist Names pages 42 - 43 

JEFFREY P. FULLER, PENNSYLVANIA AUCTIONEER LICENSE AU005414 

FULLER’S LLC, Pennsylvania Auction Company License RY000923 

Fullers Fine Art Auctions . www.FullersLLC.com

Fuller’s Fine Art Auctions is now accepting consignments for 

future sales. We offer competitive terms for your works of art. 

Please call 215-991-0100 or email info@FullersLLC.com at your 

earliest convenience. 

Please note that multiple photographs of every lot are 

available through Live Auctioneers. Place absentee bids or bid 

live through Live Auctioneers (www.liveauctioneers.com). 

Visit our website www.FullersLLC.com for bidding instructions. 

Cover illustration: Richard Hambleton, Lot 62 (detail) 

Back cover illustration: Pablo Picasso, Lot 24 

Copyright © 2009 Fuller’s LLC. All Rights Reserved 

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Dear Friends and Colleagues, 

It is with great enthusiasm that we present this Fine Art Auction. 

With more than thirty years experience as a full service, quality fine 

arts business specializing in the sale and appraisal of fine art, we are 

proud to bring the items in this sale to auction. 

A portion of this sale is a continuation of our October 3 rd auction 

featuring the Estate of Betty Gordon. As an avid collector and a 

patron of the arts, Betty was well known for her generosity and 

kindness to all. She was equally known for her glamorous sense of 

style in both fashion and life. Highlights of this sale include objects 

from Betty’s wonderful collection of designer jewelry, handbags, 

and shoes. From fabulous pieces by Cartier, Tiffany, and Chanel 

to intricately handmade artist and folk art-inspired items, it is all 

Betty. As with our October 3 rd sale, proceeds from the sale of Betty’s 

estate will ultimately support the Devereux Foundation’s mission to 

change lives and nurture human potential. 

As the founder and director of Fuller’s Fine Art Auctions and Jeffrey 

Fuller Fine Art, Ltd., I thank all of the consignors of the works that we 

are pleased to offer for sale through this auction. I am indebted to 

our wonderful staff, especially Jim Robinson, Marie Woodward and 

Gary Pelkey, who have carefully and thoroughly prepared all that 

will make this auction a success. And most of all, I thank you, the 

bidders and buyers without whom there would be no sale. 

Thank you, 

Jeffrey P. Fuller 

Director 

Fullers Fine Art Auctions . www.FullersLLC.com 3

Important Notice to all Buyers: 

A buyer’s premium will be added to the successful bid and is 

payable by the Buyer as part of the total purchase price. The buyer’s 

premium for each individual lot is 18% of the successful bid price 

up to and including $500,000, and 15% on any amount in excess of 

$500,000. A 3% discount is available for payments by cash, check or 

wire transfer. Please refer to the Terms and Conditions of Sale in this 

catalog for further details. 

Please note that all of the works of art reproduced in this catalog 

and on our website where applicable are copyright the artists or 

the estates of the artists. 

All measurements are in inches, height preceding width, preceding 

depth. Exceptions are measurements in millimeters (mm) or 

centimeters (cm). 

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Folk Art 

1. David Gottshall (American, 20th Century) Belsnickle, reverse painting 

on glass, 13 x 11 inches, signed and dated lower right recto with 

historical description by the artist on verso. Provenance: The Betty 

Gordon Estate. $75-150. 

2. Barbara Strawser (American, 20th Century) Pair of Folk Art Holiday 

Paintings in Hand Painted Frames, gouache on paper, ranging in size 

from 8 x 8 to 10-1/2 x 10-1/2 inches, each signed and dated on recto, 

each framed. Provenance: The Betty Gordon Estate. $75-150. 

3. Jonathan Bastian, Walter Gottshall and Donna and Daniel 

Strawser (American, 20th Century) Group of seventeen Folk Art 

Holiday Sculptures: Christmas Trees, Snowmen, Santa Claus and 

Belsnickles, polychrome carved wood, ranging in size from 4 to 7 

inches (height), most signed and dated. Provenance: The Betty 


4. Lester Breininger (American, 20th Century) Collection of twenty-two 

Pennsylvania German Glazed Redware Christmas Ornaments, ranging 

in size from 2-1/2 x 3-1/4 to 3-1/2 x 5-1/2 inches. Provenance: The 

Betty Gordon Estate. $100-200. 

5. Lester Breininger (American, 20th Century) Collection of eighteen 

Pennsylvania German Glazed Redware Christmas Figurines and Small 

Plates, ranging in size from 2-1/2 to 5-1/2 inches (plate diameter) and 

4 to 5 inches (figurine height), each signed and dated. Provenance: 

The Betty Gordon Estate. $100-200. 

6. Lester Breininger (American, 20th Century) Collection of thirteen 

Pennsylvania German Glazed Redware Christmas Dinner Plates, ranging 

in size from 9-1/2 to 10-1/2 inches (diameter), each signed and dated. 

Provenance: The Betty Gordon Estate. $100-200. 

7. Necklace with Three Hand Painted Pewter Santa Claus Pendants 

and a Sterling Christmas Tree Pin Pendant, ranging in size from 2 to 19 

inches. Provenance: The Betty Gordon Estate. $25-50. 

8. Collection of Holiday Figurines: Pair of Hand-dyed Goose Feather 

Christmas Trees, Hand Painted Papier Maché Belsnickle, Pair of 

Polychrome Wood Goat Figurines covered with Wool and a Papier 

Maché Rabbit Candy Container (6 items total), ranging in size from 

4-1/2 inches to 20 inches (height). Provenance: The Betty Gordon 

Estate. $100-200. 


Fine Art 

9. Nicholas Scull and George Heap (American, 18th Century) A Plan 

of the City and Environs of Philadelphia Engraved and Published by 

Matthew Albert Lotter, 1777, hand-colored engraving, 23-3/4 x 18-1/4 

inches (sight), framed. Provenance: Private Collection, Philadelphia, 

PA. $1000-1500. 

10. Pierre-Auguste Renoir (French, 1841-1919) Le chapeau épinglé, 

etching, 4-1/2 x 3-1/4 inches (plate); 7-3/4 x 5-1/4 inches (sight), 

signed in the plate, framed. Literature: Delteil, 8. Provenance: Private 

Collection, Philadelphia, PA. $200-300. 

11. American School, 19th Century Miniature Portrait of Abraham 

Lincoln, oil on ivory, 3-1/4 inches (image height), signed lower 

right recto “n Doles.”, framed. Provenance: Margaret E. Strawbridge, 

Philadelphia, PA; Private Collection, Philadelphia, PA. $800-1200. 

12. Paul Cézanne (French, 1839-1906) Guillaumin au pendu, etching, 

6-1/8 x 4-1/2 inches (plate), framed. Provenance: Private Collection, 

Philadelphia, PA. $300-500. 

13. J.W. Thomas (American, 19th Century) Still Life with Fish, 1895, oil 

on canvas, 18 x 24 inches (stretcher), signed and dated lower right 

recto “J.W. Thomas, 1895.”, framed. Provenance: Private Collection, 


14. Marc Chagall (Russian/French, 1887-1985) Chagall et la Bible (Moses 

and the Tablets of the Law), 1962, lithograph in colors, 28 x 19-1/2 

inches (plate), signed lower right recto, framed. Literature: Mourlot, 

362. Provenance: Private Collection, Philadelphia, PA. $400-600. 

15. Marc Chagall (Russian/French, 1887-1985) Hochzeit (from Mein 

Leben), etching, 6-3/4 x 6-1/2 inches (plate), pencil numbered, signed 

and dated lower margin “109/110 Marc Chagall 1922”, framed. 

Literature: Kornfeld, 16. Publisher: Paul Cassirer, Berlin. Provenance: 

Private Collection, Philadelphia, PA. $3000-4000. 

16. Marc Chagall (Russian/French, 1887-1985) La maison dans mon 

village (Marc Chagall, Musée Municipal de Brest, oeuvres graphiques, 

1969), lithograph in colors, 29-1/4 x 20-1/8 inches (sheet), signed 

lower right recto “Marc Chagall”, unframed. Printer: Mourlot. 

Literature: Sorlier, 125. Provenance: Private Collection, Philadelphia, 

PA. $400-600. 

17. Byron Browne (American, 1907-1961) Portrait, 1955, mixed media on 

canvas, 15-3/4 x 13-1/2 inches (irregular canvas), signed and dated 

lower right recto “Byron Browne 1955”, framed. Provenance: Private 

Collection, Baltimore, MD. $1200-1800. 

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18. Jules Pascin (Bulgarian/French, 1885-1930) Untitled (Two Seated 

Women with Dog), graphite and colored pencil on paper, 4-1/2 x 3-1/4 

inches (sight), signed lower right recto “Pascin”, framed. Provenance: 


19. Max Weber (American, 1881-1961) Retirement (In the hills), 1929, 

lithograph with pastel crayons, 9-5/8 x 13 inches (sheet), pencil 

signed lower left recto, unframed. Literature: Cole, 15. Provenance: 


20. Marie Laurencin (French, 1883-1956) Autoportrait, lithograph, 8-1/2 

x 6 inches (plate); 17-1/4 x 13 inches (sheet), pencil signed lower left 

recto, unframed. Literature: Marchesseau, 33. Provenance: Private 


21. Marie Laurencin (French, 1883-1956) La ronde, 1926, hand colored 

etching, 5 x 3-1/4 inches (plate), pencil signed lower right recto 

“Marie Laurencin”, framed. Literature: Marchesseau, 95. Provenance: 


22. After Marie Laurencin (French, 1883-1956) Fêtes de la Danse, 

lithograph in colors, 13-1/2 x 17 inches (plate); 19-3/4 x 25-1/2 inches 

(sheet), signed in the plate and stamped “Chalcographie Musée du 

Louvre”, unframed. Provenance: Private Collection, Philadelphia, PA. 

$100-200. 

23. Pablo Picasso (Spanish, 1881-1973) Picador, 1953, ceramic plate 

with enamel, 9 inches (diameter), stamped “Madoura” and numbered 

on verso “21/200”, Literature: A. Ramié, 201. Provenance: Private 


24. Pablo Picasso (Spanish, 1881-1973) Oiseau no. 82, 1963, glazed 

ceramic, 9-7/8 inches (diameter), inscribed and numbered on verso 

“No 82 / Edition Picasso / 38/150 / Madoura”, Literature: A. Ramié, 482. 

Provenance: Private Collection, North Wales, PA. $1000-1500. 

25. Jean Cocteau (French, 1889-1963) Le joueur de pipeau, glazed 

terracotta plate, 12-1/2 inches (diameter), signed on verso “Jean 

Cocteau” and inscribed on recto “Edition originale de Jean Cocteau / 

Atelier Madeline-Jolly”. Literature: A. Guédras, no.77 (another version 

illustrated). Provenance: Private Collection, Philadelphia, PA. 

$1200-1800. 

26. After Joan Miró (Spanish, 1893-1983) Constellations, 1959, pochoir 

in colors, 16-7/8 x 14 inches (sight), plate signed, framed. Literature: 

58, Cramer books. Publisher: André Breton & Pierre Matisse Gallery. 

Provenance: Private Collection, Philadelphia, PA. $800-1200. 

27. William Gropper (American, 1897-1977) Group of three lithographs 

in colors, 14 x 10-3/4 inches (each sheet), each numbered and signed, 

unframed. Provenance: Private Collection, Philadelphia, PA. 

$100-200. 


28. Umberto Brunelleschi (Italian, 1879-1949) La Gondola Rouge, 1926, 

pochoir in colors and gouache over etching, 11-1/4 x 18-1/4 inches 

(plate), titled in pencil lower margin, framed. Publisher: l’Estampe 

Moderne, Paris. Provenance: Private Collection, Philadelphia, PA. 

$200-300. 

29. Rube Goldberg (American, 1883-1970) Two works on paper: Losing 

His Roof and They’re Not So Particular, mixed media on paper, 18-1/2 

x 14-1/2 inches (each sheet), each signed, unframed. Provenance: 


30. George Barbier (French, 1882-1932) The Greek Girl, watercolor and 

ink on paper, 10 x 7-1/2 inches, signed center right recto “GEORGES 

/ BARBIER”, framed. Provenance: Private Collection, Philadelphia, PA. 

$1000-1500. 

31. Rube Goldberg (American, 1883-1970) The Great British-Soviet Get- 

Together Act, ink on paper, 18-1/2 x 14-1/2 inches (sheet), signed 

lower right recto “Rube Goldberg”, unframed. Provenance: Private 


32. George Barbier (French, 1882-1932) The Dutch Girl, 1919, watercolor 

and ink on paper, 9-3/4 x 7-1/4 inches (sight), signed and dated 

lower right recto “GEORGE BARBIER 19”, framed. Provenance: Private 


33. Rube Goldberg (American, 1883-1970) Welcome to the Log Cabin, 

1939, graphite on paper, 9-3/4 x 6-1/4 inches, inscribed, signed and 

dated, unframed. Provenance: Private Collection, Philadelphia, PA. 

$200-300. 

34. Albert Hirschfeld (American, 1903-2003) Streisand and Matthau, 

etching and aquatint, 12-1/4 x 15 inches (plate); 18 x 20-1/2 inches 

(sheet), numbered and signed “31/160 HIRSCHFELD”, with blind 

stamp, unframed. Provenance: Private Collection, Philadelphia, PA. 

$500-700. 

35. Albert Hirschfeld (American, 1903-2003) Buster Keaton, etching and 

aquatint, 18-3/4 x 22 inches (sheet), numbered and signed along 

lower margin “P. P. 11/11 HIRSCHFELD”, unframed. Provenance: Private 


36. Albert Hirschfeld (American, 1903-2003) James Cagney as George 

M. Cohan in “Yankee Doodle Dandy”, hand colored etching, 19-1/4 x 

13-1/2 inches (plate); 27 x 20 inches (sheet), numbered and signed 

along lower margin “PP I/II Hirschfeld”, unframed. Provenance: Private 


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37. Arthur Burdett Frost Sr. (American, 1851-1928) “Sat Little Colonel 

Wailing,” illustration for Soldier of the Valley by Nelson Lloyd, first 

published in 1904, 1904, gouache on paper mounted on board, 

13 x 16 inches (sight), signed lower right recto “A.B. Frost”; titled, 

dated and inscribed in pencil on verso, framed. Literature: Nelson 

Lloyd, Soldier of the Valley, New York: Charles Scribner’s Sons, 1904. 

Provenance: John T. Dorrance, Jr., Philadelphia, PA; Private Collection, 


38. Albert Hirschfeld (American, 1903-2003) Judy Garland, etching 

and aquatint, 18 x 14 inches (plate); 23-1/2 x 19-1/2 inches (sheet), 

numbered, signed and stamped along lower margin “441/525 

HIRSCHFELD”, unframed. Provenance: Private Collection, Philadelphia, 

PA. $300-500. 

39. Albert Hirschfeld (American, 1903-2003) Carol Channing in 

Gentlemen Prefer Blondes, etching and aquatint, 12-1/4 x 10-1/2 

inches (plate); 18 x 15 inches (sheet), numbered and signed “PP/11/11 

HIRSCHFELD”, with blind stamp, unframed. Provenance: Private 


40. Albert Hirschfeld (American, 1903-2003) Greta Garbo, aquatint 

and etching, 14 x 9-3/4 inches (plate); 20-1/4 x 15 inches (sight), 

numbered and signed along lower margin “105/200 HIRSCHFELD”, 


$300-500. 

41. Abel Pann (Israeli, 1883-1963) The Allies (Les Alliés), hand colored 

lithograph, 18-3/4 x 25-3/4 inches, titled upper right recto “Les Alliés”; 

signed lower right recto “Abel Pann”, framed. Provenance: Private 


42. Albert Hirschfeld (American, 1903-2003) Gregory Peck in Twelve 

O’clock High, lithograph, 22 x 18 inches (sheet), numbered and signed 

“75/100 HIRSCHFELD”, unframed. Provenance: Private Collection, 


43. Albert Hirschfeld (American, 1903-2003) Two lithographs: Le Gong, 

Bali and Untitled (Geisha), lithographs in colors, ranging in size 

from 26 x 20 to 30 x 21 inches (sheet), each numbered and signed, 


$400-600. 

44. Georgia Marsh (American, b. 1950) Untitled, acrylic on canvas, 90 x 

49-1/2 inches (stretcher), signed and dated on verso “Georgia Marsh 

85”, unframed. Provenance: Private Collection, Philadelphia, PA. 

$1200-1500. 

45. Georgia Marsh (American, b. 1950) Pair of Landscapes, ink wash 

on paper, 23 x 30-1/2 inches (each sheet), each signed and dated 

lower right recto “Georgia Marsh 85”, framed. Provenance: Private 



46. Max Ernst (German, 1891-1976) Head, colored glass, 9-1/2 x 7 x 

6-1/2 inches, signed and inscribed along the base “Max Ernst ferro e 

Lazzarini / Murano”. Provenance: Private Collection, Philadelphia, PA. 

$1200-1800. 

47. Vasa Velizar Mihich (Yugoslavian, b. 1933) Lucite Sculpture in Ten 

Parts, acrylic, each part 2 inches (cubed), one cube signed and 

dated “Vasa © 1991”. Provenance: acquired directly from the artist; 

Private Collection, Philadelphia, PA. Provenance: Private Collection, 


48. After Paul Klee (American, 1879-1940) Musique, 1953, screenprint, 

13-3/4 x 20-1/2 inches (image); 19-1/4 x 25-1/4 inches (sheet), 

numbered in lower margin “248/300”, unframed. Provenance: Private 


49. Silvano Bozzolini (Italian, 1911-1998) Untitled, 1954, screenprint, 13- 

1/4 x 13-1/4 inches (image); 25-1/4 x 19-1/4 inches (sheet), numbered 

and signed along lower margin, unframed. Provenance: Private 


50. Rudolf Staffel (American, 1911-2002) Light Gatherer, wheel thrown 

glazed porcelain, 7-3/4 inches (height); 6-3/4 inches (diameter), 

incised on bottom “Rudy Staffel”. Exhibitions: “Selected Works 1935- 

1989,” Temple Gallery, August 25-October 14, 1989. Provenance: 

Helen Drutt Gallery, Philadelphia, PA; Private Collection, Philadelphia, 

PA. $2000-4000. 

51. Alexandre Istrati, (Romanian/French, 1915-1991) Untitled, 1953, 

screenprint, 19-1/4 x 13 inches (image); 25-1/4 x 19-1/4 inches 

(sheet), numbered and signed along lower margin, unframed. 


52. Suzanne Joelson (American, b. 1952) Untitled (Seascape), acrylic 

on gold foil, 28 x 43-1/2 inches (sheet), signed and dated lower 

right recto “S. Joelson – 81”, framed. Provenance: Private Collection, 


53. Suzanne Joelson (American, b. 1952) Sinai Cosign Tangent, acrylic on 

canvas, 56 x 56 inches (stretcher), titled, signed and dated on verso 

“SINAI / CO SIGN / TANGENT / Suzanne Joelson / 1982”, unframed. 


54. Suzanne Joelson (American, b. 1952) Untitled (Hourglass), acrylic on 

aluminum foil, 40 x 28 inches (sheet), framed. Provenance: Private 


55. Joe Zucker (American, b. 1941) Untitled (Pair of Bird Drawings), 1972, 

watercolor, color graphite on paper, ranging in size from 9-1/2 x 9 x 

1-1/2 inches to 10 x 10 x 1 inches (object), each initialed lower right 

recto “JZ”, each framed. Provenance: Mary Boone Gallery, New York 

(#124); Sotheby’s Arcade Auctions; Private Collection, Philadelphia, 

PA. $1000-1500. 

10 


56. Donald Judd (American, b. 1928) Untitled, 1974-1979, aquatint, 40- 

1/4 x 29-3/4 inches (sheet), 35-1/4 x 24-3/4 inches (plate), numbered 

and signed along lower margin “44/175 Judd” and stamped “Styria 

Studio”, unframed. Literature: Schellmann, 96. Provenance: Private 


57. Mary Miss (American, b. 1944) A Long Arm, mixed media on paper 

(graphite and silver gelatin emulsion prints), 14 x 17 inches (sheet), 

titled, signed and dated lower left recto “A Long Arm / Mary Miss 

1981”, framed. Provenance: Private Collection, Philadelphia, PA. 

$1000-1500. 

58. Mary Miss (American, b. 1944) Untitled (Design for Large Pavilion), 

mixed media on paper (ink, silver gelatin emulsion prints and 

vellum), 30-1/2 x 33 inches (sight), framed. Provenance: Private 


59. Alan Saret (American, b. 1944) Ensoulment of the Rising Breath, 

graphite and colored pencil on paper, 22 x 34 inches (sight); 24 x 38 

inches (sheet), pencil titled, signed and dated on verso “Ensoulment 

of the / Rising Breath / Mountain Kingdom’ / 1970 / Alan Daniel Saret”, 

framed. Provenance: Private Collection, Philadelphia, PA. 

$1800-2500. 

60. Alan Saret (American, b. 1944) Short Swoop - Three Standing, graphite 

and colored pencil on graph paper, 11 x 22 inches (sheet), pencil 

titled, signed and dated on verso “Short Swoop - Three Standing’ Alan 

Saret 9.67”, framed. Provenance: Sotheby’s Arcade Auctions; Private 


61. Richard Hambleton (American, b. 1954) Untitled, acrylic and ink on 

paper, 87 x 48 inches (sheet), framed. Provenance: Private Collection, 


62. Richard Hambleton (American, b. 1954) Untitled, ink on paper float 

mounted to foam core, 87-1/2 x 48-1/4 inches, signed lower right 

recto “R. Hambleton”, unframed. Provenance: Private Collection, 


63. Christof Kohlhofer (American, b. 1942) GO YA, 1983, acrylic on 

canvas, 70 x 134 x 2 inches (stretchers: two panels); 70 x 68 inches 

(left); 70 x 66 inches (right), unframed. Provenance: Private Collection, 


64. Malcolm Morley (British, b. 1931) Study for Camels and Goats, 

graphite, watercolor and ink on paper, 23 x 31 inches (sheet), signed 

and dated lower right recto “Malcolm Morley / 1980”, framed. 

Provenance: Edward Thorp Gallery, New York; Private Collection, 



65. Malcolm Morley (British, b. 1931) New York Crumbled Post-Card, 

watercolor, graphite and ink on paper, 22 x 30 inches (sheet), titled, 

initialed and dated lower recto “New York Crumbled Post-Card MM 

74”, framed. Provenance: Private Collection, Philadelphia, PA. 

$4000-6000. 

66. Willy Heeks (American, b. 1951) Four Drawings, 1983, graphite and 

charcoal on paper, 10-1/2 x 8-1/2 inches (each sight), each signed 

and dated, framed. Provenance: Private Collection, Philadelphia, PA. 

$500-600. 

67. Willy Heeks (American, b. 1951) Untitled, oil on canvas, 40 x 52 inches 

(stretcher), signed and dated on verso “W. Heeks / 1983”, unframed. 


68. Willy Heeks (American, b. 1951) Untitled, 1984, oil on canvas, 48 x 

48 inches (stretcher), signed and dated on verso “W. Heeks 1984”, 


$1000-1500. 

69. Willy Heeks (American, b. 1951) Mixed Media Composition, acrylic, 

charcoal and graphite collage, 29-1/2 x 21-3/4 inches (sight), dated 

and signed lower recto “1987 Willy Heeks”, framed. Provenance: 


70. Berenice Abbott (American, 1898-1991) Léonard Foujita, ca. 1920, 

printed later, silver gelatin emulsion print, 13-1/2 x 10-1/2 inches 

(sheet), pencil signed on the mount; titled on verso in pencil “foujita”, 

stamped on verso, “PHOTOGRAPH / BERENICE ABBOTT / ABBOTT, 

MAINE 04406”, framed. Provenance: Private Collection, Philadelphia, 

PA. $750-1000. 

71. Lou Jacobs, Jr. (American, b. 1921) Man Ray, Hollywood, CA, silver 

gelatin emulsion print, 11-3/4 x 8-1/2 inches (image), titled, dated 

and signed along lower margin “Man Ray, Hollywood, CA 1949 lou 

jacobs jr”, framed. Provenance: Private Collection, Philadelphia, PA. 

$200-400. 

72. Brassai (Guyula Halasz) (Rumanian/French, 1899-1984) Salvador 

Dali, silver gelatin emulsion print, 11-3/4 x 8-1/4 inches (image), 

numbered and signed along lower margin “11/30 Brassai”, framed. 


73. André Ostier (French, 1906-1994) Max Ernst, silver gelatin emulsion 

print, 8-1/2 x 8 inches (image), signed lower right margin “A. Ostier” 

signed and inscribed on verso “André Ostier / Max Ernst / chez 

lui: Rue de Lille / 1965”, framed. Provenance: Private Collection, 


12 


74. André Ostier (French, 1906-1994) Fernand Leger, silver gelatin 

emulsion print, 7-3/4 x 8 inches (image), signed lower right margin “A. 

Ostier”; signed and inscribed on verso “André Ostier / Fernand Leger 

/ dans son atelier. / Rue Notre Dame des Champs / 1952”, framed. 


75. Yousuf Karsh (Canadian, 1908-2002) Sir Edmund Hillary, silver 

gelatin emulsion print, 9-1/4 x 7-1/4 inches (sight), signed in ink on 

original mat “E. P. Hillary”, framed. Provenance: Private Collection, 


76. George Hurrell (American, 1904-1992) Jaschka Heifetz, silver gelatin 

emulsion print, 20 x 24-1/4 inches (sheet), numbered and signed 

along lower margin “23/190 Hurrell”, unframed. Provenance: Private 


77. Willy Maywald (German, 1907-1985) Henry Moore, 1948, silver 

gelatin emulsion print, 11-3/4 x 11-3/4 inches, framed. Provenance: 

W. Maywald, Paris; Private Collection, Philadelphia, PA. $400-600. 

78. Joel-Peter Witkin (American, b. 1939) Penitente, NM, silver gelatin 

emulsion print, 14-3/4 x 14-3/4 inches (image); 20 x 16 inches 

(sheet), pencil signed, titled and dated on verso “Joel Peter Witkin / 

© Penitente / New Mexico 1982 / AP/1/JPW”, framed. Provenance: 


79. Joel-Peter Witkin (American, b. 1939) The Wife & Cain, silver gelatin 

emulsion print, 14-1/2 x 14-3/4 inches (image); 20 x 16 inches (sheet), 

pencil signed, titled and dated on verso “Joel Peter Witkin / ‘The Wife 

& / Cain’ / N. M. 1981 / AP/1”, framed. Provenance: Private Collection, 


80. Joel-Peter Witkin (American, b. 1939) Botticelli’s Venus, silver gelatin 


pencil signed, titled and dated on verso “Joel Peter Witkin / ‘Botticelli’s 

Venus’ / N.Y.C. 1982 / 6/15”, framed. Provenance: Private Collection, 


81. Joel-Peter Witkin (American, b. 1939) Arm F*ck, silver gelatin 


pencil signed, titled and dated on verso “Joel Peter Witkin / ‘Arm 

F*ck’ / N.Y.C. 1981 / 4/15”, framed. Provenance: Private Collection, 


82. After Roy Lichtenstein (American, 1923-1997) As I Opened Fire 

(Triptych), 1964, offset lithographs in colors, 24 x 19-1/2 inches (plate); 

25 x 20-1/2 inches (sheet), unframed. Literature: Corlett, 5. Publisher: 

Stedelijk Museum. Provenance: Private Collection, Philadelphia, PA. 

$300-500. 


83. Fernando Botero (Colombian, b. 1932) Signed poster Art de l’Atelier, 

Art de la Rue Colombie, 1984, offset lithograph in colors, 23-3/4 x 15- 

3/4 inches, signed lower right recto “Botero”, unframed. Provenance: 


84. Graciela Rodo Boulanger (Bolivian, b. 1935) Le Ciel de Graciela, 1976, 

lithograph in color, 29-1/2 x 22 inches (sheet), numbered and signed 

along lower margin, unframed. Provenance: Private Collection, 


85. Max Papart (French, 1911-1994) Max Papart, Art Expo, New York, 1979, 

lithograph in colors, 35-1/2 x 22 inches (sheet), pencil signed lower 

right recto “Max Papart”, unframed. Provenance: Private Collection, 


86. Denis Paul Noyer (French, b. 1940) Group of four lithographs in 

colors, 21-1/4 x 30 inches (each sheet), each numbered and signed 

along lower margin, each unframed. Provenance: Private Collection, 


87. Ben Shahn (American, 1898-1969) We French workers warn you... 

defeat means slavery, starvation, death, 1942, lithograph in colors, 

28-1/2 x 39-3/4 inches, unframed. Provenance: Private Collection, 


Jewelry 

88. Salvador Dali (Spanish, 1904-1989) Medallion Gotico Necklace, 31 

inches (length), yellow gold pendant set with 68 each full-cut round 

diamonds 1.36 cttw., stamped “A-3/5 ® LE 02-025-10-015 18K / 750 

Dali”, stamped “Octavio Sarda”, 62.8 dwt. Provenance: The Betty 


89. Salvador Dali (Spanish, 1904-1989) Cristo Supergrande Necklace, 

approximately 30 inches (length), yellow gold pendant, stamped 

on Christ’s calf “Dali” stamped on clasp “A350/1000” and “Dali”, total 

weight 69.0 dwt. Provenance: The Betty Gordon Estate. $2000-3000. 

90. Paloma Picasso for Tiffany Tumbled Emerald and 18K Necklace, 19 

inches (length), stamped “© Paloma Picasso” and “Tiffany & Co 750”, 

in original satin jewelry case. Provenance: The Betty Gordon Estate. 

$700-900. 

91. Paloma Picasso for Tiffany Amethyst and Quartz Crystal Necklace 

with Paloma Picasso Signature Clasp, 25-1/2 inches (length); clasp 

stamped “925 / Paloma Picasso” and “© 1983 T & Co.” in original 

satin-lined Tiffany & Co. case with Tiffany Box. Provenance: The Betty 


14 


92. J.E. Caldwell Co. Onyx, Garnet and Gold Bead Six Strand Rope 

Necklace, 31-1/2 inches (length), stamped “14K” on yellow gold 

button clasp, with original J.E. Caldwell satin jewelry case, and a 

Necklace of Nephrite Jade multi-color 12-13 mm stone beads, 20 inches 

(length), with 14K yellow gold oval corrugated clasp in a silk F.J. 

Cooper jewelry case. Provenance: The Betty Gordon Estate. 

$150-200. 

93. 14K Yellow Gold Scallop Clip Earrings; 1 x 3/4 inches (each), total 

weight 10.6 dwt., a 14K two-tone Gold Heart Band, stamped “14K”, 

total weight 1.7 dwt., and a Gold Sunflower Clip Earrings (unmarked). 


94. Curved 14K Yellow Gold Earrings, marked “SYB” and “14K” on back, 

4.12 dwt. $175-275. 

95. Fortunoff Emerald and Diamond 18K Yellow Gold Fancy Ring, with 

center .58 carat fine marquise shaped emerald, 8.50 x 4.00 x 3.50 mm, 

surrounded by 16 full-cut round brilliant diamonds, approx .82 carats 

total G/H color VS2 clarity, marked “2610”,“750”, “51” and “I”, size 5.75, 

5.40 dwt. $1400-2100. 

96. Art Carved 14K Rose & Yellow Gold Diamond Floral Design 

Wedding Band, with 12 full-cut round brilliant diamonds, approx .24 

carats total, marked with Art Carved hallmark and “14K”, 5 mm wide, 

ring size 6, 3.08 dwt. $400-600. 

97. Rolled Tube 14K Yellow Gold Earrings, marked “14K” on post, 4.43 

dwt. $175-275. 

98. Jean Schlumberger for Tiffany Yellow Gold Link Bracelet, 9-1/4 

inches (length), total weight 64.3 dwt., stamped “Tiffany & Co. 750” 

and “Schlumberger Studio” in original Tiffany & Co. box. Provenance: 

The Betty Gordon Estate. $9500-10,500. 

99. Floral Carved Carnelian Pendant and 14K and 18K Yellow Gold 

Choker, 38 x 30 mm (Carnelian), stamped “18K” on wire necklace, 

total weight 7.9 dwt., stamped “14K” on pendant bail. Provenance: 


100. Arts & Crafts Style 14K Yellow Gold Pendant Necklace with Shell, 

Black Pearl and Green Tourmaline, marked “K. G. Topol” and “14K” on 

back, 2 mm 14K rope chain, 19 inches (length), 10.00 dwt. $400-600. 

101. Antique Hand Colored Ambrotype Brooch with Portrait of a Man, 

incised in verso “1860”, a Victorian Hair Work on Gold Cross Pendant 

with Engraved Heart Center, 1-1/4 inch cross on 1/3 inch loop (see 

Bell’s Collector’s Encyclopedia of Hairwork Jewelry, p. 124), a Four Photo 

Rhinestone Fleur-de-lis Locket, a Cross Pendant Beaded Necklace and a 

Pennsylvania Dutch Beaded Bird Brooch (five items total). Provenance: 



102. Paul Morelli 18K Yellow Gold Heart Earrings, circa 1970, marked 

“Morelli” and “18K” on back, with lever backs made by Paul Morelli of 

Philadelphia, 14.73 dwt. $700-1000. 

103. Judith Roberts and Millicent Rogers Silver Designs: Two Silver 

Convertible Pendant Brooches, each signed on verso “Collection / 

Judith Roberts”, each approximately 5-1/2 x 3-1/2 inches, and a Silver 

and Amethyst Spirit Pin, stamped with Millicent Rogers Logo and 

“Sterling”, 3 x 4 inches. Provenance: The Betty Gordon Estate. $50-75. 

104. Michael Bondanza Citrine and Diamond 18K Yellow Gold and 

Platinum Ring, with 16.00 x 10.00 x 8.70 mm orange-yellow fine 

citrine bezel set, with hand engraved platinum plates with 18 full-cut 

round brilliant diamonds, approx .50 carats total, marked “18K PLAT’ 

c’” with Michael Bondanza’s hallmark, ring size 5.75, 7.72 dwt. 

$1800-2800. 

105. Pair of Three-Tier Teardrop 14K Yellow Gold Dangle Earrings with 

Diamonds, marked “SYB” and “14K” on back, with 8 full-cut round 

brilliant diamonds, approx .16 carats total, 3.92 dwt. $300-400. 

106. Silver Cornflower Necklace, ca. 1950, 25 inches (length), central cast 

Naja pendant terminating in hands with turquoise cabochon, six cast 

Naja on shanks, and a Silver 12 mm Beaded Necklace; 23 inches (length 

with extension). Provenance: The Museum of Indian Arts and Culture, 

Santa Fe, NM; The Betty Gordon Estate. $50-100. 

107. Cartier Yellow Gold Link Bracelet, 8-1/4 inches (length), stamped 

“Cartier 18K” and “92404”, total weight 42.3 dwt., with signature 

Cartier box. Provenance: The Betty Gordon Estate. $2000-2500. 

108. Dangle Nine Disc 14K Yellow Gold Earrings, marked “SYB ‘c’” and 

“14K” on back, 6.55 dwt. $300-400. 

109. Cartier Tank Watch with Black Lizard Cartier Band and Three Cartier 

Lizard Watch bands (2 black, 1 white); watch stamped “Cartier / 

B.N.G. / Paris / 78087 / 11277” and “18K Swiss” (on side) with Cartier 

signature box. Provenance: The Betty Gordon Estate. $700-900. 

110. Niessing 18K Yellow Gold Coil Necklace, 19.5 inches (length), marked 

“Niessing ‘n” and “750’” on clasp, with Niessing spring clasp, 5.20 dwt. 

$300-600. 

111. Paul Morelli Square 18K Yellow Gold Diamond and Aquamarine 

Earrings, circa 1970, marked “Morelli” and “18K” on back, with 40 fullcut 

round brilliant diamonds, approx .40 carats total, with two 7 mm 

square cut aquamarines, with lever backs made by Paul Morelli of 

Philadelphia, 15.43 dwt. $1200-1800. 

112. David Yurman C Shape Hoop 14K Yellow Gold and Silver Earrings, 

with original white David Yurman bag, marked “925 D.Yurman .585 ‘c’” 

inside hoop and “585 DY”, 5.46 dwt. $200-300. 

16 


113. La Pepita Yellow Gold Link Bracelet, 8-1/2 inches (length), stamped 

“2778R / La Pepita / 750”, 24.6 dwt. Provenance: The Betty Gordon 

Estate. $900-1100. 

114. Pierced Shield 18K Yellow Gold Earrings, marked “SYB ‘c’” and “750” 

on back, 6.79 dwt. $350-500. 

115. Cartier 18K Yellow Gold Link Bracelet, 8 inches (length), stamped 

“147327” and “Cartier / 750”, 24.6 dwt., with signature Cartier box. 


116. Five Pairs Silver Earrings: Sterling Silver Flower Screwbacks, stamped 

in a circle “Plata 925 Guad Mez / JFG”, 2-1/2 inches (diameter), and 

Sterling Silver and Green Tiger’s Eye Drop Screwbacks stamped “Sterling 

/ Mexico”, 2-1/4 inches (length), and Sterling Spiral Clips, stamped 

within a circle on verso “TAXCO / MEXICO / 925” and “TJ-82”, and 

Caterpillar Screwbacks, stamped within a circle “Enguad Mexico / 

AHS / Plata”, 2 x 1/2 inches, and Silver Drop Hoop Screwbacks; illegible 

stamp inside clip; 1-1/2 inches (diameter). Provenance: The Betty 


117. Pear Shape Emerald, 25.00 x 4.70 x 10.80 mm, 17.10 carats, not set. 

$400-800. 

118. Lapis Lazuli 14K Yellow Gold Bracelet, with 8 Lapis cabochons 7 x 6 x 

8 mm, set in a 14K yellow gold mesh bracelet, marked “14K” and “Pat 

3308517”, 7.5 inches (length), 18.52 dwt. $600-900. 

119. A Pair of Santo Domingo Necklaces and Screw-Back Earrings, ca. 

1925, made of record, turquoise and bone, necklaces ranging in size 

from 20-1/2 inches to 28 inches (length) and 1-1/2 inches (earrings). 

Provenance: Institute of American Indian Arts, Santa Fe, NM; The 


120. Three Disc 14K Yellow Gold Earrings, marked “SYB” and “14K” on 

back, 3.47 dwt. $150-250. 

121. Cartier Ruby and Diamond Ring in 18K Yellow Gold, ten diamonds 

.07 ct. each (.70 cttw.) around a central oval ruby 7 x 5 mm., 

approximately .88 ct., with signature Cartier box. Provenance: The 


122. Group of six Mexican Silver Brooches: a Fish, a Chili Pepper, a Flower, 

a Bouquet with Amethysts and two Aztec Figures, each figure stamped 

“© S.F.P. / 925 / Sterling / Frank Sakido / Comes Charging”, ranging in 

size from 1-3/4 to 9 inches. Provenance: Institute of American Indian 

Arts Museum, Santa Fe, NM (two sterling brooches); Stella Rubin 

Decorative Arts, Potomac, MD (flower brooch); The Betty Gordon 

Estate. $50-75. 

123. Baum & Mercier Stainless Steel Watch, Acier INOX, Model Number 

MV045063, self winding, water-resistant watch with second hand and 

black face, with original box. $275-450. 


124. Pierced Shield 18K Yellow Gold Brooch, marked “SYB ‘c’” and “750” on 

back, 7.65 dwt. $400-600. 

125. 14K Yellow Gold Link Necklace, 30 inches (length), stamped “14K”, 

67.2 dwt. Provenance: The Betty Gordon Estate. $2000-2500. 

126. Modern Leaf 14K Yellow Gold Earrings, marked “14K” on post, 6.24 

dwt. $325-450. 

127. Platinum Eternity Band of Baguette Diamonds, shared prong set 

1.9 mm wide, 1.0 dwt., 21 diamonds each at .74 cttw, ring size 6. 


128. Group of five Mexican Accessories: Aztec Figurine Pendant, signed 

“la Reina Chica Mexico 2001” and stamped “925”, an Inlayed Cross 

Pendant Necklace, a Turtle Pin with Light Blue Stone, an Inlayed Owl 

Bracelet and a Silver Butterfly Brooch/Pendant; stamped “925 / Mexico”; 

ranging in size from 1 inch to 3 inches. Provenance: The Betty Gordon 

Estate. $100-200. 

129. Konstantino 18K Yellow Gold and Sterling Silver Bracelet, with ten 

18K yellow gold bezel set pearls which are 4 mm, set in ten square 

silver links with beading, 6-3/4 inches (length), engraved, with 

original Konstantino blue velvet bag, marked “Konstantino” and “925”, 

72.28 dwt. $700-1100. 

130. Cultured Pearl Necklace, 30 inches (length), stamped “14K G” on 

white gold filigree clasp, pearls measure 6.5 to7 mm., creme body 

color with silver overtone. Provenance: The Betty Gordon Estate. 

$150-250. 

131. Five Mexican Silver Bracelets: a Silver Link Bracelet with Green Stones, 

stamped “Made Mexico”, 5-3/4 inches (length), a Sterling Silver Bracelet 

with Green Tiger’s Eye, stamped within a circle “Hecho en Mexico / 

0925 TNC” and “Sterlin”, 7 inches (length), a Silver Link Bracelet with 

Floral Motif and Cabochon Green stones, stamped twice “Mexico 

Silver”, 6-3/4 inches (length), a Silver Bracelet with Large Green Stones 

Carved with Stylized Faces, stamped “Mexico”, 7 inches (length), and 

a Silver Bracelet with a Green Cabochon Stone and Leaf-Shaped Links, 

stamped “Made in Mexico”, 7-1/2 inches (length). Provenance: The 


132. Two Pairs of 14K Yellow Gold Earrings: Origami Shape Earrings, 

marked “14K” on post and Pierced Geometric Dangle Earrings, marked 

“SYB ‘c’” and “14K” on triangle, 2.48 dwt. $125-255. 

133. A Solitaire Diamond Engagement Ring in 14K White Gold, 2.3 dwt., 

set with a round European cut diamond into a square illusion box, 

approximately .5 ct. (S12) and a 14K White Gold Engraved Wedding 

Band, with four single cut diamonds, approximately.08 cttw, stamped 

“14K”, engraved inside shank, 2.1 dwt. Provenance: The Betty Gordon 

Estate. $300-400. 

18 


134. Cartier Yellow Gold Twist Link Bracelet, 8-1/2 inches (length), 

stamped “Cartier” and “18K”, 72.9 dwt, with signature Cartier box. 


135. Lapis Lazuli 14K Yellow Gold Ring, with 20.50 x 12.60 x 8.15 mm 

Lapis, 15 carats set in a polished tapered flat yellow gold ring which is 

23 mm wide at the top to 7.75 mm at the bottom, marked “14K”, ring 

size 7, 13.95 dwt. $300-450. 

136. Cartier Platinum Eternity Band with Channel Set Step Cut Emeralds, 

stamped “85891”, overall width 2.5 mm, approximately 1.9 dwt, 2.0 

cttgw., ring size 6-1/2, with signature Cartier box. Provenance: The 


137. Opal and Diamond 14K Yellow Gold Ring, with 10 x 8 mm oval 

shaped Opal and 24 full-cut round brilliant diamonds, approx .48 

carats total, marked “14K”, ring size 5.5, 2.38 dwt. $300-450. 

138. Cartier Platinum Square Step Cut Emerald and Diamond Ring, 

stamped “Cartier”, “Plat” and “70143”; emerald measures 6.20 x 5.60 

x 4.58 mm, Clarity SI, Color G2B, 80%/20% bk-gy., approximately 

1.00 ct., step cut baguette and kite accent emeralds 4 each at 

approximately .07 cttw., 38 each at 1.14 cttw., round cut diamonds 

2 each, baguette diamonds 6 x 3 mm each, .038 ct each (.76 cttw.), 

25.97 ct. TGW, total ring weight 4.4 dwt, size 6-1/4, with signature 

Cartier box. Provenance: The Betty Gordon Estate. $5000-6000. 

139. Cartier Platinum Setting, no. 70143, the original setting to lot 138 

(see above), 2.3 dwt, with signature Cartier box. Provenance: The 


140. Four Choker Necklaces, one stamped “920”, the second signed 

“Courtney SS”, the third a Gold Choker signed “Courtney GP” and 

stamped “S” and the fourth necklace unmarked. Provenance: The 


141. Two American Indian Necklaces: a Zuni Fetish Necklace with 19 Blue 

Turquoise Fetishes strung on Pin Shell Heishe, and a Santo Domingo 

Necklace with 19 Fetishes of Turquoise, Shell, Serpentine, Jet and Melon 

Shell on Coral Heishe by Raymond Calabasa, ranging in size from 23- 

1/2 to 31 inches (length). Provenance: The Horned Owl, Centerville, 

OH; The Betty Gordon Estate. $75-150. 

142. Amethyst & Diamond Ring, with 20 x 17.40 x 13.85 mm oval 

amethyst, 36 carats with 6 full-cut round brilliant diamonds, approx 

.60 carats total G/H color, set in a polished 18K wire yellow gold, ring 

size 5.5, 11.25 dwt. $700-1100. 


143. Round Yellow Diamond Platinum Ring, approximately 1.37 ct, 

flanked with six single cut round diamonds, accent diamonds total 

weight: .12tw, size 6, stamped “AT” and “10% IRID Center Diamond: 

Clarity VS 1, Color G2Y 20%, 1.37 ct., Measures 7.15 x 4.40 mm, Table 

66%, Depth 62%, Crown .8 mm, Culet small, Girdle sl thn-med pol. (3, 

n), Symmetry G, Polish G, Fluorescence inert, Cut Grade 3A, with GIA 

Colored Diamond Identification and Origin Report. Provenance: The 


144. Natural Fancy Purple-Pink Diamond Platinum Ring, with 1.68 carat 

Cushion Modified Brilliant Natural Fancy Purple-Pink Diamond set in 

a four-prong 18K Rose Gold head centered in a platinum ring with 2 

trapezoid cut diamonds which are approx .48 carat total, F/G color 

VS1 clarity, marked “18K” and “PLAT”, with a GIA Colored Diamond 

Identification and Origin Report, which specifies origin is Natural 

Grade is “Fancy Purple-Pink”, Distribution is “Even” and measurements 

are 6.87 x 5.76 x 4.66 mm; center diamond has visible inclusions, ring 

size 5.75, 3.28 dwt. $14,000-20,000. 

145. Collection of seven Vintage Bakelite Bangle Bracelets, ranging in 

size from 3-1/4 to 3-3/4 (diameter). Provenance: The Betty Gordon 

Estate. $50-75. 

146. Collection of five Flower Brooches; one stamped “© Art”, one 

stamped “Napier” and one stamped “Vendome”, ranging in size from 

3-1/2 to 5 inches. Provenance: The Betty Gordon Estate. $50-75. 

147. Collection of five Pieces of Art Jewelry including four Brooches and 

a Necklace, two brooches and a necklace signed “Goldie Garcia”; one 

brooch signed “L. Whitaker ... NM” and one brooch stamped “Bully 

/ W Germany”, ranging in size from 1-1/4 to 3-1/2 inches (length). 


148. Collection of five Pieces of Art Jewelry including three Brooches, 

one Pair of Clip Earrings and a Bracelet, two brooches stamped “Lea 

Stein Paris”, one brooch signed “Vaughn / Stubbs / 1994 / New World”, 

earrings stamped “Lunch at the Ritz”, ranging in size from 2-3/4 to 

7-1/2 inches (length). Provenance: The Betty Gordon Estate. $50-75. 

149. Collection of five Necklaces including one of red coral, two of glass 

beads, one of various metals and glass beads and one of African 

glass trade beads, ranging in size from 24 to 72 inches (length). 


150. Amy Kahn Russell Cat Motif Bracelet of Hand Carved Bone Set in 

Sterling Silver, stamped “Sterling” and “AKR”; 7-1/2 inches (length) 

and a Silver and Smoky Quartz Bracelet, 2-1/2 inches (diameter). 

Provenance: Pennsylvania Academy of the Fine Arts, Philadelphia, PA; 


28 


151. Three Vintage Chanel Camellia Flower Brooches and one Fabric 

Flower Brooch, three tagged “Chanel Made in France”, each with 

original signature box, ranging in size from 3 to 4-1/4 inches 

(diameter). Provenance: The Betty Gordon Estate. $50-100. 

152. Three Pairs of Vintage Chanel Costume Earrings: Gold Logo Teardrop 

Pearl Clips, stamped “Chanel Made in France”, 2-1/4 x 1 inches, Gold 

and Cabochon Pearl Logo Clips, stamped “Chanel Made in France”, 

1-1/2 x 1 inches, and Flower and Baroque Pearl Clip Earrings, stamped 

“Chanel Made in France”, 1-3/4 x 3/4 inches, each pair with original 

velvet-lined signature box. Provenance: The Betty Gordon Estate. 

$50-75. 

153. Vintage Chanel Costume Gold Bonnett Clip Earrings and Brooch, 

each stamped “Chanel Made in France”, 2-3/4 inches (earrings: 

length), 2 inches (brooch: diameter), with original velvet-lined 


154. Two Pairs of Vintage Chanel Costume Earrings: Gold Number 

Five Clip Earrings, each stamped “Chanel”, 3-1/4 x 2 inches, and 

Baroque Pearl Clip Earrings, each stamped “Chanel Made in France”, 

2-1/2 x 1-1/4 inches, each with original velvet-lined signature box. 


155. Vintage Chanel Costume 14 mm Pearl and Glass Bead Necklace, 

37-1/2 inches (length) with Chanel logo tag stamped “Chanel 1989 

Made in France”, and original velvet-lined signature box. Provenance: 

Bergdorf Goodman, New York; The Betty Gordon Estate. $100-200. 

156. Vintage Chanel Costume 12 mm Pearl Necklace, 46 inches (length) 

with Chanel logo clasp, stamped “Chanel”, with original velvet-lined 


157. Anne Klein Costume Egyptian Style Necklace with Matching 

Earrings, 16 inches (length), marked “AK” and “c”, and a Hematite Bead 

Necklace with Black Onyx & Sterling Silver Beads, 36 inches (length). 

$100-150. 

158. Collection of four pieces of Vintage Kenneth Jay Lane Costume 

Jewelry including a rhinestone and gold acanthus bracelet, a 

rhinestone cobra cocktail ring, a rhinestone genie brooch and a pair 

of rhinestone clip earrings, each piece stamped “KJL”. Provenance: 


159. Collection of eight pieces of Vintage Costume Jewelry including 

a ram’s head bracelet with matching clip earrings, a pair of drop 

earrings, a blue stone cocktail ring, a white and gold ring, a 

rhinestone horseshoe ring, a 13 mm faux pearl necklace with 

rhinestone clasp, 21 inches (length), and a pair of gold and black 

stone clip earrings. Provenance: The Betty Gordon Estate. $50-75. 


160. Collection of four pieces of Vintage Kenneth Jay Lane Costume 

Jewelry including a 17 mm faux pearl necklace with gold and 

rhinestone rope clasp, a pair of green stone clip earrings, a pair of 

faux ivory clip earrings and an owl brooch, each piece stamped “KJL”. 


Fashion Accessories 

161. Louis Vuitton Monogram Canvas Keepall Bag, 11 x 22 x 10 inches. 


162. Visionary Art Museum Assembled Handbag of mesh, marbles, and 

acrylic, signed and dated on bottom, 5-1/2 x 4-3/4 x 3-1/2 inches. 


163. Louis Vuitton Monogram Canvas Speedy Bag and Monogram 

Canvas Single Strap Cell Phone Case, 9 x 12 x 7 inches (speedy), 5 x 4 x 

1 inches (cell). Provenance: The Betty Gordon Estate. $200-400. 

164. Le Oui Green Quilted Leather and Paisley Handbag with Satin 

Straps and Tassels and a Wicker Woven Folding Basket, 4-1/2 x 8 x 

2-1/2 inches (Le Oui); 10 x 14 x 7 inches (basket). Provenance: The 


165. Judith Leiber Monkey Minaudiere with Multicolor Crystal 

Embellishment, gold leather interior and tuck-away 19 inch chain, 

includes change purse, comb and compact mirror, all stamped 

“Judith Leiber”, with original protective signature bag, 5 x 5-1/2 x 

3-1/2 inches. Provenance: The Betty Gordon Estate. $300-500. 

166. Renaud Pellegrino Red Patent Leather and Black Satin Evening 

Bag with Satin Strap, 7 x 8 x 2 inches. Provenance: The Betty Gordon 

Estate. $75-150. 

167. Prada Black Nylon Shoulder Bag and Prada Black Nylon Tote Bag, 

11 x 12 x 5 inches (shoulder), 14 x 18 x 2 inches (tote). Provenance: 


168. Judith Leiber Spherical Minaudiere with Multicolor Crystal 

Embellishment, gold leather interior and 26 inch strap, includes 

change purse, comb and compact mirror all stamped “Judith Leiber”, 

with original protective signature bag, 3-1/2 x 3-1/2 x 3-1/2 inches. 


169. Gucci Canvas Monogram Shopper with Gold Hardware and a Gucci 

Floral Satin Clutch, 17-1/2 x 18 x 1-1/2 inches (shopper); 5 x 7 x 2 

inches (clutch). Provenance: The Betty Gordon Estate. $200-400. 

30 


170. Judith Leiber Seated Camel Minaudiere Pillbox with Multicolor 

Crystal Embellishment, stamped within “Judith Leiber”, with original 

protective signature bag, 1-1/2 x 2 x 1-1/4 inches. Provenance: The 


171. Chanel Pink, Green and Black Snakeskin Flap Bag, top handles, 

original storage bag and box, 7 x 9 x 1-1/2 inches. Provenance: The 


172. Chanel Mini Red Quilted Leather Change Purse, gold chain and 

hardware, original storage bag and box, 3 x 4-1/4 x 1 inches. 


173. Chanel White Quilted Leather Binocular Flap Bag, gold hardware, 

original storage bag and box, 7 x 6 x 1-1/2 inches. Provenance: The 


174. Chanel Quilted Black Leather Envelope Bag, gold ornament and 

hardware, red leather interior, original storage bag and box, 7-1/2 x 

11 x 3 inches. Provenance: The Betty Gordon Estate. $200-400. 

175. Chanel Cranberry Quilted Bowler Handbag, brown patent 

leather handles, original storage bag and box, 6 x 9 x 3-1/2 inches. 


176. Chanel Quilted Black Leather Flap Bag, tan stitching, double chain, 

original storage bag and box, 6-1/2 x 10 x 2-1/2 inches. Provenance: 


177. Chanel Black and White Leather Flap Bag, gold chain and hardware, 

original storage bag and box, 7 x 8-3/4 x 3 inches. Provenance: The 


178. Chanel Quilted Black Leather Flap Bag, with red leather interior, 

double strap and gold hardware, original storage bag and box, 7 x 

9-3/4 x 3 inches. Provenance: The Betty Gordon Estate. $300-500. 

179. Chanel Quilted Leather Two Tone Beige Flap Bag, with gold 

hardware, double strap, original storage bag and box, 6-1/2 x 9-1/2 x 

2-1/2 inches. Provenance: The Betty Gordon Estate. $300-500. 

180. Chanel Ribbed Black Velvet Envelope Bag, gold chain, original 

storage bag and box, 5-3/4 x 8-1/2 x 2 inches. Provenance: The Betty 


181. Six Accessories: Tan Lizard Envelope Bag with Gold Hardware and 

Chain by Andé, 5 x 8 x 2 inches, a Black Lizard Top Handle Bag with Gold 

Hardware, 6 x 8 x 2 inches, a Bottega Venetta Black Leather Wallet, 4 x 

4 x 1 inches, a Bottega Venetta Black Leather Pocket Book, 4 x 6-3/4 x 1 

inches, a Crocodile Stamped Leather Top Handle Purse, 6 x 7-1/2 x 4-1/2 

inches, and a Faux Leopard Bag with Leather Trim, 7-1/2 x 10 x 3 inches. 



182. Fendi Black Knit Wool Shoulder Bag, leather strap, silver hardware, 

grey silk interior, 6-1/2 x 10 x 2-1/2 inches. Provenance: The Betty 


183. Chanel Black Black Satin Evening Bag, gold clasp and chain, with 

original storage bag and box, 4-1/2 x 7 x 2-1/4 inches. Provenance: 


184. Chanel Black Quilted Patent Leather Envelope Bag, oversized gold 

Chanel logo, with original storage bag and box, 6 x 8-1/2 x 2-1/2 

inches. Provenance: The Betty Gordon Estate. $300-500. 

185. Three Pairs of Designer Shoes: Salvatore Ferragamo Velvet Pumps 

with Bow (Size 8-1/2), and Gucci Monogram Flats with Bamboo Buckle 

(Size 8-1/2B), and Gucci White and Cream Pumps with Wooden Heel 

and Gold Logo Buckle (Size 9) each with original box. Provenance: The 


186. Two Pairs of Designer Shoes: Marc Jacobs Gold Sparkle Flats (Size 

8-1/2), and Yves Saint Laurent Red Blue and Gold Espadrilles (Size 8), 

each with original box. Provenance: The Betty Gordon Estate. 

$150-250. 

187. Three Pairs of Designer Shoes: Chanel Black and White Logo 

Espadrilles (Size 9B), and Salvatore Ferragamo Patent Leather Flats 

(Size 8-1/2), and Prada Leopard Print Flats with Bow (Size 8), each with 

original box. Provenance: The Betty Gordon Estate. $150-250. 

188. Two Pairs of Designer Shoes: Prada Orange and Pink Suede Ballerina 

Flats (Size 8-1/2), and Salvatore Ferragamo Satin Bow Flats (Size 8-1/2), 

each with original box. Provenance: The Betty Gordon Estate. 

$150-250. 

189. Two Pairs of Designer Shoes: Chanel Tweed Ballerina Flats (Size 8-1/2), 

and Stuart Weitzman Red Gingham Espadrille Flats (Size 9), each with 

original box. Provenance: The Betty Gordon Estate. $150-250. 

190. Exquisitely Beaded Mary McFadden Couture Ensemble, polyester, 

Size 20. Provenance: Saks Fifth Avenue; The Betty Gordon Estate. 

$100-200. 

Coins and Currency 

191. 1915 Indian Head $2.50 US Gold Coin. PCGS graded MS61. 

$250-350. 


$350-500. 

193. 1882 Liberty Head $10 US Gold Coin. PCGS graded 

Genuine (98 - Damage or Tooling). $100-200. 

194. 1908 Indian Head $5 US Gold Coin. PCGS graded VF30. 

$300-$400. 

32 


195. 1905 Liberty Head $10 US Gold Coin. PCGS graded XF45. $400-600. 

196. Group of sixty-two Peace Dollar US Coins including: (13 ) 1922, 

(2 ) 1922 – S, (10 ) 1923, (2) 1923 –S, (1 ) 1923 –D, (24 ) 1924, 

(7 ) 1925, (1 ) 1926, (1 ) 1926 – S, (1 ) 1935 – S. $600-900. 

197. 1925-D Indian Head $2.5 US Gold. PCGS graded 

Genuine (97 - Environmental Damage). $200-300. 

198. Group of twenty-two Morgan Dollar US Coins from 1900-1921 

including: (2) 1900, (1) 1900-O, (1) 1901-O, (17) 1921, (1) 1921-S. $50- 

100. 


$800-1200. 

200. Group of eleven 1880’s Morgan Dollar US Coins including: (1) 1880- 

O, (1) 1882–O, (1) 1884, (1) 1885, (2) 1886, (2) 1888, (1) 1888, (2) 1889. 

$150-200. 

201. 1926 $2.50 Sesquicentennial US Gold Coin. PCGS graded VF25. 

$250-350. 

202. Group of six 1890’s Morgan Dollar US Coins including: (1) 1890, (1) 

1891-CC, (1) 1895-O, (1) 1897-O, (1) 1899-O, (1) 1899-S. $200-300. 

203. 1911-D St. Gaudens $20 US Gold Coin. PCGS graded MS62. 

$1000-1500. 

204. Group of twelve coins including: (3) 1893 50C Columbian Half Dollars, 

(1) 1832 Capped Bust Half Dollar, (1) 1834 Capped Bust Half Dollar, (1) 

1897 Barber Half Dollar, (1) 1877-S Seated Liberty Half Dollar, (1) 1926 

50C Sesquicentennial Half Dollar, (1) 1943 Walking Liberty Half Dollar, 

(1) 1866 Three Cent Nickel, (1) 1851 Braided Hair Cent,(1) 1857 Flying 

Eagle Cent. $100-150. 

205. Group of Proof and Uncirculated Coins. Four United States Proof Sets 

including (2) 1981-S and (2) 1982-S. (2) 1982-S 50C Washington Proof 

coins, and (2) 1982-D 50C Washington Uncirculated coins. 

$100-150. 

206. 1882-S Liberty Head $5 US Gold Coin. PCGS graded AU58. 

$300-$400. 

207. Group of forty-four US Uncirculated Coin Sets including: 

(5) 1964-D, (5) 1964-P, (1) 1965, (1) 1978, (1) 1979, (2) 1981, (2) 1984, (3) 

1985, (3) 1986, (3) 1987, (3) 1988, (3) 1989, (3) 1990, (3) 1991, (3) 1992, (3) 

1993. $400-600. 

208. 1797 Liberty Cap Half Cent Lettered Edge Coin. PCGS graded 

Genuine (98 - Damage or Tooling). $250-$350. 

209. Group of Paper Currency (37 bills total) including (30) various US bills 

and Silver Certificates, (1) US 1874 X Cents bill, (3) French Bills, and (3) 

Japanese Bills. $100-150. 


$1000-1500. 


Silver and Miscellaneous Collectibles 

211. Winthrop by Reed & Barton Six Piece Silver Plated Tea and Coffee 

Service (coffee, tea, sugar, creamer, bowl, tray), service ranges in size 

from 3-1/2 to 12 inches (height); tray measures 21 x 30 inches, service 

stamped “Reed & Barton / 1795 Winthrop”; tray stamped “Reed & 

Barton / 06140 / D6 / 25 / Winthrop / A” (within a Circle). Provenance: 


212. Collection of seventeen pieces of Sterling Silver and Silver Plated 

Tableware including a Pair of Sterling Napkin Rings, stamped “sterling”, 

a set of Four Sterling Salt and Pepper Shakers, stamped “TWR / JWW 

/ Sterling”, a pair of Silver Plated Gravy Boats, a Silver Plated Covered 

Butter Dish, stamped within a circle “Forbes Silver Co USA Quadruple / 

182”, a Silver Toast Caddy, stamped “HBEP ‘8740’” with several pictorial 

stamps including a lion in profile, an arm and hammer, a fleur-de-lis 

and a bell, a pair of Sterling Candy Dishes, each stamped “Preisner 

/ Sterling weighted / 39”, a Silver Plated Gravy Ladle, stamped “The 

Bailey Banks & Biddle Co. Fine Silver plate”, and a pair of Silver Plated 

Small Trays and a Child’s Silver Plate Bunny Cup and Porringer, each 

stamped “Napier ©”. Provenance: The Betty Gordon Estate. 

$200-300. 

213. Silver Plated Covered Warmer, 10-3/4 x 20-1/2 x 14-1/4 inches, 

pictorial stamps under serving tray: star, crown, star and beneath 

“CSC”. Provenance: The Betty Gordon Estate. $50-75. 

214. Silver Plated Lidded Urn Monogrammed MLA with Coat of 

Arms, 14-1/4 x 11-3/4 x 6 inches, pictorial stamp of crossed keys. 


215. Collection of twelve pieces of Crystal and Pressed Glass Tableware 

including Two Footed Dishes with Sterling Silver Bases, marked 

“Sterling by Paben”, a Late Georgian Footed and Fretwork Cruet Set with 

Five Crystal Bottles, Four Crystal Glasses, Two Crystal Cruets, a Hobnail 

Pressed Glass Pitcher, a Pressed Glass Goblet and a Pressed Glass Footed 

Bowl, ranging in size from 3-1/2 to 8 inches (height). Provenance: The 


216. Lamartine, Algeria Glass Vase, etched glass with enamel, 6-1/4 

inches (height), numbered on bottom “327/776”. Provenance: 

Margaret E. Strawbridge, Philadelphia, PA; Private Collection, 


217. WWII German Army Dress Bayonet and Scabbard, 16 inches (overall 

length), blade measures 9-3/4 inches, engraved “Zur Erinnerung 

an Meine Dienstzeit” on the blade, inscribed to lower right of the 

engraving “Emil Voos / Solingen” and “Ges. Gesch”. $150-250. 

34 


Art Books and Other Publications 

218. Daniel Wildenstein, Monet or The Triumph of Impressionism. Koln, 

Germany: Taschen/Wildenstein Institute (1996). Catalogue Raisonné, 

Four Volumes in Slipcase. Provenance: The Betty Gordon Estate. 

$250-350. 

219. 17 books about Claude Monet, See website for complete 

description. Provenance: The Betty Gordon Estate. $150-250. 

220. 12 books about Pablo Picasso, See website for complete 


221. 15 books about Picasso and his circle, See website for complete 


222. 10 books about French Artists, See website for complete 

description. $100-150. 

223. 11 books about Manet, Matisse and Soutine, See website for 

complete description. Provenance: The Betty Gordon Estate. 

$100-150. 

224. 12 books about Vincent van Gogh and Paul Cézanne, See website 

for complete description. Provenance: The Betty Gordon Estate. 

$100-150. 

225. 12 Books about Impressionism, See website for complete 

description. $100-150. 

226. 24 books about International Artists, See website for complete 


227. 21 Books about International Art, See website for complete 


228. 19 books about International Decorative Arts, See website for 


$150-250. 

229. 9 books about the Barnes Foundation, See website for complete 


230. 12 books about Photography, See website for complete 


231. 20 books about American Art and Artists, See website for 


$150-250. 

232. Andy Warhol Catalogue Raisonné and 5 other books on the 

artist, See website for complete description. Provenance: 



233. 23 books about Twentieth Century American Painting and 

Artists, See website for complete description. Provenance: 


234. 16 books about Twentieth Century American Painting and 

Artists, See website for complete description. Provenance: 


235. 10 books about American Museum and Gallery Collections, See 

website for complete description. Provenance: The Betty Gordon 

Estate. $100-150. 

236. 12 books about American Furniture and Design, See website for 


$100-150. 

237. 30 books about American Glass, Pottery, Early Quilts, 

Needlework, Papercrafts and Childhood Antiques, See website for 


$150-250. 

238. 40 books about Antique Collecting, Folk Crafts, Technique and 

Colonial Life, See website for complete description. Provenance: The 


239. 25 books about American Metalwork, Wood Carving, Decoys, 

Furniture and Design, See website for complete description. 


240. 31 books about American Museum Collections and Folk Arts, 

See website for complete description. Provenance: The Betty Gordon 

Estate. $150-250. 

241. 12 books about R.C. Gorman, See website for complete description. 


242. 11 books about Latin American and Spanish Folk Art, See website 


$100-150. 

243. 25 books about Southwest and Native American Art and Artists, 


Estate. $150-250. 

244. 12 books about Whaling, Scrimshaw, and Arctic Life and Art, 


Estate. $100-150. 

245. 14 books about Fashion and Jewelry, See website for complete 


246. 17 books consisting of Miscellaneous Old Editions, See website 


$150-250. 

36 


Fuller’s LLC (The “Auction Company”) Terms and Conditions of Sale 

1. This auction is a public sale conducted by a Pennsylvania licensed and 

bonded auctioneer. 

2. The highest bidder acknowledged by the auctioneer will be the Buyer. In 

the event of any dispute between bidders, or in the event of doubt as to 

the validity of any bid, the auctioneer will have the final discretion either to 

determine the successful bidder or to reoffer and resell the article in dispute. 

If any dispute arises after the sale, Fuller’s LLC’s sale record is conclusive. 

3. All property is sold “AS IS” and neither Fuller’s LLC nor the Consignor makes 

any guarantees, warranties or representations, expressed or implied, 

with respect to the property or the correctness of the catalog or other 

descriptions of the authenticity of authorship, physical condition, size, 

quality, rarity, importance, provenance, exhibitions, literature or historical 

relevance of the property or otherwise, except where applicable under the 

terms of guarantee. No statement anywhere, whether oral or written, shall 

be deemed such a guarantee, warranty or representation. All bidders are 

responsible for obtaining condition reports and/or personally inspecting the 

property before bidding to determine its condition, size, and whether or not 

it has been restored. Any items purchased and removed from the auction 

cannot be returned. 

4. Fuller’s LLC reserves the right to withdraw any lot and/or property before the 

sale. 

5. The auctioneer reserves the right to reject any bid which, in his opinion, is 

not commensurate with the value of the article being offered. The auctioneer 

may also reject any bid that may be determined as having a harmful effect 

on the item in question or the sale as a whole. 

6. All bids are by numbered lots in the catalog unless otherwise announced by 

the auctioneer. 

7. Some of the lots in the sale may be subject to a reserve. The reserve is a 

confidential minimum price agreed upon by the consignor and Fuller’s LLC 

below which the lot will not be sold. A representative of Fuller’s LLC will 

execute such reserves by bidding for the consignor. The reserve will never be 

higher than the low estimate. 

8. Title of each lot passes when the auctioneer says “SOLD”. Thereafter, any 

loss by fire, theft, breakage, or any other cause is the sole responsibility of 

the Buyer. Merchandise must be packed and transported by the Buyer at 

his/her own risk and expense. Shipping is the responsibility of the Buyer. If 

any employee or agent of Fuller’s LLC packs or transports the merchandise, 

it is fully at the risk, responsibility and expense of the Buyer and Fuller’s 

LLC shall not be liable for any loss or damage that may be caused by such 

employee or agent. The Buyer is responsible for any duties and taxes related 

to international shipments. 


9. A buyer’s premium will be added to the successful bid and is payable by 

the Buyer as part of the total purchase price. The buyer’s premium for 

each individual lot is 18% of the successful bid price up to and including 

$500,000, and 15% on any amount in excess of $500,000. There is a 3% 

discount offered for all payments made by means of cash, check, or wire 

transfer. Buyer is responsible for all wire transfer fees. This amount will be 

added to the successful bid price of each lot purchased and is payable by 

the Buyer together with the applicable sales tax, which is applied to the total 

cost of the purchase. Payment is due no later than 15 days after the auction 

date. All bidders must submit a MasterCard or Visa account number with 

the expiration date as a security deposit. Fuller’s LLC reserves the right to 

charge the total invoice amount plus an additional 2% handling fee to the 

credit card account on record if the bidder has not paid within 15 days of 

the auction date. The pick-up or delivery should also be arranged at time of 

payment. Storage fees of $5 per lot per business day or $25 per lot per week 

will be charged for items left more than 30 days after the auction. Items 

left more than 45 days past the auction date will be consigned to a future 

auction without notification to the Buyer. 

10. Unless purchased for resale, the Buyer will be required to pay the applicable 

Commonwealth of Pennsylvania Sales Tax and the City of Philadelphia Sales 

Tax. Dealers must have a Sales Tax Number and be registered with Fuller’s 

LLC. 

11. Payment may be made by cash, credit card (Visa or MasterCard), PayPal, or 

by wire transfer. Payment may be made by personal check only if credit has 

been previously established with Fuller’s LLC or if Fuller’s LLC has received 

a bank authorization guaranteeing the personal check. Fuller’s LLC reserves 

the right to hold merchandise purchased by personal check until the check 

has cleared the bank, if Fuller’s LLC deems such action necessary to protect 

Fuller’s LLC’s interest. 

12. Bidding on any item indicates the bidder’s acceptance of these terms and all 

other terms published or announced before and at the time of sale. 

13. Fuller’s LLC has engaged the services of Live Auctioneers as a service 

for its clients who wish to bid and buy online. Please proceed to www. 

liveauctioneers.com for all necessary information on how to bid and buy 

online using their system. The user of Live Auctioneers indemnifies and 

holds the Auction Company and its consignors harmless against any claim 

arising out of or resulting from their use of the Live Auctioneers website, 

including all losses, damages, liabilities, and all fees (including attorney’s 

fees), costs, and expenses incurred in connection with any claim. Under 

no circumstances, including, but not limited to, negligence, shall the 

Auction Company and its consignors be liable for lost profits or any special, 

incidental, or consequential damages that result from the use of, or the 

inability to use, this website. If the user of Live Auctioneers places absentee 

bid(s) with the Auction Company, Live Auctioneers and also bids in person, 

by phone or by any other means, it is solely the bidder’s responsibility 

to cancel any or all absentee bids prior to the start of the auction. If the 

bidder does not or cannot, regardless of any reason, the bidder will be held 

responsible for the purchase of the property. 

38 


14. Fuller’s LLC accepts absentee bids in person, by mail, or by fax. Absentee 

bids should be received no later than 12 Noon on the last business day 

preceding the auction. Please call Fuller’s LLC to confirm receipt of any faxed 

absentee bids. All absentee bids are handled as though the bidder is in 

attendance. These bids are executed by a designated Fuller’s LLC employee. 

A 25% deposit is required on all absentee bids. Fuller’s LLC buys all absentee 

bid designated lots for the bidder at one bidding increment above where 

all competition stops bidding, as long as the absentee bid has not already 

been surpassed by the bidding at the auction. Please check and comply 

with these bidding increments. In case of failure to meet these terms, Fuller’s 

LLC will reduce each bid not at an acknowledged bidding increment to 

the next lower bidding increment. Due to Fuller’s LLC’s structured bidding 

increments, it is very likely that several people will leave identical bids. The 

earlier absentee bid left with the Auction Company wins in the event of a 

tie bid. All absentee bids placed on Live Auctioneers are sent to the Auction 

Company during the actual sale at the time the lot is being offered for sale. 

There is no time advantage to these absentee bids at all. All absentee bidder 

names and bids are held in strictest confidence, disclosed only in the event 

of a question after the sale. Absentee bidding is a convenience offered 

to Fuller’s LLC’s customers and, while Fuller’s LLC will make every effort 

to execute the bidder’s instructions, the Auction Company is not liable or 

responsible for any errors or failure to do so. If the bidder places absentee 

bids with the Auction Company, Live Auctioneers and also bids in person, by 

phone or any other means, it is solely the bidder’s responsibility to cancel any 

or all absentee bids prior to the start of the auction. If the bidder does not or 

cannot cancel these bids, regardless of any reason, the bidder will be held 

responsible for the purchase of the property. 

15. Telephone lines designated for telephone bidding are available on a first 

come, first served basis. Please reserve a telephone line as soon as possible. 

Telephone lines must be reserved in person or by telephone no later than 

12 Noon on the last business day before the auction. Unauthorized faxed 

requests for telephone lines are not accepted. The bidder should first 

determine the lots on which the bidder wishes to bid before requesting a 

phone line reservation. Please request and review condition reports for these 

lots in advance of reserving a phone line. Fuller’s LLC will contact the bidder 

at only one phone number during the auction. Fuller’s LLC suggests that the 

bidder submits absentee bids if the bidder is unsure of his/her whereabouts 

at the time of the sale. All requests for overseas telephone lines must be 

accompanied by absentee bids which will be executed on the bidder’s 

behalf in the event of any problems with the telephone connection. It is the 

responsibility of the bidder to confirm his/her phone number and the lots to 

be bid upon by twenty-four hours before the auction. The bidder should not 

change the phone number after that phone number has been confirmed. 

If the bidder’s phone number changes, the Auction Company reserves the 

right to refuse the bidder’s bid by telephone in this auction and will not be 

responsible for any breakdown in communications. 

Fuller’s LLC strongly recommends the use of telephone land lines, which are 

often more reliable than mobile telephone lines. When bidding by phone, 

the bidder must be willing to bid up to the low estimate if the competitive 

bidding goes as high as the low estimate. There is absolutely no exception 

to this rule. However, the bidder may leave absentee bids for any amount 


on any lot. Bids are placed on the telephone at the discretion of the Auction 

Company and at the caller’s risk. Fuller’s LLC offers telephone bidding as 

a convenience to its customers. While Fuller’s LLC will make every effort 

to execute the bidder’s instructions, the Auction Company is not liable or 

responsible for any errors or failure to do so. 

16. All items advertised in this catalog for sale by auction, with a minimum 

presale estimate of $1,000 and higher, have, insofar as they are uniquely 

identifiable from the description given, been checked against the 

computerized database of stolen or lost artwork, antiquities and other 

cultural objects maintained by the Art Loss Register. A search certificate 

can be provided by the Art Loss Register for an additional fee. The Art Loss 

Register can be reached by mail at 108 West 39th Street, Suite 506, New York, 

New York, 10018, or by email at info@alrny.com. The Art Loss Register cannot, 

however, guarantee the provenance of any cataloged item against which 

they search, and will not be liable for any direct or consequential losses of 

any nature howsoever arising. This statement is not to affect, detract from, or 

override Fuller’s LLC’s Terms and Conditions of Sale, and in the event of any 

conflict, the Terms and Conditions of Sale will take priority to the terms of 

this statement. 

17. Bidding Increments 

$0 to $500 ....................................................... by $25’s 

$500 - 1000 ..................................................... by $50’s 

$1000 - 2000 .................................................. by $100’s 

$2000 - 5000 .................................................. by $250’s 

$5000 - 10,000 ............................................... by $500’s 

$10,000 - 20,000 ........................................... by $1000’s 

$20,000 - 50,000 ........................................... by $2500’s 

$50,000 - 100,000 ......................................... by $5000’s 

$100,000 - 200,000 ...................................... by $10,000’s 

$200,000 - 500,000 ...................................... by $25,000’s 

$500,000 -and above .................................. by $50,000’s 

(Variations from the above Bidding Increments are at the auctioneer’s 

sole discretion.) 

Fuller’s LLC Terms of Guarantee 

1. Fuller’s LLC warrants the authenticity of Authorship of each lot contained 

in this catalog on the terms and conditions set forth below. “Authorship” 

is defined as the creator, period, culture, source of origin, as the case may 

be, as set forth in the heading of a lot in this catalog, with exception of 

amendments by any oral or written sales-room notices or announcements. 

All other warranties of authenticity of authorship express or implied, are 

hereby disclaimed as Buyer shall take each lot “as is” and with all faults and 

errors of description. 

40 


2. Fuller’s LLC warrants the Authorship of a lot for a period of 15 days from the 

date of the sale of such lot and only to the original Buyer of record at the 

auction. If it is determined to Fuller’s LLC’s satisfaction that the heading is 

incorrect, the sale will be rescinded provided the lot is returned to Fuller’s 

LLC in the same condition in which it was at the time of the sale. It is also 

Fuller’s LLC’s general policy to have the Buyer obtain at the Buyer’s expense 

the opinion of one (or two in some cases) recognized experts in the field, 

mutually acceptable to Fuller’s LLC and the Buyer, before Fuller’s LLC 

determines whether to rescind the sale under the above warranty. 

3. The Buyer’s sole remedy in the event of disputed authenticity of authorship 

of any lot shall be rescission of the sale and restitution of the original 

purchase price and premium paid by such Buyer. Fuller’s LLC hereby 

disclaims all liability for any damages, incidental, consequential or otherwise, 

arising out of or in connection with any sale to the Buyer. 

4. Names printed in bold letters in the catalog which identify a lot specifically 

as the work of the named artist or author shall mean that the work is by 

the named artist or author, i.e. if the name of the artist is printed in bold 

letters without a question mark and without any qualifying phrase such as 

“attributed to,” “circle of,” or “after.” Bold and italicized names in the catalog 

which attribute the work to a named artist or author shall mean that the 

work is of a period or school of the artist or author, but is not, with certainty, 

by the named artist or author. This may also be indicated with a question 

mark following the name of the author. 

5. Exclusions - Notwithstanding any other provision of these “Terms of 

Guarantee”, Fuller’s LLC disclaims all warranties of authenticity of authorship 

for all lots consisting of works of fine art by or “attributed to” artists, authors 

or persons living before 1870 and, when no artist, author or person is so 

identified, works attributed to a period which includes any date prior to 

1870, and all warranties relating to the identification of the periods or dates 

of execution of property, which may be proven inaccurate. 

6. Definitions of statements: 

a. “Attributed to “ - work is of the period of the named artist and may be the 

work of that artist, but not definitely so. 

b. “Circle of” - work of the period closely associated with the artist or from the 

studio of the artist. 

c. “School of” - work by a pupil or follower of the artist, in his/her style. 

d. “After” - in Fuller’s LLC’s opinion, a copy of the work of the artist. 

e. “Signed” - has the signature which in Fuller’s LLC’s qualified opinion is the 

signature of the artist. 

f. “Bears signature” - has a signature which in Fuller’s LLC’s qualified opinion, 

might be the signature of the artist. 


INDEX 

Name 

Lot Number 

Abbott, Berenice 70 

American School, 19th Century 11 

Amy Kahn Russell 150 

Anne Klein 157 

Barbier, George 30, 32 

Baum & Mercier 123 

Botero, Fernando 83 

Boulanger, Graciela Rodo 84 

Bozzolini, Silvano 49 

Brassai (Guyula Halasz) 72 

Breininger, Lester 4, 5, 6 

Browne, Byron 17 

Brunelleschi, Umberto 28 

Cartier 107, 109, 115, 121, 134, 

136, 138, 139 

Cézanne, Paul 12 

Chagall, Marc 14, 15, 16 

Chanel 151-156, 171-180, 183, 

184, 187, 189 

Cocteau, Jean 25 

Dali, Salvador 88, 89 

David Yurman 112 

Ernst, Max 46 

Fendi 182 

Fortunoff 95 

Frost, Arthur Burdett Sr. 37 

George, Hurrell 76 

Goldberg, Rube 29, 31, 33 

Gotshall, David and Barbara Strawser 1, 2 

Gottshall, Walter, Jonathan Bastian, 3 

and Donna and Daniel Strawser 

Gropper, William 27 

Gucci 169 

Hambleton, Richard 61, 62 

Heap, George and Nicholas Scull 9 

Heeks, Willy 66, 67, 68, 69 

Hirschfeld, Albert 34, 35, 36, 38, 39, 40, 42, 43 

Istrati, Alexandre 51 

Jacobs, Lou, Jr. 71 

J.E. Caldwell Co. 92 

Joelson, Suzanne 52, 53, 54 

Judd, Donald 56 

42 


Name 

Lot Number 

Judith Leiber 165, 168, 170 

Karsh, Yousuf 75 

Kenneth Jay Lane 157, 160 

Klee, Paul (After) 48 

Kohlhofer, Christof 63 

Konstantino 129 

Laurencin, Marie 20, 21, 22 

Lichtenstein, Roy (After) 82 

Louis Vuitton 161, 163 

Marsh, Georgia 44, 45 

Mary McFadden 190 

Maywald, Willy 77 

Michael Bondanza 104 

Mihich, Vasa Velizar 47 

Miro, Joan (After) 26 

Miss, Mary 57, 58 

Morley, Malcolm 64, 65 

Noyer, Denis Paul 86 

Ostier, André 73, 74 

Paloma Picasso for Tiffany 90, 91 

Pann, Abel 41 

Papart, Max 85 

Pascin, Jules 18 

Paul Morelli 102, 111 

Picasso, Pablo 23, 24 

Prada 167 

Renaud Pellegrino 166 

Renoir, Pierre-Auguste 10 

Roberts, Judith and 103 

Millicent Rogers Silver Designs 

Saret, Alan 59, 60 

Schlumberger for Tiffany 98 

Shahn, Ben 87 

Staffel, Rudolf 50 

Thomas, J.W. 13 

Weber, Max 19 

Witkin, Joel-Peter 78, 79, 80, 81 

Zucker, Joe 55 


Fuller’s Fine Art Auctions is now accepting consignments for 

future sales. We offer competitive terms for your works of art. 

Please call 215-991-0100 or email info@FullersLLC.com at your 

earliest convenience. 

Please note that multiple photographs of every lot are available 

through Live Auctioneers. Place absentee bids or bid live 

through Live Auctioneers (www.liveauctioneers.com). 

Visit our website www.FullersLLC.com for bidding instructions. 

44

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