Fine Art Auction Including - Fuller's Fine Art Auctions
Fine Art Auction Including - Fuller's Fine Art Auctions
Fine Art Auction Including - Fuller's Fine Art Auctions
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<strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong> including<br />
Jewelry, Handbags, Coins and More<br />
Saturday, December 5, 2009 at 12 Noon<br />
730 Carpenter Lane, Philadelphia, PA 19119-3406<br />
Previews:<br />
Saturday, November 28, 12 Noon - 6 pm<br />
Monday, November 30, through<br />
Friday, December 4, 12 Noon – 6pm<br />
Day of Sale, Saturday, December 5, beginning at 9 am<br />
Preview reception open to the public<br />
on Thursday, December 3, 2009, 5 pm until 8 pm<br />
Location: Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s is located in a Wissahickon Schist<br />
stone building in the historic northwest section of Philadelphia<br />
known as West Mt. Airy, one block from Carpenter’s Woods.<br />
Catalog Contents<br />
Lots 1 - 246 pages 5 - 36<br />
Terms and Conditions of Sale pages 37 - 40<br />
Terms of Guarantee pages 40 - 41<br />
Alphabetical Index of <strong>Art</strong>ist Names pages 42 - 43<br />
JEFFREY P. FULLER, PENNSYLVANIA AUCTIONEER LICENSE AU005414<br />
FULLER’S LLC, Pennsylvania <strong>Auction</strong> Company License RY000923<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s is now accepting consignments for<br />
future sales. We offer competitive terms for your works of art.<br />
Please call 215-991-0100 or email info@FullersLLC.com at your<br />
earliest convenience.<br />
Please note that multiple photographs of every lot are<br />
available through Live <strong>Auction</strong>eers. Place absentee bids or bid<br />
live through Live <strong>Auction</strong>eers (www.liveauctioneers.com).<br />
Visit our website www.FullersLLC.com for bidding instructions.<br />
Cover illustration: Richard Hambleton, Lot 62 (detail)<br />
Back cover illustration: Pablo Picasso, Lot 24<br />
Copyright © 2009 Fuller’s LLC. All Rights Reserved<br />
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Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Dear Friends and Colleagues,<br />
It is with great enthusiasm that we present this <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>.<br />
With more than thirty years experience as a full service, quality fine<br />
arts business specializing in the sale and appraisal of fine art, we are<br />
proud to bring the items in this sale to auction.<br />
A portion of this sale is a continuation of our October 3 rd auction<br />
featuring the Estate of Betty Gordon. As an avid collector and a<br />
patron of the arts, Betty was well known for her generosity and<br />
kindness to all. She was equally known for her glamorous sense of<br />
style in both fashion and life. Highlights of this sale include objects<br />
from Betty’s wonderful collection of designer jewelry, handbags,<br />
and shoes. From fabulous pieces by Cartier, Tiffany, and Chanel<br />
to intricately handmade artist and folk art-inspired items, it is all<br />
Betty. As with our October 3 rd sale, proceeds from the sale of Betty’s<br />
estate will ultimately support the Devereux Foundation’s mission to<br />
change lives and nurture human potential.<br />
As the founder and director of Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s and Jeffrey<br />
Fuller <strong>Fine</strong> <strong>Art</strong>, Ltd., I thank all of the consignors of the works that we<br />
are pleased to offer for sale through this auction. I am indebted to<br />
our wonderful staff, especially Jim Robinson, Marie Woodward and<br />
Gary Pelkey, who have carefully and thoroughly prepared all that<br />
will make this auction a success. And most of all, I thank you, the<br />
bidders and buyers without whom there would be no sale.<br />
Thank you,<br />
Jeffrey P. Fuller<br />
Director<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 3
Important Notice to all Buyers:<br />
A buyer’s premium will be added to the successful bid and is<br />
payable by the Buyer as part of the total purchase price. The buyer’s<br />
premium for each individual lot is 18% of the successful bid price<br />
up to and including $500,000, and 15% on any amount in excess of<br />
$500,000. A 3% discount is available for payments by cash, check or<br />
wire transfer. Please refer to the Terms and Conditions of Sale in this<br />
catalog for further details.<br />
Please note that all of the works of art reproduced in this catalog<br />
and on our website where applicable are copyright the artists or<br />
the estates of the artists.<br />
All measurements are in inches, height preceding width, preceding<br />
depth. Exceptions are measurements in millimeters (mm) or<br />
centimeters (cm).<br />
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Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Folk <strong>Art</strong><br />
1. David Gottshall (American, 20th Century) Belsnickle, reverse painting<br />
on glass, 13 x 11 inches, signed and dated lower right recto with<br />
historical description by the artist on verso. Provenance: The Betty<br />
Gordon Estate. $75-150.<br />
2. Barbara Strawser (American, 20th Century) Pair of Folk <strong>Art</strong> Holiday<br />
Paintings in Hand Painted Frames, gouache on paper, ranging in size<br />
from 8 x 8 to 10-1/2 x 10-1/2 inches, each signed and dated on recto,<br />
each framed. Provenance: The Betty Gordon Estate. $75-150.<br />
3. Jonathan Bastian, Walter Gottshall and Donna and Daniel<br />
Strawser (American, 20th Century) Group of seventeen Folk <strong>Art</strong><br />
Holiday Sculptures: Christmas Trees, Snowmen, Santa Claus and<br />
Belsnickles, polychrome carved wood, ranging in size from 4 to 7<br />
inches (height), most signed and dated. Provenance: The Betty<br />
Gordon Estate. $100-200.<br />
4. Lester Breininger (American, 20th Century) Collection of twenty-two<br />
Pennsylvania German Glazed Redware Christmas Ornaments, ranging<br />
in size from 2-1/2 x 3-1/4 to 3-1/2 x 5-1/2 inches. Provenance: The<br />
Betty Gordon Estate. $100-200.<br />
5. Lester Breininger (American, 20th Century) Collection of eighteen<br />
Pennsylvania German Glazed Redware Christmas Figurines and Small<br />
Plates, ranging in size from 2-1/2 to 5-1/2 inches (plate diameter) and<br />
4 to 5 inches (figurine height), each signed and dated. Provenance:<br />
The Betty Gordon Estate. $100-200.<br />
6. Lester Breininger (American, 20th Century) Collection of thirteen<br />
Pennsylvania German Glazed Redware Christmas Dinner Plates, ranging<br />
in size from 9-1/2 to 10-1/2 inches (diameter), each signed and dated.<br />
Provenance: The Betty Gordon Estate. $100-200.<br />
7. Necklace with Three Hand Painted Pewter Santa Claus Pendants<br />
and a Sterling Christmas Tree Pin Pendant, ranging in size from 2 to 19<br />
inches. Provenance: The Betty Gordon Estate. $25-50.<br />
8. Collection of Holiday Figurines: Pair of Hand-dyed Goose Feather<br />
Christmas Trees, Hand Painted Papier Maché Belsnickle, Pair of<br />
Polychrome Wood Goat Figurines covered with Wool and a Papier<br />
Maché Rabbit Candy Container (6 items total), ranging in size from<br />
4-1/2 inches to 20 inches (height). Provenance: The Betty Gordon<br />
Estate. $100-200.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 5
<strong>Fine</strong> <strong>Art</strong><br />
9. Nicholas Scull and George Heap (American, 18th Century) A Plan<br />
of the City and Environs of Philadelphia Engraved and Published by<br />
Matthew Albert Lotter, 1777, hand-colored engraving, 23-3/4 x 18-1/4<br />
inches (sight), framed. Provenance: Private Collection, Philadelphia,<br />
PA. $1000-1500.<br />
10. Pierre-Auguste Renoir (French, 1841-1919) Le chapeau épinglé,<br />
etching, 4-1/2 x 3-1/4 inches (plate); 7-3/4 x 5-1/4 inches (sight),<br />
signed in the plate, framed. Literature: Delteil, 8. Provenance: Private<br />
Collection, Philadelphia, PA. $200-300.<br />
11. American School, 19th Century Miniature Portrait of Abraham<br />
Lincoln, oil on ivory, 3-1/4 inches (image height), signed lower<br />
right recto “n Doles.”, framed. Provenance: Margaret E. Strawbridge,<br />
Philadelphia, PA; Private Collection, Philadelphia, PA. $800-1200.<br />
12. Paul Cézanne (French, 1839-1906) Guillaumin au pendu, etching,<br />
6-1/8 x 4-1/2 inches (plate), framed. Provenance: Private Collection,<br />
Philadelphia, PA. $300-500.<br />
13. J.W. Thomas (American, 19th Century) Still Life with Fish, 1895, oil<br />
on canvas, 18 x 24 inches (stretcher), signed and dated lower right<br />
recto “J.W. Thomas, 1895.”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $1200-1800.<br />
14. Marc Chagall (Russian/French, 1887-1985) Chagall et la Bible (Moses<br />
and the Tablets of the Law), 1962, lithograph in colors, 28 x 19-1/2<br />
inches (plate), signed lower right recto, framed. Literature: Mourlot,<br />
362. Provenance: Private Collection, Philadelphia, PA. $400-600.<br />
15. Marc Chagall (Russian/French, 1887-1985) Hochzeit (from Mein<br />
Leben), etching, 6-3/4 x 6-1/2 inches (plate), pencil numbered, signed<br />
and dated lower margin “109/110 Marc Chagall 1922”, framed.<br />
Literature: Kornfeld, 16. Publisher: Paul Cassirer, Berlin. Provenance:<br />
Private Collection, Philadelphia, PA. $3000-4000.<br />
16. Marc Chagall (Russian/French, 1887-1985) La maison dans mon<br />
village (Marc Chagall, Musée Municipal de Brest, oeuvres graphiques,<br />
1969), lithograph in colors, 29-1/4 x 20-1/8 inches (sheet), signed<br />
lower right recto “Marc Chagall”, unframed. Printer: Mourlot.<br />
Literature: Sorlier, 125. Provenance: Private Collection, Philadelphia,<br />
PA. $400-600.<br />
17. Byron Browne (American, 1907-1961) Portrait, 1955, mixed media on<br />
canvas, 15-3/4 x 13-1/2 inches (irregular canvas), signed and dated<br />
lower right recto “Byron Browne 1955”, framed. Provenance: Private<br />
Collection, Baltimore, MD. $1200-1800.<br />
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Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
18. Jules Pascin (Bulgarian/French, 1885-1930) Untitled (Two Seated<br />
Women with Dog), graphite and colored pencil on paper, 4-1/2 x 3-1/4<br />
inches (sight), signed lower right recto “Pascin”, framed. Provenance:<br />
Private Collection, Philadelphia, PA. $1500-2000.<br />
19. Max Weber (American, 1881-1961) Retirement (In the hills), 1929,<br />
lithograph with pastel crayons, 9-5/8 x 13 inches (sheet), pencil<br />
signed lower left recto, unframed. Literature: Cole, 15. Provenance:<br />
Private Collection, Philadelphia, PA. $800-1200.<br />
20. Marie Laurencin (French, 1883-1956) Autoportrait, lithograph, 8-1/2<br />
x 6 inches (plate); 17-1/4 x 13 inches (sheet), pencil signed lower left<br />
recto, unframed. Literature: Marchesseau, 33. Provenance: Private<br />
Collection, Philadelphia, PA. $200-300.<br />
21. Marie Laurencin (French, 1883-1956) La ronde, 1926, hand colored<br />
etching, 5 x 3-1/4 inches (plate), pencil signed lower right recto<br />
“Marie Laurencin”, framed. Literature: Marchesseau, 95. Provenance:<br />
Private Collection, Philadelphia, PA. $500-700.<br />
22. After Marie Laurencin (French, 1883-1956) Fêtes de la Danse,<br />
lithograph in colors, 13-1/2 x 17 inches (plate); 19-3/4 x 25-1/2 inches<br />
(sheet), signed in the plate and stamped “Chalcographie Musée du<br />
Louvre”, unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$100-200.<br />
23. Pablo Picasso (Spanish, 1881-1973) Picador, 1953, ceramic plate<br />
with enamel, 9 inches (diameter), stamped “Madoura” and numbered<br />
on verso “21/200”, Literature: A. Ramié, 201. Provenance: Private<br />
Collection, Philadelphia, PA. $1800-2400.<br />
24. Pablo Picasso (Spanish, 1881-1973) Oiseau no. 82, 1963, glazed<br />
ceramic, 9-7/8 inches (diameter), inscribed and numbered on verso<br />
“No 82 / Edition Picasso / 38/150 / Madoura”, Literature: A. Ramié, 482.<br />
Provenance: Private Collection, North Wales, PA. $1000-1500.<br />
25. Jean Cocteau (French, 1889-1963) Le joueur de pipeau, glazed<br />
terracotta plate, 12-1/2 inches (diameter), signed on verso “Jean<br />
Cocteau” and inscribed on recto “Edition originale de Jean Cocteau /<br />
Atelier Madeline-Jolly”. Literature: A. Guédras, no.77 (another version<br />
illustrated). Provenance: Private Collection, Philadelphia, PA.<br />
$1200-1800.<br />
26. After Joan Miró (Spanish, 1893-1983) Constellations, 1959, pochoir<br />
in colors, 16-7/8 x 14 inches (sight), plate signed, framed. Literature:<br />
58, Cramer books. Publisher: André Breton & Pierre Matisse Gallery.<br />
Provenance: Private Collection, Philadelphia, PA. $800-1200.<br />
27. William Gropper (American, 1897-1977) Group of three lithographs<br />
in colors, 14 x 10-3/4 inches (each sheet), each numbered and signed,<br />
unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$100-200.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 7
28. Umberto Brunelleschi (Italian, 1879-1949) La Gondola Rouge, 1926,<br />
pochoir in colors and gouache over etching, 11-1/4 x 18-1/4 inches<br />
(plate), titled in pencil lower margin, framed. Publisher: l’Estampe<br />
Moderne, Paris. Provenance: Private Collection, Philadelphia, PA.<br />
$200-300.<br />
29. Rube Goldberg (American, 1883-1970) Two works on paper: Losing<br />
His Roof and They’re Not So Particular, mixed media on paper, 18-1/2<br />
x 14-1/2 inches (each sheet), each signed, unframed. Provenance:<br />
Private Collection, Philadelphia, PA. $400-600.<br />
30. George Barbier (French, 1882-1932) The Greek Girl, watercolor and<br />
ink on paper, 10 x 7-1/2 inches, signed center right recto “GEORGES<br />
/ BARBIER”, framed. Provenance: Private Collection, Philadelphia, PA.<br />
$1000-1500.<br />
31. Rube Goldberg (American, 1883-1970) The Great British-Soviet Get-<br />
Together Act, ink on paper, 18-1/2 x 14-1/2 inches (sheet), signed<br />
lower right recto “Rube Goldberg”, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $300-500.<br />
32. George Barbier (French, 1882-1932) The Dutch Girl, 1919, watercolor<br />
and ink on paper, 9-3/4 x 7-1/4 inches (sight), signed and dated<br />
lower right recto “GEORGE BARBIER 19”, framed. Provenance: Private<br />
Collection, Philadelphia, PA. $1000-1500.<br />
33. Rube Goldberg (American, 1883-1970) Welcome to the Log Cabin,<br />
1939, graphite on paper, 9-3/4 x 6-1/4 inches, inscribed, signed and<br />
dated, unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$200-300.<br />
34. Albert Hirschfeld (American, 1903-2003) Streisand and Matthau,<br />
etching and aquatint, 12-1/4 x 15 inches (plate); 18 x 20-1/2 inches<br />
(sheet), numbered and signed “31/160 HIRSCHFELD”, with blind<br />
stamp, unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$500-700.<br />
35. Albert Hirschfeld (American, 1903-2003) Buster Keaton, etching and<br />
aquatint, 18-3/4 x 22 inches (sheet), numbered and signed along<br />
lower margin “P. P. 11/11 HIRSCHFELD”, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $400-600.<br />
36. Albert Hirschfeld (American, 1903-2003) James Cagney as George<br />
M. Cohan in “Yankee Doodle Dandy”, hand colored etching, 19-1/4 x<br />
13-1/2 inches (plate); 27 x 20 inches (sheet), numbered and signed<br />
along lower margin “PP I/II Hirschfeld”, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $400-600.<br />
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37. <strong>Art</strong>hur Burdett Frost Sr. (American, 1851-1928) “Sat Little Colonel<br />
Wailing,” illustration for Soldier of the Valley by Nelson Lloyd, first<br />
published in 1904, 1904, gouache on paper mounted on board,<br />
13 x 16 inches (sight), signed lower right recto “A.B. Frost”; titled,<br />
dated and inscribed in pencil on verso, framed. Literature: Nelson<br />
Lloyd, Soldier of the Valley, New York: Charles Scribner’s Sons, 1904.<br />
Provenance: John T. Dorrance, Jr., Philadelphia, PA; Private Collection,<br />
Philadelphia, PA. $1000-1500.<br />
38. Albert Hirschfeld (American, 1903-2003) Judy Garland, etching<br />
and aquatint, 18 x 14 inches (plate); 23-1/2 x 19-1/2 inches (sheet),<br />
numbered, signed and stamped along lower margin “441/525<br />
HIRSCHFELD”, unframed. Provenance: Private Collection, Philadelphia,<br />
PA. $300-500.<br />
39. Albert Hirschfeld (American, 1903-2003) Carol Channing in<br />
Gentlemen Prefer Blondes, etching and aquatint, 12-1/4 x 10-1/2<br />
inches (plate); 18 x 15 inches (sheet), numbered and signed “PP/11/11<br />
HIRSCHFELD”, with blind stamp, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $300-500.<br />
40. Albert Hirschfeld (American, 1903-2003) Greta Garbo, aquatint<br />
and etching, 14 x 9-3/4 inches (plate); 20-1/4 x 15 inches (sight),<br />
numbered and signed along lower margin “105/200 HIRSCHFELD”,<br />
unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$300-500.<br />
41. Abel Pann (Israeli, 1883-1963) The Allies (Les Alliés), hand colored<br />
lithograph, 18-3/4 x 25-3/4 inches, titled upper right recto “Les Alliés”;<br />
signed lower right recto “Abel Pann”, framed. Provenance: Private<br />
Collection, Philadelphia, PA. $1000-1500.<br />
42. Albert Hirschfeld (American, 1903-2003) Gregory Peck in Twelve<br />
O’clock High, lithograph, 22 x 18 inches (sheet), numbered and signed<br />
“75/100 HIRSCHFELD”, unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $300-500.<br />
43. Albert Hirschfeld (American, 1903-2003) Two lithographs: Le Gong,<br />
Bali and Untitled (Geisha), lithographs in colors, ranging in size<br />
from 26 x 20 to 30 x 21 inches (sheet), each numbered and signed,<br />
unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$400-600.<br />
44. Georgia Marsh (American, b. 1950) Untitled, acrylic on canvas, 90 x<br />
49-1/2 inches (stretcher), signed and dated on verso “Georgia Marsh<br />
85”, unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$1200-1500.<br />
45. Georgia Marsh (American, b. 1950) Pair of Landscapes, ink wash<br />
on paper, 23 x 30-1/2 inches (each sheet), each signed and dated<br />
lower right recto “Georgia Marsh 85”, framed. Provenance: Private<br />
Collection, Philadelphia, PA. $700-900.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 9
46. Max Ernst (German, 1891-1976) Head, colored glass, 9-1/2 x 7 x<br />
6-1/2 inches, signed and inscribed along the base “Max Ernst ferro e<br />
Lazzarini / Murano”. Provenance: Private Collection, Philadelphia, PA.<br />
$1200-1800.<br />
47. Vasa Velizar Mihich (Yugoslavian, b. 1933) Lucite Sculpture in Ten<br />
Parts, acrylic, each part 2 inches (cubed), one cube signed and<br />
dated “Vasa © 1991”. Provenance: acquired directly from the artist;<br />
Private Collection, Philadelphia, PA. Provenance: Private Collection,<br />
Philadelphia, PA. $400-600.<br />
48. After Paul Klee (American, 1879-1940) Musique, 1953, screenprint,<br />
13-3/4 x 20-1/2 inches (image); 19-1/4 x 25-1/4 inches (sheet),<br />
numbered in lower margin “248/300”, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $250-350.<br />
49. Silvano Bozzolini (Italian, 1911-1998) Untitled, 1954, screenprint, 13-<br />
1/4 x 13-1/4 inches (image); 25-1/4 x 19-1/4 inches (sheet), numbered<br />
and signed along lower margin, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $50-100.<br />
50. Rudolf Staffel (American, 1911-2002) Light Gatherer, wheel thrown<br />
glazed porcelain, 7-3/4 inches (height); 6-3/4 inches (diameter),<br />
incised on bottom “Rudy Staffel”. Exhibitions: “Selected Works 1935-<br />
1989,” Temple Gallery, August 25-October 14, 1989. Provenance:<br />
Helen Drutt Gallery, Philadelphia, PA; Private Collection, Philadelphia,<br />
PA. $2000-4000.<br />
51. Alexandre Istrati, (Romanian/French, 1915-1991) Untitled, 1953,<br />
screenprint, 19-1/4 x 13 inches (image); 25-1/4 x 19-1/4 inches<br />
(sheet), numbered and signed along lower margin, unframed.<br />
Provenance: Private Collection, Philadelphia, PA. $50-100.<br />
52. Suzanne Joelson (American, b. 1952) Untitled (Seascape), acrylic<br />
on gold foil, 28 x 43-1/2 inches (sheet), signed and dated lower<br />
right recto “S. Joelson – 81”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $1000-1500.<br />
53. Suzanne Joelson (American, b. 1952) Sinai Cosign Tangent, acrylic on<br />
canvas, 56 x 56 inches (stretcher), titled, signed and dated on verso<br />
“SINAI / CO SIGN / TANGENT / Suzanne Joelson / 1982”, unframed.<br />
Provenance: Private Collection, Philadelphia, PA. $1000-1200.<br />
54. Suzanne Joelson (American, b. 1952) Untitled (Hourglass), acrylic on<br />
aluminum foil, 40 x 28 inches (sheet), framed. Provenance: Private<br />
Collection, Philadelphia, PA. $1000-1500.<br />
55. Joe Zucker (American, b. 1941) Untitled (Pair of Bird Drawings), 1972,<br />
watercolor, color graphite on paper, ranging in size from 9-1/2 x 9 x<br />
1-1/2 inches to 10 x 10 x 1 inches (object), each initialed lower right<br />
recto “JZ”, each framed. Provenance: Mary Boone Gallery, New York<br />
(#124); Sotheby’s Arcade <strong>Auction</strong>s; Private Collection, Philadelphia,<br />
PA. $1000-1500.<br />
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56. Donald Judd (American, b. 1928) Untitled, 1974-1979, aquatint, 40-<br />
1/4 x 29-3/4 inches (sheet), 35-1/4 x 24-3/4 inches (plate), numbered<br />
and signed along lower margin “44/175 Judd” and stamped “Styria<br />
Studio”, unframed. Literature: Schellmann, 96. Provenance: Private<br />
Collection, Philadelphia, PA. $2000-2500.<br />
57. Mary Miss (American, b. 1944) A Long Arm, mixed media on paper<br />
(graphite and silver gelatin emulsion prints), 14 x 17 inches (sheet),<br />
titled, signed and dated lower left recto “A Long Arm / Mary Miss<br />
1981”, framed. Provenance: Private Collection, Philadelphia, PA.<br />
$1000-1500.<br />
58. Mary Miss (American, b. 1944) Untitled (Design for Large Pavilion),<br />
mixed media on paper (ink, silver gelatin emulsion prints and<br />
vellum), 30-1/2 x 33 inches (sight), framed. Provenance: Private<br />
Collection, Philadelphia, PA. $900-1200.<br />
59. Alan Saret (American, b. 1944) Ensoulment of the Rising Breath,<br />
graphite and colored pencil on paper, 22 x 34 inches (sight); 24 x 38<br />
inches (sheet), pencil titled, signed and dated on verso “Ensoulment<br />
of the / Rising Breath / Mountain Kingdom’ / 1970 / Alan Daniel Saret”,<br />
framed. Provenance: Private Collection, Philadelphia, PA.<br />
$1800-2500.<br />
60. Alan Saret (American, b. 1944) Short Swoop - Three Standing, graphite<br />
and colored pencil on graph paper, 11 x 22 inches (sheet), pencil<br />
titled, signed and dated on verso “Short Swoop - Three Standing’ Alan<br />
Saret 9.67”, framed. Provenance: Sotheby’s Arcade <strong>Auction</strong>s; Private<br />
Collection, Philadelphia, PA. $1000-1500.<br />
61. Richard Hambleton (American, b. 1954) Untitled, acrylic and ink on<br />
paper, 87 x 48 inches (sheet), framed. Provenance: Private Collection,<br />
Philadelphia, PA. $1200-1800.<br />
62. Richard Hambleton (American, b. 1954) Untitled, ink on paper float<br />
mounted to foam core, 87-1/2 x 48-1/4 inches, signed lower right<br />
recto “R. Hambleton”, unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $2000-3000.<br />
63. Christof Kohlhofer (American, b. 1942) GO YA, 1983, acrylic on<br />
canvas, 70 x 134 x 2 inches (stretchers: two panels); 70 x 68 inches<br />
(left); 70 x 66 inches (right), unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $1000-1500.<br />
64. Malcolm Morley (British, b. 1931) Study for Camels and Goats,<br />
graphite, watercolor and ink on paper, 23 x 31 inches (sheet), signed<br />
and dated lower right recto “Malcolm Morley / 1980”, framed.<br />
Provenance: Edward Thorp Gallery, New York; Private Collection,<br />
Philadelphia, PA. $5000-7000.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 11
65. Malcolm Morley (British, b. 1931) New York Crumbled Post-Card,<br />
watercolor, graphite and ink on paper, 22 x 30 inches (sheet), titled,<br />
initialed and dated lower recto “New York Crumbled Post-Card MM<br />
74”, framed. Provenance: Private Collection, Philadelphia, PA.<br />
$4000-6000.<br />
66. Willy Heeks (American, b. 1951) Four Drawings, 1983, graphite and<br />
charcoal on paper, 10-1/2 x 8-1/2 inches (each sight), each signed<br />
and dated, framed. Provenance: Private Collection, Philadelphia, PA.<br />
$500-600.<br />
67. Willy Heeks (American, b. 1951) Untitled, oil on canvas, 40 x 52 inches<br />
(stretcher), signed and dated on verso “W. Heeks / 1983”, unframed.<br />
Provenance: Private Collection, Philadelphia, PA. $1000-1500.<br />
68. Willy Heeks (American, b. 1951) Untitled, 1984, oil on canvas, 48 x<br />
48 inches (stretcher), signed and dated on verso “W. Heeks 1984”,<br />
unframed. Provenance: Private Collection, Philadelphia, PA.<br />
$1000-1500.<br />
69. Willy Heeks (American, b. 1951) Mixed Media Composition, acrylic,<br />
charcoal and graphite collage, 29-1/2 x 21-3/4 inches (sight), dated<br />
and signed lower recto “1987 Willy Heeks”, framed. Provenance:<br />
Private Collection, Philadelphia, PA. $600-800.<br />
70. Berenice Abbott (American, 1898-1991) Léonard Foujita, ca. 1920,<br />
printed later, silver gelatin emulsion print, 13-1/2 x 10-1/2 inches<br />
(sheet), pencil signed on the mount; titled on verso in pencil “foujita”,<br />
stamped on verso, “PHOTOGRAPH / BERENICE ABBOTT / ABBOTT,<br />
MAINE 04406”, framed. Provenance: Private Collection, Philadelphia,<br />
PA. $750-1000.<br />
71. Lou Jacobs, Jr. (American, b. 1921) Man Ray, Hollywood, CA, silver<br />
gelatin emulsion print, 11-3/4 x 8-1/2 inches (image), titled, dated<br />
and signed along lower margin “Man Ray, Hollywood, CA 1949 lou<br />
jacobs jr”, framed. Provenance: Private Collection, Philadelphia, PA.<br />
$200-400.<br />
72. Brassai (Guyula Halasz) (Rumanian/French, 1899-1984) Salvador<br />
Dali, silver gelatin emulsion print, 11-3/4 x 8-1/4 inches (image),<br />
numbered and signed along lower margin “11/30 Brassai”, framed.<br />
Provenance: Private Collection, Philadelphia, PA. $2500-3500.<br />
73. André Ostier (French, 1906-1994) Max Ernst, silver gelatin emulsion<br />
print, 8-1/2 x 8 inches (image), signed lower right margin “A. Ostier”<br />
signed and inscribed on verso “André Ostier / Max Ernst / chez<br />
lui: Rue de Lille / 1965”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $300-500.<br />
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74. André Ostier (French, 1906-1994) Fernand Leger, silver gelatin<br />
emulsion print, 7-3/4 x 8 inches (image), signed lower right margin “A.<br />
Ostier”; signed and inscribed on verso “André Ostier / Fernand Leger<br />
/ dans son atelier. / Rue Notre Dame des Champs / 1952”, framed.<br />
Provenance: Private Collection, Philadelphia, PA. $300-500.<br />
75. Yousuf Karsh (Canadian, 1908-2002) Sir Edmund Hillary, silver<br />
gelatin emulsion print, 9-1/4 x 7-1/4 inches (sight), signed in ink on<br />
original mat “E. P. Hillary”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $750-1000.<br />
76. George Hurrell (American, 1904-1992) Jaschka Heifetz, silver gelatin<br />
emulsion print, 20 x 24-1/4 inches (sheet), numbered and signed<br />
along lower margin “23/190 Hurrell”, unframed. Provenance: Private<br />
Collection, Philadelphia, PA. $300-500.<br />
77. Willy Maywald (German, 1907-1985) Henry Moore, 1948, silver<br />
gelatin emulsion print, 11-3/4 x 11-3/4 inches, framed. Provenance:<br />
W. Maywald, Paris; Private Collection, Philadelphia, PA. $400-600.<br />
78. Joel-Peter Witkin (American, b. 1939) Penitente, NM, silver gelatin<br />
emulsion print, 14-3/4 x 14-3/4 inches (image); 20 x 16 inches<br />
(sheet), pencil signed, titled and dated on verso “Joel Peter Witkin /<br />
© Penitente / New Mexico 1982 / AP/1/JPW”, framed. Provenance:<br />
Private Collection, Philadelphia, PA. $2000-3000.<br />
79. Joel-Peter Witkin (American, b. 1939) The Wife & Cain, silver gelatin<br />
emulsion print, 14-1/2 x 14-3/4 inches (image); 20 x 16 inches (sheet),<br />
pencil signed, titled and dated on verso “Joel Peter Witkin / ‘The Wife<br />
& / Cain’ / N. M. 1981 / AP/1”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $2000-3000.<br />
80. Joel-Peter Witkin (American, b. 1939) Botticelli’s Venus, silver gelatin<br />
emulsion print, 14-3/4 x 14-3/4 inches (image); 20 x 16 inches (sheet),<br />
pencil signed, titled and dated on verso “Joel Peter Witkin / ‘Botticelli’s<br />
Venus’ / N.Y.C. 1982 / 6/15”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $3000-5000.<br />
81. Joel-Peter Witkin (American, b. 1939) Arm F*ck, silver gelatin<br />
emulsion print, 14-1/2 x 14-3/4 inches (image); 20 x 16 inches (sheet),<br />
pencil signed, titled and dated on verso “Joel Peter Witkin / ‘Arm<br />
F*ck’ / N.Y.C. 1981 / 4/15”, framed. Provenance: Private Collection,<br />
Philadelphia, PA. $4000-6000.<br />
82. After Roy Lichtenstein (American, 1923-1997) As I Opened Fire<br />
(Triptych), 1964, offset lithographs in colors, 24 x 19-1/2 inches (plate);<br />
25 x 20-1/2 inches (sheet), unframed. Literature: Corlett, 5. Publisher:<br />
Stedelijk Museum. Provenance: Private Collection, Philadelphia, PA.<br />
$300-500.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 13
83. Fernando Botero (Colombian, b. 1932) Signed poster <strong>Art</strong> de l’Atelier,<br />
<strong>Art</strong> de la Rue Colombie, 1984, offset lithograph in colors, 23-3/4 x 15-<br />
3/4 inches, signed lower right recto “Botero”, unframed. Provenance:<br />
Private Collection, Philadelphia, PA. $50-100.<br />
84. Graciela Rodo Boulanger (Bolivian, b. 1935) Le Ciel de Graciela, 1976,<br />
lithograph in color, 29-1/2 x 22 inches (sheet), numbered and signed<br />
along lower margin, unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $50-100.<br />
85. Max Papart (French, 1911-1994) Max Papart, <strong>Art</strong> Expo, New York, 1979,<br />
lithograph in colors, 35-1/2 x 22 inches (sheet), pencil signed lower<br />
right recto “Max Papart”, unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $150-250.<br />
86. Denis Paul Noyer (French, b. 1940) Group of four lithographs in<br />
colors, 21-1/4 x 30 inches (each sheet), each numbered and signed<br />
along lower margin, each unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $75-150.<br />
87. Ben Shahn (American, 1898-1969) We French workers warn you...<br />
defeat means slavery, starvation, death, 1942, lithograph in colors,<br />
28-1/2 x 39-3/4 inches, unframed. Provenance: Private Collection,<br />
Philadelphia, PA. $300-500.<br />
Jewelry<br />
88. Salvador Dali (Spanish, 1904-1989) Medallion Gotico Necklace, 31<br />
inches (length), yellow gold pendant set with 68 each full-cut round<br />
diamonds 1.36 cttw., stamped “A-3/5 ® LE 02-025-10-015 18K / 750<br />
Dali”, stamped “Octavio Sarda”, 62.8 dwt. Provenance: The Betty<br />
Gordon Estate. $2500-3500.<br />
89. Salvador Dali (Spanish, 1904-1989) Cristo Supergrande Necklace,<br />
approximately 30 inches (length), yellow gold pendant, stamped<br />
on Christ’s calf “Dali” stamped on clasp “A350/1000” and “Dali”, total<br />
weight 69.0 dwt. Provenance: The Betty Gordon Estate. $2000-3000.<br />
90. Paloma Picasso for Tiffany Tumbled Emerald and 18K Necklace, 19<br />
inches (length), stamped “© Paloma Picasso” and “Tiffany & Co 750”,<br />
in original satin jewelry case. Provenance: The Betty Gordon Estate.<br />
$700-900.<br />
91. Paloma Picasso for Tiffany Amethyst and Quartz Crystal Necklace<br />
with Paloma Picasso Signature Clasp, 25-1/2 inches (length); clasp<br />
stamped “925 / Paloma Picasso” and “© 1983 T & Co.” in original<br />
satin-lined Tiffany & Co. case with Tiffany Box. Provenance: The Betty<br />
Gordon Estate. $800-1000.<br />
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92. J.E. Caldwell Co. Onyx, Garnet and Gold Bead Six Strand Rope<br />
Necklace, 31-1/2 inches (length), stamped “14K” on yellow gold<br />
button clasp, with original J.E. Caldwell satin jewelry case, and a<br />
Necklace of Nephrite Jade multi-color 12-13 mm stone beads, 20 inches<br />
(length), with 14K yellow gold oval corrugated clasp in a silk F.J.<br />
Cooper jewelry case. Provenance: The Betty Gordon Estate.<br />
$150-200.<br />
93. 14K Yellow Gold Scallop Clip Earrings; 1 x 3/4 inches (each), total<br />
weight 10.6 dwt., a 14K two-tone Gold Heart Band, stamped “14K”,<br />
total weight 1.7 dwt., and a Gold Sunflower Clip Earrings (unmarked).<br />
Provenance: The Betty Gordon Estate. $400-500.<br />
94. Curved 14K Yellow Gold Earrings, marked “SYB” and “14K” on back,<br />
4.12 dwt. $175-275.<br />
95. Fortunoff Emerald and Diamond 18K Yellow Gold Fancy Ring, with<br />
center .58 carat fine marquise shaped emerald, 8.50 x 4.00 x 3.50 mm,<br />
surrounded by 16 full-cut round brilliant diamonds, approx .82 carats<br />
total G/H color VS2 clarity, marked “2610”,“750”, “51” and “I”, size 5.75,<br />
5.40 dwt. $1400-2100.<br />
96. <strong>Art</strong> Carved 14K Rose & Yellow Gold Diamond Floral Design<br />
Wedding Band, with 12 full-cut round brilliant diamonds, approx .24<br />
carats total, marked with <strong>Art</strong> Carved hallmark and “14K”, 5 mm wide,<br />
ring size 6, 3.08 dwt. $400-600.<br />
97. Rolled Tube 14K Yellow Gold Earrings, marked “14K” on post, 4.43<br />
dwt. $175-275.<br />
98. Jean Schlumberger for Tiffany Yellow Gold Link Bracelet, 9-1/4<br />
inches (length), total weight 64.3 dwt., stamped “Tiffany & Co. 750”<br />
and “Schlumberger Studio” in original Tiffany & Co. box. Provenance:<br />
The Betty Gordon Estate. $9500-10,500.<br />
99. Floral Carved Carnelian Pendant and 14K and 18K Yellow Gold<br />
Choker, 38 x 30 mm (Carnelian), stamped “18K” on wire necklace,<br />
total weight 7.9 dwt., stamped “14K” on pendant bail. Provenance:<br />
The Betty Gordon Estate. $300-400.<br />
100. <strong>Art</strong>s & Crafts Style 14K Yellow Gold Pendant Necklace with Shell,<br />
Black Pearl and Green Tourmaline, marked “K. G. Topol” and “14K” on<br />
back, 2 mm 14K rope chain, 19 inches (length), 10.00 dwt. $400-600.<br />
101. Antique Hand Colored Ambrotype Brooch with Portrait of a Man,<br />
incised in verso “1860”, a Victorian Hair Work on Gold Cross Pendant<br />
with Engraved Heart Center, 1-1/4 inch cross on 1/3 inch loop (see<br />
Bell’s Collector’s Encyclopedia of Hairwork Jewelry, p. 124), a Four Photo<br />
Rhinestone Fleur-de-lis Locket, a Cross Pendant Beaded Necklace and a<br />
Pennsylvania Dutch Beaded Bird Brooch (five items total). Provenance:<br />
The Betty Gordon Estate. $100-150.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 15
102. Paul Morelli 18K Yellow Gold Heart Earrings, circa 1970, marked<br />
“Morelli” and “18K” on back, with lever backs made by Paul Morelli of<br />
Philadelphia, 14.73 dwt. $700-1000.<br />
103. Judith Roberts and Millicent Rogers Silver Designs: Two Silver<br />
Convertible Pendant Brooches, each signed on verso “Collection /<br />
Judith Roberts”, each approximately 5-1/2 x 3-1/2 inches, and a Silver<br />
and Amethyst Spirit Pin, stamped with Millicent Rogers Logo and<br />
“Sterling”, 3 x 4 inches. Provenance: The Betty Gordon Estate. $50-75.<br />
104. Michael Bondanza Citrine and Diamond 18K Yellow Gold and<br />
Platinum Ring, with 16.00 x 10.00 x 8.70 mm orange-yellow fine<br />
citrine bezel set, with hand engraved platinum plates with 18 full-cut<br />
round brilliant diamonds, approx .50 carats total, marked “18K PLAT’<br />
c’” with Michael Bondanza’s hallmark, ring size 5.75, 7.72 dwt.<br />
$1800-2800.<br />
105. Pair of Three-Tier Teardrop 14K Yellow Gold Dangle Earrings with<br />
Diamonds, marked “SYB” and “14K” on back, with 8 full-cut round<br />
brilliant diamonds, approx .16 carats total, 3.92 dwt. $300-400.<br />
106. Silver Cornflower Necklace, ca. 1950, 25 inches (length), central cast<br />
Naja pendant terminating in hands with turquoise cabochon, six cast<br />
Naja on shanks, and a Silver 12 mm Beaded Necklace; 23 inches (length<br />
with extension). Provenance: The Museum of Indian <strong>Art</strong>s and Culture,<br />
Santa Fe, NM; The Betty Gordon Estate. $50-100.<br />
107. Cartier Yellow Gold Link Bracelet, 8-1/4 inches (length), stamped<br />
“Cartier 18K” and “92404”, total weight 42.3 dwt., with signature<br />
Cartier box. Provenance: The Betty Gordon Estate. $2000-2500.<br />
108. Dangle Nine Disc 14K Yellow Gold Earrings, marked “SYB ‘c’” and<br />
“14K” on back, 6.55 dwt. $300-400.<br />
109. Cartier Tank Watch with Black Lizard Cartier Band and Three Cartier<br />
Lizard Watch bands (2 black, 1 white); watch stamped “Cartier /<br />
B.N.G. / Paris / 78087 / 11277” and “18K Swiss” (on side) with Cartier<br />
signature box. Provenance: The Betty Gordon Estate. $700-900.<br />
110. Niessing 18K Yellow Gold Coil Necklace, 19.5 inches (length), marked<br />
“Niessing ‘n” and “750’” on clasp, with Niessing spring clasp, 5.20 dwt.<br />
$300-600.<br />
111. Paul Morelli Square 18K Yellow Gold Diamond and Aquamarine<br />
Earrings, circa 1970, marked “Morelli” and “18K” on back, with 40 fullcut<br />
round brilliant diamonds, approx .40 carats total, with two 7 mm<br />
square cut aquamarines, with lever backs made by Paul Morelli of<br />
Philadelphia, 15.43 dwt. $1200-1800.<br />
112. David Yurman C Shape Hoop 14K Yellow Gold and Silver Earrings,<br />
with original white David Yurman bag, marked “925 D.Yurman .585 ‘c’”<br />
inside hoop and “585 DY”, 5.46 dwt. $200-300.<br />
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113. La Pepita Yellow Gold Link Bracelet, 8-1/2 inches (length), stamped<br />
“2778R / La Pepita / 750”, 24.6 dwt. Provenance: The Betty Gordon<br />
Estate. $900-1100.<br />
114. Pierced Shield 18K Yellow Gold Earrings, marked “SYB ‘c’” and “750”<br />
on back, 6.79 dwt. $350-500.<br />
115. Cartier 18K Yellow Gold Link Bracelet, 8 inches (length), stamped<br />
“147327” and “Cartier / 750”, 24.6 dwt., with signature Cartier box.<br />
Provenance: The Betty Gordon Estate. $1800-2000.<br />
116. Five Pairs Silver Earrings: Sterling Silver Flower Screwbacks, stamped<br />
in a circle “Plata 925 Guad Mez / JFG”, 2-1/2 inches (diameter), and<br />
Sterling Silver and Green Tiger’s Eye Drop Screwbacks stamped “Sterling<br />
/ Mexico”, 2-1/4 inches (length), and Sterling Spiral Clips, stamped<br />
within a circle on verso “TAXCO / MEXICO / 925” and “TJ-82”, and<br />
Caterpillar Screwbacks, stamped within a circle “Enguad Mexico /<br />
AHS / Plata”, 2 x 1/2 inches, and Silver Drop Hoop Screwbacks; illegible<br />
stamp inside clip; 1-1/2 inches (diameter). Provenance: The Betty<br />
Gordon Estate. $50-75.<br />
117. Pear Shape Emerald, 25.00 x 4.70 x 10.80 mm, 17.10 carats, not set.<br />
$400-800.<br />
118. Lapis Lazuli 14K Yellow Gold Bracelet, with 8 Lapis cabochons 7 x 6 x<br />
8 mm, set in a 14K yellow gold mesh bracelet, marked “14K” and “Pat<br />
3308517”, 7.5 inches (length), 18.52 dwt. $600-900.<br />
119. A Pair of Santo Domingo Necklaces and Screw-Back Earrings, ca.<br />
1925, made of record, turquoise and bone, necklaces ranging in size<br />
from 20-1/2 inches to 28 inches (length) and 1-1/2 inches (earrings).<br />
Provenance: Institute of American Indian <strong>Art</strong>s, Santa Fe, NM; The<br />
Betty Gordon Estate. $75-150.<br />
120. Three Disc 14K Yellow Gold Earrings, marked “SYB” and “14K” on<br />
back, 3.47 dwt. $150-250.<br />
121. Cartier Ruby and Diamond Ring in 18K Yellow Gold, ten diamonds<br />
.07 ct. each (.70 cttw.) around a central oval ruby 7 x 5 mm.,<br />
approximately .88 ct., with signature Cartier box. Provenance: The<br />
Betty Gordon Estate. $1400-1600.<br />
122. Group of six Mexican Silver Brooches: a Fish, a Chili Pepper, a Flower,<br />
a Bouquet with Amethysts and two Aztec Figures, each figure stamped<br />
“© S.F.P. / 925 / Sterling / Frank Sakido / Comes Charging”, ranging in<br />
size from 1-3/4 to 9 inches. Provenance: Institute of American Indian<br />
<strong>Art</strong>s Museum, Santa Fe, NM (two sterling brooches); Stella Rubin<br />
Decorative <strong>Art</strong>s, Potomac, MD (flower brooch); The Betty Gordon<br />
Estate. $50-75.<br />
123. Baum & Mercier Stainless Steel Watch, Acier INOX, Model Number<br />
MV045063, self winding, water-resistant watch with second hand and<br />
black face, with original box. $275-450.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 17
124. Pierced Shield 18K Yellow Gold Brooch, marked “SYB ‘c’” and “750” on<br />
back, 7.65 dwt. $400-600.<br />
125. 14K Yellow Gold Link Necklace, 30 inches (length), stamped “14K”,<br />
67.2 dwt. Provenance: The Betty Gordon Estate. $2000-2500.<br />
126. Modern Leaf 14K Yellow Gold Earrings, marked “14K” on post, 6.24<br />
dwt. $325-450.<br />
127. Platinum Eternity Band of Baguette Diamonds, shared prong set<br />
1.9 mm wide, 1.0 dwt., 21 diamonds each at .74 cttw, ring size 6.<br />
Provenance: The Betty Gordon Estate. $600-800.<br />
128. Group of five Mexican Accessories: Aztec Figurine Pendant, signed<br />
“la Reina Chica Mexico 2001” and stamped “925”, an Inlayed Cross<br />
Pendant Necklace, a Turtle Pin with Light Blue Stone, an Inlayed Owl<br />
Bracelet and a Silver Butterfly Brooch/Pendant; stamped “925 / Mexico”;<br />
ranging in size from 1 inch to 3 inches. Provenance: The Betty Gordon<br />
Estate. $100-200.<br />
129. Konstantino 18K Yellow Gold and Sterling Silver Bracelet, with ten<br />
18K yellow gold bezel set pearls which are 4 mm, set in ten square<br />
silver links with beading, 6-3/4 inches (length), engraved, with<br />
original Konstantino blue velvet bag, marked “Konstantino” and “925”,<br />
72.28 dwt. $700-1100.<br />
130. Cultured Pearl Necklace, 30 inches (length), stamped “14K G” on<br />
white gold filigree clasp, pearls measure 6.5 to7 mm., creme body<br />
color with silver overtone. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
131. Five Mexican Silver Bracelets: a Silver Link Bracelet with Green Stones,<br />
stamped “Made Mexico”, 5-3/4 inches (length), a Sterling Silver Bracelet<br />
with Green Tiger’s Eye, stamped within a circle “Hecho en Mexico /<br />
0925 TNC” and “Sterlin”, 7 inches (length), a Silver Link Bracelet with<br />
Floral Motif and Cabochon Green stones, stamped twice “Mexico<br />
Silver”, 6-3/4 inches (length), a Silver Bracelet with Large Green Stones<br />
Carved with Stylized Faces, stamped “Mexico”, 7 inches (length), and<br />
a Silver Bracelet with a Green Cabochon Stone and Leaf-Shaped Links,<br />
stamped “Made in Mexico”, 7-1/2 inches (length). Provenance: The<br />
Betty Gordon Estate. $100-200.<br />
132. Two Pairs of 14K Yellow Gold Earrings: Origami Shape Earrings,<br />
marked “14K” on post and Pierced Geometric Dangle Earrings, marked<br />
“SYB ‘c’” and “14K” on triangle, 2.48 dwt. $125-255.<br />
133. A Solitaire Diamond Engagement Ring in 14K White Gold, 2.3 dwt.,<br />
set with a round European cut diamond into a square illusion box,<br />
approximately .5 ct. (S12) and a 14K White Gold Engraved Wedding<br />
Band, with four single cut diamonds, approximately.08 cttw, stamped<br />
“14K”, engraved inside shank, 2.1 dwt. Provenance: The Betty Gordon<br />
Estate. $300-400.<br />
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134. Cartier Yellow Gold Twist Link Bracelet, 8-1/2 inches (length),<br />
stamped “Cartier” and “18K”, 72.9 dwt, with signature Cartier box.<br />
Provenance: The Betty Gordon Estate. $3500-4000.<br />
135. Lapis Lazuli 14K Yellow Gold Ring, with 20.50 x 12.60 x 8.15 mm<br />
Lapis, 15 carats set in a polished tapered flat yellow gold ring which is<br />
23 mm wide at the top to 7.75 mm at the bottom, marked “14K”, ring<br />
size 7, 13.95 dwt. $300-450.<br />
136. Cartier Platinum Eternity Band with Channel Set Step Cut Emeralds,<br />
stamped “85891”, overall width 2.5 mm, approximately 1.9 dwt, 2.0<br />
cttgw., ring size 6-1/2, with signature Cartier box. Provenance: The<br />
Betty Gordon Estate. $700-900.<br />
137. Opal and Diamond 14K Yellow Gold Ring, with 10 x 8 mm oval<br />
shaped Opal and 24 full-cut round brilliant diamonds, approx .48<br />
carats total, marked “14K”, ring size 5.5, 2.38 dwt. $300-450.<br />
138. Cartier Platinum Square Step Cut Emerald and Diamond Ring,<br />
stamped “Cartier”, “Plat” and “70143”; emerald measures 6.20 x 5.60<br />
x 4.58 mm, Clarity SI, Color G2B, 80%/20% bk-gy., approximately<br />
1.00 ct., step cut baguette and kite accent emeralds 4 each at<br />
approximately .07 cttw., 38 each at 1.14 cttw., round cut diamonds<br />
2 each, baguette diamonds 6 x 3 mm each, .038 ct each (.76 cttw.),<br />
25.97 ct. TGW, total ring weight 4.4 dwt, size 6-1/4, with signature<br />
Cartier box. Provenance: The Betty Gordon Estate. $5000-6000.<br />
139. Cartier Platinum Setting, no. 70143, the original setting to lot 138<br />
(see above), 2.3 dwt, with signature Cartier box. Provenance: The<br />
Betty Gordon Estate. $100-200.<br />
140. Four Choker Necklaces, one stamped “920”, the second signed<br />
“Courtney SS”, the third a Gold Choker signed “Courtney GP” and<br />
stamped “S” and the fourth necklace unmarked. Provenance: The<br />
Betty Gordon Estate. $100-150.<br />
141. Two American Indian Necklaces: a Zuni Fetish Necklace with 19 Blue<br />
Turquoise Fetishes strung on Pin Shell Heishe, and a Santo Domingo<br />
Necklace with 19 Fetishes of Turquoise, Shell, Serpentine, Jet and Melon<br />
Shell on Coral Heishe by Raymond Calabasa, ranging in size from 23-<br />
1/2 to 31 inches (length). Provenance: The Horned Owl, Centerville,<br />
OH; The Betty Gordon Estate. $75-150.<br />
142. Amethyst & Diamond Ring, with 20 x 17.40 x 13.85 mm oval<br />
amethyst, 36 carats with 6 full-cut round brilliant diamonds, approx<br />
.60 carats total G/H color, set in a polished 18K wire yellow gold, ring<br />
size 5.5, 11.25 dwt. $700-1100.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 27
143. Round Yellow Diamond Platinum Ring, approximately 1.37 ct,<br />
flanked with six single cut round diamonds, accent diamonds total<br />
weight: .12tw, size 6, stamped “AT” and “10% IRID Center Diamond:<br />
Clarity VS 1, Color G2Y 20%, 1.37 ct., Measures 7.15 x 4.40 mm, Table<br />
66%, Depth 62%, Crown .8 mm, Culet small, Girdle sl thn-med pol. (3,<br />
n), Symmetry G, Polish G, Fluorescence inert, Cut Grade 3A, with GIA<br />
Colored Diamond Identification and Origin Report. Provenance: The<br />
Betty Gordon Estate. $3500-4500.<br />
144. Natural Fancy Purple-Pink Diamond Platinum Ring, with 1.68 carat<br />
Cushion Modified Brilliant Natural Fancy Purple-Pink Diamond set in<br />
a four-prong 18K Rose Gold head centered in a platinum ring with 2<br />
trapezoid cut diamonds which are approx .48 carat total, F/G color<br />
VS1 clarity, marked “18K” and “PLAT”, with a GIA Colored Diamond<br />
Identification and Origin Report, which specifies origin is Natural<br />
Grade is “Fancy Purple-Pink”, Distribution is “Even” and measurements<br />
are 6.87 x 5.76 x 4.66 mm; center diamond has visible inclusions, ring<br />
size 5.75, 3.28 dwt. $14,000-20,000.<br />
145. Collection of seven Vintage Bakelite Bangle Bracelets, ranging in<br />
size from 3-1/4 to 3-3/4 (diameter). Provenance: The Betty Gordon<br />
Estate. $50-75.<br />
146. Collection of five Flower Brooches; one stamped “© <strong>Art</strong>”, one<br />
stamped “Napier” and one stamped “Vendome”, ranging in size from<br />
3-1/2 to 5 inches. Provenance: The Betty Gordon Estate. $50-75.<br />
147. Collection of five Pieces of <strong>Art</strong> Jewelry including four Brooches and<br />
a Necklace, two brooches and a necklace signed “Goldie Garcia”; one<br />
brooch signed “L. Whitaker ... NM” and one brooch stamped “Bully<br />
/ W Germany”, ranging in size from 1-1/4 to 3-1/2 inches (length).<br />
Provenance: The Betty Gordon Estate. $50-75.<br />
148. Collection of five Pieces of <strong>Art</strong> Jewelry including three Brooches,<br />
one Pair of Clip Earrings and a Bracelet, two brooches stamped “Lea<br />
Stein Paris”, one brooch signed “Vaughn / Stubbs / 1994 / New World”,<br />
earrings stamped “Lunch at the Ritz”, ranging in size from 2-3/4 to<br />
7-1/2 inches (length). Provenance: The Betty Gordon Estate. $50-75.<br />
149. Collection of five Necklaces including one of red coral, two of glass<br />
beads, one of various metals and glass beads and one of African<br />
glass trade beads, ranging in size from 24 to 72 inches (length).<br />
Provenance: The Betty Gordon Estate. $50-75.<br />
150. Amy Kahn Russell Cat Motif Bracelet of Hand Carved Bone Set in<br />
Sterling Silver, stamped “Sterling” and “AKR”; 7-1/2 inches (length)<br />
and a Silver and Smoky Quartz Bracelet, 2-1/2 inches (diameter).<br />
Provenance: Pennsylvania Academy of the <strong>Fine</strong> <strong>Art</strong>s, Philadelphia, PA;<br />
The Betty Gordon Estate. $75-150.<br />
28<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
151. Three Vintage Chanel Camellia Flower Brooches and one Fabric<br />
Flower Brooch, three tagged “Chanel Made in France”, each with<br />
original signature box, ranging in size from 3 to 4-1/4 inches<br />
(diameter). Provenance: The Betty Gordon Estate. $50-100.<br />
152. Three Pairs of Vintage Chanel Costume Earrings: Gold Logo Teardrop<br />
Pearl Clips, stamped “Chanel Made in France”, 2-1/4 x 1 inches, Gold<br />
and Cabochon Pearl Logo Clips, stamped “Chanel Made in France”,<br />
1-1/2 x 1 inches, and Flower and Baroque Pearl Clip Earrings, stamped<br />
“Chanel Made in France”, 1-3/4 x 3/4 inches, each pair with original<br />
velvet-lined signature box. Provenance: The Betty Gordon Estate.<br />
$50-75.<br />
153. Vintage Chanel Costume Gold Bonnett Clip Earrings and Brooch,<br />
each stamped “Chanel Made in France”, 2-3/4 inches (earrings:<br />
length), 2 inches (brooch: diameter), with original velvet-lined<br />
signature box. Provenance: The Betty Gordon Estate. $100-150.<br />
154. Two Pairs of Vintage Chanel Costume Earrings: Gold Number<br />
Five Clip Earrings, each stamped “Chanel”, 3-1/4 x 2 inches, and<br />
Baroque Pearl Clip Earrings, each stamped “Chanel Made in France”,<br />
2-1/2 x 1-1/4 inches, each with original velvet-lined signature box.<br />
Provenance: The Betty Gordon Estate. $100-150.<br />
155. Vintage Chanel Costume 14 mm Pearl and Glass Bead Necklace,<br />
37-1/2 inches (length) with Chanel logo tag stamped “Chanel 1989<br />
Made in France”, and original velvet-lined signature box. Provenance:<br />
Bergdorf Goodman, New York; The Betty Gordon Estate. $100-200.<br />
156. Vintage Chanel Costume 12 mm Pearl Necklace, 46 inches (length)<br />
with Chanel logo clasp, stamped “Chanel”, with original velvet-lined<br />
signature box. Provenance: The Betty Gordon Estate. $150-250.<br />
157. Anne Klein Costume Egyptian Style Necklace with Matching<br />
Earrings, 16 inches (length), marked “AK” and “c”, and a Hematite Bead<br />
Necklace with Black Onyx & Sterling Silver Beads, 36 inches (length).<br />
$100-150.<br />
158. Collection of four pieces of Vintage Kenneth Jay Lane Costume<br />
Jewelry including a rhinestone and gold acanthus bracelet, a<br />
rhinestone cobra cocktail ring, a rhinestone genie brooch and a pair<br />
of rhinestone clip earrings, each piece stamped “KJL”. Provenance:<br />
The Betty Gordon Estate. $50-75.<br />
159. Collection of eight pieces of Vintage Costume Jewelry including<br />
a ram’s head bracelet with matching clip earrings, a pair of drop<br />
earrings, a blue stone cocktail ring, a white and gold ring, a<br />
rhinestone horseshoe ring, a 13 mm faux pearl necklace with<br />
rhinestone clasp, 21 inches (length), and a pair of gold and black<br />
stone clip earrings. Provenance: The Betty Gordon Estate. $50-75.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 29
160. Collection of four pieces of Vintage Kenneth Jay Lane Costume<br />
Jewelry including a 17 mm faux pearl necklace with gold and<br />
rhinestone rope clasp, a pair of green stone clip earrings, a pair of<br />
faux ivory clip earrings and an owl brooch, each piece stamped “KJL”.<br />
Provenance: The Betty Gordon Estate. $50-75.<br />
Fashion Accessories<br />
161. Louis Vuitton Monogram Canvas Keepall Bag, 11 x 22 x 10 inches.<br />
Provenance: The Betty Gordon Estate. $300-500.<br />
162. Visionary <strong>Art</strong> Museum Assembled Handbag of mesh, marbles, and<br />
acrylic, signed and dated on bottom, 5-1/2 x 4-3/4 x 3-1/2 inches.<br />
Provenance: The Betty Gordon Estate. $25-50.<br />
163. Louis Vuitton Monogram Canvas Speedy Bag and Monogram<br />
Canvas Single Strap Cell Phone Case, 9 x 12 x 7 inches (speedy), 5 x 4 x<br />
1 inches (cell). Provenance: The Betty Gordon Estate. $200-400.<br />
164. Le Oui Green Quilted Leather and Paisley Handbag with Satin<br />
Straps and Tassels and a Wicker Woven Folding Basket, 4-1/2 x 8 x<br />
2-1/2 inches (Le Oui); 10 x 14 x 7 inches (basket). Provenance: The<br />
Betty Gordon Estate. $25-50.<br />
165. Judith Leiber Monkey Minaudiere with Multicolor Crystal<br />
Embellishment, gold leather interior and tuck-away 19 inch chain,<br />
includes change purse, comb and compact mirror, all stamped<br />
“Judith Leiber”, with original protective signature bag, 5 x 5-1/2 x<br />
3-1/2 inches. Provenance: The Betty Gordon Estate. $300-500.<br />
166. Renaud Pellegrino Red Patent Leather and Black Satin Evening<br />
Bag with Satin Strap, 7 x 8 x 2 inches. Provenance: The Betty Gordon<br />
Estate. $75-150.<br />
167. Prada Black Nylon Shoulder Bag and Prada Black Nylon Tote Bag,<br />
11 x 12 x 5 inches (shoulder), 14 x 18 x 2 inches (tote). Provenance:<br />
The Betty Gordon Estate. $100-200.<br />
168. Judith Leiber Spherical Minaudiere with Multicolor Crystal<br />
Embellishment, gold leather interior and 26 inch strap, includes<br />
change purse, comb and compact mirror all stamped “Judith Leiber”,<br />
with original protective signature bag, 3-1/2 x 3-1/2 x 3-1/2 inches.<br />
Provenance: The Betty Gordon Estate. $300-500.<br />
169. Gucci Canvas Monogram Shopper with Gold Hardware and a Gucci<br />
Floral Satin Clutch, 17-1/2 x 18 x 1-1/2 inches (shopper); 5 x 7 x 2<br />
inches (clutch). Provenance: The Betty Gordon Estate. $200-400.<br />
30<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
170. Judith Leiber Seated Camel Minaudiere Pillbox with Multicolor<br />
Crystal Embellishment, stamped within “Judith Leiber”, with original<br />
protective signature bag, 1-1/2 x 2 x 1-1/4 inches. Provenance: The<br />
Betty Gordon Estate. $100-200.<br />
171. Chanel Pink, Green and Black Snakeskin Flap Bag, top handles,<br />
original storage bag and box, 7 x 9 x 1-1/2 inches. Provenance: The<br />
Betty Gordon Estate. $500-700.<br />
172. Chanel Mini Red Quilted Leather Change Purse, gold chain and<br />
hardware, original storage bag and box, 3 x 4-1/4 x 1 inches.<br />
Provenance: The Betty Gordon Estate. $50-75.<br />
173. Chanel White Quilted Leather Binocular Flap Bag, gold hardware,<br />
original storage bag and box, 7 x 6 x 1-1/2 inches. Provenance: The<br />
Betty Gordon Estate. $200-300.<br />
174. Chanel Quilted Black Leather Envelope Bag, gold ornament and<br />
hardware, red leather interior, original storage bag and box, 7-1/2 x<br />
11 x 3 inches. Provenance: The Betty Gordon Estate. $200-400.<br />
175. Chanel Cranberry Quilted Bowler Handbag, brown patent<br />
leather handles, original storage bag and box, 6 x 9 x 3-1/2 inches.<br />
Provenance: The Betty Gordon Estate. $200-400.<br />
176. Chanel Quilted Black Leather Flap Bag, tan stitching, double chain,<br />
original storage bag and box, 6-1/2 x 10 x 2-1/2 inches. Provenance:<br />
The Betty Gordon Estate. $300-500.<br />
177. Chanel Black and White Leather Flap Bag, gold chain and hardware,<br />
original storage bag and box, 7 x 8-3/4 x 3 inches. Provenance: The<br />
Betty Gordon Estate. $300-500.<br />
178. Chanel Quilted Black Leather Flap Bag, with red leather interior,<br />
double strap and gold hardware, original storage bag and box, 7 x<br />
9-3/4 x 3 inches. Provenance: The Betty Gordon Estate. $300-500.<br />
179. Chanel Quilted Leather Two Tone Beige Flap Bag, with gold<br />
hardware, double strap, original storage bag and box, 6-1/2 x 9-1/2 x<br />
2-1/2 inches. Provenance: The Betty Gordon Estate. $300-500.<br />
180. Chanel Ribbed Black Velvet Envelope Bag, gold chain, original<br />
storage bag and box, 5-3/4 x 8-1/2 x 2 inches. Provenance: The Betty<br />
Gordon Estate. $300-500.<br />
181. Six Accessories: Tan Lizard Envelope Bag with Gold Hardware and<br />
Chain by Andé, 5 x 8 x 2 inches, a Black Lizard Top Handle Bag with Gold<br />
Hardware, 6 x 8 x 2 inches, a Bottega Venetta Black Leather Wallet, 4 x<br />
4 x 1 inches, a Bottega Venetta Black Leather Pocket Book, 4 x 6-3/4 x 1<br />
inches, a Crocodile Stamped Leather Top Handle Purse, 6 x 7-1/2 x 4-1/2<br />
inches, and a Faux Leopard Bag with Leather Trim, 7-1/2 x 10 x 3 inches.<br />
Provenance: The Betty Gordon Estate. $100-200.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 31
182. Fendi Black Knit Wool Shoulder Bag, leather strap, silver hardware,<br />
grey silk interior, 6-1/2 x 10 x 2-1/2 inches. Provenance: The Betty<br />
Gordon Estate. $200-400.<br />
183. Chanel Black Black Satin Evening Bag, gold clasp and chain, with<br />
original storage bag and box, 4-1/2 x 7 x 2-1/4 inches. Provenance:<br />
The Betty Gordon Estate. $300-500.<br />
184. Chanel Black Quilted Patent Leather Envelope Bag, oversized gold<br />
Chanel logo, with original storage bag and box, 6 x 8-1/2 x 2-1/2<br />
inches. Provenance: The Betty Gordon Estate. $300-500.<br />
185. Three Pairs of Designer Shoes: Salvatore Ferragamo Velvet Pumps<br />
with Bow (Size 8-1/2), and Gucci Monogram Flats with Bamboo Buckle<br />
(Size 8-1/2B), and Gucci White and Cream Pumps with Wooden Heel<br />
and Gold Logo Buckle (Size 9) each with original box. Provenance: The<br />
Betty Gordon Estate. $150-250.<br />
186. Two Pairs of Designer Shoes: Marc Jacobs Gold Sparkle Flats (Size<br />
8-1/2), and Yves Saint Laurent Red Blue and Gold Espadrilles (Size 8),<br />
each with original box. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
187. Three Pairs of Designer Shoes: Chanel Black and White Logo<br />
Espadrilles (Size 9B), and Salvatore Ferragamo Patent Leather Flats<br />
(Size 8-1/2), and Prada Leopard Print Flats with Bow (Size 8), each with<br />
original box. Provenance: The Betty Gordon Estate. $150-250.<br />
188. Two Pairs of Designer Shoes: Prada Orange and Pink Suede Ballerina<br />
Flats (Size 8-1/2), and Salvatore Ferragamo Satin Bow Flats (Size 8-1/2),<br />
each with original box. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
189. Two Pairs of Designer Shoes: Chanel Tweed Ballerina Flats (Size 8-1/2),<br />
and Stuart Weitzman Red Gingham Espadrille Flats (Size 9), each with<br />
original box. Provenance: The Betty Gordon Estate. $150-250.<br />
190. Exquisitely Beaded Mary McFadden Couture Ensemble, polyester,<br />
Size 20. Provenance: Saks Fifth Avenue; The Betty Gordon Estate.<br />
$100-200.<br />
Coins and Currency<br />
191. 1915 Indian Head $2.50 US Gold Coin. PCGS graded MS61.<br />
$250-350.<br />
192. 1912 Indian Head $2.50 US Gold Coin. PCGS graded MS62.<br />
$350-500.<br />
193. 1882 Liberty Head $10 US Gold Coin. PCGS graded<br />
Genuine (98 - Damage or Tooling). $100-200.<br />
194. 1908 Indian Head $5 US Gold Coin. PCGS graded VF30.<br />
$300-$400.<br />
32<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
195. 1905 Liberty Head $10 US Gold Coin. PCGS graded XF45. $400-600.<br />
196. Group of sixty-two Peace Dollar US Coins including: (13 ) 1922,<br />
(2 ) 1922 – S, (10 ) 1923, (2) 1923 –S, (1 ) 1923 –D, (24 ) 1924,<br />
(7 ) 1925, (1 ) 1926, (1 ) 1926 – S, (1 ) 1935 – S. $600-900.<br />
197. 1925-D Indian Head $2.5 US Gold. PCGS graded<br />
Genuine (97 - Environmental Damage). $200-300.<br />
198. Group of twenty-two Morgan Dollar US Coins from 1900-1921<br />
including: (2) 1900, (1) 1900-O, (1) 1901-O, (17) 1921, (1) 1921-S. $50-<br />
100.<br />
199. 1927 Indian Head $2.50 US Gold Coin. PCGS graded MS64.<br />
$800-1200.<br />
200. Group of eleven 1880’s Morgan Dollar US Coins including: (1) 1880-<br />
O, (1) 1882–O, (1) 1884, (1) 1885, (2) 1886, (2) 1888, (1) 1888, (2) 1889.<br />
$150-200.<br />
201. 1926 $2.50 Sesquicentennial US Gold Coin. PCGS graded VF25.<br />
$250-350.<br />
202. Group of six 1890’s Morgan Dollar US Coins including: (1) 1890, (1)<br />
1891-CC, (1) 1895-O, (1) 1897-O, (1) 1899-O, (1) 1899-S. $200-300.<br />
203. 1911-D St. Gaudens $20 US Gold Coin. PCGS graded MS62.<br />
$1000-1500.<br />
204. Group of twelve coins including: (3) 1893 50C Columbian Half Dollars,<br />
(1) 1832 Capped Bust Half Dollar, (1) 1834 Capped Bust Half Dollar, (1)<br />
1897 Barber Half Dollar, (1) 1877-S Seated Liberty Half Dollar, (1) 1926<br />
50C Sesquicentennial Half Dollar, (1) 1943 Walking Liberty Half Dollar,<br />
(1) 1866 Three Cent Nickel, (1) 1851 Braided Hair Cent,(1) 1857 Flying<br />
Eagle Cent. $100-150.<br />
205. Group of Proof and Uncirculated Coins. Four United States Proof Sets<br />
including (2) 1981-S and (2) 1982-S. (2) 1982-S 50C Washington Proof<br />
coins, and (2) 1982-D 50C Washington Uncirculated coins.<br />
$100-150.<br />
206. 1882-S Liberty Head $5 US Gold Coin. PCGS graded AU58.<br />
$300-$400.<br />
207. Group of forty-four US Uncirculated Coin Sets including:<br />
(5) 1964-D, (5) 1964-P, (1) 1965, (1) 1978, (1) 1979, (2) 1981, (2) 1984, (3)<br />
1985, (3) 1986, (3) 1987, (3) 1988, (3) 1989, (3) 1990, (3) 1991, (3) 1992, (3)<br />
1993. $400-600.<br />
208. 1797 Liberty Cap Half Cent Lettered Edge Coin. PCGS graded<br />
Genuine (98 - Damage or Tooling). $250-$350.<br />
209. Group of Paper Currency (37 bills total) including (30) various US bills<br />
and Silver Certificates, (1) US 1874 X Cents bill, (3) French Bills, and (3)<br />
Japanese Bills. $100-150.<br />
210. 1908 Indian Head $2.50 US Gold Coin. PCGS graded MS64.<br />
$1000-1500.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 33
Silver and Miscellaneous Collectibles<br />
211. Winthrop by Reed & Barton Six Piece Silver Plated Tea and Coffee<br />
Service (coffee, tea, sugar, creamer, bowl, tray), service ranges in size<br />
from 3-1/2 to 12 inches (height); tray measures 21 x 30 inches, service<br />
stamped “Reed & Barton / 1795 Winthrop”; tray stamped “Reed &<br />
Barton / 06140 / D6 / 25 / Winthrop / A” (within a Circle). Provenance:<br />
The Betty Gordon Estate. $400-600.<br />
212. Collection of seventeen pieces of Sterling Silver and Silver Plated<br />
Tableware including a Pair of Sterling Napkin Rings, stamped “sterling”,<br />
a set of Four Sterling Salt and Pepper Shakers, stamped “TWR / JWW<br />
/ Sterling”, a pair of Silver Plated Gravy Boats, a Silver Plated Covered<br />
Butter Dish, stamped within a circle “Forbes Silver Co USA Quadruple /<br />
182”, a Silver Toast Caddy, stamped “HBEP ‘8740’” with several pictorial<br />
stamps including a lion in profile, an arm and hammer, a fleur-de-lis<br />
and a bell, a pair of Sterling Candy Dishes, each stamped “Preisner<br />
/ Sterling weighted / 39”, a Silver Plated Gravy Ladle, stamped “The<br />
Bailey Banks & Biddle Co. <strong>Fine</strong> Silver plate”, and a pair of Silver Plated<br />
Small Trays and a Child’s Silver Plate Bunny Cup and Porringer, each<br />
stamped “Napier ©”. Provenance: The Betty Gordon Estate.<br />
$200-300.<br />
213. Silver Plated Covered Warmer, 10-3/4 x 20-1/2 x 14-1/4 inches,<br />
pictorial stamps under serving tray: star, crown, star and beneath<br />
“CSC”. Provenance: The Betty Gordon Estate. $50-75.<br />
214. Silver Plated Lidded Urn Monogrammed MLA with Coat of<br />
Arms, 14-1/4 x 11-3/4 x 6 inches, pictorial stamp of crossed keys.<br />
Provenance: The Betty Gordon Estate. $50-75.<br />
215. Collection of twelve pieces of Crystal and Pressed Glass Tableware<br />
including Two Footed Dishes with Sterling Silver Bases, marked<br />
“Sterling by Paben”, a Late Georgian Footed and Fretwork Cruet Set with<br />
Five Crystal Bottles, Four Crystal Glasses, Two Crystal Cruets, a Hobnail<br />
Pressed Glass Pitcher, a Pressed Glass Goblet and a Pressed Glass Footed<br />
Bowl, ranging in size from 3-1/2 to 8 inches (height). Provenance: The<br />
Betty Gordon Estate. $50-75.<br />
216. Lamartine, Algeria Glass Vase, etched glass with enamel, 6-1/4<br />
inches (height), numbered on bottom “327/776”. Provenance:<br />
Margaret E. Strawbridge, Philadelphia, PA; Private Collection,<br />
Philadelphia, PA. $300-500.<br />
217. WWII German Army Dress Bayonet and Scabbard, 16 inches (overall<br />
length), blade measures 9-3/4 inches, engraved “Zur Erinnerung<br />
an Meine Dienstzeit” on the blade, inscribed to lower right of the<br />
engraving “Emil Voos / Solingen” and “Ges. Gesch”. $150-250.<br />
34<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
<strong>Art</strong> Books and Other Publications<br />
218. Daniel Wildenstein, Monet or The Triumph of Impressionism. Koln,<br />
Germany: Taschen/Wildenstein Institute (1996). Catalogue Raisonné,<br />
Four Volumes in Slipcase. Provenance: The Betty Gordon Estate.<br />
$250-350.<br />
219. 17 books about Claude Monet, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $150-250.<br />
220. 12 books about Pablo Picasso, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $100-150.<br />
221. 15 books about Picasso and his circle, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $100-150.<br />
222. 10 books about French <strong>Art</strong>ists, See website for complete<br />
description. $100-150.<br />
223. 11 books about Manet, Matisse and Soutine, See website for<br />
complete description. Provenance: The Betty Gordon Estate.<br />
$100-150.<br />
224. 12 books about Vincent van Gogh and Paul Cézanne, See website<br />
for complete description. Provenance: The Betty Gordon Estate.<br />
$100-150.<br />
225. 12 Books about Impressionism, See website for complete<br />
description. $100-150.<br />
226. 24 books about International <strong>Art</strong>ists, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $150-250.<br />
227. 21 Books about International <strong>Art</strong>, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $150-250.<br />
228. 19 books about International Decorative <strong>Art</strong>s, See website for<br />
complete description. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
229. 9 books about the Barnes Foundation, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $75-150.<br />
230. 12 books about Photography, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $100-150.<br />
231. 20 books about American <strong>Art</strong> and <strong>Art</strong>ists, See website for<br />
complete description. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
232. Andy Warhol Catalogue Raisonné and 5 other books on the<br />
artist, See website for complete description. Provenance:<br />
The Betty Gordon Estate. $150-250.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 35
233. 23 books about Twentieth Century American Painting and<br />
<strong>Art</strong>ists, See website for complete description. Provenance:<br />
The Betty Gordon Estate. $150-250.<br />
234. 16 books about Twentieth Century American Painting and<br />
<strong>Art</strong>ists, See website for complete description. Provenance:<br />
The Betty Gordon Estate. $150-250.<br />
235. 10 books about American Museum and Gallery Collections, See<br />
website for complete description. Provenance: The Betty Gordon<br />
Estate. $100-150.<br />
236. 12 books about American Furniture and Design, See website for<br />
complete description. Provenance: The Betty Gordon Estate.<br />
$100-150.<br />
237. 30 books about American Glass, Pottery, Early Quilts,<br />
Needlework, Papercrafts and Childhood Antiques, See website for<br />
complete description. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
238. 40 books about Antique Collecting, Folk Crafts, Technique and<br />
Colonial Life, See website for complete description. Provenance: The<br />
Betty Gordon Estate. $150-250.<br />
239. 25 books about American Metalwork, Wood Carving, Decoys,<br />
Furniture and Design, See website for complete description.<br />
Provenance: The Betty Gordon Estate. $150-250.<br />
240. 31 books about American Museum Collections and Folk <strong>Art</strong>s,<br />
See website for complete description. Provenance: The Betty Gordon<br />
Estate. $150-250.<br />
241. 12 books about R.C. Gorman, See website for complete description.<br />
Provenance: The Betty Gordon Estate. $100-150.<br />
242. 11 books about Latin American and Spanish Folk <strong>Art</strong>, See website<br />
for complete description. Provenance: The Betty Gordon Estate.<br />
$100-150.<br />
243. 25 books about Southwest and Native American <strong>Art</strong> and <strong>Art</strong>ists,<br />
See website for complete description. Provenance: The Betty Gordon<br />
Estate. $150-250.<br />
244. 12 books about Whaling, Scrimshaw, and Arctic Life and <strong>Art</strong>,<br />
See website for complete description. Provenance: The Betty Gordon<br />
Estate. $100-150.<br />
245. 14 books about Fashion and Jewelry, See website for complete<br />
description. Provenance: The Betty Gordon Estate. $100-150.<br />
246. 17 books consisting of Miscellaneous Old Editions, See website<br />
for complete description. Provenance: The Betty Gordon Estate.<br />
$150-250.<br />
36<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Fuller’s LLC (The “<strong>Auction</strong> Company”) Terms and Conditions of Sale<br />
1. This auction is a public sale conducted by a Pennsylvania licensed and<br />
bonded auctioneer.<br />
2. The highest bidder acknowledged by the auctioneer will be the Buyer. In<br />
the event of any dispute between bidders, or in the event of doubt as to<br />
the validity of any bid, the auctioneer will have the final discretion either to<br />
determine the successful bidder or to reoffer and resell the article in dispute.<br />
If any dispute arises after the sale, Fuller’s LLC’s sale record is conclusive.<br />
3. All property is sold “AS IS” and neither Fuller’s LLC nor the Consignor makes<br />
any guarantees, warranties or representations, expressed or implied,<br />
with respect to the property or the correctness of the catalog or other<br />
descriptions of the authenticity of authorship, physical condition, size,<br />
quality, rarity, importance, provenance, exhibitions, literature or historical<br />
relevance of the property or otherwise, except where applicable under the<br />
terms of guarantee. No statement anywhere, whether oral or written, shall<br />
be deemed such a guarantee, warranty or representation. All bidders are<br />
responsible for obtaining condition reports and/or personally inspecting the<br />
property before bidding to determine its condition, size, and whether or not<br />
it has been restored. Any items purchased and removed from the auction<br />
cannot be returned.<br />
4. Fuller’s LLC reserves the right to withdraw any lot and/or property before the<br />
sale.<br />
5. The auctioneer reserves the right to reject any bid which, in his opinion, is<br />
not commensurate with the value of the article being offered. The auctioneer<br />
may also reject any bid that may be determined as having a harmful effect<br />
on the item in question or the sale as a whole.<br />
6. All bids are by numbered lots in the catalog unless otherwise announced by<br />
the auctioneer.<br />
7. Some of the lots in the sale may be subject to a reserve. The reserve is a<br />
confidential minimum price agreed upon by the consignor and Fuller’s LLC<br />
below which the lot will not be sold. A representative of Fuller’s LLC will<br />
execute such reserves by bidding for the consignor. The reserve will never be<br />
higher than the low estimate.<br />
8. Title of each lot passes when the auctioneer says “SOLD”. Thereafter, any<br />
loss by fire, theft, breakage, or any other cause is the sole responsibility of<br />
the Buyer. Merchandise must be packed and transported by the Buyer at<br />
his/her own risk and expense. Shipping is the responsibility of the Buyer. If<br />
any employee or agent of Fuller’s LLC packs or transports the merchandise,<br />
it is fully at the risk, responsibility and expense of the Buyer and Fuller’s<br />
LLC shall not be liable for any loss or damage that may be caused by such<br />
employee or agent. The Buyer is responsible for any duties and taxes related<br />
to international shipments.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 37
9. A buyer’s premium will be added to the successful bid and is payable by<br />
the Buyer as part of the total purchase price. The buyer’s premium for<br />
each individual lot is 18% of the successful bid price up to and including<br />
$500,000, and 15% on any amount in excess of $500,000. There is a 3%<br />
discount offered for all payments made by means of cash, check, or wire<br />
transfer. Buyer is responsible for all wire transfer fees. This amount will be<br />
added to the successful bid price of each lot purchased and is payable by<br />
the Buyer together with the applicable sales tax, which is applied to the total<br />
cost of the purchase. Payment is due no later than 15 days after the auction<br />
date. All bidders must submit a MasterCard or Visa account number with<br />
the expiration date as a security deposit. Fuller’s LLC reserves the right to<br />
charge the total invoice amount plus an additional 2% handling fee to the<br />
credit card account on record if the bidder has not paid within 15 days of<br />
the auction date. The pick-up or delivery should also be arranged at time of<br />
payment. Storage fees of $5 per lot per business day or $25 per lot per week<br />
will be charged for items left more than 30 days after the auction. Items<br />
left more than 45 days past the auction date will be consigned to a future<br />
auction without notification to the Buyer.<br />
10. Unless purchased for resale, the Buyer will be required to pay the applicable<br />
Commonwealth of Pennsylvania Sales Tax and the City of Philadelphia Sales<br />
Tax. Dealers must have a Sales Tax Number and be registered with Fuller’s<br />
LLC.<br />
11. Payment may be made by cash, credit card (Visa or MasterCard), PayPal, or<br />
by wire transfer. Payment may be made by personal check only if credit has<br />
been previously established with Fuller’s LLC or if Fuller’s LLC has received<br />
a bank authorization guaranteeing the personal check. Fuller’s LLC reserves<br />
the right to hold merchandise purchased by personal check until the check<br />
has cleared the bank, if Fuller’s LLC deems such action necessary to protect<br />
Fuller’s LLC’s interest.<br />
12. Bidding on any item indicates the bidder’s acceptance of these terms and all<br />
other terms published or announced before and at the time of sale.<br />
13. Fuller’s LLC has engaged the services of Live <strong>Auction</strong>eers as a service<br />
for its clients who wish to bid and buy online. Please proceed to www.<br />
liveauctioneers.com for all necessary information on how to bid and buy<br />
online using their system. The user of Live <strong>Auction</strong>eers indemnifies and<br />
holds the <strong>Auction</strong> Company and its consignors harmless against any claim<br />
arising out of or resulting from their use of the Live <strong>Auction</strong>eers website,<br />
including all losses, damages, liabilities, and all fees (including attorney’s<br />
fees), costs, and expenses incurred in connection with any claim. Under<br />
no circumstances, including, but not limited to, negligence, shall the<br />
<strong>Auction</strong> Company and its consignors be liable for lost profits or any special,<br />
incidental, or consequential damages that result from the use of, or the<br />
inability to use, this website. If the user of Live <strong>Auction</strong>eers places absentee<br />
bid(s) with the <strong>Auction</strong> Company, Live <strong>Auction</strong>eers and also bids in person,<br />
by phone or by any other means, it is solely the bidder’s responsibility<br />
to cancel any or all absentee bids prior to the start of the auction. If the<br />
bidder does not or cannot, regardless of any reason, the bidder will be held<br />
responsible for the purchase of the property.<br />
38<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
14. Fuller’s LLC accepts absentee bids in person, by mail, or by fax. Absentee<br />
bids should be received no later than 12 Noon on the last business day<br />
preceding the auction. Please call Fuller’s LLC to confirm receipt of any faxed<br />
absentee bids. All absentee bids are handled as though the bidder is in<br />
attendance. These bids are executed by a designated Fuller’s LLC employee.<br />
A 25% deposit is required on all absentee bids. Fuller’s LLC buys all absentee<br />
bid designated lots for the bidder at one bidding increment above where<br />
all competition stops bidding, as long as the absentee bid has not already<br />
been surpassed by the bidding at the auction. Please check and comply<br />
with these bidding increments. In case of failure to meet these terms, Fuller’s<br />
LLC will reduce each bid not at an acknowledged bidding increment to<br />
the next lower bidding increment. Due to Fuller’s LLC’s structured bidding<br />
increments, it is very likely that several people will leave identical bids. The<br />
earlier absentee bid left with the <strong>Auction</strong> Company wins in the event of a<br />
tie bid. All absentee bids placed on Live <strong>Auction</strong>eers are sent to the <strong>Auction</strong><br />
Company during the actual sale at the time the lot is being offered for sale.<br />
There is no time advantage to these absentee bids at all. All absentee bidder<br />
names and bids are held in strictest confidence, disclosed only in the event<br />
of a question after the sale. Absentee bidding is a convenience offered<br />
to Fuller’s LLC’s customers and, while Fuller’s LLC will make every effort<br />
to execute the bidder’s instructions, the <strong>Auction</strong> Company is not liable or<br />
responsible for any errors or failure to do so. If the bidder places absentee<br />
bids with the <strong>Auction</strong> Company, Live <strong>Auction</strong>eers and also bids in person, by<br />
phone or any other means, it is solely the bidder’s responsibility to cancel any<br />
or all absentee bids prior to the start of the auction. If the bidder does not or<br />
cannot cancel these bids, regardless of any reason, the bidder will be held<br />
responsible for the purchase of the property.<br />
15. Telephone lines designated for telephone bidding are available on a first<br />
come, first served basis. Please reserve a telephone line as soon as possible.<br />
Telephone lines must be reserved in person or by telephone no later than<br />
12 Noon on the last business day before the auction. Unauthorized faxed<br />
requests for telephone lines are not accepted. The bidder should first<br />
determine the lots on which the bidder wishes to bid before requesting a<br />
phone line reservation. Please request and review condition reports for these<br />
lots in advance of reserving a phone line. Fuller’s LLC will contact the bidder<br />
at only one phone number during the auction. Fuller’s LLC suggests that the<br />
bidder submits absentee bids if the bidder is unsure of his/her whereabouts<br />
at the time of the sale. All requests for overseas telephone lines must be<br />
accompanied by absentee bids which will be executed on the bidder’s<br />
behalf in the event of any problems with the telephone connection. It is the<br />
responsibility of the bidder to confirm his/her phone number and the lots to<br />
be bid upon by twenty-four hours before the auction. The bidder should not<br />
change the phone number after that phone number has been confirmed.<br />
If the bidder’s phone number changes, the <strong>Auction</strong> Company reserves the<br />
right to refuse the bidder’s bid by telephone in this auction and will not be<br />
responsible for any breakdown in communications.<br />
Fuller’s LLC strongly recommends the use of telephone land lines, which are<br />
often more reliable than mobile telephone lines. When bidding by phone,<br />
the bidder must be willing to bid up to the low estimate if the competitive<br />
bidding goes as high as the low estimate. There is absolutely no exception<br />
to this rule. However, the bidder may leave absentee bids for any amount<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 39
on any lot. Bids are placed on the telephone at the discretion of the <strong>Auction</strong><br />
Company and at the caller’s risk. Fuller’s LLC offers telephone bidding as<br />
a convenience to its customers. While Fuller’s LLC will make every effort<br />
to execute the bidder’s instructions, the <strong>Auction</strong> Company is not liable or<br />
responsible for any errors or failure to do so.<br />
16. All items advertised in this catalog for sale by auction, with a minimum<br />
presale estimate of $1,000 and higher, have, insofar as they are uniquely<br />
identifiable from the description given, been checked against the<br />
computerized database of stolen or lost artwork, antiquities and other<br />
cultural objects maintained by the <strong>Art</strong> Loss Register. A search certificate<br />
can be provided by the <strong>Art</strong> Loss Register for an additional fee. The <strong>Art</strong> Loss<br />
Register can be reached by mail at 108 West 39th Street, Suite 506, New York,<br />
New York, 10018, or by email at info@alrny.com. The <strong>Art</strong> Loss Register cannot,<br />
however, guarantee the provenance of any cataloged item against which<br />
they search, and will not be liable for any direct or consequential losses of<br />
any nature howsoever arising. This statement is not to affect, detract from, or<br />
override Fuller’s LLC’s Terms and Conditions of Sale, and in the event of any<br />
conflict, the Terms and Conditions of Sale will take priority to the terms of<br />
this statement.<br />
17. Bidding Increments<br />
$0 to $500 ....................................................... by $25’s<br />
$500 - 1000 ..................................................... by $50’s<br />
$1000 - 2000 .................................................. by $100’s<br />
$2000 - 5000 .................................................. by $250’s<br />
$5000 - 10,000 ............................................... by $500’s<br />
$10,000 - 20,000 ........................................... by $1000’s<br />
$20,000 - 50,000 ........................................... by $2500’s<br />
$50,000 - 100,000 ......................................... by $5000’s<br />
$100,000 - 200,000 ...................................... by $10,000’s<br />
$200,000 - 500,000 ...................................... by $25,000’s<br />
$500,000 -and above .................................. by $50,000’s<br />
(Variations from the above Bidding Increments are at the auctioneer’s<br />
sole discretion.)<br />
Fuller’s LLC Terms of Guarantee<br />
1. Fuller’s LLC warrants the authenticity of Authorship of each lot contained<br />
in this catalog on the terms and conditions set forth below. “Authorship”<br />
is defined as the creator, period, culture, source of origin, as the case may<br />
be, as set forth in the heading of a lot in this catalog, with exception of<br />
amendments by any oral or written sales-room notices or announcements.<br />
All other warranties of authenticity of authorship express or implied, are<br />
hereby disclaimed as Buyer shall take each lot “as is” and with all faults and<br />
errors of description.<br />
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Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
2. Fuller’s LLC warrants the Authorship of a lot for a period of 15 days from the<br />
date of the sale of such lot and only to the original Buyer of record at the<br />
auction. If it is determined to Fuller’s LLC’s satisfaction that the heading is<br />
incorrect, the sale will be rescinded provided the lot is returned to Fuller’s<br />
LLC in the same condition in which it was at the time of the sale. It is also<br />
Fuller’s LLC’s general policy to have the Buyer obtain at the Buyer’s expense<br />
the opinion of one (or two in some cases) recognized experts in the field,<br />
mutually acceptable to Fuller’s LLC and the Buyer, before Fuller’s LLC<br />
determines whether to rescind the sale under the above warranty.<br />
3. The Buyer’s sole remedy in the event of disputed authenticity of authorship<br />
of any lot shall be rescission of the sale and restitution of the original<br />
purchase price and premium paid by such Buyer. Fuller’s LLC hereby<br />
disclaims all liability for any damages, incidental, consequential or otherwise,<br />
arising out of or in connection with any sale to the Buyer.<br />
4. Names printed in bold letters in the catalog which identify a lot specifically<br />
as the work of the named artist or author shall mean that the work is by<br />
the named artist or author, i.e. if the name of the artist is printed in bold<br />
letters without a question mark and without any qualifying phrase such as<br />
“attributed to,” “circle of,” or “after.” Bold and italicized names in the catalog<br />
which attribute the work to a named artist or author shall mean that the<br />
work is of a period or school of the artist or author, but is not, with certainty,<br />
by the named artist or author. This may also be indicated with a question<br />
mark following the name of the author.<br />
5. Exclusions - Notwithstanding any other provision of these “Terms of<br />
Guarantee”, Fuller’s LLC disclaims all warranties of authenticity of authorship<br />
for all lots consisting of works of fine art by or “attributed to” artists, authors<br />
or persons living before 1870 and, when no artist, author or person is so<br />
identified, works attributed to a period which includes any date prior to<br />
1870, and all warranties relating to the identification of the periods or dates<br />
of execution of property, which may be proven inaccurate.<br />
6. Definitions of statements:<br />
a. “Attributed to “ - work is of the period of the named artist and may be the<br />
work of that artist, but not definitely so.<br />
b. “Circle of” - work of the period closely associated with the artist or from the<br />
studio of the artist.<br />
c. “School of” - work by a pupil or follower of the artist, in his/her style.<br />
d. “After” - in Fuller’s LLC’s opinion, a copy of the work of the artist.<br />
e. “Signed” - has the signature which in Fuller’s LLC’s qualified opinion is the<br />
signature of the artist.<br />
f. “Bears signature” - has a signature which in Fuller’s LLC’s qualified opinion,<br />
might be the signature of the artist.<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 41
INDEX<br />
Name<br />
Lot Number<br />
Abbott, Berenice 70<br />
American School, 19th Century 11<br />
Amy Kahn Russell 150<br />
Anne Klein 157<br />
Barbier, George 30, 32<br />
Baum & Mercier 123<br />
Botero, Fernando 83<br />
Boulanger, Graciela Rodo 84<br />
Bozzolini, Silvano 49<br />
Brassai (Guyula Halasz) 72<br />
Breininger, Lester 4, 5, 6<br />
Browne, Byron 17<br />
Brunelleschi, Umberto 28<br />
Cartier 107, 109, 115, 121, 134,<br />
136, 138, 139<br />
Cézanne, Paul 12<br />
Chagall, Marc 14, 15, 16<br />
Chanel 151-156, 171-180, 183,<br />
184, 187, 189<br />
Cocteau, Jean 25<br />
Dali, Salvador 88, 89<br />
David Yurman 112<br />
Ernst, Max 46<br />
Fendi 182<br />
Fortunoff 95<br />
Frost, <strong>Art</strong>hur Burdett Sr. 37<br />
George, Hurrell 76<br />
Goldberg, Rube 29, 31, 33<br />
Gotshall, David and Barbara Strawser 1, 2<br />
Gottshall, Walter, Jonathan Bastian, 3<br />
and Donna and Daniel Strawser<br />
Gropper, William 27<br />
Gucci 169<br />
Hambleton, Richard 61, 62<br />
Heap, George and Nicholas Scull 9<br />
Heeks, Willy 66, 67, 68, 69<br />
Hirschfeld, Albert 34, 35, 36, 38, 39, 40, 42, 43<br />
Istrati, Alexandre 51<br />
Jacobs, Lou, Jr. 71<br />
J.E. Caldwell Co. 92<br />
Joelson, Suzanne 52, 53, 54<br />
Judd, Donald 56<br />
42<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com
Name<br />
Lot Number<br />
Judith Leiber 165, 168, 170<br />
Karsh, Yousuf 75<br />
Kenneth Jay Lane 157, 160<br />
Klee, Paul (After) 48<br />
Kohlhofer, Christof 63<br />
Konstantino 129<br />
Laurencin, Marie 20, 21, 22<br />
Lichtenstein, Roy (After) 82<br />
Louis Vuitton 161, 163<br />
Marsh, Georgia 44, 45<br />
Mary McFadden 190<br />
Maywald, Willy 77<br />
Michael Bondanza 104<br />
Mihich, Vasa Velizar 47<br />
Miro, Joan (After) 26<br />
Miss, Mary 57, 58<br />
Morley, Malcolm 64, 65<br />
Noyer, Denis Paul 86<br />
Ostier, André 73, 74<br />
Paloma Picasso for Tiffany 90, 91<br />
Pann, Abel 41<br />
Papart, Max 85<br />
Pascin, Jules 18<br />
Paul Morelli 102, 111<br />
Picasso, Pablo 23, 24<br />
Prada 167<br />
Renaud Pellegrino 166<br />
Renoir, Pierre-Auguste 10<br />
Roberts, Judith and 103<br />
Millicent Rogers Silver Designs<br />
Saret, Alan 59, 60<br />
Schlumberger for Tiffany 98<br />
Shahn, Ben 87<br />
Staffel, Rudolf 50<br />
Thomas, J.W. 13<br />
Weber, Max 19<br />
Witkin, Joel-Peter 78, 79, 80, 81<br />
Zucker, Joe 55<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com 43
Fuller’s <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s is now accepting consignments for<br />
future sales. We offer competitive terms for your works of art.<br />
Please call 215-991-0100 or email info@FullersLLC.com at your<br />
earliest convenience.<br />
Please note that multiple photographs of every lot are available<br />
through Live <strong>Auction</strong>eers. Place absentee bids or bid live<br />
through Live <strong>Auction</strong>eers (www.liveauctioneers.com).<br />
Visit our website www.FullersLLC.com for bidding instructions.<br />
44<br />
Fullers <strong>Fine</strong> <strong>Art</strong> <strong>Auction</strong>s . www.FullersLLC.com