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OBICEIURI Customs 58<br />

BRADUL, PENTRU BEL{UG<br />

® ~n diminea]a nun]ii, ginerele [i prietenii<br />

s\i `mpodobesc brazii cu diferite<br />

obiecte, fructe [i chifle. Ni[te tineri<br />

nec\s\tori]i `i poart\ p‚n\ la casa na[ului,<br />

unde unul dintre brazi este legat `n fa]a<br />

por]ii. Apoi alaiul `[i continu\ drumul spre<br />

casa miresei, loc `n care r\m‚ne [i celalalt<br />

brad. Bradul este simbolul vigorii [i al<br />

tinere]ii, iar `mpodobirea lui semnific\ via]a<br />

`mbel[ugat\ a viitoarei familii.<br />

B|RBIERITUL MIRELUI {I G|TITUL MIRESEI<br />

Muzica, nunta[ii [i plosca plin\ cu vin<br />

sunt ingredientele momentelor ce preced<br />

ceremonia religioas\. La casele viitorilor<br />

miri, forfota nu contene[te. Dou\ obiceiuri se<br />

desf\[oar\ `n paralel: b\rbieritul mirelui [i<br />

g\titul miresei. Ambele simbolizeaz\ ini]ierea<br />

tinerilor pentru via]a de familie [i se desf\[oar\<br />

sub ochii nunta[ilor, cu c‚ntec [i<br />

martori. ~n timp ce viitorul ginere e b\rbierit<br />

simbolic de c\tre cel mai bun prieten,<br />

mireasa este acas\ la ai s\i, `mpreun\ cu<br />

na[a, mama [i cele mai bune prietene. Ele o<br />

ajut\ s\ se `mbrace, urm‚nd ca na[a s\-i prind\-n<br />

p\r voalul [i coroni]a.<br />

~n vechime, la acest ritual luau parte mai<br />

mul]i din partea miresei. Cum g\titul era<br />

destul de laborios - se foloseau cele mai bune<br />

haine, se f\ceau `mpletituri complicate ale<br />

p\rului, fetele c‚ntau.<br />

HORA MIRESEI<br />

Cunoscut\ [i ca Nuneasca, hora miresei<br />

se danseaz\ acas\ la viitoarea nevast\, prilej<br />

cu care soacra mic\ `mparte daruri na[ilor,<br />

socrilor [i, uneori, rudelor apropiate. ~n timpul<br />

horei, oaspe]ilor li se prind `n piept cocarde.<br />

Via]a în doi / Life as a couple<br />

RUPEREA TURTEI<br />

Dup\ dans, na[a `nchin\ un pahar cu vin [i fr‚nge `n patru un colac<br />

ori o turt\ `mpodobit\ cu ornamente [i `mpletituri. C‚teva buc\]i sunt<br />

azv‚rlite `n cele patru puncte cardinale, `ncep‚nd cu r\s\ritul. Simbolic,<br />

turta este rupt\ deasupra capului miresei, buc\]i din ea fiind oferite celor<br />

prezen]i. Potrivit obiceiului, p\strat din vremea romanilor, cei care m\-<br />

n‚nc\ din turt\ au noroc sau se c\s\toresc repede.<br />

CUNUNIA {I MASA<br />

Cu miri, na[i [i invita]i, alaiul pornea spre biseric\. Dup\ el se arunca<br />

p‚ine [i sare, `n semn de bel[ug. Pe drum, copiii ie[eau cu g\le]i pline<br />

cu ap\ [i flori, `n semn de noroc, [i primeau `n schimb bani de la mire.<br />

~n timpul cununiei, mirii `ncorona]i [i na[ii erau „b\tu]i“ cu bomboane<br />

[i bani, la „Isaia d\n]uie[te“, fapt ce simboliza dorin]a nunta[ilor ca viitorul<br />

cuplu s\ aib\ parte de bel[ug. Dup\ terminarea slujbei, alaiul, cu lum‚n\rile<br />

aprinse `nainte, se `ndreapt\ spre locul de desf\[urare a petrecerii. Aici,<br />

nunta[ii sunt `nt‚mpina]i cu p‚ine [i sare sau cu dar de colaci. Ast\zi, la ora[,<br />

pi[coturile au luat locul colacilor, dar miezul simbolic este acela[i. ®<br />

® groom must be shaved by his<br />

best friend, while the bride is at<br />

her house with her mother and<br />

girlfriends, who must help her<br />

dress up and put on the wedding<br />

veil.<br />

THE BRIDE’S ROUND DANCE<br />

Also known as the “Nuneasca“,<br />

the bride’s round dance takes<br />

place at the future wife’s house.<br />

While the guests are dancing, the<br />

bride’s mother gives small presents<br />

to the godfathers, the in-laws<br />

and to other close relatives. The<br />

dancers also receive cockades.<br />

After the round dance, the<br />

godmother makes a toast and<br />

splits into several pieces a knotshaped<br />

bread or an unleavened<br />

bread decorated with ornaments.<br />

Four pieces of bread are thrown in<br />

four different parts symbolizing<br />

the four points of the compass. The<br />

first piece is always thrown to the<br />

East and the bread must be divided<br />

over the bride’s head. Some of<br />

bread pieces are then served to the<br />

guests as it is believed that those<br />

who eat it will become very lucky<br />

persons or will get married soon.<br />

THE RELIGIOUS SERVICE<br />

Afterwards the wedding procession<br />

heads to the church. Behind<br />

them, pieces of bread and salt are<br />

scattered for the new couple to<br />

have a prosper life. On the way to<br />

the church, children used to meet<br />

the groom and bride with flowers<br />

and buckets with water and in<br />

return the groom would give them<br />

money. During the religious service,<br />

the guests would throw candies<br />

and coins at the groom and<br />

bride. The gesture expresses the<br />

guests’ best wishes.<br />

After the religious service, the<br />

wedding procession, holding lit<br />

candles, goes to the party hall. All<br />

the guests are welcomed with<br />

bread and salt. Nowadays, the<br />

bread has been replaced with cookies,<br />

but the symbolic essence is<br />

the same.<br />

A traditional wedding feast<br />

attracts almost the entire community.<br />

The feast means music, special<br />

dishes, wine, and lots of presents.<br />

The bride must give presents<br />

to the spiritual parents of the<br />

wedding and then all the guests<br />

start presenting their gifts for the<br />

newly weds. The gifts usually<br />

comprised grains and money.<br />

The feast used to end in the<br />

morning, when the bride had to<br />

take off the wedding veil and replace<br />

it with a scarf. Then the guests<br />

would start drinking red “tzuica“.<br />

KIDNAPPING THE BRIDE<br />

The custom to kidnap de bride<br />

is still alive although no one<br />

knows where it comes from.<br />

During the wedding party some<br />

guests take advantage of the<br />

groom’s lack of attention and ®

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