Untitled - Tarom
Untitled - Tarom Untitled - Tarom
EXPLORATOR Explorer 32 ® urma mea, nu-mi ve]i cunoa[te soarta! ® Father, my mother!“ the girl cried. Porturile disp\reau din fa]a ochilor ei `nl\crima]i. Numai cerul senin “Oh, my dear brothers! You will seek [i marea nem\rginit\ o `nconjurau. Ame]ise de spaim\, dar se ]inea for me in vain, you will never find str‚ns de coarnele taurului. me, you will never know my fate!“ Deodat\ ap\ru o insul\ uria[\. Mun]i st‚nco[i [i c‚mpii `nverzite se The ports were flying by her apropiar\ de ei vertiginos. Ajuns la ]\rm, taurul ceresc puse cu mult\ eyes full of tears and disappearing. grij\ fata pe p\m‚nt. Abia c\ f\cu prin]esa c‚]iva pa[i pe t\r‚mul necunoscut, c\ animalul se [i pierdu `n desi[ul codrului. sea were surrounding her. She was Only the clear sky and the endless - Nu m\ l\sa singur\! - strig\ Europa, alerg‚nd dup\ el. dizzy because of the fear, but she Se opri brusc la marginea unei poiene `nsorite. Zeus st\tea `n fa]a ei, was hanging on the bull’s horns. `nve[m‚ntat `n alb din cap p‚n\-n picioare, cu o mantie ce `mpr\[tia raze A huge island suddenly appeared. Rocky mountains and green fiel- bl‚nde de lumin\. Coroana-i era plin\ de diamante sc‚nteietoare. - Te iubesc! - rupse t\cerea st\p‚nul cerului [i al p\m‚ntului. Vom ds were quickly getting closer. When tr\i aici, `n locul cel mai drag mie, unde am copil\rit, pe insula Creta. Europa, fii so]ia mea! bull carefully placed the girl on the they reached the shore, the heavenly Zeus a[ez\ pe fruntea ei o coroni]\ b\tut\ `n rubine. ground. She barely made a few steps - Acest continent, pe care m\rile `nguste `l despart de Asia, nu are on the unknown land, and the animal disappeared in the thick forest. nume, spuse el. ~]i va purta numele pe vecie, iubirea mea, Europa! La nunta magnific\ venir\ Dreptatea, Legalitatea [i Pacea. Din unirea “Don’t leave me alone!“ Europe fericit\ a celor doi se n\scur\ trei b\ie]i. Cu to]ii au ajuns b\rba]i de seam\. cried, running after him. Minos, primul n\scut, deveni cel dint‚i rege cretan, vestitul Rege-taur. She suddenly stopped at the ed- Pentru a-[i aminti de-a pururi Canis, Mayor, Orion, Hyads, Pleiades dragostea fericit\ pe care a tr\it-o cu p\m‚nteanca r\pit\ din Asia, Zeus a `n\l]at taurul alb pe cerul `nstelat... ∫ ge of a sunny meadow. Zeus was standing in front of her, wearing only white clothes and a cloak spreading gentle beams of light. His crown was full of glittering diamonds. “I love you, the master if the earth and sky“ said. “We will live here, in the place I love most, where I grew up, in Crete. Europe, be my wife!“ Zeus placed a crown with rubies on her forehead. “This continent, separated by narrow seas from Asia, has no name, he said. It will bear your name forever, my beloved Europe!“ Justice, Legality and Peace came to their wedding. From their happy marriage three sons were born. They all became notable men. Minos, their first born, was the firs Cretan king, the famous Bull-king. To remember forever about the happy marriage with the earthly woman he had kidnapped from Asia, Zeus put the white bull on the starry sky... ∫ Respectul pentru mediu `n viziunea Maschio-Gaspardo Spre deosebire de alte sectoare ale economiei `n care reducerea impactului ambiental corespunde cre[terii costului de produc]ie [i a personalului productiv, `n agricultur\ aceasta se traduce, de cele mai multe ori, prin sc\derea costurilor [i economie de manoper\. Agricultura conservativ\ are ca obiectiv conservarea [i `mbun\t\]irea resurselor naturale, cum ar fi solul, garant‚nd un nivel productiv elevat `n condi]iile reducerii costurilor de produc]ie. Fiind unul dintre cei mai mari produc\tori mondiali de utilaje agricole, cu patru fabrici de produc]ie `n Italia, trei filiale productive `n Rom‚nia, Rusia [i China [i alte 11 filiale comerciale `n lumea `ntreag\, Grupul Maschio-Gaspardo se remarc\ prin deosebita aten]ie pe care o acord\ acestui concept. „~n ziua de azi, chiar [i `n agricultur\ este necesar s\ se reflecte asupra reducerii consumului, costurilor, a num\rului de utilaje [i a persoanelor implicate m\rind viteza de lucru, productivitatea [i eficien]a [i dac\ este posibil respect‚nd solul. Toate acestea se pot realiza cu o tehnologie de avangard\, care `n Maschio-Gaspardo se rezum\ la o singur\ ma[in\, Directa - trei lucr\ri diverse printr-o singur\ trecere“, afirm\ administratorul societ\]ii, Mirco Maschio. Mirco Maschio Folosind acest tip de utilaj, se reduce considerabil consumul de combustibil, ceea ce are ca efect limitarea emisiei de gaze `n atmosfer\, considerat\ responsabil\ a efectului de ser\. Prelucrarea terenului este minim\, at‚t ca ad‚ncime, c‚t [i ca num\r de treceri, evit‚ndu-se astfel daunele pe care lucr\rile tradi]ionale le produc asupra solului: efectul de eroziune, compactarea terenului, favorizarea form\rii crustei de suprafa]\ [i distrugerea structurii acestuia. Nu trebuie omis faptul c\ aplicarea sistemului de sem\nare direct\ m\re[te con]inutul de substan]\ organic\ `n sol, cresc‚nd deci fertilitatea acestuia. Reducerea costurilor se dovede[te a fi un element strategic pentru supravie]uirea multor produc\tori agricoli care `nt‚mpin\ mileniul trei cu perspectiva reducerii pre]ului produselor [i necesitatea de a deveni competitivi cu celelalte ]\ri ale Comunit\]ii Europene. Pentru a ajunge la realizarea tuturor acestor obiective, Grupul Maschio-Gaspardo investe[te importante resurse materiale [i umane `n domeniul cercet\rii, colabor‚nd cu universit\]i specializate din `ntreaga lume.
DISCOVERY 34 Maya M\re]ie [i pr\bu[ire Greatness and Demise By Gabriela Ceciul Photo: Mediapro LA APOGEUL CIVILIZA}IEI LOR, MAYA{II ERAU INTERESA}I ~N SPECIAL S| ~N}ELEAG| TIMPUL {I SEMNIFICA}IA VIE}II. NIMENI NU {TIE CUM A FOST POSIBIL| DISPARI}IA UNEI SOCIET|}I ATÂT DE ~NFLORITOARE {I DE RAFINATE... AT THE HEIGHT OF THEIR CIVILIZATION, THE MAYA PEOPLE WERE ESPECIALLY INTERESTED IN ATTEMPTING TO UNDERSTAND TIME AND THE MEANING OF LIFE. NOBODY KNOWS EXACTLY HOW SUCH A FLOURISHING AND REFINED SOCIETY MANAGED TO DISAPPEAR... Pentru ca spectatorul s\ p\trund\ `n misterioasa lume a maya[ilor. Gibson a folosit actori amatori, unii chiar cu r\d\cini maya[e / So that the spectator would have access to the mysterious world of the Mayan people, Gibson used amateur actors, some even of mayan descent
- Page 2 and 3: ITINERARII COLABORATORI Air Treks C
- Page 4 and 5: VIP 6 PInterviu cu / Interview with
- Page 6 and 7: ITINERARII Air Treks 8 Cluj beneath
- Page 8 and 9: ITINERARII Air Treks 10 ® nic\ - s
- Page 10 and 11: ITINERARII Air Treks 14 MUNCHENMUNI
- Page 12 and 13: ITINERARII Air Treks 16 Vedere pano
- Page 14 and 15: JURNAL DE VACAN}| Holiday Diary 20
- Page 16 and 17: INTERVIU Interview 24 By Diana Boic
- Page 18 and 19: INTERVIU Interview 26 ® Chapman, G
- Page 20 and 21: INTERVIU Interview 28 Trei stele al
- Page 22 and 23: EXPLORATOR Explorer 30 ZEUS ~{I ~ND
- Page 26 and 27: INSIGHT TAROM Prim\var\/Spring 2007
- Page 28 and 29: CAMPIONII The Champions 38 By Otili
- Page 30 and 31: CAMPIONII The Champions 40 Bunicii
- Page 32 and 33: COVER STORY 44 „Am vrut s\ `napoi
- Page 34 and 35: COVER STORY 46 „Am sim]it o feric
- Page 36 and 37: BUCURE{TIUL REDESCOPERIT Bucharest
- Page 38 and 39: BUCURE{TIUL REDESCOPERIT Bucharest
- Page 40 and 41: OBICEIURI Customs 56 Domni[oara [i
- Page 42 and 43: OBICEIURI Customs 58 BRADUL, PENTRU
- Page 44 and 45: LOCURI DE POPAS Peaceful Retreats 6
- Page 46 and 47: LOCURI DE POPAS Peaceful Retreats 6
- Page 48: BANI & AFACERI Money & Business ADV
- Page 51: ITINERARII FOCUS TAROM Air Treks 72
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DISCOVERY<br />
34<br />
Maya<br />
M\re]ie [i pr\bu[ire Greatness and Demise<br />
By Gabriela Ceciul<br />
Photo: Mediapro<br />
LA APOGEUL CIVILIZA}IEI LOR, MAYA{II ERAU INTERESA}I ~N SPECIAL S|<br />
~N}ELEAG| TIMPUL {I SEMNIFICA}IA VIE}II. NIMENI NU {TIE CUM A FOST POSIBIL|<br />
DISPARI}IA UNEI SOCIET|}I ATÂT DE ~NFLORITOARE {I DE RAFINATE...<br />
AT THE HEIGHT OF THEIR CIVILIZATION, THE MAYA PEOPLE WERE ESPECIALLY INTERESTED IN ATTEMPTING TO UNDERSTAND TIME<br />
AND THE MEANING OF LIFE. NOBODY KNOWS EXACTLY HOW SUCH A FLOURISHING AND REFINED SOCIETY MANAGED TO DISAPPEAR...<br />
Pentru ca spectatorul s\ p\trund\ `n misterioasa lume a maya[ilor. Gibson a folosit actori amatori, unii chiar cu<br />
r\d\cini maya[e / So that the spectator would have access to the mysterious world of the Mayan people,<br />
Gibson used amateur actors, some even of mayan descent
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