Educational Guide - Memphis the Musical
Educational Guide - Memphis the Musical
Educational Guide - Memphis the Musical
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Before <strong>the</strong> Show<br />
Civil Rights in<br />
<strong>the</strong> 1950s<br />
Read <strong>the</strong> following article aloud to your class to provide<br />
your students with relevant historical background information.<br />
Have <strong>the</strong>m complete <strong>the</strong> suggested extension activity to<br />
stimulate fur<strong>the</strong>r discussion.<br />
Extension Activity:<br />
Colorism<br />
During <strong>the</strong> Civil Rights Movement, many<br />
strong leaders fought years to combat <strong>the</strong><br />
prejudices based upon <strong>the</strong> color of a person’s<br />
skin. This is also a prominent issue<br />
in <strong>Memphis</strong>. Are perceptions of skin color<br />
different today Ask your students to write<br />
a response to <strong>the</strong> following questions regarding<br />
<strong>the</strong>ir views on skin color:<br />
Throughout <strong>the</strong> 1950s, <strong>the</strong> Civil Rights Movement made<br />
strides towards an America rooted in equality. Challenged by racial<br />
prejudice, it took <strong>the</strong> leadership, boldness and commitment of<br />
many people to yield key achievements in law and attitude. Significant<br />
breakthroughs include: Brown versus Board of Education, Rosa<br />
Parks’ personal protest, and <strong>the</strong> Little Rock Nine, among o<strong>the</strong>rs.<br />
A unanimous ruling in <strong>the</strong> 1954 Brown versus <strong>the</strong> Board of Education<br />
case in Topeka, Kansas declared segregation in schools is unconstitutional.<br />
This was highly symbolic in overturning <strong>the</strong> previously<br />
accepted policy of “separate but equal” produced from <strong>the</strong> 1896<br />
court case, Plessy versus Ferguson. Additionally, this victory was led<br />
by NAACP (National Association for <strong>the</strong> Advancement of Colored<br />
People) attorney Thurgood Marshall, who later went on to become<br />
<strong>the</strong> first black justice appointed to <strong>the</strong> Supreme Court.<br />
NAACP member, Rosa Parks, took a brave stance in 1955 on a<br />
bus in Montgomery, Alabama. She was arrested for refusing to give<br />
up her seat located in front of a white passenger’s seat (a sou<strong>the</strong>rn<br />
custom of <strong>the</strong> time). In response to her situation, a boycott led by<br />
Martin Lu<strong>the</strong>r King, Jr. was held until buses were desegregated on<br />
December 21, 1956.<br />
At Central High School in Little Rock, Arkansas, <strong>the</strong> first black<br />
teenagers to attend <strong>the</strong> previously all-white school were blocked by<br />
<strong>the</strong> state’s National Guard (as directed by <strong>the</strong> Governor of Arkansas).<br />
Their circumstance drew <strong>the</strong> attention of President Eisenhower, who<br />
sent in federal troops to protect <strong>the</strong> students. While every day was<br />
a challenge for <strong>the</strong> “Little Rock Nine,” as <strong>the</strong>y came to be known,<br />
<strong>the</strong>y prevailed in <strong>the</strong> face of adversity by continuing <strong>the</strong>ir education<br />
despite ongoing death threats and extreme racism.<br />
O<strong>the</strong>r notable accomplishments during <strong>the</strong> 1950s include: Gwendolyn<br />
Brooks becoming <strong>the</strong> first black Pulitzer Prize winner for Annie<br />
Allen (1950), Juanita Hall becoming <strong>the</strong> first black Tony Award winner<br />
for playing Bloody Mary in South Pacific (1950), Lorraine Hansberry’s<br />
A Raisin in <strong>the</strong> Sun becoming <strong>the</strong> first play produced on Broadway<br />
by a black playwright (1959), and Berry Gordy founding <strong>the</strong> Motown<br />
Records label in Detroit (1959).<br />
Colorism: a form of discrimination based<br />
upon skin color where people receive different<br />
treatment socially and/or professionally.<br />
1. How would you describe your skin<br />
color/tone/shade<br />
2. What does skin color mean to you<br />
What does it represent<br />
3. Have you ever experienced or seen<br />
colorism<br />
4. What steps do you take to celebrate<br />
your skin color<br />
5. What steps can we take to protect our<br />
community from colorism<br />
Once students have had adequate time to<br />
respond, see if anyone would like to volunteer<br />
to share <strong>the</strong>ir responses with <strong>the</strong>ir<br />
peers. (Note: Due to <strong>the</strong> personal nature of<br />
this activity, do not force students to share<br />
if <strong>the</strong>y are not comfortable.)<br />
National Standards for Learning: NL-ENG.<br />
K-12.9: Multicultural Understanding, NL-<br />
ENG.K-12.11: Participating in Society, NL-<br />
ENG.K-12.12: Applying Language Skills,<br />
NSS-USH.5-12.10: Era 10: Contemporary<br />
United States<br />
New York City Department of Education’s<br />
Blueprint for Teaching and Learning in <strong>the</strong><br />
Arts: BP-T.9-12.3: Making Connections<br />
w w w. m e mphis<strong>the</strong>music a l . c o m • 11