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Style Sheet for Literary Essays Written for English at SPL

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ENGLISH<br />

Version 1.0: 130314<br />

<strong>Style</strong> <strong>Sheet</strong> <strong>for</strong> <strong>Literary</strong> <strong>Essays</strong> <strong>Written</strong><br />

<strong>for</strong> <strong>English</strong> <strong>at</strong> <strong>SPL</strong><br />

Some Common Referencing and Form<strong>at</strong>ting Situ<strong>at</strong>ions<br />

Joe Trotta och Chloé Avril<br />

(not a) BA/MA/ thesis<br />

Supervisor:<br />

Homer Simpson<br />

Examiner:<br />

Marge Simpson


Title: <strong>Style</strong> <strong>Sheet</strong> <strong>for</strong> <strong>Literary</strong> <strong>Essays</strong> <strong>Written</strong> <strong>for</strong> <strong>English</strong> <strong>at</strong> <strong>SPL</strong>: Some Common Referencing<br />

and Form<strong>at</strong>ting Situ<strong>at</strong>ions<br />

Author: Joe Trotta and Chloé Avril<br />

Supervisor: Homer Simpson<br />

Abstract: The aim of this text is to present the most common referencing and <strong>for</strong>m<strong>at</strong>ting<br />

situ<strong>at</strong>ions <strong>for</strong> students when writing an academic essay in <strong>English</strong> liter<strong>at</strong>ure <strong>at</strong> the Department of<br />

Languages and Liter<strong>at</strong>ures, University of Gothenburg. It illustr<strong>at</strong>es many standard <strong>for</strong>m<strong>at</strong>ting<br />

issues <strong>for</strong> both in-text cit<strong>at</strong>ions and bibliographical references based on the MLA style. The<br />

primary m<strong>at</strong>erials used here were references to diverse sources, both in print and online; the<br />

method (as far as there was one) was a qualit<strong>at</strong>ive analysis of the g<strong>at</strong>hered m<strong>at</strong>erial followed by a<br />

selection of the most represent<strong>at</strong>ive situ<strong>at</strong>ions. This is not an academic research paper, so there is<br />

no scholarly conclusion drawn, but this paper clearly illustr<strong>at</strong>es th<strong>at</strong> cit<strong>at</strong>ions and references are<br />

by no means a simple m<strong>at</strong>ter and th<strong>at</strong> much care must be given in order to follow the appropri<strong>at</strong>e<br />

<strong>for</strong>m<strong>at</strong>ting guidelines.<br />

Keywords: <strong>Style</strong> sheet, <strong>for</strong>m<strong>at</strong>ting, reference, MLA, footnote, quote, in-text cit<strong>at</strong>ion, primary<br />

m<strong>at</strong>erial, secondary m<strong>at</strong>erial, print sources, non-print sources


Table of Contents<br />

1. Introduction .................................................................................................................................. 1<br />

2. Preliminaries ................................................................................................................................. 1<br />

Basic Fe<strong>at</strong>ures .............................................................................................................................. 1<br />

Title Page ...................................................................................................................................... 2<br />

The Abstract ................................................................................................................................. 2<br />

Table of Contents ......................................................................................................................... 3<br />

3. Fe<strong>at</strong>ures of the Actual Paper ........................................................................................................ 3<br />

Paragraphing ................................................................................................................................. 3<br />

Sectioning ..................................................................................................................................... 3<br />

Cit<strong>at</strong>ions and Quot<strong>at</strong>ions .............................................................................................................. 4<br />

Footnotes ...................................................................................................................................... 5<br />

Punctu<strong>at</strong>ion, Font Conventions, Abbrevi<strong>at</strong>ions ............................................................................ 6<br />

Plagiarism ..................................................................................................................................... 7<br />

4. Form<strong>at</strong> of References in the Bibliography ................................................................................... 7<br />

Books ............................................................................................................................................ 7<br />

Articles ......................................................................................................................................... 9<br />

Articles in Journals (Including Reviews) ................................................................................. 9<br />

Articles/Chapters in Books ..................................................................................................... 10<br />

Articles in Newspapers and Non-scholarly Sources .............................................................. 11<br />

The World Wide Web (WWW) ................................................................................................. 11<br />

Citing Online Dictionaries and Reference Works such as Wikipedia ........................................ 12<br />

Other Common Sources ............................................................................................................. 12<br />

Interviews ............................................................................................................................... 12<br />

Motion Pictures and TV Series/Episodes ............................................................................... 13<br />

Sound Recordings .................................................................................................................. 13<br />

5. Conclusion .................................................................................................................................. 14<br />

Bibliography ................................................................................................................................... 15


1. Introduction<br />

The purpose of this guide is to give you clear instructions on how to lay out a paper written as<br />

part of a liter<strong>at</strong>ure course in this department. It will in<strong>for</strong>m you about the <strong>for</strong>mal requirements of<br />

such a paper, especially with regard to sections, quot<strong>at</strong>ions, and references. For your<br />

convenience, the <strong>for</strong>m<strong>at</strong> adopted <strong>for</strong> this guide reflects the one required <strong>for</strong> your paper (cf., <strong>for</strong><br />

example, paragraph indent<strong>at</strong>ion style, the <strong>for</strong>m<strong>at</strong> of the headings, text, footnotes, 1 in-text<br />

cit<strong>at</strong>ions, references, etc.).<br />

Apart from the <strong>for</strong>mal criteria, there are a number of additional aspects of academic writing<br />

you should consider when writing papers in liter<strong>at</strong>ure. You should try to write in a readable and<br />

accessible style, and make sure th<strong>at</strong> your arguments are expressed coherently and concisely.<br />

Additional in<strong>for</strong>m<strong>at</strong>ion on various aspects of academic writing is available in several books in the<br />

library and also <strong>for</strong> example on the following websites: www.uefap.co.uk (see also “Links”<br />

section), http://owl.english.purdue.edu/.<br />

2. Preliminaries<br />

Basic Fe<strong>at</strong>ures<br />

You should use A4 paper and print on one side only. Set all margins of your document (left,<br />

right, top and bottom) <strong>at</strong> 2.5 cm. To make the paper easier to read, use a line spacing of 1.5 (as<br />

used in this text). However, footnotes, long quot<strong>at</strong>ions, the abstract and the references should be<br />

single-spaced. The main body of the text should be left justified (or fully justified). Choose the<br />

Times New Roman font (the font used here), size 12 (<strong>for</strong> the body text). Finally, all pages<br />

should be consecutively numbered, beginning with the page which carries the introduction (i.e.<br />

not counting the title page, the abstract page or the table of contents page). The sections of the<br />

paper should be arranged in the following order: title page, abstract, table of contents, main<br />

text, references, appendix (if applicable).<br />

1 This is roughly wh<strong>at</strong> your footnote should look like. In most cases, your word processing program will take care of<br />

all the details, if not then keep in mind th<strong>at</strong> footnotes should be Times New Roman, font size 10 and the line spacing<br />

should be single-spaced.<br />

1


Your paper may follow British or American <strong>English</strong> spelling and grammar conventions.<br />

However, once you have made your choice, be consistent. If your word-processor has a<br />

spellchecker, set it <strong>for</strong> either British or American <strong>English</strong>, and use it. If you use a word-processor,<br />

there should be no need <strong>for</strong> corrections by hand. If you do discover any errors after printing,<br />

correct them ne<strong>at</strong>ly in ink.<br />

The length of your paper will normally be prescribed by the type of essay you are writing<br />

(e.g. a bachelor’s degree essay will be ca. 8000 words, an interdisciplinary paper will be 8000 to<br />

10,000 words, and so on). Use the word-count on your computer to check th<strong>at</strong> your paper is<br />

neither too long nor too short, and th<strong>at</strong> the various sections are of appropri<strong>at</strong>e lengths.<br />

Title Page<br />

For the title page, please use one of the ready-made templ<strong>at</strong>es. If you are unsure which templ<strong>at</strong>e<br />

to use, contact your supervisor.<br />

The Abstract<br />

The example below serves as an illustr<strong>at</strong>ion of how you can organize and <strong>for</strong>m<strong>at</strong> your abstract.<br />

This is the in<strong>for</strong>m<strong>at</strong>ion you need to include in an abstract: the title of the essay, the author’s<br />

name, supervisor’s name, the actual abstract (which should mention aims, method/m<strong>at</strong>erial<br />

and main results) and finally keywords (<strong>at</strong> least 5, no more than 10).<br />

Abstract example<br />

Title: The Poetry of Idries Davies and Postcolonial Wales<br />

Author: Jane Smith<br />

Supervisor: Marge Simpson<br />

Abstract: In recent years there has been a deb<strong>at</strong>e about whether or not Wales can be seen as a<br />

postcolonial society. This essay is a contribution to this ongoing discussion through its focus on<br />

the poetry of Idries Davies, one of Wales’s most important modern poets. By applying the<br />

postcolonial concepts of exile, migr<strong>at</strong>ion, margin and centre to a selection of Davies’s poetry, the<br />

essay shows th<strong>at</strong> Davies’s writing has much to say about the colonial and postcolonial experience<br />

of ordinary Welsh people. The focus of the argument is both on the postcolonial condition th<strong>at</strong><br />

Davies explores in his writing, as well as the poetic voice he gives to the Welsh characters he<br />

portrays in his three epic poems, Gwalia Deserta (1938), The Angry Summer (1943) and<br />

Tonypandy (1945).<br />

Keywords: Idries Davies, Gwalia Deserta, The Angry Summer, Tonypandy, Wales,<br />

postcolonialism, exile, migr<strong>at</strong>ion, margin, centre<br />

2


Table of Contents<br />

This page should carry the title ‘Table of contents’ <strong>at</strong> the top. Leave a few lines and then begin to<br />

list the contents: section titles on the left, the pages on which the sections begin on the right (see<br />

the Table of Contents page of this guide <strong>for</strong> an example). Most modern word processing<br />

programs will do this autom<strong>at</strong>ically if you insert the headings properly using the correct heading<br />

level from the preset ones from the top ribbon in the program (e.g., in Word 2010, this is a series<br />

of different styles to the right-hand of the page). Please note th<strong>at</strong> the references and any<br />

appendices should also be included in the table of contents.<br />

3. Fe<strong>at</strong>ures of the Actual Paper<br />

Paragraphing<br />

Make sure th<strong>at</strong> you follow the two important rules of academic writing: unity and coherence.<br />

Unity can be best explained by the expression ‘one idea, one paragraph’, meaning th<strong>at</strong> you need<br />

to focus on one argument <strong>at</strong> a time and indic<strong>at</strong>e the transition to a new argument (or subargument)<br />

by beginning a new paragraph. However, avoid very short paragraphs, especially those<br />

containing only one sentence. Coherence refers to the fact th<strong>at</strong> your essay should be organized in<br />

a logical manner and th<strong>at</strong> links within and between paragraphs should be made explicit.<br />

Each new paragraph should be ‘indented’ which means th<strong>at</strong> the first line should start further<br />

right than the following lines (usually about 1 cm from the margin). Note th<strong>at</strong> paragraphs<br />

beginning new sections or following quot<strong>at</strong>ions are NOT indented.<br />

Sectioning<br />

To help organize your work, it is worth dividing it up into explicitly marked chapters or sections.<br />

This helps to make it obvious <strong>for</strong> the reader wh<strong>at</strong> you are dealing with <strong>at</strong> any moment in time and<br />

gives a very clear overall structure to your work. In literary essays it is common to have between<br />

4 and 5 sections/chapters, including the introduction and conclusion. Remember th<strong>at</strong> all the<br />

different sections of your essay should be clearly rel<strong>at</strong>ed to your main thesis. You need to<br />

indic<strong>at</strong>e the focus of each section/chapter by a heading. In titles and headings, the first letter of<br />

each main word should be capitalized. The same applies to the table of contents. For an example<br />

of sectioning, look closely <strong>at</strong> this guide. It has been set out according to the above principles.<br />

3


Cit<strong>at</strong>ions and Quot<strong>at</strong>ions<br />

In the text, the details of the liter<strong>at</strong>ure referred to are not indic<strong>at</strong>ed in full and are not indic<strong>at</strong>ed in<br />

a footnote. Instead, two pieces of in<strong>for</strong>m<strong>at</strong>ion are given in brackets after the relevant passage:<br />

(Author’s surname and Relevant page/s), <strong>for</strong> example (Felski 9). If an author’s name is part of<br />

the running text, integr<strong>at</strong>e it in a suitable way, <strong>for</strong> instance “Felski explains th<strong>at</strong> the concept of…”<br />

(9) or “According to Felski, the concept …” (9).<br />

Cit<strong>at</strong>ions of books or articles by more than one author take the <strong>for</strong>m (Gilbert and Gubar<br />

215), (Ashcroft, Griffiths, and Tiffin 11). If a text has more than three authors, provide the name<br />

of the first author followed by et al., as in (Smith et al.). When a cit<strong>at</strong>ion refers to a work<br />

consisting of more than one volume, you should indic<strong>at</strong>e both the volume number and the page<br />

number as in: (1: 235). When citing works by several authors with the same last name use initials<br />

to differenti<strong>at</strong>e them, <strong>for</strong> example (V. Woolf 146-48) and (L. Woolf 12).<br />

When citing internet sources, include in the text or within parenthesis the first element th<strong>at</strong><br />

will appear in your bibliography. This can be the author’s name, the title of the article or the<br />

name of the website. Indic<strong>at</strong>e page numbers whenever possible. It is helpful to insert the word<br />

online in the text to help the reader understand why some in<strong>for</strong>m<strong>at</strong>ion th<strong>at</strong> would usually be<br />

mand<strong>at</strong>ory (such as an author’s name and a page number) is missing from your cit<strong>at</strong>ion.<br />

Try to avoid citing titles indirectly via another source containing this cit<strong>at</strong>ion. If required,<br />

these cit<strong>at</strong>ions take the <strong>for</strong>m (Carby qtd. in Suleri 277). Only the text you actually consulted<br />

should appear in the bibliography.<br />

Indirect quot<strong>at</strong>ions or paraphrases present the ideas or arguments of an author in your own<br />

words. In this case, it is important th<strong>at</strong> you add the source from which you gained the respective<br />

in<strong>for</strong>m<strong>at</strong>ion in brackets. An example of paraphrase is:<br />

The writing of Virginia Woolf is particularly fitted to a contextual approach since she herself was<br />

well aware of the link between literary production and an author’s social and personal<br />

situ<strong>at</strong>edness (Shaw 156).<br />

Verb<strong>at</strong>im (i.e. word-<strong>for</strong>-word) quot<strong>at</strong>ions can be integr<strong>at</strong>ed in two basic <strong>for</strong>m<strong>at</strong>s: if the<br />

quote is quite short (less than approx. 50 words/3 lines), it is included in the main body of the text<br />

and enclosed within double quot<strong>at</strong>ion marks, as in the following example:<br />

4


In an article on Mrs Dalloway and A Room of One’s Own, Marion Shaw claims th<strong>at</strong> Woolf “was<br />

one of the first writers to consider seriously and <strong>at</strong> length the rel<strong>at</strong>ionship between an author’s<br />

historical and personal situ<strong>at</strong>ion and his or her work” (156).<br />

If the quote is longer, it is presented as a separ<strong>at</strong>e paragraph, with each line indented about 2 cm<br />

from the left margin; the line spacing <strong>for</strong> the quote is single, the font size is reduced to 10 and the<br />

quote is not enclosed in quot<strong>at</strong>ion marks:<br />

In her award-winning book Radical Children’s Liter<strong>at</strong>ure (2007), Kimberley Reynolds argues<br />

th<strong>at</strong> while contemporary children’s liter<strong>at</strong>ure certainly explores new problem areas, children have<br />

in fact always been confronted with less than optimistic narr<strong>at</strong>ives:<br />

Despite ef<strong>for</strong>ts to protect children from books and other kinds of reading th<strong>at</strong> could leave them feeling<br />

hopeless, the young have always encountered frightening, nihilistic, and depressive ‘stories’ in a<br />

variety of contexts – from the news through popular soap operas and even such ‘family favourite’<br />

films as Walt Disney’s version of Bambi. (89)<br />

All direct quot<strong>at</strong>ions should follow the original text exactly – in wording, spelling and<br />

punctu<strong>at</strong>ion. Any additions or changes th<strong>at</strong> you make should be indic<strong>at</strong>ed by square brackets [ ].<br />

In the example below in is, contrary to the original text, spelt with a lowercase i:<br />

According to Collie and Sl<strong>at</strong>er, “[i]n order <strong>for</strong> us to justify the additional time and ef<strong>for</strong>t which<br />

will undoubtedly be needed <strong>for</strong> learners to come to grips with a work of liter<strong>at</strong>ure in a language<br />

not their own, there must be some special incentive involved” (6).<br />

If you omit part of a quot<strong>at</strong>ion, indic<strong>at</strong>e this by ellipsis points in square brackets: […]. For<br />

example: “Since the end of the twentieth century, children’s liter<strong>at</strong>ure has reflected many of the<br />

themes […] identified by Showalter” (Reynolds 151). If you should spot mistakes (e.g. typos) in<br />

the original text, you may add L<strong>at</strong>in [sic] in square brackets after the flawed construction in<br />

question. If you use quot<strong>at</strong>ions from languages other than <strong>English</strong> in the text, give the quote in<br />

the original language first and enclose the transl<strong>at</strong>ion in square brackets.<br />

Footnotes<br />

Footnotes are not used to indic<strong>at</strong>e the source of cit<strong>at</strong>ions (these are included in the running text –<br />

see section above). Use footnotes only when referring to further discussions of a topic or to<br />

include extra in<strong>for</strong>m<strong>at</strong>ion. Number them consecutively throughout the text, and make sure th<strong>at</strong> all<br />

punctu<strong>at</strong>ion marks as well as closing parentheses precede note numbers in the text.<br />

5


Punctu<strong>at</strong>ion, Font Conventions, Abbrevi<strong>at</strong>ions<br />

Conventions on the use of quot<strong>at</strong>ion marks can vary considerably, but we recommend th<strong>at</strong> you<br />

use “double quot<strong>at</strong>ion marks” <strong>for</strong> direct quot<strong>at</strong>ions; use ‘single quot<strong>at</strong>ion’ marks <strong>for</strong> glosses,<br />

definitions, ‘qualified’ words or phrases, or <strong>for</strong> quot<strong>at</strong>ions within quot<strong>at</strong>ions. Quot<strong>at</strong>ion marks go<br />

inside punctu<strong>at</strong>ion when only part of a sentence or the title of an article/a contribution to a book<br />

is quoted; unless the punctu<strong>at</strong>ion mark is part of the quot<strong>at</strong>ion:<br />

The Swedish word gymnasium means ‘upper secondary school’, not ‘gymnasium’.<br />

In her article “Problems of Gender and History in the teaching of Things Fall Apart”, Rhonda<br />

Cobham suggests th<strong>at</strong>…<br />

Consequently, the text type drama has been described as “a stereotypically ‘oral’ register” (Biber<br />

& Finegan 1997: 260).<br />

This is the way he used the question “Wh<strong>at</strong>’s up bro”.<br />

Use italics if you cite a word, phrase, or sentence as a concept or as the object of discussion; do<br />

not use quot<strong>at</strong>ion marks <strong>for</strong> this purpose. If you want to indic<strong>at</strong>e emphasis, do this by using<br />

language wherever possible, r<strong>at</strong>her than typographic fe<strong>at</strong>ures. If it has to be done typographically,<br />

please do not use italics but bold type.<br />

Avoid using too many abbrevi<strong>at</strong>ions; they often pose severe problems <strong>for</strong> readers not<br />

completely familiar with the language of a text. Where more than one abbrevi<strong>at</strong>ion is acceptable,<br />

select one and use it consistently throughout the text. Abbrevi<strong>at</strong>ions ending in a small letter have<br />

a full stop following them (e.g. OFr., Gk., L<strong>at</strong>.), those ending in a capital letter do not (e.g. MHG,<br />

OCS, OE). Here are some abbrevi<strong>at</strong>ions which are frequently used:<br />

cf. (confer, ‘compare’) Usually used in footnotes to indic<strong>at</strong>e a source th<strong>at</strong> develops an<br />

argument you make: cf. Spivak <strong>for</strong> a detailed discussion of the concept of the subaltern.<br />

e.g. (exempli gr<strong>at</strong>ia, ‘<strong>for</strong> example’) Any section can have sub-sections (e.g. 1.1.).<br />

i.e. (id est, ‘in other words’) Begin your list of references on a new page (i.e. the one after your<br />

conclusion).<br />

[sic] (not an abbrevi<strong>at</strong>ion - means something like ‘as it is written’) … his l<strong>at</strong>est school job page<br />

advertises “a wide rnage [sic] of 6th <strong>for</strong>m courses”.<br />

6


Plagiarism<br />

Plagiarism (i.e. using another person’s ideas or phrasing, and representing them as your own<br />

without acknowledging it) is a serious offence. Please respect and obey the academic code of<br />

conduct (see also the Gothenburg university guidelines available online <strong>at</strong> the following address:<br />

http://www.ub.gu.se/skriva/plagiering/ or consult the rules and regul<strong>at</strong>ions in<strong>for</strong>m<strong>at</strong>ion <strong>for</strong><br />

students <strong>at</strong> http://www.rk.gu.se/digitalAssets/1299/1299480_regelsamling_svensk.pdf). If you are<br />

ever in doubt, please contact your supervisor/teacher.<br />

4. Form<strong>at</strong> of References in the Bibliography<br />

The references <strong>at</strong> the end of the manuscript give full cit<strong>at</strong>ion details of the liter<strong>at</strong>ure referred to in<br />

the text. Make sure th<strong>at</strong> your bibliography comprises all of the books/articles/etc. referred to in<br />

the running text of your paper and vice versa! Always begin your bibliography on a new page<br />

(i.e. the one directly after your conclusion). The references are always ordered alphabetically and<br />

chronologically if there is more than one work by the same author. First names should be written<br />

out in full, i.e. try to avoid initials if th<strong>at</strong> is possible. If a reference stretches over more than one<br />

line, the second line should be indented (a so-called ‘hanging’ indent<strong>at</strong>ion) as in the examples<br />

given below as well as in the bibliography. We recommend th<strong>at</strong> you use the same spacing in the<br />

bibliography as <strong>for</strong> the rest of the document, i.e. 1.5 spacing.<br />

Books<br />

You must give six pieces of in<strong>for</strong>m<strong>at</strong>ion: 1) Author/Editor, 2) Title, 3) Place of public<strong>at</strong>ion, 4)<br />

Publisher, 5) Year of public<strong>at</strong>ion, and 6) Medium. The author’s/editor’s surname is always the<br />

first piece of in<strong>for</strong>m<strong>at</strong>ion and is followed by the author’s/editor’s first name. Next comes the title<br />

of the work which should be italicized. Note th<strong>at</strong> titles in languages other than <strong>English</strong> should be<br />

transl<strong>at</strong>ed into the language of the text with the transl<strong>at</strong>ion following the original title in square<br />

brackets. In<strong>for</strong>m<strong>at</strong>ion about the edition used may be given after the title. After th<strong>at</strong> comes the<br />

place of public<strong>at</strong>ion followed by the name of the publisher. The year of public<strong>at</strong>ion is indic<strong>at</strong>ed<br />

(if a work has not yet been published, add ‘in press’ or ‘<strong>for</strong>thcoming’). Finally, add the medium<br />

of the work – most commonly <strong>for</strong> books ‘Print’.<br />

Author’s/Editor’s surname, Author’s/Editor’s first name, ed. [if applicable]. Title. Edition<br />

[if applicable]. Place of public<strong>at</strong>ion: Publisher, Year. Medium.<br />

7


Reynolds, Kimberley. Radical Children’s Liter<strong>at</strong>ure: Future Visions and Aesthetic<br />

Trans<strong>for</strong>m<strong>at</strong>ions in Juvenile Fiction. Basingstoke: Palgrave Macmillan, 2007. Print.<br />

Marable, Manning. Race, Re<strong>for</strong>m and Rebellion: The Second Reconstruction and Beyond in<br />

Black America, 1945-2006. 3rd ed. Jackson: University Press of Mississippi, 2007. Print.<br />

Halpern, Daniel, ed. The Art of the Story: An Intern<strong>at</strong>ional Anthology of Contemporary Short<br />

Stories. London: Penguin, 2000. Print.<br />

Eduards, Maud. Kroppspolitik: Om Moder Svea och Andra Kvinnor [Body Politics: On Mother<br />

Svea and Other Women]. Stockholm: Atlas, 2007. Print.<br />

If there is more than one author/editor, use the order given on the book, which may or may not be<br />

alphabetical, and separ<strong>at</strong>e them by a comma. Note th<strong>at</strong> the order in which you give the first<br />

author’s surname and first name is inverted <strong>for</strong> all following authors. Add ‘and’ be<strong>for</strong>e the name<br />

of the last author:<br />

Author’s surname, Author’s first name[, and 2nd author’s first name 2nd author’s surname].<br />

Title. edition [if applicable]. Place of public<strong>at</strong>ion: Publisher, Year. Medium.<br />

Collie, Joanne, and Stephen Sl<strong>at</strong>er. Liter<strong>at</strong>ure in the Language Classroom: A Resource Book of<br />

Ideas and Activities. New Delhi: Cambridge University Press, 2009. Print.<br />

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, eds. The Post-colonial Studies Reader.<br />

London: Routledge, 1997. Print.<br />

Rooney, Caroline and Rita Sakr, eds. The Ethics of Represent<strong>at</strong>ion in Liter<strong>at</strong>ure, Art and<br />

Journalism. New York: Routledge, Forthcoming. Print.<br />

Irwin, William, Mark T. Conard, and Aeon J. Skoble, eds. The Simpsons 2 and Philosophy: The<br />

D’oh of Homer. Peru, Ill.: Open Court Publishing.<br />

If a work has more than three authors, only name the first author followed by et al.:<br />

Baym, Nina, et al. The Norton Anthology of American Liter<strong>at</strong>ure: Vol. 1. New York: W.W.<br />

Norton & Co, 1998. Print.<br />

2 Note th<strong>at</strong> titles within titles (such as The Simpsons in this case) are not italicized.<br />

8


It may sometimes be important to signal th<strong>at</strong> the d<strong>at</strong>e of public<strong>at</strong>ion of a work which you have<br />

consulted does not correspond to when the text was originally published. In this case you need to<br />

give first the original d<strong>at</strong>e of public<strong>at</strong>ion after the title and then the d<strong>at</strong>e of public<strong>at</strong>ion of your<br />

edition in the usual manner, after the name of the publisher:<br />

Butler, Judith. Gender Trouble. 1990. New York: Routledge, 1999. Print.<br />

PhD, MA and BA theses are referred to as follows:<br />

Johnson G<strong>at</strong>zouras, Vicky. “Family M<strong>at</strong>ters in Greek American Liter<strong>at</strong>ure.” Diss. Blekinge<br />

Tekniska Högskolan, 2007. Print.<br />

Sandahl, Ann-Louise. “Posthumanistiska Subjekt i Visuell Kultur [Posthumanist Subjects in<br />

Visual Culture].” MA thesis. University of Gothenburg, 2012. Print.<br />

Bäckström, Linn. “‘An Identity of One’s Own’: A Discussion of Gender and Sexuality in<br />

Jeanette Winterson’s <strong>Written</strong> on the Body.” BA thesis. Lund University, 2011. Print.<br />

Special cases can include a transl<strong>at</strong>ed book or a book prepared by an editor:<br />

Foucault, Michel. Madness and Civiliz<strong>at</strong>ion: A History of Insanity in the Age of Reason. Trans.<br />

Richard Howard. New York: Vintage-Random House, 1988. Print.<br />

Achebe, Chinua. Things Fall Apart. Ed. Francis Abiola Irele. New York: W.W. Norton & Co,<br />

2009. Print.<br />

Articles<br />

Articles in Journals (Including Reviews)<br />

List the following in<strong>for</strong>m<strong>at</strong>ion in the following order:<br />

Author’s surname, author’s first name[, and 2nd author’s first name 2nd author’s surname].<br />

“Title of article.” Title of Journal/Periodical Volume.Issue (Year): pages. Medium of<br />

public<strong>at</strong>ion.<br />

For example:<br />

McElroy, Ruth. “Whose Body, Whose N<strong>at</strong>ion: Surrog<strong>at</strong>e Motherhood and its Represent<strong>at</strong>ion.”<br />

European Journal of Cultural Studies 5.3 (2002): 325-42. Print.<br />

When referencing an article which you have consulted online, write ‘Web’ <strong>for</strong> the medium of<br />

public<strong>at</strong>ion followed by the d<strong>at</strong>e of access:<br />

9


Hsiao, Irene, C. “Broken Chord: Sounding Out the Ideogram in Marilyn Chin’s Rhapsody in<br />

Plain Yellows.” MELUS: Multi-Ethnic Liter<strong>at</strong>ure of the U.S. 37.3 (2012): 189-214. Web.<br />

17 Jan. 2012.<br />

When citing sources you have accessed via online d<strong>at</strong>abases such as EBSCO, Academic Search<br />

Elite, JSTOR, Project Muse, ProQuest, Science Online, etc., you need to indic<strong>at</strong>e this in the<br />

following way:<br />

Lasser, Michael L. “Shakespeare: Finding and Teaching the Comic Vision.” <strong>English</strong> Record 20.2<br />

(1969): 4-17. ProQuest. Web. 17 Dec. 2010.<br />

Reviews are cited in the following way (note th<strong>at</strong> the first review has a title of its own, while the<br />

second doesn’t):<br />

Shea, Renee H. “The Urgency of Knowing.” Rev. of Buddah in the Attic, by Julie Otsuka. Poets<br />

& Writers Sep/Oct 2011: 50-56. Academic Search Elite. Web. 24 Jan. 2012.<br />

Leiding, Reba. Rev. of When The Emperor Was Divine, by Julie Otsuka. Library Journal 127.14<br />

(2002): 215. Academic Search Elite. Web. 19 Jan. 2013.<br />

Articles/Chapters in Books<br />

List the following in<strong>for</strong>m<strong>at</strong>ion in the following manner:<br />

Author’s surname, author’s first name[, and 2nd author’s first name 2nd author’s surname].<br />

“Title of Chapter.” Title of Book. Ed(s). Editor’s name(s). City of Public<strong>at</strong>ion:<br />

Publisher, Year. Page range of chapter. Medium of Public<strong>at</strong>ion.<br />

For example:<br />

Ali, Saba Rasheed, and Julie R. Ancis. “Multicultural Educ<strong>at</strong>ion and Critical Pedagogy<br />

Approaches.” Teaching and Social Justice: Integr<strong>at</strong>ing Multicultural and Feminist<br />

Theories in the Classroom. Eds. Carolyn Zerbe Enns and Ada L. Sinacore. Washington,<br />

DC: American Psychological Associ<strong>at</strong>ion, 2005. 69-84. Print.<br />

Dantic<strong>at</strong>, Edwidge. “Night Women.” The Art of the Story: An Intern<strong>at</strong>ional Anthology of<br />

Contemporary Short Stories. Ed. Daniel Halpern. London: Penguin, 2000. 196-98. Print.<br />

De Luca, Vincent Arthur. “Blake’s Concept of the Sublime.” Romanticism: A Critical Reader.<br />

Ed. Duncan Wu. 17-54. Print.<br />

10


Articles in Newspapers and Non-scholarly Sources<br />

List the following in<strong>for</strong>m<strong>at</strong>ion in the following manner:<br />

Author’s surname, author’s first name[, and 2nd author’s first name 2nd author’s surname].<br />

“Title.” Newspaper/Magazine Day Month Year: Page(s). Medium of public<strong>at</strong>ion.<br />

For electronic sources, always add ‘Web’ followed by the d<strong>at</strong>e of access.<br />

Faludi, Susan. “American Electra: Feminism’s Ritual M<strong>at</strong>ricide.” Harpers October 2010: 29-42.<br />

Web. 14 May 2011.<br />

Day, Elizabeth. “In the Grip of a Tale: Storytelling Sessions Prove the Oral Tradition is Back in<br />

Fashion.” The Observer 6 Jan. 2013: 24. Print.<br />

The World Wide Web (WWW)<br />

For obvious reasons, you should tre<strong>at</strong> in<strong>for</strong>m<strong>at</strong>ion from the internet with caution. To cite files<br />

available on the WWW, follow the basic <strong>for</strong>m<strong>at</strong> given above. As mentioned in the section on<br />

“Cit<strong>at</strong>ions and Quot<strong>at</strong>ions”, however, internet sources might not provide an author. When citing<br />

such sources, you should use wh<strong>at</strong> will be the first element in your bibliography. Th<strong>at</strong> can be the<br />

title of a webpage, the name of the website, or the publisher. The following sentence gives an<br />

example of a webpage with a title but no known author: “The webpage ‘How to Cite a<br />

Newspaper in a Bibliography Using MLA’ confirms th<strong>at</strong> no URLs are needed <strong>for</strong> electronic<br />

sources” (“How to Cite”).<br />

The standard way of referencing an online source in your bibliography is<br />

Author’s surname, author’s first name[, and 2nd author’s first name 2nd author’s surname].<br />

“Title of Webpage.” Title of Website. Publisher, Day Month Year. Page(s). Medium of<br />

public<strong>at</strong>ion.<br />

If in<strong>for</strong>m<strong>at</strong>ion such as d<strong>at</strong>e of public<strong>at</strong>ion, pagin<strong>at</strong>ion, publisher, etc. is missing, you should<br />

indic<strong>at</strong>e this in your bibliographical entries using the following abbrevi<strong>at</strong>ions: n.d. to indic<strong>at</strong>e th<strong>at</strong><br />

no d<strong>at</strong>e is provided, n.pag. <strong>for</strong> no pagin<strong>at</strong>ion and n.p. <strong>for</strong> no publisher.<br />

11


Bibliographical references should look like those in the following examples:<br />

“How to Cite a Newspaper in a Bibliography Using MLA.” BibMe. n.p., n.d. Web. 1 Dec. 2012.<br />

Hose, Carl. “How to Find a Publisher on a Webpage.” eHow. Demand Media, n.d. Web 23 Nov.<br />

2012.<br />

Skolverket. Curriculum <strong>for</strong> the Compulsory School, Preschool Class and the Leisure-time Centre<br />

2011. Skolverket, 2011. Web. 5 May 2012.<br />

Barton, He<strong>at</strong>her. “Romanticism and British Liter<strong>at</strong>ure.” YouTube. YouTube, 7 Mar. 2010. Web.<br />

30 Sept. 2010.<br />

Citing Online Dictionaries and Reference Works such as Wikipedia<br />

You must provide a separ<strong>at</strong>e reference entry <strong>for</strong> each word/phrase/concept you are citing in your<br />

essay, as in the following:<br />

“Plagiarism.” Wikipedia: The Free Encyclopedia. Wikimedia Found<strong>at</strong>ion Inc., 18 Jan. 2013.<br />

Web. 19 Jan. 2013.<br />

An example of an in-text cit<strong>at</strong>ion <strong>for</strong> the above example would be something like this:<br />

At most universities, plagiarism by students, professors, or researchers is considered academic<br />

dishonesty or academic fraud (“Plagiarism”).<br />

If you are discussing an online dictionary/encyclopedia itself, not any specific term or definition<br />

in th<strong>at</strong> reference work, you should make a reference to the site itself using the following <strong>for</strong>m<strong>at</strong>:<br />

Wikipedia: The Free Encyclopedia. Wikimedia Found<strong>at</strong>ion, Inc. Web. 13 Feb. 2006.<br />

The in-text cit<strong>at</strong>ion in<strong>for</strong>m<strong>at</strong>ion would then be (Wikipedia).<br />

Other Common Sources<br />

Interviews<br />

Interviews may or may not have a title of their own. Below is an example of each:<br />

Spivak, Gay<strong>at</strong>ri Chakravorty. Interview by Sara Danius, and Stefan Jonsson. boundary 2 20.2<br />

(1993): 24-50. Print.<br />

DeLillo, Don. “Don DeLillo, The Art of Fiction No. 135.” Interview by Adam Begley. The Paris<br />

Review 128, Fall 1993. Web. 20 July 2012.<br />

12


Motion Pictures and TV Series/Episodes<br />

Films are usually listed by their title and include the name of the director, the film studio or<br />

distributor, and the release year. Finally add the medium: ‘Film’ <strong>for</strong> movies still in the<strong>at</strong>ers or not<br />

yet on DVD or video, and ‘DVD’ <strong>for</strong> movies viewed on DVD.<br />

Harry Potter and the Half-blood Prince. Dir. David Y<strong>at</strong>es. Warner Bros. Pictures, 2009. Film.<br />

The Descendants. Dir. Alexander Payne. Twentieth Century Fox, 2011. DVD.<br />

If you wish to emphasize specific per<strong>for</strong>mers (‘perf.’) or directors (‘dir.’), begin the cit<strong>at</strong>ion with<br />

the name of the desired per<strong>for</strong>mer or director, followed by the appropri<strong>at</strong>e abbrevi<strong>at</strong>ion:<br />

Clooney, George, perf. The Descendants. Dir. Alexander Payne. Twentieth Century Fox, 2011.<br />

DVD.<br />

Y<strong>at</strong>es, David, dir. Harry Potter and the Half-blood Prince. Warner Bros. Pictures, 2009. Film.<br />

The way you reference a TV broadcast or TV series episode differs according to whether it is a<br />

live broadcast or a recorded version you refer to (such as a DVD). Below is an example of each:<br />

“The One Where Joey Speaks French.” Friends. NBC. 19 Feb. 2004. Television.<br />

“It Wasn’t Meant To Happen.” Desper<strong>at</strong>e Housewives: The Complete Second Series. Writ. Marc<br />

Cherry and Tom Spezialy. Dir. Larry Shaw. Walt Disney Pictures, 2006. DVD.<br />

To refer to an entire TV series, provide the tile followed by the name of the producer. Indic<strong>at</strong>e the<br />

name of the network and the first year of airing:<br />

Seinfeld. Prod. Larry David. Fox. 1989. Television.<br />

Sound Recordings<br />

To refer to a specific music recording, use the following basic <strong>for</strong>m<strong>at</strong>:<br />

Springsteen, Bruce. “Jack of All Trades.” Wrecking Ball. Sony Music, 2012. CD.<br />

Florence + The Machine. “Rabbit Heart (Raise It Up).” Lungs. Universal Island Records, 2009.<br />

MP3.<br />

13


5. Conclusion<br />

This text has covered most of the basic situ<strong>at</strong>ions which you will encounter as regards referencing<br />

in your essay. However, students are using more and more non-typical primary m<strong>at</strong>erials (e.g<br />

blogs, internet images, etc.) and new types of secondary sources are appearing all the time. If you<br />

are not sure how to <strong>for</strong>m<strong>at</strong> a reference, you may first want to examine a more extensive website<br />

<strong>for</strong> a similar style (<strong>for</strong> example, the MLA style sheet from the Purdue University Online Writing<br />

Lab, available <strong>at</strong> http://owl.english.purdue.edu/owl/resource/747/1/). You will notice some minor<br />

<strong>for</strong>m<strong>at</strong>ting differences (e.g. the MLA uses double spacing throughout). Another possible option is<br />

to use a cit<strong>at</strong>ion gener<strong>at</strong>ion device like the one available from Son of Cit<strong>at</strong>ion,<br />

http://cit<strong>at</strong>ionmachine.net/index2.phpreqstyleid=1&newstyle=1&stylebox=1. (Obviously, if you<br />

use such a gener<strong>at</strong>or, you must make sure the finished product makes sense and follows the<br />

general <strong>for</strong>m<strong>at</strong>ting rules indic<strong>at</strong>ed in the text above.) It is important to note in this context th<strong>at</strong><br />

today’s many resource options can present challenges, not the least of which is the fluid n<strong>at</strong>ure of<br />

the digital environment. Sometimes you will need to be cre<strong>at</strong>ive in order to refer to works not<br />

anticip<strong>at</strong>ed by this style sheet or the major academic cit<strong>at</strong>ion sources such as the MLA, the APA,<br />

the Chicago system, etc.<br />

Finally, if you have any further questions, ask your supervisor/teacher.<br />

14


Bibliography 3<br />

Achebe, Chinua. Things Fall Apart. Ed. Francis Abiola Irele. New York: W.W. Norton & Co,<br />

2009. Print.<br />

Ali, Saba Rasheed, and Julie R. Ancis. “Multicultural Educ<strong>at</strong>ion and Critical Pedagogy<br />

Approaches.” Teaching and Social Justice: Integr<strong>at</strong>ing Multicultural and Feminist<br />

Theories in the Classroom. Eds. Carolyn Zerbe Enns and Ada L. Sinacore. Washington,<br />

DC: American Psychological Associ<strong>at</strong>ion, 2005. 69-84. Print.<br />

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, eds. The Post-colonial Studies Reader.<br />

London: Routledge, 1997. Print.<br />

Bäckström, Linn. “‘An Identity of One’s Own’: A Discussion of Gender and Sexuality in<br />

Jeanette Winterson’s <strong>Written</strong> on the Body.” BA thesis. Lund University, 2011. Print.<br />

Barton, He<strong>at</strong>her. “Romanticism and British Liter<strong>at</strong>ure.” YouTube. YouTube, 7 Mar. 2010. Web.<br />

30 Sept. 2010.<br />

Baym, Nina, et al. The Norton Anthology of American Liter<strong>at</strong>ure: Vol. 1. New York: W.W.<br />

Norton & Co, 1998. Print.<br />

Butler, Judith. Gender Trouble. 1990. New York: Routledge, 1999. Print.<br />

Collie, Joanne, and Stephen Sl<strong>at</strong>er. Liter<strong>at</strong>ure in the Language Classroom: A Resource Book of<br />

Ideas and Activities. New Delhi: Cambridge University Press, 2009. Print.<br />

Clooney, George, perf. The Descendants. Dir. Alexander Payne. Twentieth Century Fox, 2011.<br />

DVD.<br />

Dantic<strong>at</strong>, Edwidge. “Night Women.” The Art of the Story: An Intern<strong>at</strong>ional Anthology of<br />

Contemporary Short Stories. Ed. Daniel Halpern. London: Penguin, 2000. 196-98. Print.<br />

DeLillo, Don. “Don DeLillo, The Art of Fiction No. 135.” Interview by Adam Begley. The Paris<br />

Review 128, Fall 1993. Web. 20 July 2012.<br />

De Luca, Vincent Arthur. “Blake’s Concept of the Sublime.” Romanticism: A Critical Reader.<br />

Ed. Duncan Wu. 17-54. Print.<br />

Eduards, Maud. Kroppspolitik: Om Moder Svea och Andra Kvinnor [Body Politics: On Mother<br />

Svea and Other Women]. Stockholm: Atlas, 2007. Print.<br />

Florence + The Machine. “Rabbit Heart (Raise It Up).” Lungs. Universal Island Records, 2009.<br />

MP3.<br />

Foucault, Michel. Madness and Civiliz<strong>at</strong>ion: A History of Insanity in the Age of Reason. Trans.<br />

Richard Howard. New York: Vintage-Random House, 1988. Print.<br />

Halpern, Daniel, ed. The Art of the Story: An Intern<strong>at</strong>ional Anthology of Contemporary Short<br />

Stories. London: Penguin, 2000. Print.<br />

Harry Potter and the Half-blood Prince. Dir. David Y<strong>at</strong>es. Warner Bros. Pictures, 2009. Film.<br />

Hsiao, Irene, C. “Broken Chord: Sounding Out the Ideogram in Marilyn Chin’s Rhapsody in<br />

Plain Yellows.” MELUS: Multi-Ethnic Liter<strong>at</strong>ure of the U.S. 37.3 (2012): 189-214. Web.<br />

17 Jan. 2012.<br />

Hose, Carl. “How to Find a Publisher on a Webpage.” eHow. Demand Media, n.d. Web 23 Nov.<br />

2012.<br />

“How to Cite a Newspaper in a Bibliography Using MLA.” BibMe. n.p., n.d. Web. 1 Dec. 2012.<br />

Irwin, William, Mark T. Conard, and Aeon J. Skoble, eds. The Simpsons and Philosophy: The<br />

D’oh of Homer. Peru, Ill.: Open Court Publishing.<br />

3 Note th<strong>at</strong> this reference list does not cover every reference given in the above text – it is simply meant as an<br />

example of how most of the common reference types would be presented in your reference section.<br />

15


“It Wasn’t Meant To Happen.” Desper<strong>at</strong>e Housewives: The Complete Second Series. Writ. Marc<br />

Cherry and Tom Spezialy. Dir. Larry Shaw. Walt Disney Pictures, 2006. DVD.<br />

Johnson G<strong>at</strong>zouras, Vicky. “Family M<strong>at</strong>ters in Greek American Liter<strong>at</strong>ure.” Diss. Blekinge<br />

Tekniska Högskolan, 2007. Print.<br />

Lasser, Michael L. “Shakespeare: Finding and Teaching the Comic Vision.” <strong>English</strong> Record 20.2<br />

(1969): 4-17. ProQuest. Web. 17 Dec. 2010.<br />

Leiding, Reba. Rev. of When The Emperor Was Divine, by Julie Otsuka. Library Journal 127.14<br />

(2002): 215. Academic Search Elite. Web. 19 Jan. 2013.<br />

Marable, Manning. Race, Re<strong>for</strong>m and Rebellion: The Second Reconstruction and Beyond in<br />

Black America, 1945-2006. 3rd ed. Jackson: University Press of Mississippi, 2007. Print.<br />

McElroy, Ruth. “Whose Body, Whose N<strong>at</strong>ion: Surrog<strong>at</strong>e Motherhood and its Represent<strong>at</strong>ion.”<br />

European Journal of Cultural Studies 5.3 (2002): 325-42. Print.<br />

“Plagiarism.” Wikipedia: The Free Encyclopedia. Wikimedia Found<strong>at</strong>ion Inc., 18 Jan. 2013.<br />

Web. 19 Jan. 2013.<br />

Reynolds, Kimberley. Radical Children’s Liter<strong>at</strong>ure: Future Visions and Aesthetic<br />

Trans<strong>for</strong>m<strong>at</strong>ions in Juvenile Fiction. Basingstoke: Palgrave Macmillan, 2007. Print.<br />

Rooney, Caroline and Rita Sakr, eds. The Ethics of Represent<strong>at</strong>ion in Liter<strong>at</strong>ure, Art and<br />

Journalism. New York: Routledge, Forthcoming. Print.<br />

Sandahl, Ann-Louise. “Posthumanistiska Subjekt i Visuell Kultur [Posthumanist Subjects in<br />

Visual Culture].” MA thesis. University of Gothenburg, 2012. Print.<br />

Seinfeld. Prod. Larry David. Fox. 1989. Television.<br />

Shea, Renee H. “The Urgency of Knowing.” Rev. of Buddah in the Attic, by Julie Otsuka. Poets<br />

& Writers Sep/Oct 2011: 50-56. Academic Search Elite. Web. 24 Jan. 2012.<br />

Skolverket. Curriculum <strong>for</strong> the Compulsory School, Preschool Class and the Leisure-time Centre<br />

2011. Skolverket, 2011. Web. 5 May 2012.<br />

Spivak, Gay<strong>at</strong>ri Chakravorty. Interview by Sara Danius, and Stefan Jonsson. boundary 2 20.2<br />

(1993): 24-50. Print.<br />

Springsteen, Bruce. “Jack of All Trades.” Wrecking Ball. Sony Music, 2012. CD.<br />

The Descendants. Dir. Alexander Payne. Twentieth Century Fox, 2011. DVD.<br />

“The One Where Joey Speaks French.” Friends. NBC. 19 Feb. 2004. Television.<br />

Y<strong>at</strong>es, David, dir. Harry Potter and the Half-blood Prince. Warner Bros. Pictures, 2009. Film.<br />

Wikipedia: The Free Encyclopedia. Wikimedia Found<strong>at</strong>ion, Inc. Web. 13 Feb. 2006.<br />

16

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