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IGNATIUS THE MARTYR. 47<br />

Church' of Antioch', which had been built by<br />

Constantine on<br />

the site of the 'Old Church,' the primitive place of assembly<br />

in this<br />

early home of Gentile Christianity, and of which Eusebius has left a<br />

brief description". But the thrice-repeated invitation to 'come hither^'<br />

seems to show that in this case the orator was speaking in the presence<br />

of the real or supposed reliques of the saint, and therefore in the<br />

inartyriuiii built over the grave in the cemetery near the Daphnitic<br />

gate.<br />

But in the next generation the saint was transferred to a more<br />

honourable resting-place than this humble martyr's chapel outside<br />

the walls.<br />

Successive princes had vied with each other in the erection<br />

of splendid buildings at Antioch— Syrian kings, Roman emperors,<br />

even foreign sovereigns like Herod the Great. In this long roll of<br />

benefactors the younger Theodosius held a conspicuous place. Under<br />

this emperor successive governors of Syria and great officers of state<br />

contributed to the adornment of this metropohs'— 'eastern Memnonius,<br />

Zoilus, Callistus, Anatolius, Nymphidius. The empress Eudocia<br />

herself claimed kindred with the Antiochenes and bore her part in<br />

labour of love\ In this work of renovation the primitive bishop and<br />

martyr of the Church was not forgotten. 'The good God put<br />

it into<br />

the heart of Theodosius,' writes the historian, 'to honour the Godbearer<br />

with greater honours ^' The genius of the city, the Fortune of<br />

Antioch*, was represented by a gilt-bronze statue, a master-piece of<br />

Eutychides of Sicyon, the pupil of Lysippus. A queenly figure,<br />

crowned with a diadem of towers, rested on a rock, doubtless intended<br />

for the mountain Silpius which formed the lofty background<br />

of Antioch, while from beneath her feet emerged the bust and arms<br />

of a youth, the symbol of the river-god Orontes. In her hand she<br />

bore a bundle of wheat-sheaves, the emblem of plenty. In the fourth<br />

century of the Christian era we find this statue, which was coeval<br />

with the building of the city, enshrined in a house of her own, which<br />

bore her name, the Tychgeum or Temple of Fortune'. To this<br />

ancient shrine the remains of Ignatius were borne aloft on a car with<br />

this<br />

p. Evagr. H. E. i. i6. The passage is<br />

1<br />

C. O. Miiller de Antiq. Antioch.<br />

^<br />

103 sq. quoted at length below, 11. p. 387, note.<br />

and her statue see<br />

2 Euseb. Vit. Const, iii.<br />

50 ; comp. ^<br />

For this deity<br />

L. C. ix. § 15. Miiller p. 35 sq.<br />

3<br />

Op. II. p. 601 euravda irapayLviffdu,<br />

evravda irapayiveffOai, e\0(hv iv-<br />

^<br />

Ammian. xxiii. i 'gradile Genii templum,'<br />

Julian i^wo/. p. 546 (Spanheim) t6<br />

ravda. ttjs Tvxrjs rifievos, Libanius I^ro Tempi.<br />

* Miiller II. p. 201 (Reiske); see Miiller p. 40.<br />

p. 115.

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