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apostolicfathers0201clem - Carmel Apologetics

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IGNATIUS THE MARTYR.<br />

3I<br />

'AvTioxeto. eV/cXr/o-ta TrapeSwKey), whence this custom spread likewise<br />

throughout all the churches'. This story is repeated also by later<br />

writers, more especially Syrian; e.g. by Solomon of Bassora (Cureton<br />

C. I. pp. 22 1, 251), by Gregory Barhebrteus {Pafr. Ant. 3, i. p. 42,<br />

ed. Abbeloos et Lamy, Assem. Bibl. Or. ii." p. 399), by Nicephorus<br />

Callistus {H. E. xiii. 8), and by Amr of Tirhani (Assem. Bibl. Orient.<br />

II. p. 397). A tradition which appears so late does not deserve consideration,<br />

as containing any element of historical fact ;<br />

but it is a<br />

matter of some little interest to speculate on its origin. It seems then<br />

to be founded partly on the boast of Ignatius (Trail. 5) that he 'could<br />

comprehend heavenly things, yea the arrays of the angels and the musterings<br />

of the principalities,' and partly on his directions (not however<br />

intended in this literal sense) to one and another church {Ej'hes. 4,<br />

Rom. 2), that they should ' form themselves into a chorus ' and chant<br />

to the Father through Jesus Christ. Antiphonal singing indeed did not<br />

need to be suggested by a heavenly vision. It existed already among<br />

the heathen in the arrangements of the Greek chorus. It<br />

was practised<br />

with much elaboration of detail in the psalmody of the Jevv's, as appears<br />

from the account which is<br />

given of the Egyptian Therapeutes'. Its<br />

introduction into the Christian Church therefore was a matter of course<br />

almost from the beginning"; and, when we read in Pliny {Epist. x. 97)<br />

that the Christians of Bithynia sang hymns to Christ as to a god<br />

(secum invicem), we may reasonably infer that the practice<br />

limits of the Church of<br />

'<br />

'<br />

alternately of antiphonal singing prevailed far beyond the<br />

Antioch even in the time of Ignatius himself ^<br />

The pitchy darkness, v/hich envelopes the life and<br />

work of Ignatius,<br />

is illumined at length by a vivid but transient flash of light. If his<br />

martyrdom had not rescued him from obscurity,<br />

he would have<br />

remained, like his predecessor Euodius, a mere name, and nothing<br />

more. As it is,<br />

he stands out in the momentary light of this event, a<br />

distinct and living personality, a true father of the Church, a teacher and<br />

an example to all time.<br />

It will be shown elsewhere (11. p. 377 sq) that the Martyrologies<br />

of Ignatius cannot be accepted as authentic history. With these the<br />

1<br />

Philo de Vit. Cont. ir (11. p. 485)<br />

^<br />

See Hooker's Works 11. p. 164 sq,<br />

elra (}5ov(n Treiroi-riixivov^ eh tow Qeov Harnack Christl. Geineindegottesdienst p.<br />

vfjLvovi iroWols fierpois Kal fieXeai, rrj /xiv 22 1 sq.<br />

(rvi>rjxovuT€s, TTj 8e avnipuivoLS apfio-<br />

^ Theodoret, ZT. ^. ii.<br />

24 (19), ascribes<br />

viaL% imxeipoi'oiJ.ovPTes Kai iiropxov/jLevoi, this mode of singing to Flavianus and<br />

Kal eirtdeid^ovTes Tore fxh to. Trpocrodia, Diodorus in the reign of Constantius.<br />

Tore 5^ TO. ardaLiua, ffTpo(f)ds re ras tu But see the note of Valois on Socr. 1. c.<br />

Xpei'a Kcd avricTTpo^ovs Trototy/cfcot k.t.X.

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