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apostolicfathers0201clem - Carmel Apologetics

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THE GENUINENESS.<br />

4^9<br />

fused, the diction is bombastic. Thus the letters are altogether unworthy<br />

of an Apostolic father.<br />

But assuming that these criticisms are just, why should not Ignatius<br />

have been guilty of all these faults What security did his position as<br />

an Apostolic father give that he should write simply and plainly, that<br />

he should avoid solecisms, that his language should never be disfigured<br />

by bad taste or faulty rhetoric As a matter of fact however, not a<br />

few of these charges have arisen from a misunderstanding of his words.<br />

Thus Blondel (p. 41) complains of the confused simile in Polyc. 6 to<br />

(SdTTTLcrfJLa ifiiZv fieveroi cos OTrXa, ij TrtcTTts ws TrepLKeff^aXata<br />

k.t.X.<br />

'<br />

Quid<br />

enim,' he asks, 'fides, dilectio, patientia, conferunt jam per baptisma<br />

armato T His language convicts him of ignorance that in this passage<br />

oTrXa does not mean 'arms' but 'shields' (see the note 11. p. 353).<br />

Then again both Blondel (p. 40) and Daille (p. 406) attack the passage<br />

in Ephes. 9 o-woSot Travres, Oeo(fi6poi, kol vaocftopoi, y^pifnofliopoi, ayiocfiopoL,<br />

K.T.X. ,<br />

and it has also been assailed by more recent opponents. It is<br />

clear however that the assailants have not entered into the spirit, probably<br />

have not apprehended the meaning, of the metaphor. To the<br />

Ephesians in the age of Ignatius, as I have shown elsewhere (11. pp. 1 7<br />

sq, 55 sq), this language would speak with singular force and aptitude,<br />

owing to a fresh development which the practice of bearing images<br />

and sacred vessels in solemn procession had recently received in their<br />

city.<br />

No metaphor therefore could have been more expressive or welltimed.<br />

The same is the case with several other expressions to which<br />

exception has been taken. Ignatius is not an easy writer. The ideas<br />

seldom lie on the surface of the language. His images more especially<br />

are almost always unusual and sometimes obscure. They require some<br />

little patience to master their significance.<br />

In other cases they may not<br />

commend themselves to the critical judgment. But what then It<br />

may not be considered very good taste — for instance to draw out the<br />

metaphor of a hauling engine {Ephes. 9) to compare the Holy Spirit<br />

to the rope, the faith of the believers to the windlass, and so forth<br />

(Daille, p. 409). But on what grounds, prior to experience, have we any<br />

more right to expect either a faultless taste or a pure diction in a<br />

genuine writer at the beginning of the second century, than in a spurious<br />

writer at the end of the same <br />

The more special accusations under this head are fourfold: (i)<br />

Elaborate Compounds; (2) Latinisms; (3) Reiterations; (4) Anachronisms.<br />

(i) On the first head little need be said. Even if the charges were<br />

proved to the full, it would be no argument against the genuineness of

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