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Light on the Pronunciation of Pali

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muddhajo ṭu-kāro eva bhaveyya.<br />

it will be -ṭu-character, a cerebral.<br />

Evañ-ca sati akkharavipatti nāma siyā.<br />

Thus, in this <strong>the</strong>re will surely be a wr<strong>on</strong>g letter (and sound).<br />

Esa nayo sesesu muddhajadantajesu.<br />

This is <strong>the</strong> method for <strong>the</strong> rest <strong>of</strong> <strong>the</strong> cerebrals and <strong>the</strong> dentals.<br />

Tasmā, kammavācaṁ sāventehi,<br />

Therefore, with <strong>the</strong> declarati<strong>on</strong>s <strong>of</strong> <strong>the</strong> legal acti<strong>on</strong>, 19<br />

nāma ṭhāna-karaṇa-payatanesu suṭṭhu kusalehi bhavitabban-ti.<br />

<strong>the</strong> positi<strong>on</strong>, articulati<strong>on</strong> and effort should surely be made skilfully. 20<br />

Sithilañ-ca dhanitañ-ca, dīghaṁ, rassaṁ, garuṁ, lahuṁ,<br />

Unvoiced and voiced, l<strong>on</strong>g, short, heavy, light,<br />

niggahītaṁ vimuttañ-ca sambandhañ-ca vavatthitaṁ.<br />

<strong>the</strong> restrained, <strong>the</strong> free, <strong>the</strong> c<strong>on</strong>junct and <strong>the</strong> separated.<br />

Mudunā vacīpayogena vattabbā vaggapaṭhama-tatiya-pañcamā sithilā nāma.<br />

The first in <strong>the</strong> group, <strong>the</strong> third and <strong>the</strong> fifth should be spoken with s<strong>of</strong>t applicati<strong>on</strong>, and are<br />

known as unvoiced. 21<br />

Thaddhena vacīpayogena vattabbā vaggadutiya-catutthā dhanitā nāma.<br />

The sec<strong>on</strong>d and fourth in <strong>the</strong> group should be spoken with firm applicati<strong>on</strong>, and are known as<br />

voiced. 22<br />

Dīgha-rassā pubbe vuttā.<br />

L<strong>on</strong>g and short are as described previously.<br />

Dīghā ceva saṁyogapubbā ca niggahītantā ca garukā nāma,<br />

L<strong>on</strong>g (vowels), c<strong>on</strong>junct (c<strong>on</strong>s<strong>on</strong>ants) and those with <strong>the</strong> (pure) nasal at <strong>the</strong> end are known as<br />

heavy,<br />

sesā lahukā nāma.<br />

<strong>the</strong> rest are known as light. 23<br />

Yathā saddasahito vāto mukhachiddena bahi anikkhamma nāsasotābhimukho hoti,<br />

Just as air and sound with an open mouth doesn't go out through <strong>the</strong> nostrils,<br />

tathā mukhaṁ avivaṭaṁ katvā vattabbaṁ, byañjanaṁ niggahītaṁ nāma.<br />

so you should speak without having opened <strong>the</strong> mouth, this is known as <strong>the</strong> (pure) nasal<br />

c<strong>on</strong>s<strong>on</strong>ant.<br />

19 These are <strong>the</strong> legal acti<strong>on</strong>s made by Buddhist m<strong>on</strong>astics sitting in sessi<strong>on</strong>.<br />

20 O<strong>the</strong>rwise <strong>the</strong> legal acti<strong>on</strong> may be c<strong>on</strong>sidered invalid.<br />

21 Or, unaspirated: ka ga ṅa; ca ja ña, etc.<br />

22 These are what we o<strong>the</strong>rwise call aspirates, as in kha, gha; cha, jha, etc.<br />

23 Heavy and light are not <strong>the</strong> same as l<strong>on</strong>g and short, as a short may become heavy if<br />

followed by a c<strong>on</strong>s<strong>on</strong>ant cluster or a (pure) nasal. This distincti<strong>on</strong> is important for <strong>the</strong><br />

prosody <strong>of</strong> <strong>the</strong> texts.

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