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September / October 2010 - Riverside Studios

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<strong>September</strong> / <strong>October</strong> <strong>2010</strong><br />

Box Office 020 8237 1111<br />

riversidestudios.co.uk<br />

WHAT’S ON CINEMA / THEATRE / EXHIBITIONS / BAR & KITCHEN<br />

Shakespeare.<br />

The Man from Stratford


PERFORMANCE<br />

Performance<br />

Chris Dugdale<br />

An Evening of Magic and<br />

Mindreading<br />

World class magician Chris Dugdale returns to <strong>Riverside</strong> <strong>Studios</strong> by popular<br />

demand with a show that will leave you spellbound. In a journey through<br />

the mind, Chris fuses close-up magic and recorded video, mind-reading and<br />

theatrical artistry to create a perplexing, interactive spectacle. The face and<br />

expert of the new Britain’s Got Talent Stage Magic kit, Chris previously<br />

performed in venues the world over including the Monte Carlo Casino in<br />

Las Vegas and a private audience for Her Majesty The Queen. Experiencing<br />

magic before your eyes is a sensation like no other. Join Chris for a night<br />

that you will never forget!<br />

Dates + Times<br />

31 Aug –19 Sept<br />

Tue – Sat 7.45pm<br />

Sun 4pm<br />

Sat Mat 4, 11, 18 Sept 2.30pm<br />

Previews 31 Aug, 1 Sep<br />

Tickets<br />

£15 (£12 concs.)<br />

Sat mat £12<br />

Previews £10<br />

Studio 3<br />

Simon Callow<br />

Shakespeare<br />

The Man From Stratford<br />

A New Play by Jonathan Bate. Directed By Tom Cairns.<br />

Rediscover Shakespeare with one of Britain’s most<br />

celebrated actors. Simon Callow tracks down the real<br />

man behind the legend, bringing to life both the Bard<br />

and his unforgettable characters. Following the worldwide<br />

success of The Mystery of Charles Dickens (West<br />

End/Broadway) and his sell-out hit Dr Marigold & Mr<br />

Chops, Callow fills the stage with Shakespeare’s real and<br />

imagined worlds. A warm, classy and jovial night<br />

out not to be missed!<br />

Image Simon Annand<br />

Dates + Times<br />

2 - 12 <strong>September</strong> 8pm<br />

Sat mat 2.30pm<br />

Sun 3pm<br />

Tickets<br />

£25 (£20 concs.)<br />

Sat Mats £20 (£15 concs.)<br />

Studio 2<br />

A £30 reserved ticket is available,<br />

which guarantees you a seat situated<br />

centrally within the front four rows,<br />

and includes a complimentary<br />

programme (phone & counter only).<br />

“ So fresh... as if those well-trodden words<br />

were being uttered for the first time”<br />

Liverpool Echo<br />

“ A sparkling gemstone... a triumph of<br />

writing... a masterclass of performance”<br />

Bristol Evening Post


THEATRE<br />

The Open Couple<br />

By Dario Fo and Franca Rame, directed by Keti Dolidze<br />

The heartbreakingly funny course of a suburban<br />

marriage gone sour. Antonia has coped with her<br />

philandering husband for a while when he suggests they<br />

should have an open marriage. She agrees but will he<br />

cope when Antonia appears more successful than he<br />

ever imagined<br />

“This is what theatre should be”<br />

British Theatre Guide<br />

Georgian Theatre<br />

Season<br />

14 – 26 <strong>September</strong><br />

Two of the best known companies from Georgia: the<br />

Tumanishvili Film Actors Theatre and the Marjanishvili<br />

Drama Theatre present a season that will be a feast of<br />

laughter, high drama and great acting – come and see it!<br />

All performances are in Georgian with English surtitles.<br />

Season kindly supported by Turkish Airlines.<br />

Tickets<br />

£15 (£12 concs.)<br />

£10 Under 18s<br />

Bakula’s Pigs<br />

By David Kldiashvili, directed by Mikheil Tumanishvili<br />

A Gogolesque tale of the little man, his long<br />

suffering family, nosy neighbours and the disastrous<br />

consequences of inviting high officials to dine – not to<br />

mention the pigs of the title! A theatrical experience<br />

that transcends national boundaries and language.<br />

Dates & Time<br />

14 – 16 Sept 8pm<br />

Camino Real<br />

By Tennessee Williams, directed by Hilary Wood<br />

The play depicts Don Quixote’s dream of historical<br />

and mythical figures trying to escape from Camino Real<br />

– a town on the edge of civilization. Into this world<br />

comes Kilroy, an American boxer who fights to stay<br />

alive among characters who struggle to distinguish<br />

imagination from reality.<br />

Dates & Time<br />

Bakula’s Pigs<br />

Dates & Time<br />

21 – 22 Sept 8pm<br />

The Bald Prima Donna<br />

By Eugene Ionesco, directed by Zurab Getsadze<br />

Enter Ionesco’s mysterious and absurd world, where<br />

reality collapses. Be stunned by the eruptions of<br />

nonsensical natter, the ludicrous tales and the raving<br />

routines that are crammed into a very ordinary<br />

living room.<br />

Date & Time<br />

23 Sept 8pm<br />

Antigone<br />

By Jean Anouilh, directed by Temur Chkheidze<br />

With Otar Megvinetukhutsesi as Creon<br />

Based on Sophocles’ tragedy, Anouilh’s version was<br />

first performed in Paris during the German occupation<br />

of France. Here, Antigone’s fight for justice against<br />

Creon became a fierce commentary on the power<br />

struggle between the French Resistance and the<br />

Vichy Government.<br />

“One of those rare moments when theatre and history come<br />

together on stage, and leave us shaken and changed.”<br />

Scotsman<br />

Dates & Time<br />

24 – 26 Sept 8pm<br />

Otar Megvinetukhutsesi<br />

as Creon in Antigone<br />

17 – 19 Sept 8pm


PERFORMANCE<br />

The Sum of it All<br />

Performance<br />

Anomic Multimedia Theatre presents<br />

The Sum of it All...<br />

Dan Shorten, award-winning director and co-founder of Precarious, stars<br />

in a heartfelt story, lamenting the journey from banality through love to<br />

despair. At once witty and melancholic The Sum of it All... explores the<br />

tragic choices, unsettling circumstances and extreme emotions which lead<br />

the protagonist to the most profound and disturbing decision of his life.<br />

A giant wall of video forms a backdrop to live action merging technology,<br />

physicality and imagination, chock-a-block with ingenuity and originality.<br />

anomic.co.uk<br />

Dates + Time<br />

21 – 25 Sept<br />

7.45pm<br />

Tickets<br />

£12 (£9 concs.)<br />

Studio 3<br />

Dance Umbrella presents<br />

Cristina Caprioli (Sweden)<br />

cut-outs & trees UK Premiere<br />

Making her first appearance in the UK, Cristina<br />

Caprioli has developed cut-outs & trees in collaboration<br />

with architect and digital artist Panagiotis Michalatos.<br />

The six dancers deliver an explosive outburst of speed<br />

and complexity, urge and resistance, but also graceful<br />

simplicity and clarity. Caprioli references 1960’s and<br />

70’s minimalism, reconsidering and redesigning these<br />

ideas using digital technology. Original sound score<br />

by Carsten Nicolai a.k.a. alva noto.<br />

Please note this will be a promenade performance.<br />

Commissioned by Dance Umbrella (London), La Biennale<br />

di Venezia (Venice) and Dansens Hus (Stockholm) as part of<br />

European Network of Performing Arts (ENPARTS).<br />

Co-produced by Dansens Hans and ccap.<br />

Dates + Time<br />

20 – 21 Oct<br />

8pm<br />

Tickets<br />

£12 (£10 concs.)<br />

Studio 2<br />

After Dark presents<br />

How to Survive a Zombie<br />

Apocalypse - Reloaded<br />

The School of Survival are back!<br />

Dr. Dale, Judy, Donald and Tristen return to <strong>Riverside</strong><br />

with the second lesson in zombie survival training –<br />

new hints, tips, techniques and tactics to battle the<br />

same old problem – The Walking Dead!<br />

Direct from their return to Edinburgh and following<br />

the release of Zombie Dictionary there will be a<br />

special book signing after the show.<br />

Dates + Time<br />

cut-outs & trees<br />

Image Håkan Larsson<br />

Tickets<br />

23 Oct<br />

8pm<br />

£10 (£7 concs.)<br />

Studio 3


Image Hugo Glendinning<br />

Forced Entertainment present<br />

The Thrill of It All<br />

It’s bright under the lights, and hot, and frightening. Nine performers<br />

in grubby tuxedos and tarnished sequins play out a comical and<br />

disconcerting vaudeville to the strains of Japanese lounge music.<br />

After the minimalism of Spectacular and the animated graphic novel of<br />

Void Story, internationally renowned innovators Forced Entertainment<br />

return with a large cast of deranged dancing girls and derelict comedians.<br />

Dances turn into fights and jokes end in confusion as the show itself<br />

slowly starts to unravel.<br />

“One of Britain’s greatest theatre companies.” The Guardian<br />

“Theatre turned inside out.” Sunday Times<br />

Co-producers Kunstenfestivaldesarts (Brussels), Hebbel am Ufer (Berlin), PACT Zollverein (Essen),<br />

Les Spectacles vivants – Centre Pompidou in collaboration with Festival d’Automne (Paris), Theatre<br />

Garonne (Toulouse). Forced Entertainment is regularly funded by Arts Council England. This<br />

production is supported by Sheffield City Council.<br />

forcedentertainment.com<br />

Dates + Time<br />

26 Oct – 6 Nov<br />

8pm<br />

Not Sunday and Monday<br />

Post show discussions<br />

on 27 & 28 Oct and<br />

3 & 4 Nov<br />

Tickets<br />

£18 (£13 concs.)<br />

Groups £13<br />

(buy 10 get 1 free)<br />

School Groups £13<br />

(10 students and<br />

Teacher goes free)<br />

Studio 2<br />

How to Survive a Zombie<br />

Apocalypse - Reloaded


PERFORMANCE<br />

Forkbeard Fantasy present<br />

The Colour of Nonsense<br />

Forkbeard Fantasy, maestros of comic cine theatre,<br />

present a hilarious cartoon-style comedy about the<br />

Art World. With Forkbeard’s famed mix of visual<br />

trickery, film, cartoon, outlandish puppetry and<br />

mechanized sets, The Colour of Nonsense is an<br />

exuberant satire on an art and theatre world always<br />

in search of the New.<br />

At the studios of Splash, Line & Scuro, Cutting Edge<br />

Conceptualists, things have been sliding dangerously<br />

down hill of late. Paralyzed by indecision, they look on<br />

as all the bright Young Turks queue up, eager to knock<br />

them off their perch. Then, out of the blue, comes a<br />

unique and mysterious commission...<br />

“Brilliantly funny and full of insane invention”<br />

The Guardian<br />

Dates + Time<br />

9 – 21 Nov 7.45pm<br />

Sun 6pm<br />

Tickets<br />

£14 (£10 concs.)<br />

Studio 3<br />

Image Maisie Hill<br />

Sincerely Noël<br />

With Alistair McGowan<br />

and Charlotte Page<br />

A selection of Noël Coward’s lesser known songs and<br />

verse in an extended version of last year’s hit show<br />

Cocktails with Coward. Expect a lot of laughter and a few<br />

tears – proof positive that Coward was an unsurpassed<br />

observer of language, character and the human heart.<br />

The songs range from the iconic Mad About the Boy to<br />

the genial A Room With A View, from the poignant and<br />

haunting The Dream is Over to the happy Charleston<br />

of Poor Little Rich Girl.<br />

If you think you know Coward – or McGowan<br />

– think again!<br />

Dates + Times<br />

7 - 23 Dec 7.45pm<br />

Sun 4pm<br />

Matinees<br />

11, 18 and 22 Dec 3pm<br />

Previews 7 and 8 Dec<br />

Tickets<br />

£18.50 (£15.50 concs.)<br />

Previews £12<br />

Studio 3


EXHIBITION<br />

Exhibition<br />

John Williams<br />

Captured Live:<br />

Music Photography<br />

by John Williams<br />

1 – 17 <strong>September</strong><br />

West London-based live music and event<br />

photographer John Williams presents a selection of<br />

powerful live shots featuring some of the world’s<br />

finest contemporary artists and local talent alike. From<br />

international festival headliners such as Nick Cave and<br />

Grace Jones to established British venue-fillers Doves,<br />

John has produced images from across the UK, Europe<br />

and many of London’s most famous venues. Over the<br />

past few years his natural eye has developed an acute<br />

sense of the personal, with an honesty and rawness to<br />

his work that has the ability to portray a full sensory<br />

experience from within the frozen split second.<br />

johnwilliamsphotography.co.uk<br />

Ingrid Mackay<br />

Ingrid Mackay<br />

18 – 29 <strong>September</strong> & 4 – 9 <strong>October</strong><br />

A recent graduate of the Slade School of Fine<br />

Art, Ingrid Mackay creates paintings and drawings<br />

using a wide variety of sources: newspapers, family<br />

photographs, magazines, fabrics, ancient artefacts,<br />

religious paintings, patterns and symbols. The source<br />

of the imagery is of secondary importance; the artist<br />

intends that all works are treated with the same<br />

economy of mark and detail to instil an intense,<br />

personal and precious quality.<br />

Rhythmic Tales<br />

Alice Boyle<br />

11-31 <strong>October</strong><br />

Rhythmic Tales is a new collection of paintings that stimulate<br />

the viewer’s imagination by creating vignettes of stylised<br />

distortions of nature.<br />

The works contain specific symbols and colours to conjure<br />

up stories, involving the observer in creating the meaning of<br />

the piece. Combining her memories, dreams and experiences,<br />

Alice creates vibrant dreamlike worlds, evoking a surreal<br />

sensibility that gives the essence of a poem or song.<br />

aliceboyle.co.uk<br />

Alice Boyle


CINEMA<br />

Cinema<br />

<strong>September</strong><br />

Wednesday 1 <strong>September</strong><br />

Yvan Attal Double Bill<br />

Leaving (15) 6.50pm<br />

(Partir)<br />

Catherine Corsini, France, 2009, 85m subtitles<br />

Kristin Scott Thomas, Sergi López, Yvan Attal<br />

Suzanne (Scott Thomas) has been<br />

married to Samuel (Attal) for twenty years<br />

and has two children. Longing to return<br />

to work she constantly appears aloof<br />

and distracted, so when handyman Ivan<br />

(López) appears it’s only a matter of time<br />

before an affair begins.<br />

Rapt (15) 8.40pm<br />

Lucas Belvaux, France, 2009, 125m subtitles<br />

Yvan Attal, Anne Consigny, André Marcon<br />

A rich industrialist is kidnapped.<br />

The kidnapper, police and the board<br />

of his company negotiate about the<br />

requested 50 million Euro ransom while<br />

the press dredge up the businessman’s<br />

unpleasant past.<br />

Thursday 2 <strong>September</strong><br />

Jean-Luc Godard Double Bill<br />

Pierrot le Fou (15) 6.45pm<br />

Jean-Luc Godard, France/Italy, 1965,<br />

110m subtitles<br />

Jean-Paul Belmondo, Anna Karina,<br />

Graziella Galvani<br />

On impulse Ferdinand (Belmondo)<br />

abandons his wife and child to take off<br />

with Marianne, an old flame, on a crazy<br />

and eventually tragic adventure involving<br />

fast cars, mysterious gangsters and a<br />

Mediterranean idyll that turns sour.<br />

Breathless (PG) 9.00pm<br />

(A bout de souffle)<br />

Jean-Luc Godard, France, 1959, 89m<br />

subtitles, black and white<br />

Jean-Paul Belmondo, Jean Seaberg,<br />

Daniel Boulanger<br />

Godard’s debut feature is as fresh today<br />

as when it first dazzled audiences with<br />

its sly homage to American B-movies.<br />

Breathless<br />

Friday 3 <strong>September</strong> Double Bill<br />

Hilary and Jackie (15) 6.20pm<br />

Arnand Tucker, UK, 1998, 122m<br />

Emily Watson, Rachel Griffiths, James Frain<br />

A film based on the true story of worldrenowned<br />

classical cellist Jacqueline du<br />

Pré as told from the point of view of<br />

her sister, flautist Hilary du Pré-Finzi.<br />

A film of brilliant performances and<br />

lush cinematography.<br />

The Concert (15) 8.50pm<br />

Radu Mihaileanu, France/Italy/Romania, 2009,<br />

120m subtitles<br />

Mélanie Laurent, François Berléand,<br />

Aleksei Guskov<br />

Thirty years ago Andrei Simoniovich<br />

Filipov, the renowned conductor of the<br />

Bolshoi Orchestra, was fired for hiring<br />

Jewish musicians. When he learns that<br />

the Chatelet Theatre has invited the<br />

Bolshoi orchestra to play there he decides<br />

to gather all of his former musicians and<br />

go in its place.<br />

Saturday 4 <strong>September</strong> Double Bill<br />

Hilary and Jackie (15) 1.45pm<br />

The Concert (15) 4.10pm<br />

Hilary and Jackie (15) 6.20pm<br />

The Concert (15) 8.50pm<br />

Please see Friday 3 <strong>September</strong><br />

for details.<br />

Sunday 5 <strong>September</strong><br />

Jacques Tati Double Bill<br />

Playtime (U) 2.00pm<br />

Jacques Tati, France, 1967, 119m subtitles<br />

Jacques Tati, Barbara Dennek, Rita Maiden<br />

Monsieur Hulot is on the loose in 1960’s<br />

Paris with a group of American tourists.<br />

This rarely screened film was originally<br />

filmed in 70mm.<br />

Jour de Fete (U) 4.20pm<br />

Jacques Tati, France, 1948, 80m subtitles<br />

Jacques Tati, Guy Decomble, Paul Frankeur<br />

“The film observes a French village’s<br />

Bastille Day celebrations during which<br />

Tati’s pastoral postman, having seen the<br />

delivery systems of the US postal service<br />

on film, is enjoined to hasten his own<br />

mail-run, the American way.” Time Out<br />

Sunday 5 <strong>September</strong><br />

Bernardo Bertolucci Double Bill<br />

The Conformist (18) 6.00pm<br />

(Il Conformista)<br />

Bernardo Bertolucci, Italy, 1968) 115m subtitles<br />

An ironic and stylist study of pre-war<br />

Fascist Italy. The film was based on<br />

a novel by Alberto Moravia and has<br />

haunting camerawork by Vittorio Storano.<br />

Last Tango in Paris (18) 8.20pm<br />

(Ultimo tango a Parigi)<br />

Bernardo Bertolucci, France, 1972, 126m<br />

partly subtitled<br />

Marlon Brando, Maria Schneider, Jean-Pierre Leaud<br />

Brando plays a world-hopping American,<br />

who finally settles into a marriage and<br />

proprietorship of a hotel in Paris. His<br />

wife’s suicide sends him into a tailspin.<br />

Enter Jeanne (Schneider), a young<br />

Parisian girl with whom he strikes up<br />

an affair without names.<br />

Monday 6 <strong>September</strong><br />

New York Single Bill<br />

Please Give (15) 7.00pm<br />

Nicole Holofcener, USA, <strong>2010</strong>, 90m<br />

Catherine Keener, Amanda Peet, Rebecca Hall<br />

In New York City a husband and wife<br />

butt heads with the granddaughters of the<br />

elderly woman who lives in the apartment<br />

the couple own. “A beady-eyed satire.”<br />

Daily Telegraph<br />

Monday 6 <strong>September</strong><br />

New York Single Bill<br />

City Island (12A) 8.55pm<br />

Raymond De Felitta, USA, 2009, 103m<br />

Andy Garcia, Julianna Margulies, Alan Arkin<br />

Set in a quaint fishing community on<br />

the outskirts of New York City, this is<br />

a hilarious and touching tale about a<br />

family whose comfortable co-existence<br />

is suspended by surprising revelations<br />

of past secrets and present day lies.<br />

City Island<br />

Tuesday 7 <strong>September</strong><br />

Cinema closed for private event.


Wednesday 8 <strong>September</strong><br />

Single Bill<br />

The Garden 7.00pm<br />

Scott Hamilton Kennedy, USA, 2008, 80m<br />

documentary<br />

This Academy Award nominated<br />

documentary tells the story of an urban<br />

garden in south central Los Angeles,<br />

dealing with issues of environmental<br />

sustainability, social justice, and race<br />

relations surrounding the farmers’<br />

struggles to hold on to their land.<br />

Wednesday 8 <strong>September</strong><br />

Single Bill<br />

South of the Border 8.45pm<br />

Oliver Stone, USA, 2009, 78m documentary<br />

There’s a revolution underway in South<br />

America, but most of the world doesn’t<br />

know it. Oliver Stone sets out on a road<br />

trip across five countries to explore the<br />

social and political movements as well as<br />

the mainstream media’s misperception of<br />

South America while interviewing seven<br />

of its elected presidents.<br />

South of the Border<br />

Georgia: Life<br />

Through Cinema<br />

The 2nd London BGS<br />

Georgian Film Festival <strong>2010</strong><br />

23 – 26 <strong>September</strong><br />

Since 1912, cinema has been at the centre of<br />

Georgian culture and this festival brings some<br />

of the best works old and new. There will be<br />

three UK premieres of recent films by a new<br />

generation of Georgian directors, features by<br />

established directors now working abroad<br />

including Otar Iosseliani and newly restored<br />

prints of such classics as ‘My Grandmother’<br />

(1929), ‘Pirosmani’ (1969) and the original<br />

1912 documentary ‘Journey of a Georgian<br />

Poet Akaki Tsereteli in Racha-Lechkhumi’.<br />

Tickets: Opening and Closing Evenings: £10 (£9 Concessions)<br />

All other films: £7.50 (£6.50 Concessions)<br />

britishgeorgiansociety.com<br />

Life Through Cinema also hopes to present a programme of recent<br />

video work by Georgian artists curated by Sophio Mediodze and tank.tv<br />

Thursday 9 <strong>September</strong><br />

Double Bill<br />

Lebanon (15) 6.45pm<br />

Samuel Maoz, Germany/Israel/France/Lebanon,<br />

2009, 93m subtitles<br />

Raymond Amsalem, Ashraff Barhom, Oshri Cohen<br />

The film is based on the real-life<br />

experiences of its director centering on<br />

four soldiers who become trapped in an<br />

immobilised tank deep in enemy territory<br />

during the Lebanon War.<br />

I Am Love (15) 8.45pm<br />

(lo sono l’amore)<br />

Luca Guadagnino, Italy, 2009, 120m subtitles<br />

Tilda Swinton, Flavio Parenti, Gabriele Ferzetti<br />

Emma (Swinton), the matriarch of<br />

a wealthy Milanese family, lives in a<br />

carefully ordered world where her duty<br />

towards husband and children dominate,<br />

but a chance encounter ignites repressed<br />

passions and sets her on a journey of<br />

sexual awakening.<br />

Inception<br />

Friday 10 <strong>September</strong> Single Bill<br />

Inception (12A) 8.00pm<br />

Christopher Nolan, USA/UK, <strong>2010</strong>, 147m<br />

Leonardo DiCaprio, Marion Cotillard,<br />

Ken Watanabe<br />

Cobb (DiCaprio) is a skilled thief, the<br />

best in the dangerous art of ‘extraction’,<br />

stealing valuable secrets from deep within<br />

the subconscious during the dream state.<br />

His skill has also cost him everything<br />

he has ever loved. Now he is being<br />

offered a chance at redemption: instead<br />

of stealing an idea he must plant one.<br />

“Nolan delivers another true original:<br />

welcome to an undiscovered country.”<br />

Empire<br />

Went the Day Well<br />

Saturday 11 <strong>September</strong><br />

Single Bills<br />

Inception (12A) 2.00pm<br />

Inception (12A) 5.00pm<br />

Inception (12A) 8.00pm<br />

Please see Friday 10 <strong>September</strong><br />

for details.<br />

Sunday 12 <strong>September</strong><br />

Graham Greene Double Bill<br />

The Third Man (15) 2.30pm<br />

Carol Reed, UK, 1949, 103m<br />

Orson Welles, Joseph Cotton, Alida Valli<br />

War-torn Vienna, and an American writer<br />

arrives looking for his friend Harry Lime.<br />

An irresistible romantic thriller.<br />

Went the Day Well (PG) 4.35pm<br />

Alberto Cavalcanti, UK, 1942, 93m<br />

Leslie Banks, Elizabeth Allan, Frank Lawton<br />

From the short story “The Lieutenant<br />

Died Last”. Disguised as British soldiers<br />

during the Second World War, some<br />

German soldiers insinuate themselves<br />

into a pretty English village. Revived in a<br />

new print.<br />

Sunday 12 <strong>September</strong><br />

Graham Greene Double Bill<br />

The Third Man (15) 6.30pm<br />

Went the Day Well (PG) 8.40pm<br />

Please see above for details.


CINEMA<br />

Monday 13 <strong>September</strong><br />

Graham Greene Double Bill<br />

The Third Man (15) 7.00pm<br />

Went the Day Well (PG) 9.10pm<br />

Please see Sunday 12 <strong>September</strong><br />

for details.<br />

Tuesday 14 <strong>September</strong><br />

Cinema closed for private event.<br />

Wednesday 15 <strong>September</strong><br />

Double Bill<br />

The Band’s Visit (PG) 7.00pm<br />

(Bikur Ha-Tizmoret)<br />

Eran Kolirin, Israel, 2007, 90m subtitles<br />

Sasson Gabai, Ronit Elkabetz, Saleh Bakri<br />

“An Egyptian band gets stranded in an<br />

Israeli desert town in this warm and<br />

delightful tale of cross-cultural relations<br />

that proves that sometimes a light<br />

touch is just what’s needed to address<br />

serious topics.” Variety<br />

Frontier Blues (15) 8.55pm<br />

Babak Jalali, Iran/UK/Italy, 2009, 95m subtitles<br />

Abolfazi Karimi, Mahmoud Kalteh,<br />

Khajeh Araz Dordi<br />

The film is set in Golestan, Northern<br />

Iran. The director says: “The film looks<br />

at fragments from the everyday existence<br />

of several characters that reside in this<br />

region. It’s the story of longing, waiting,<br />

remembering, desperate men and absent<br />

women. It’s a film about not quite<br />

getting there”.<br />

Thursday 16 <strong>September</strong><br />

Catherine Breillat Double Bill<br />

The Last Mistress (15) 7.00pm<br />

Catherine Breillat, France, 2007, 104m subtitles<br />

Asia Argento, Fu-ad Ait Aattou, Roxane Mesquida<br />

Secrets, rumours and betrayals surround<br />

the upcoming marriage between a young<br />

dissolute man and a virtuous woman<br />

of the French aristocracy. Will he be<br />

willing to give up his mistress “Breillat’s<br />

meticulous, eloquent script and direction<br />

succeeds in relating a rich, complex and<br />

consistently engrossing story.”<br />

Time Out<br />

The Secret in Their Eyes<br />

Bluebeard (15) 9.10pm<br />

Catherine Breillat, France, 2009, 80m subtitles<br />

Dominique Thomas, Lola Créton, Daphné Baiwir<br />

In France in the mid-50s Catherine enjoys<br />

toying with her sister reading her the<br />

story of the murderous and often-married<br />

Bluebeard. “A fresh and slyly subversive<br />

reading of Perrault’s fairytale. A funny,<br />

touching, wholly unsentimental study in<br />

feminine fear, courage and desire.”<br />

Time Out<br />

Friday 17 <strong>September</strong> Double Bill<br />

Live Flesh (18) 6.30pm<br />

Pedro Almodovar, Spain, 1997, 110m subtitles<br />

Javier Bardem, Francesca Neri, Liberto Rabal<br />

A remarkable tale of coincidence based<br />

on a novel by Ruth Rendell. A young<br />

man on a first date becomes involved in<br />

the shooting of a policeman. Years later,<br />

he is released from prison and begins an<br />

obsessive search for the woman involved.<br />

The Secret in Their Eyes<br />

(18) 8.45pm<br />

(El secreto de sus ojos)<br />

Juan José Campanella, Argentina/Spain, 2009,<br />

127m subtitles<br />

Ricardo Darín, Soledad Villamil, Pablo Rago<br />

Benjamín Esposito (Darín), a former<br />

criminal court employee, sets about<br />

writing a novel about a case from the<br />

1970’s in which a woman was raped and<br />

murdered. An unpredictable crime thriller<br />

about judicial cover-ups and corruptions<br />

in Argentina.<br />

Saturday 18 <strong>September</strong><br />

Double Bill<br />

Live Flesh (18) 1.50pm<br />

The Secret in Their Eyes<br />

(18) 4.00pm<br />

Live Flesh (18) 6.30pm<br />

The Secret in Their Eyes<br />

(18) 8.45pm<br />

Please see Friday 17 <strong>September</strong><br />

for details.<br />

Sunday 19 <strong>September</strong><br />

Family Double Bill<br />

Wall-E (U) 3.00pm<br />

Andrew Stanton, USA, 2008, 97m animation<br />

Voices: Ben Burtt, Elissa Knight, Jeff Garlin<br />

Oscar-winning animation. Wall-E is a hardworking<br />

robot whose job is to clear up<br />

the mess that humans have left behind.<br />

“Wonderfully imagined and lovingly<br />

presented.” Time Out<br />

Toy Story 3 (U) 5.00pm<br />

Lee Unkrich, USA, <strong>2010</strong>, 108m animation<br />

“The gang face the reality of their indifferent<br />

owner leaving for college. They fear indefinite<br />

leave in the attic or the trash, the middle<br />

ground is relocation to a day-care centre.”<br />

Time Out<br />

All tickets: £5<br />

Sunday 19 <strong>September</strong> Single Bill<br />

Apocalypse Now – Redux<br />

(15) 7.15pm<br />

Francis Ford Coppola, USA, 2001, 202m<br />

Martin Sheen, Marlon Brando, Robert Duvall<br />

Coppola’s extended reworking of his 1979<br />

film adds new scenes and an improved<br />

sound mix. The film (based on Joseph<br />

Conrad’s novel “Heart of Darkness”)<br />

takes place in Vietnam. An American<br />

captain is sent up river on a mission to<br />

assassinate a renegade American colonel.<br />

Apocalypse Now – Redux<br />

Monday 20 <strong>September</strong><br />

DocHouse Presents Double Bill<br />

A Stone’s Throw Away 7.00pm<br />

Line Halvorsen, Norway, 2003, 52m documentary<br />

This powerful documentary follows<br />

the lives of three Palestinian boys from<br />

the Dheisheh refugee camp after their<br />

thirteen-year-old friend is shot and killed<br />

by Israeli soldiers. The children amuse<br />

themselves by throwing stones at Israeli<br />

tanks. Told exclusively from their point of<br />

view, the film provides an intimate insight<br />

into their thoughts and lives, and to the<br />

humiliation, hopelessness and anger of<br />

children growing up under occupation.<br />

A Stone’s<br />

Throw Away


Budrus 8.20pm<br />

Julia Bacha, Israel, 2009, 70m documentary<br />

Ayar Morrar, an unlikely community<br />

organiser, unites Palestinians from all<br />

political factions and Israelis to save<br />

his village from destruction by Israel’s<br />

Separation Barrier. Victory seems<br />

improbable until his fifteen-year-old<br />

daughter launches a women’s contingent<br />

that quickly moves to the front lines.<br />

“Budrus” shines a light on people who<br />

choose non-violence to confront a<br />

threat, yet remain virtually unknown<br />

to the world.<br />

Tuesday 21 <strong>September</strong><br />

Cinema closed for private event.<br />

The Brothers<br />

Warner<br />

29 <strong>September</strong><br />

DocHouse presents the UK premiere of a new<br />

documentary, a family biography and intimate<br />

portrait of the legendary film producer brothers.<br />

Directed by Harry Warner’s granddaughter, Cass<br />

Warner Sperling, the film is based on the book of<br />

the same title. Four pioneering brothers rose from<br />

immigrant poverty to create a major film studio<br />

with a social conscience.<br />

Wednesday 22 <strong>September</strong><br />

Australia Double Bill<br />

Somersault (15) 7.00pm<br />

Cate Shortland, Australia, 2004, 105m<br />

Abbie Cornish, Sam Worthington, Lynette Curran<br />

An award-winning, visually haunting<br />

film set at the foot of the Australian ski<br />

fields where a young girl begins a sensory<br />

journey and learns the difference between<br />

sex and love.<br />

Beautiful Kate (15) 9.10pm<br />

Rachel Ward, Australia, 2009, 90m<br />

Ben Mendelsohn, Rachel Griffiths, Sophie Lowe<br />

Based on the novel “Cutter and Bone”<br />

by Newton Thornburg. A writer returns<br />

to the family home to say goodbye to<br />

his father who is dying. Being there<br />

brings back many childhood memories<br />

and awakens long-buried family secrets.<br />

“Visually beautiful and emotionally<br />

rewarding.” Variety<br />

Thursday 23 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

Gala Evening Double Bill<br />

Journey of a Georgian Poet<br />

Akaki Tsereteli in<br />

Racha-lechkhumi (U) 6.30pm<br />

(Qartveli mgosnis akaki ceretlis<br />

mogzauroba racha lechkhumshi)<br />

Vasil Amashukeli, Georgia, 1912, 33m subtitles,<br />

documentary<br />

The journey of one of Georgia’s most<br />

famous poets, Akaki Tsereteli, to the<br />

mountainous region of Racha-Lechkhumi<br />

became a nationwide event and was<br />

filmed by cameraman Vasil Amashukeli<br />

in what is recognized as one of Europe’s<br />

earliest documentaries. It marked the<br />

beginning of Georgian cinema.<br />

Street Days (15) 7.00pm<br />

(Quchis dgeebi) London Premiere<br />

Levan Koguashvili, Georgia, 2009, 86m subtitles<br />

Guga Kotetishvili, Temo Gogidze, Levan Jividze<br />

From the back streets of Tbilisi comes a<br />

tough but tender tale of friendship and<br />

betrayal, redemption and forgiveness, love<br />

and bullets. “Georgian cinema has a new<br />

star in director Levan Koguashvili. This<br />

superb neorealist drama is just the calling<br />

card the beleaguered country needs.”<br />

Variety<br />

Friday 24 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

UK Premiere<br />

The Other Bank (15) 6.30pm<br />

(gagma napiri)<br />

Giorgi Ovashvili, Georgia/Kazakhstan, 2009,<br />

90m subtitles.<br />

Tedo Bekauri, Galoba Gambaria, Nika Alajaev<br />

Twelve-year-old Tedo, a refugee, journeys<br />

from Tbilisi to Abkhazia in search of his<br />

father in a moving tale about the internal<br />

drama of a boy, his thoughts, feelings and<br />

passions, and the grim reality of having to<br />

survive in a divided country by pretending<br />

to be dumb and focusing on stories he<br />

has heard from his glue sniffing friends<br />

back in Tbilisi. The film has won prizes at<br />

twenty-four international film festivals.<br />

Friday 24 <strong>September</strong><br />

Georgia – Life through Cinema<br />

Something About Georgia 8.30pm<br />

Nino Kirtadze, Georgia/France, 2009, 98m<br />

subtitles, documentary<br />

Having won best director for a<br />

documentary prize at the Sundance<br />

International Film Festival 2008, Nino<br />

Kirtadze was shooting a film on Georgia<br />

and President Saakashvili when the war<br />

with Russia broke out. The film raises<br />

questions about political responsibility<br />

and the morality of international affairs.<br />

There will be a Q & A with the<br />

director after the screening.<br />

Saturday 25 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

Short Films (12A) 12.30pm<br />

Recent short films by young Georgian<br />

directors and video artists.<br />

Details to follow.<br />

All tickets: £5<br />

Saturday 25 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

UK Premiere<br />

Susa (12A) 2.20pm<br />

(Susa)<br />

Rusudan Pirveli, Georgia, <strong>2010</strong>, 85m subtitles<br />

Avtandil Tetradze, Ekaterine Kobakhidze,<br />

Giorgi Gogishvili<br />

A dreamy twelve-year-old boy is running<br />

errands for an illegal vodka distillery<br />

where his mother works. He delivers<br />

bottles to small cafes, little booths,<br />

prostitutes and the odd drunk. One day<br />

his mother tells him that his father will<br />

return soon and all will change. First prize,<br />

Jeonju International Festival, Seoul.<br />

Saturday 25 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

The Wishing Tree (U) 4.20pm<br />

(Natvris Khe)<br />

Tengiz Abuladze, Georgia, 1976, 107m subtitles<br />

Lika Kavjaradze, Sophico Chiaureli,<br />

Ramaz Chkhikvadze<br />

Along with Sergo Paradjanov and Otar<br />

Iosseliani, Tengiz Abuladze is one of<br />

Georgia’s most important filmmakers.<br />

“The Wishing Tree” is the second film<br />

in his renowned trilogy made over three<br />

decades. A beautifully shot love story<br />

based on the writings of Giorgi Leonidze,<br />

the film is a spectacular mosaic of village<br />

life in pre-revolutionary Georgia.


CINEMA<br />

Saturday 25 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

UK Premiere<br />

Three Houses (U) 6.30pm<br />

(Sami saxli)<br />

Zaza Urushadze, Georgia, 2008, 96m subtitles<br />

Zhanri Lolashvili, Zurab Kipshidze, Murman Jinoria<br />

Three separate short stories about love,<br />

death and family are set in three different<br />

centuries, but all linked by the same<br />

painting. The first takes place at the end<br />

of the 19th century, the second during the<br />

Second World War, and the third at the<br />

beginning of the 21st century.<br />

Saturday 25 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

Songs of Georgia 8.30pm<br />

Jason Osborn, Georgia/France/UK, 2009,<br />

56m documentary<br />

Robert Parsons first went to Georgia<br />

in the 1980’s and was amazed that<br />

nearly every family he visited could sing<br />

traditional songs in complex harmonies.<br />

The film is a unique journey capturing<br />

a cultural tradition thousands of years<br />

old and still flourishing. All the music is<br />

recorded on location by the BBC World<br />

Routes team.<br />

Tabuni Live performance 9.30pm<br />

The young Georgian singer Tamta<br />

Turmanidze leads the wonderful London<br />

based women’s choir in a set of Georgian<br />

songs. “...What violence has destroyed, love<br />

will rebuild again...” Mravalzhamier<br />

(Long Life) – Georgian folk song<br />

Sunday 26 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

The Short Films of Mikhail<br />

Kobakhidze (U) 12.00pm<br />

Mikhail Kobakhidze, Georgia/France,<br />

1961-2002, subtitles<br />

Young Love (61), Carrousel (62), Umbrella (66),<br />

Musicians (67), On the Road (2002)<br />

The visionary director leads a lunchtime<br />

workshop and introduces his catalogue<br />

of short films banned in Soviet times not<br />

for any overt political content but, as the<br />

NY Times wrote, for an anti-Soviet mode<br />

“in their lightness, sly humor and tragiccomic<br />

refusal to accept the conventions<br />

of heroism or social obligation”.<br />

My Grandmother<br />

Sunday 26 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

My Grandmother (U) 2.30pm<br />

(chemi bebia)<br />

Kote Mikaberidze, Georgia, 1929, 65m subtitles<br />

Aleksandre Taqaishvili, Bela Chernova,<br />

Akaki Khorava<br />

A Georgian tour-de-force from the Soviet<br />

Eccentric Cinema movement. This<br />

satirical masterpiece, banned by the<br />

Soviet regime for forty years and noted<br />

for its anarchic styles, unspools the foibles<br />

and follies that abound when the hero,<br />

based on American silent comic Harold<br />

Lloyd, loses his job as a paper pusher.<br />

Sunday 26 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

Gun-shy (18) 4.00pm<br />

(Schussangst)<br />

Dito Tsintsadze, Germany, 2003, 105m subtitles<br />

Fabian Hinrichs, Lavinia Wilson, Lasha Bakradze<br />

One of Georgia’s leading directors<br />

who lives and works in Germany.<br />

Tsintsadze’s “Lost Killers” (2000) was<br />

one of the hits of the First BGS Georgian<br />

Film Festival in 2005. “Gun-shy” is a<br />

black comic thriller, winner of the Golden<br />

Seashell at Sebastian International Film<br />

Festival 2003.<br />

Sunday 26 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

Pirosmani (U) 6.10pm<br />

Giorgi Shengelaya, Georgia, 1969, 85m subtitles<br />

Avtandil Varazi, Dodo Abashidze,<br />

Aleksandre Rekhviashvili<br />

“Pirosmani” is not only one of Georgia’s<br />

most well known films but one of the best<br />

films made about an artist. It tells the<br />

story of Niko Pirosmani, Georgia’s most<br />

celebrated painter, who died homeless in<br />

the early 20th century. His naïve style is<br />

visually interpreted as the story unfolds in<br />

the basement taverns of old Tbilisi and in<br />

front of village landscapes in wonderfully<br />

faded colour. This is a newly restored<br />

print supervised by the Georgian National<br />

Film Centre.<br />

Sunday 26 <strong>September</strong><br />

Georgia – Life Through Cinema<br />

UK Premiere<br />

Chantrapas (12A) 8.00pm<br />

Otar Iosseliani, France/Georgia, <strong>2010</strong>,<br />

122m subtitles<br />

Dato Tarielashvili, Tamuna Karumidze, Pierre Etaix<br />

Nicholas is a filmmaker who merely wants<br />

to express himself and whom everyone<br />

wishes to reduce to silence. He leaves his<br />

homeland Georgia, and heads to France<br />

hoping to find the land of freedom and<br />

democracy. Selected for Cannes <strong>2010</strong>.<br />

Otar Iosseliani will be interviewed by<br />

Maryam d’Abo before the screening<br />

–TBC<br />

Monday 27 <strong>September</strong><br />

Single Bill<br />

Baaria (15) 8.00pm<br />

Giuseppe Tornatore, Italy, 2009, 150m subtitles<br />

Francesco Scianna, Margareth Madè, Raoul Bova<br />

An autobiographical epic of three<br />

generations set in the Sicilian village<br />

where the director was born.<br />

Baaria<br />

Tuesday 28 <strong>September</strong> Double Bill<br />

White Material (15) 7.00pm<br />

Claire Denis, France/Cameroon, 2009,<br />

100m subtitles<br />

Isabelle Huppert, Christopher Lambert,<br />

Isaach De Bankolé<br />

A white French family outlawed in its<br />

home and attempting to save its coffee<br />

plantation, connects with a black hero<br />

also embroiled in the tumult. All try to<br />

survive as their world rapidly crumbles<br />

around them.<br />

Le Refuge (15) 9.05pm<br />

François Ozon, France, 2009, 88m subtitles<br />

Isabelle Carré, Melvil Poupaud,<br />

Louis-Ronan Choisy<br />

Mousse and Louis are young, beautiful,<br />

rich and in love. They are also addicted<br />

to drugs. As tragedy strikes, Mousse<br />

runs away to a house in the countryside.<br />

Several months later she is joined in her<br />

refuge by Louis’s brother.<br />

Le Refuge<br />

Wednesday 29 <strong>September</strong><br />

DocHouse Presents Double Bill<br />

The Brothers Warner (U) 7.00pm<br />

Cass Warner Sperling, USA, 2008, 90m documentary<br />

Dennis Hopper, Debbie Reynolds, Norman Lear<br />

Please see highlight on previous page<br />

for details.


Confessions of a Nazi Spy<br />

(U) 8.55pm<br />

Anatole Litvak, USA, 1939, 110m b/w<br />

Edward G. Robinson, Paul Lukas, George Sanders<br />

An anti-Nazi propaganda film from<br />

Warners where Robinson plays a G-Man<br />

ferreting out Nazi Fifth Columnists<br />

working in America. The film achieved<br />

great popular and critical success in<br />

America, but was banned in many Latin<br />

American and European countries.<br />

Thursday 30 <strong>September</strong><br />

Documentary Single Bill<br />

Age of Extremes (12) 7.30pm<br />

Ishmahil Blagrove, Jr., UK, 60m documentary<br />

This new documentary focuses on<br />

the period between 11 <strong>September</strong><br />

2001 and 2009 looking into some of<br />

the factors that may have led to the<br />

radicalisation of some young British<br />

Muslims.<br />

The screening will be followed by a<br />

Q & A with Ishmahil Blagrove.<br />

<strong>October</strong><br />

Friday 1 <strong>October</strong> Double Bill<br />

Monsieur Hulot’s Holiday<br />

(U) 7.00pm<br />

Jacques Tati, France, 1953, 87m subtitles<br />

Jacques Tati, Nathalie Pascaud, Micheline Rolla<br />

Tati’s most consistently enjoyable<br />

comedy, a gentle portrait of the clumsy,<br />

well-meaning Hulot on vacation in a<br />

provincial seaside resort.<br />

The Illusionist (PG) 8.55pm<br />

Sylvain Chomet, UK/France, <strong>2010</strong>, 80m<br />

some subtitles, animation<br />

The film was developed from an unmade<br />

script by Jacques Tati. An account of the<br />

dying days of music hall entertainment,<br />

as seen through the eyes of an illusionist<br />

whose audiences are gradually being taken<br />

away by a new breed of rock ‘n’ roll bands.<br />

We travel with him from his home in Paris<br />

further and further afield in search of<br />

paid gigs until we meet a young fan who<br />

changes his life forever.<br />

The Illusionist<br />

Age of Extremes<br />

30 <strong>September</strong><br />

This new film examines the former US’s<br />

‘War on Terror’ and the implications it has had<br />

on British Muslims and community cohesion.<br />

Headline stories are unpacked unveiling<br />

stereotypes that have alienated British Muslims<br />

to bolster public support for the wars in Iraq<br />

and Afghanistan.<br />

The screening will be followed by<br />

a Q & A with the producer Ishmahil<br />

Blagrove, Jr.<br />

Monsieur Hulot’s Holiday<br />

(U) 7.00pm<br />

The Illusionist (PG) 8.55pm<br />

Please see Friday 1 <strong>October</strong><br />

for details.<br />

Sunday 3 <strong>October</strong> Double Bill<br />

La Vie en Rose (12A) 1.10pm<br />

Olivier Dahan, France, 2007, 140m subtitles<br />

Marion Cotillard, Gerard Depardieu,<br />

Emmanuelle Seigner<br />

A biopic on the life and career of Edith<br />

Piaf which focuses on Piaf’s relationships<br />

with some of the most eccentric<br />

personalities of her generation, including<br />

Marlene Dietrich and Yves Montand.<br />

Gainsbourg (15) 3.50pm<br />

(Vie héro que)<br />

Joann Sfar, France, <strong>2010</strong>, 122m subtitles<br />

Eric Elmosnino, Lucy Gordon, Laetitia Casta<br />

A glimpse at the life of French singer<br />

Serge Gainsbourg from growing up in<br />

1940’s Nazi-occupied Paris, through his<br />

successful song-writing years in the 1960’s,<br />

to his death in 1991. “Splendidly cast and<br />

consistently engaging.” Screen International<br />

Sunday 3 <strong>October</strong> Double Bill<br />

La Vie en Rose (12A) 6.00pm<br />

Gainsbourg (15) 8.45pm<br />

Please see above for details.<br />

Monday 4 <strong>October</strong> Double Bill<br />

La Vie en Rose (12A) 6.00pm<br />

Gainsbourg (15) 8.45pm<br />

Please see Sunday 3 <strong>October</strong> for details.<br />

Gainsbourg<br />

As part of a festival of screenings across<br />

London celebrating five years of quality<br />

documentary programming on More4,<br />

DocHouse is proud to present two<br />

evening screenings, “Dancing with<br />

the Devil” and “Albino United”.<br />

Tuesday 5 <strong>October</strong><br />

DocHouse and More4<br />

Dancing with the Devil 7.00pm<br />

Jon Blair, UK/Brazil, 2009, 104m<br />

A shockingly intimate and visually<br />

stunning portrait of the drug-related<br />

gang war that dominates the slums of Rio<br />

de Janeiro, following three very different<br />

men through the perilous backstreets.<br />

The film will be followed by a Q & A<br />

with the director Jon Blair.<br />

Wednesday 6 <strong>October</strong><br />

DocHouse and More4<br />

Albino United 7.00pm<br />

A film by Barney Broomfield, Marc Hoeferlin<br />

Juan Reina, UK/Tanzania, 2009, 72m<br />

In Tanzania, where albinos are murdered<br />

and their body parts used for ‘magic’<br />

potions, a brave group of albinos are<br />

using football to spread the message<br />

that they too are members of society.<br />

The film will be followed by a<br />

Q & A with filmmakers Marc<br />

Hoeferlin, Juan Reina and<br />

Barney Broomfield.<br />

Albino United<br />

Saturday 2 <strong>October</strong> Double Bill<br />

Monsieur Hulot’s Holiday<br />

(U) 2.30pm<br />

The Illusionist (PG) 4.20pm


CINEMA<br />

Thursday 7 <strong>October</strong><br />

Coco Chanel Double Bill<br />

Coco Before Chanel (12A) 6.30pm<br />

(Coco avant Chanel)<br />

Anne Fontaine, France, 2009, 105m subtitles<br />

Audrey Tautou, Emmanuelle Devos,<br />

Alessandro Nivola<br />

Tautou plays the legendary Coco Chanel<br />

in an enthralling exploration of her early<br />

life and humble beginnings before she<br />

rose to worldwide fame as the most<br />

celebrated fashion designer of the<br />

20th century.<br />

Coco Chanel and Igor Stravinsky<br />

(15) 8.40pm<br />

Jan Kounen, France, 2009, 120m subtitles<br />

Mads Mikkelsen, Anna Mouglalis, Yelena Morozova<br />

A film based on Chris Greenhalgh’s<br />

novel exploring the electric relationship<br />

between the French fashion icon and the<br />

radical Russian-born composer, which<br />

begins at the premiere of Stravinsky’s<br />

“The Rite of Spring”.<br />

Coco Before Chanel<br />

Friday 8 <strong>October</strong> Single Bill<br />

The Girl Who Played with Fire<br />

(15) 8.00pm<br />

Daniel Alfredson, Sweden/Denmark/Germany,<br />

2009, 129m subtitles<br />

Noomi Rapace, Michael Nyqvist, Lena Endre<br />

The second instalment in Stieg Larsson’s<br />

Millennium Trilogy. As computer<br />

hacker, Lisbeth, and journalist, Mikael,<br />

investigate a sex-trafficking ring, Lisbeth<br />

is accused of three murders, causing her to<br />

go on the run while Mikael works to clear<br />

her name.<br />

Saturday 9 <strong>October</strong><br />

Time and Space 12 noon<br />

Meet the people behind Doctor Who at<br />

the Doctor Who Appreciation Society’s<br />

one day convention “Time and Space”.<br />

The day will include interviews with<br />

cast and crew from both the new and<br />

classic eras of the programme, on screen<br />

presentations, photo studio, autographs,<br />

merchandise and more.<br />

For more details, and to buy<br />

tickets, please visit our website at<br />

timeandspace.biz or write to us at<br />

DWAS Events, Unit 117, 17 Piries<br />

Place, Horsham RH12 1BF.<br />

Sunday 10 <strong>October</strong> Single Bills<br />

The Girl Who Played with Fire<br />

(15) 3.00pm<br />

The Girl Who Played with Fire<br />

(15) 5.30pm<br />

The Girl Who Played with Fire<br />

(15) 8.05pm<br />

Please see Friday 8 <strong>October</strong> for details.<br />

The Girl Who Played with Fire<br />

Doctor Who<br />

Monday 11 <strong>October</strong><br />

Ealing Comedies Double Bill<br />

Whisky Galore (PG) 7.00pm<br />

Alexander Mackendrick, UK, 1948, 82m<br />

Basil Radford, Catherine Lacey, Bruce Seton<br />

“During World War II a ship full of whisky<br />

is wrecked on a small Hebridean island,<br />

and the local customs and excise man has<br />

his hands full. Marvellously detailed,<br />

fast moving, well-played and attractively<br />

photographed comedy.”<br />

Halliwell’s Film Guide<br />

The Ladykillers (U) 8.55pm<br />

Alexander Mackendrick, UK, 1955, 97m<br />

Alec Guinness, Cecil Parker, Katie Johnson<br />

An older lady takes in a sinister lodger<br />

who, with his four friends, commits a<br />

robbery. When she finds out, they plot<br />

to kill her.<br />

Tuesday 12 <strong>October</strong><br />

Kim Ki-Duk Double Bill<br />

Breathe (15) 7.00pm<br />

Kim Ki-Duk, South Korea/Japan, 2007,<br />

84m subtitles<br />

Chang Chen, Park Ji-A, Gang In-Hyeong<br />

Death Row inmate Jang Jin attempts<br />

to commit suicide by using a sharpened<br />

toothbrush handle to stab himself in the<br />

neck. Seeing this incident reported on<br />

the news, something about it captures<br />

the mind of depressed housewife and<br />

sculptress Yeon.<br />

Black Dynamite<br />

Time (15) 8.50pm<br />

Kim Ki-Duk, South Korea/Japan, 2006,<br />

97m subtitles<br />

Ha Jung-wood, Park Ji-A, Jang Jun-Yeong<br />

Seh-hee has been dating her boyfriend,<br />

Ji-woo, for over two years, but is fearful<br />

that he no longer finds her interesting<br />

and is consumed with jealousy when<br />

she catches him fantasising about other<br />

women. She decides on a radical solution<br />

and leaves him to go under the knife<br />

for extensive plastic surgery. “Fearlessly<br />

honest, attuned to contemporary anxieties<br />

about sex, love and social status.”<br />

The New York Times<br />

Wednesday 13 <strong>October</strong> Double Bill<br />

The Harder They Come (15) 7.00pm<br />

Perry Henzell, Jamaica, 1972, 102m<br />

Jimmy Cliff, Carl Bradshaw, Basil Keane<br />

A ground-breaking classic. Cliff plays<br />

Ivan Martin, a poor country boy who<br />

goes to the city to make money by<br />

becoming a street rebel and a pop idol<br />

overnight. Features an outstanding<br />

soundtrack which played an important<br />

part in introducing reggae and its<br />

Jamaican roots to a worldwide audience.<br />

Black Dynamite (15) 9.10pm<br />

Scott Sanders, USA, 2009, 84m<br />

Michael Jai White, Arsenio Hall, Tommy Davidson<br />

When “The Man” murders his brothers,<br />

pumps heroin into local orphanages and<br />

floods the ghetto with malt liquor, Black<br />

Dynamite is the one hero willing to fight<br />

back. Flawless spoof comedy.<br />

Thursday 14 <strong>October</strong> Double Bill<br />

Far From Heaven (12A) 6.30pm<br />

Todd Haynes, USA, 2002, 107m<br />

Julianne Moore, Dennis Quaid, Dennis Haysbert<br />

Cathy (Moore) is the perfect 50’s<br />

housewife living the perfect 50’s life:<br />

healthy kids, successful husband, social<br />

prominence. Then one night she catches<br />

her husband (Quaid) kissing a man. Her<br />

world begins to unravel.<br />

The Runaways


Undertow (TBC) 8.45pm<br />

(Contracorriente)<br />

Javier Fuentes-León, Peru/Austria/France/Germany,<br />

2009, 100m subtitles<br />

Christian Mercado, Tatiana Astengo,<br />

Manolo Cardona<br />

In a small fishing village on the Northern<br />

coast of Peru, where religious traditions<br />

run deep Miguel, a well-respected<br />

fisherman, and his beautiful bride, Mariela<br />

are about to welcome their firstborn, but<br />

Miguel harbours a scandalous secret.<br />

Friday 15 <strong>October</strong> Double Bill<br />

Nowhere Boy (15) 7.00pm<br />

Sam Taylor Wood, UK, 2009, 97m<br />

Aaron Johnson, Kristin Scott Thomas,<br />

Anne-Marie Duff<br />

An astute biopic focussing on the teenage<br />

years of John Lennon. “Rather than<br />

dwelling on the unique circumstances that<br />

produced a musical genius, it’s an affecting<br />

movie about coming of age and leaving<br />

home and about the radical changes in<br />

British life since the Second World War.”<br />

Observer<br />

The Runaways (15) 9.05pm<br />

Floria Sigismondi, USA, <strong>2010</strong>, 106m<br />

Dakota Fanning, Kristen Stewart, Michael Shannon<br />

A coming-of-age biopic about 70s<br />

teenage band The Runaways based<br />

on lead singer Cherie Currie’s book<br />

“Neon Angel”. Beautifully shot with<br />

electric performances.<br />

Saturday 16 <strong>October</strong> Double Bill<br />

Nowhere Boy (15) 2.30pm<br />

The Runaways (15) 4.30pm<br />

Nowhere Boy (15) 7.00pm<br />

The Runaways (15) 9.05pm<br />

Please see Friday 15 <strong>October</strong> for details.<br />

Sunday 17 <strong>October</strong><br />

Abbas Kiarostami Double Bill<br />

Taste of Cherry (PG) 2.30pm<br />

Abbas Kiarostami, Iran, 1997, 99m subtitles<br />

Homayoun Ershadi, Abdolrahman Bagheri,<br />

Safar Ali Moradi<br />

A middle-aged man on the way to his<br />

own death tries to find someone to bury<br />

him, but can the memory of “the taste of<br />

cherries” persuade him to live<br />

Certified Copy (15) 4.30pm<br />

Abbas Kiarostami, Fracne/Italy, <strong>2010</strong>,<br />

106m subtitles<br />

Juliette Binoche, William Shimell,<br />

Jean-Claude Carrière<br />

Kiarostami’s first film outside of his native<br />

Iran is a philosophical and post-modern<br />

interpretation of the romantic comedy<br />

genre set in picturesque Tuscany. French<br />

gallery owner (Binoche) and British<br />

author (Shimell) meet for the first time<br />

and allow the audience to interpret, or<br />

not, their afternoon together.<br />

DocHouse presents<br />

the London<br />

Premiere of<br />

Girl with<br />

Black Balloons<br />

21 <strong>October</strong><br />

The Chelsea Hotel is a New York City<br />

icon – ever wondered who lives in it<br />

‘Girl with Black Balloons’ is no ordinary<br />

character study but a multi-faceted<br />

portrait of Bettina – a reclusive artist<br />

living within the confines of Manhattan’s<br />

legendary lodgings.<br />

Sunday 17 <strong>October</strong><br />

Abbas Kiarostami Double Bill<br />

Taste of Cherry (PG) 7.00pm<br />

Certified Copy (15) 9.05pm<br />

Please see above for details.<br />

Monday 18 <strong>October</strong><br />

Abbas Kiarostami Double Bill<br />

Taste of Cherry (PG) 7.00pm<br />

Certified Copy (15) 9.05pm<br />

Please see Sunday 17 <strong>October</strong><br />

for details.<br />

Tuesday 19 <strong>October</strong><br />

1968 Inspired - The Ferrari Dino<br />

Girl + Jachym & Filip Topol<br />

Double Bill<br />

The Ferrari Dino Girl (15) 6.45pm<br />

Jan Nemec, CR, 2009, 68m subtitles<br />

Karel Roden, Tammy Sundquist, Jan Budar<br />

Jan Nemec’s ‘auto-documentary’ recounts<br />

the story of how he filmed the Soviet<br />

invasion of Czechoslovakia and smuggled<br />

the footage out of the country with the<br />

help of ‘the Ferrari Dino Girl’. Includes<br />

the original unedited 1968 footage.<br />

Book Launch<br />

Jachym & Filip Topol 8.20pm<br />

An evening of literature and live music<br />

with award-winning writer Jachym Topol<br />

who will read and discuss his new book<br />

“Gargling with Tar” (set in 1968), and<br />

his brother Filip, singer and pianist, leader<br />

of the Czech rock group Psi vojaci.<br />

If you buy a ticket for this double<br />

bill you will receive a free bottle of<br />

Bernard, Premium Czech Lager.<br />

“Gargling with Tar” is a Czech Tin Drum<br />

set during the crushing of the Prague Spring<br />

of Topol’s boyhood.” – Maya Jaggi, Guardian.<br />

Wednesday 20 <strong>October</strong> Double Bill<br />

Memories of Murder (15) 6.00pm<br />

Bong Joon-Ho, South Korea, 2003, 130m subtitles<br />

Kang-ho Song, Sang-kyung Kim, Roe-ha Kim<br />

South Korea in 1986 under military<br />

dictatorship. Two rural cops and a special<br />

detective from the capital investigate a<br />

series of brutal rape murders. Their rude<br />

measures become more desperate<br />

with each new corpse found. Based on<br />

a true case.<br />

Mother (15) 8.35pm<br />

Bong Joon-Ho, South Korea, 2009, 130m subtitles<br />

Kim Hye-ja, Won Bin, Jin Ku<br />

When Kim Hye-ja’s nameless mother of<br />

the title discovers her twenty-seven-yearold<br />

son suffering from learning difficulties<br />

has been arrested for the murder of a<br />

young girl, she obsessively sets out to<br />

track down the real killer and prove her<br />

son’s innocence at all costs.<br />

Jachym & Filip Topol<br />

Thursday 21 <strong>October</strong><br />

DocHouse Presents Double Bill<br />

The Politician, the Poet,<br />

the Cook & the Lord 7.30pm<br />

Corinne van der Borch, 2004, UK,<br />

12m documentary<br />

A short film about the life inside of a<br />

London cabbie shelter.


CINEMA<br />

Girl with Black<br />

Balloons 7.45pm<br />

Corinne van der Borch, <strong>2010</strong>, USA, 58m<br />

The Chelsea Hotel is a New York City<br />

icon – ever wondered who lives in it<br />

‘Girl with Black Balloons’ is no ordinary<br />

character study but a multi-faceted<br />

portrait of Bettina – a reclusive artist<br />

living within the confines of Manhattan’s<br />

legendary lodgings.<br />

Friday 22 <strong>October</strong> Double Bill<br />

Frozen River (15) 7.00pm<br />

Courtney Hunt, USA, 2008, 97m<br />

Melissa Leo, Misty Upham, Charlie McDermott<br />

The film tells the story of Ray Eddy (Leo)<br />

who is about to buy her family the house<br />

of her dreams. But when her gambleloving<br />

husband takes off with the money<br />

Ray finds herself alone with her kids and<br />

completely broke. While trying to trace<br />

her husband she meets Lila Littlewolf, a<br />

Mohawk girl, who provides her with a plan<br />

to earn easy money. An extraordinary film.<br />

Winter’s Bone<br />

Winter’s Bone (15) 9.05pm<br />

Debra Granik, USA, <strong>2010</strong>, 100m<br />

Jennifer Lawrence, John Hawkes, Kevin Breznahan<br />

Seventeen-year-old Ree (Lawrence)<br />

embarks on a mission to find her father<br />

after he uses their family house as a way<br />

of securing his bail and disappears without<br />

trace. A tense, naturalistic thriller based<br />

on a novel by Daniel Woodrell.<br />

Saturday 23 <strong>October</strong> Double Bill<br />

Frozen River (15) 2.30pm<br />

Winter’s Bone (15) 4.30pm<br />

Frozen River (15) 7.00pm<br />

Winter’s Bone (15) 9.05pm<br />

Please see Friday 22 <strong>October</strong> for details.<br />

Sunday 24 <strong>October</strong> Single Bill<br />

Sunrise: A Song of Two Humans<br />

(PG) 3.00pm<br />

F.W. Murnau, USA, 1927, 95m b/w<br />

George O’Brien, Janet Gaynor, Margaret Livingston<br />

A cinematic dream of passion. A heartrending<br />

tale of love first lost, then found<br />

again, voted one of the ten greatest films<br />

of all time.<br />

The film will be introduced by<br />

film historian and filmmaker,<br />

Kevin Brownlow.<br />

Sunday 24 <strong>October</strong><br />

Warner Bros Double Bill<br />

White Heat (15) 6.30pm<br />

Raoul Walsh, USA, 1949, 114m<br />

James Cagney, Virginia Mayo, Edmond O’Brien<br />

Scarface + Psycho = White Heat. This<br />

searing melodrama sees Cagney sitting<br />

on his mother’s lap as they plan their<br />

heists together. Spellbinding suspense,<br />

complimented by his vivid and hypnotic<br />

performance.<br />

Bonnie and Clyde (15) 8.50pm<br />

Arthur Penn, USA, 1967, 112m<br />

Warren Beatty, Faye Dunaway, Michael J. Pollard<br />

Bonnie (Dunaway) is bored with life and<br />

wants a change. She gets her chance when<br />

she meets young drifter Clyde Barlow.<br />

He has dreams of a life of crime which<br />

will free him from the hardships of the<br />

Depression. The two fall in love and begin<br />

a crime spree. Based on a true story and<br />

arguably one of the most influential films<br />

of the late 60’s.<br />

Monday 25 <strong>October</strong><br />

Black History Month Double Bill<br />

Borom Sarret (12A) 7.00pm<br />

Ousmane Sembene, Senegal, 1962, 20m subtitles<br />

Ly Abdoulay, Albourah<br />

Sembene’s interest in examining the<br />

impact of economic exploitation on<br />

ordinary Senegalese citizens is evocatively<br />

expressed in this early short film, in<br />

which a poor cart driver provides us with a<br />

“guided tour” through modern Dakar and<br />

his sense of marginality.<br />

Black Girl (12A) 7.20pm<br />

Ousmane Sembene, Senegal, 1964, 60m subtitles<br />

Mbissine Thérèse Diop, Anne-Marie Jelinek,<br />

Robert Fontaine<br />

Sembene’s first feature film is a<br />

seminal film in the history of African<br />

cinema. It tells the tragic story of a<br />

Senegalese girl employed as a servant to<br />

a French couple. Her initial enthusiasm<br />

regarding the colonial motherland and<br />

employment is quickly transformed into<br />

a profound sense of despair, as she finds<br />

herself being treated by the family like an<br />

object, a non-person, ‘the black girl’.<br />

Sunrise<br />

Monday 25 <strong>October</strong><br />

Black History Month Single Bill<br />

Xala (12) 8.45pm<br />

(The Curse)<br />

Ousmane Sembene, Senegal, 1974, 123m subtitles<br />

Fatim Diagne, Makhouredia Gueye, Thierno Leye<br />

Sembene’s satire of the modern African<br />

bourgeoisie was heavily censored in<br />

Senegal, and it remains to this day one<br />

of the sharpest and most incisive attacks<br />

on neo-colonialism in post-independence<br />

Africa made by an African filmmaker. The<br />

film follows the decline of a self-satisfied,<br />

westernised Senegalese businessman.<br />

Tuesday 26 <strong>October</strong> Double Bill<br />

An Education (12A) 6.50pm<br />

Lone Scherfig, UK, 2009, 99m<br />

Carey Mulligan, Peter Sarsgaard, Alfred Molina<br />

Based on writer Lynn Barber’s memoirs<br />

and a screenplay by Nick Hornby the<br />

film is a coming-of-age story about a<br />

teenage academic girl in the 60’s whose<br />

life changes with the arrival of a playboy<br />

nearly twice her age.<br />

Tamara Drewe (15) 8.55pm<br />

Stephen Frears, UK, <strong>2010</strong>, 111m<br />

Gemma Arterton, Dominic Cooper, Tamsin Greig<br />

Once a shy and unattractive teenager from<br />

a small rural idyll, Tamara’s (Arterton)<br />

past catches up with her when she returns<br />

to the village as a glamorous newspaper<br />

columnist and has to face an old flame.<br />

An entertaining romp based on the<br />

Posy Simmonds comic strip which was<br />

serialised in The Guardian.<br />

Wednesday 27 <strong>October</strong> Double Bill<br />

An Education (12A) 6.50pm<br />

Tamara Drewe (15) 8.55pm<br />

Please see Tuesday 26 <strong>October</strong><br />

for details.<br />

Thursday 28 <strong>October</strong> Dare to Stare<br />

Itty Bitty Titty Committee<br />

(15) 8.30pm<br />

Jamie Babbit, USA, 2007, 87m<br />

Melonie Diaz, Nicole Vicius, Daniela Sea<br />

This fun and witty tongue-in-cheek drama<br />

from Jamie “But I’m a Cheerleader”<br />

Babbit tells the story of Anna, a<br />

receptionist at a plastic surgeon’s office.<br />

Her dull life changes radically when she<br />

meets Sadie, head feminist of the C.I.A.<br />

(Clits in Action) Collective. Complete<br />

with smart Riot Grrrl soundtrack, ‘Max’<br />

from the L-Word and a pillow fight with a<br />

giant stuffed vagina – what’s not to like!<br />

Plus Unskinny Bop Opening<br />

Night Party


Friday 29 <strong>October</strong> Dare to Stare<br />

Unveiled (15) 6.50pm<br />

(Fremde Haut)<br />

Angelina Maccarone, Germany/Austria, 2005,<br />

97m subtitles<br />

Jasmin Tabatabai, Anneke Kim Sarnau<br />

This film is a stark reminder of how<br />

difficult it is to live freely in many<br />

countries. The striking Jasmin<br />

Tabatabai stars as Fariba, a lesbian<br />

fleeing persecution in Iran who arrives<br />

in Germany seeking asylum. When her<br />

application is denied Fariba resorts to<br />

desperate measures.<br />

Friday 29 <strong>October</strong> Dare to Stare<br />

4 Minutes (15) 8.55pm<br />

(Vier Minuten)<br />

Chris Kraus, Germany, 2006, 112m subtitles<br />

Monica Bleibtreu, Hannah Herzsprung<br />

Winner of twenty-one International Film<br />

Festival Awards, this stunning drama<br />

depicts the intense connection between<br />

two women: Traude, a piano teacher at a<br />

high-security women’s prison, and Jenny,<br />

the ferociously talented young prodigy<br />

whom Traude grooms to compete in a<br />

prestigious piano competition. Featuring<br />

extraordinary performances, Hannah<br />

Herzsprung tears up the screen in a<br />

sensational finale. Unmissable.<br />

Saturday 30 <strong>October</strong> Dare to Stare<br />

Fucking Amal (15) 7.00pm<br />

(Show Me Love)<br />

Lukas Moodysson, Sweden, 1998, 89m subtitles<br />

Alexandra Dahlstrom, Rebecka Liljeberg<br />

From the director of “Lilya 4-Ever” this<br />

classic first love drama tells the story<br />

of Agnes, a sixteen-year-old misfit who<br />

is secretly in love with Elin, the most<br />

beautiful and popular girl in school.<br />

When Elin ends up at Agnes’ birthday<br />

party, and fulfils a dare, she unexpectedly<br />

develops feelings of her own.<br />

Saturday 30 <strong>October</strong><br />

Afternoon: closed for private event.<br />

Saturday 30 <strong>October</strong> Dare to Stare<br />

Elo se (15) 8.55pm<br />

Jesus Garay, Spain, 2008, 118m subtitles<br />

Diana Gomez, Ariadna Cabrol<br />

Young, beautiful Àsia lies in a coma.<br />

In flashback we see what led up to her<br />

accident, her life as an architecture<br />

student and relationship with her<br />

overbearing mother. Asia’s world changes<br />

the day she meets the exotic and<br />

mysterious Eloïse. A strong erotic tension<br />

between the two caliente leads hurls them<br />

towards a tragic climax.<br />

DARE TO STARE<br />

A Season of<br />

Lesbian Cinema<br />

worth watching<br />

28 – 31 <strong>October</strong><br />

The films in this season are about choices,<br />

alternatives and following your heart. We<br />

believe they are unique films that will stay with<br />

you. Each illustrates the special connection<br />

that occurs between two women. From across<br />

Europe, Asia and the USA, highlights include:<br />

“4 Minutes”, “Eloïse” and “High Art”. With<br />

thanks to Lorna Paterson and Simone Tropea<br />

for programming the season. Be sure to join us<br />

on our opening night party where Unskinny<br />

Bop will have you dancing in the aisles and the<br />

question is, do you DARE TO STARE<br />

Sunday 31 <strong>October</strong> Dare to Stare<br />

Another Way (18) 2.30pm<br />

(Egymásra nézve)<br />

Károly Makk, Hungary, 1982, 102m subtitles<br />

Jadwiga Jankowska-Cieslak, Grazyna Szapolowska<br />

Nominated for the Palme d’Or at Cannes,<br />

this outstanding Hungarian feature is<br />

an important reminder of recent history.<br />

Set in 1958, against the backdrop of<br />

totalitarianism and the Stalinist regime,<br />

two female political journalists’ cautious<br />

attraction develops into an intense love<br />

affair. Powerful and beautifully shot.<br />

Sunday 31 <strong>October</strong> Dare to Stare<br />

Drifting Flowers (12) 4.35pm<br />

(Piao lang qing chun)<br />

Zero Chou, Taiwan, 2008, 97m subtitles<br />

Serena Fang, Chao Yi-lan, Lu Yi-ching<br />

Three tales of lesbian love are explored<br />

through the eyes of different generations<br />

of Taiwanese women. This poetic and<br />

lyrical film beautifully illustrates how<br />

lesbianism is perceived in Taiwan.<br />

Eloïse<br />

Sunday 31 <strong>October</strong> Dare to Stare<br />

High Art (18) 6.30pm<br />

Lisa Cholodenko, Canada/USA, 1998, 101m<br />

Radha Mitchell, Ally Sheedy, Patricia Clarkson<br />

Syd, newly appointed assistant editor at<br />

Frame magazine, lives with her boyfriend<br />

James. After discovering a leak in the<br />

roof, she heads upstairs to do a bit of DIY,<br />

only to find that her neighbour is the very<br />

talented and charismatic photographer<br />

Lucy Berliner. Patricia Clarkson is<br />

fabulous in her supporting role as a<br />

drugged up Fassbinder muse.<br />

Sunday 31 <strong>October</strong> Dare to Stare<br />

Highly Strung (15) 8.35pm<br />

(Je te mangerais)<br />

Sophie Laloy, France, 2009, 96m subtitles<br />

Judith Davis, Isild Le Besco<br />

Marie, an attractive young piano<br />

student, is accepted into the prestigious<br />

Conservatoire in Lyon. As her family<br />

cannot afford rent, she is obliged to<br />

share with a childhood friend she hasn’t<br />

seen in years. Emma is now a beautiful,<br />

mysterious and secretive young woman<br />

and when she puts a ‘no overnight<br />

guests’ rule into place, an obsessive and<br />

irrepressible affair begins.


INFO<br />

Information<br />

Bar and Kitchen at <strong>Riverside</strong><br />

<strong>Riverside</strong> Bar and Kitchen<br />

The atmospheric space at the heart of the building is a vibrant and<br />

contemporary setting for lunch, pre-show dinner and drinks.<br />

The <strong>Riverside</strong> Terrace is a stunning spot for entertaining.<br />

Bookings and enquiries 020 8237 1009<br />

<strong>Riverside</strong> Kitchen<br />

Seasonal daily specials with an emphasis on freshly prepared<br />

ingredients available for lunch and dinner every day.<br />

Sunday Brunch is served from 10.30am.<br />

Film Café<br />

Located in the foyer and open throughout the day serving fresh<br />

sandwiches, smoothies, salads and mozzo organic and fair trade coffee.<br />

Food served<br />

Monday – Friday<br />

Saturday<br />

Sunday<br />

Midday – 3pm<br />

4pm – 9pm<br />

12pm – 9pm<br />

10.30am – 9pm<br />

<strong>Riverside</strong> Friends<br />

Live life on the <strong>Riverside</strong>, become a Friend and enjoy<br />

our vibrant and inspirational programme of films and<br />

theatre for less. As a Friend you’ll receive invites to<br />

exclusive events and private views and you can enjoy<br />

a discounted ticket rate at BFI Southbank and Ciné<br />

lumière too.<br />

For more information and to become a Friend, please<br />

call 020 8237 1027. You can also join by sending the<br />

form below in the post; cheques should be made<br />

payable to <strong>Riverside</strong> Trust.<br />

Discounts may be subject to availability, selected events may be<br />

excluded. Full details online at riversidestudios.co.uk/friends<br />

Please cut out this page and send it to us:<br />

<strong>Riverside</strong> <strong>Studios</strong> Friends, Crisp Rd<br />

Hammersmith, London W6 9RL<br />

Your details<br />

NAME<br />

ADDRESS<br />

EMAIL<br />

TELEPHONE<br />

riversidestudios.co.uk<br />

Being a <strong>Riverside</strong> Friend entitles you to<br />

the following...<br />

Concessions price cinema tickets<br />

Concessions price theatre tickets<br />

Discount on coffee and tea<br />

Discount on food from the kitchen<br />

Discounted ticket price at Ciné lumière<br />

£1 off for screenings at BFI Southbank<br />

Invites to selected press nights and special events<br />

Email notification of special offers<br />

<strong>Riverside</strong> Friends / £30 per year / £20 concs.


This brochure is available in<br />

large print, please call 020 8237 1010 or<br />

email marketing@riversidestudios.co.uk<br />

to receive a copy.<br />

Visitors to <strong>Riverside</strong> <strong>Studios</strong><br />

Box Office<br />

Open daily<br />

12 – 9pm<br />

(closed Bank Holidays)<br />

Telephone 020 8237 1111<br />

Fax 020 8237 1001<br />

Web riversidestudios.co.uk<br />

Ticket discounts<br />

Concessions are usually available for students,<br />

unemployed, disabled plus companion, 60+, under<br />

16s, Ciné lumière, BFI members (cinema). Valid cards<br />

must be shown. For Friends and Groups discounts<br />

please check with the Box Office or online at<br />

riversidestudios.co.uk.<br />

Payment<br />

We accept Visa, MasterCard, Switch, Solo,<br />

Maestro, Delta, cash and cheques made payable<br />

to <strong>Riverside</strong> Trust.<br />

Mailing List<br />

If you would like to join our mailing list, please call the<br />

Box Office or email online@riversidestudios.co.uk.<br />

Refunds and Exchanges<br />

<strong>Riverside</strong> is unable to offer refunds or exchanges<br />

on tickets.<br />

Age Ratings<br />

Where a film programme contains films with different<br />

age ratings, the highest rating applies. <strong>Riverside</strong><br />

<strong>Studios</strong> reserves the right to ask for proof of age.<br />

Latecomers<br />

Cinema: All films start at the advertised time and<br />

latecomers will only be admitted during the first<br />

15 minutes of screening.<br />

Theatre: Latecomers may not be admitted.<br />

Access<br />

There are ramps throughout the building and a lift to<br />

our cinema.<br />

We advise our wheelchair user patrons to book in<br />

advance to guarantee their seats. An induction loop is<br />

available in the cinema only.<br />

How to get here<br />

Tube and foot from Hammersmith<br />

Piccadilly Line, District Line: From Broadway<br />

Shopping Centre, use south exit, pass Hammersmith<br />

Apollo, follow Queen Caroline Street and turn left into<br />

Crisp Road.<br />

Hammersmith & City Line: walk towards<br />

Hammersmith Apollo, follow Queen Caroline Street<br />

and turn left into Crisp Road.<br />

Public transport info on tfl.gov.uk or 020 7222 1234.<br />

Bus<br />

Buses to Hammersmith Broadway station<br />

9, 10, 27, 33, 72, 190, 209, 211, 220, 266, 267, 283, 295,<br />

391, 419, H91.<br />

Road<br />

From Hammersmith Broadway roundabout turn left<br />

at Hammersmith Apollo into Queen Caroline Street,<br />

turn left into Crisp Road.<br />

Parking<br />

Pay and Display street parking until 6.30pm.<br />

Free from 6.30pm and all day Sunday.<br />

APOLLO<br />

<strong>Riverside</strong> <strong>Studios</strong><br />

Crisp Road . Hammersmith . London . W6 9RL


CINEMA<br />

Cinema Diary<br />

<strong>September</strong> <strong>2010</strong><br />

Wed 1<br />

Thu 2<br />

Fri 3<br />

Sat 4<br />

Sun 5<br />

Mon 6<br />

Tue 7<br />

Wed 8<br />

Thu 9<br />

Fri 10<br />

Sat 11<br />

Sun 12<br />

Yvan Attal in<br />

Leaving (15) 6.50pm<br />

+ Rapt (15) 8.40pm<br />

Jean-Luc Godard’s<br />

Pierrot le Fou (15) 6.45pm<br />

+ Breathless (PG) 9.00pm<br />

Hilary and Jackie (15) 6.20pm<br />

+ The Concert (15) 8.50pm<br />

Hilary and Jackie (15) 1.45pm<br />

+ The Concert (15) 4.10pm<br />

Hilary and Jackie (15) 6.20pm<br />

+ The Concert (15) 8.50pm<br />

Jacques Tati’s<br />

Playtime (U) 2.00pm<br />

+ Jour de Fete (U) 4.20pm<br />

Bernardo Bertolucci’s<br />

The Conformist (18) 6.00pm<br />

+ Last Tango in Paris (18) 8.20pm<br />

Please Give (15) 7.00pm<br />

City Island (12A) 8.55pm<br />

CINEMA CLOSED<br />

The Garden 7.00pm<br />

South of the Border 8.45pm<br />

Lebanon (15) 6.45pm<br />

+ I Am Love (15) 8.45pm<br />

Inception (12A) 8.00pm<br />

Inception (12A) 2.00pm<br />

Inception (12A) 5.00pm<br />

Inception (12A) 8.00pm<br />

Graham Greene's<br />

The Third Man (15) 2.30pm<br />

+ Went the Day Well (PG) 4.35pm<br />

The Third Man (15) 6.30pm<br />

+ Went the Day Well (PG) 8.40pm<br />

Mon 13 Graham Greene's<br />

The Third Man (15) 7.00pm<br />

+ Went the Day Well (PG) 9.10pm<br />

Tue 14<br />

CINEMA CLOSED<br />

Wed 15 The Band’s Visit (PG) 7.00pm<br />

+ Frontier Blues (15) 8.55pm<br />

Thu 16<br />

Fri 17<br />

Sat 18<br />

Sun 19<br />

Catherine Breillat’s<br />

The Last Mistress (15) 7.00pm<br />

+ Bluebeard (15) 9.10pm<br />

Live Flesh (18) 6.30pm<br />

+ The Secret in Their Eyes<br />

(18) 8.45pm<br />

Live Flesh (18) 1.50pm<br />

+ The Secret in Their Eyes<br />

(18) 4.00pm<br />

Live Flesh (18) 6.30pm<br />

+ The Secret in Their Eyes<br />

(18) 8.45pm<br />

Wall-E (U) 3.00pm<br />

+ Toy Story 3 (U) 5.00pm<br />

Apocalypse Now – Redux (15) 7.15pm<br />

Mon 20 DocHouse Presents<br />

A Stone’s Throw Away 7.00pm<br />

+ Budrus 8.20pm<br />

Tue 21<br />

CINEMA CLOSED<br />

Wed 22 Somersault (15) 7.00pm<br />

+ Beautiful Kate (15) 9.10pm<br />

Thu 23<br />

Georgia – Life Through Cinema<br />

Journey of a Georgian Poet<br />

Akaki Tsereteli in Racha-lechkhumi<br />

(U) 6.30pm<br />

+ Street Days (15) 7.00pm<br />

Fri 24<br />

Sat 25<br />

Sun 26<br />

Georgia – Life Through Cinema<br />

The Other Bank (15) 6.30pm<br />

Something About Georgia 8.30pm<br />

Georgia – Life Through Cinema<br />

Short Films (12A) 12.30pm<br />

Susa (12A) 2.20pm<br />

The Wishing Tree (U) 4.20pm<br />

Three Houses (U) 6.30pm<br />

Songs of Georgia 8.30pm<br />

+Tabuni Live Performance 9.30pm<br />

Georgia – Life Through Cinema<br />

The Short Films of Mikhail<br />

Kobakhidze (U) 12.00pm<br />

My Grandmother (U) 2.30pm<br />

Gun-shy (18) 4.00pm<br />

Pirosmani (U) 6.10pm<br />

Chantrapas (12) 8.00pm<br />

Mon 27 Baaria (15) 8.00pm<br />

Tue 28<br />

White Material (15) 7.00pm<br />

+ Le Refuge (15) 9.05pm<br />

Wed 29 DocHouse Presents<br />

The Brothers Warner (U) 7.00pm<br />

+ Confessions of a Nazi Spy<br />

(U) 8.55pm<br />

Thu 30<br />

Age of Extremes (12) 7.30pm<br />

<strong>October</strong> <strong>2010</strong><br />

Fri 1<br />

Sat 2<br />

Sun 3<br />

Mon 4<br />

Tue 5<br />

Wed 6<br />

Thu 7<br />

Fri 8<br />

Sat 9<br />

Sun 10<br />

Monsieur Hulot’s Holiday (U) 7.00pm<br />

+ The Illusionist (PG) 8.55pm<br />

Monsieur Hulot’s Holiday (U) 2.30pm<br />

+ The Illusionist (PG) 4.20pm<br />

Monsieur Hulot’s Holiday (U) 7.00pm<br />

+ The Illusionist (PG) 8.55m<br />

La Vie en Rose (12A) 1.10pm<br />

+ Gainsbourg (15) 3.50pm<br />

La Vie en Rose (12A) 6.00pm<br />

+ Gainsbourg (15) 8.45pm<br />

La Vie en Rose (12A) 6.00pm<br />

+ Gainsbourg (15) 8.45pm<br />

DocHouse and More4<br />

Dancing with the Devil 7.00pm<br />

DocHouse and More4<br />

Albino United 7.00pm<br />

Coco Before Chanel (12A) 6.30pm<br />

+ Coco Chanel and Igor Stravinsky<br />

(15) 8.40pm<br />

The Girl Who Played<br />

with Fire (15) 8.00pm<br />

Time and Space 12 noon<br />

The Girl Who Played<br />

with Fire (15) 3.00pm<br />

The Girl Who Played<br />

with Fire (15) 5.30pm<br />

The Girl Who Played<br />

with Fire (15) 8.05pm<br />

Mon 11 Ealing Comedies<br />

Whisky Galore (PG) 7.00pm<br />

+ The Ladykillers (U) 8.55pm<br />

Tue 12<br />

Kim Ki-Duk’s<br />

Breathe (15) 7.00pm<br />

+ Time (15) 8.50pm<br />

Wed 13 The Harder They Come (15) 7.00pm<br />

+ Black Dynamite (15) 9.10pm<br />

Thu 14<br />

Fri 15<br />

Far From Heaven (12A) 6.30pm<br />

+ Undertow (TBC) 8.45pm<br />

Nowhere Boy (15) 7.00pm<br />

+ The Runaways (15) 9.05pm<br />

Sat 16<br />

Sun 17<br />

Nowhere Boy (15) 2.30pm<br />

+ The Runaways (15) 4.30pm<br />

Nowhere Boy (15) 7.00pm<br />

+ The Runaways (15) 9.05pm<br />

Abbas Kiarostami’s<br />

Taste of Cherry (PG) 2.30pm<br />

+ Certified Copy (15) 4.30pm<br />

Taste of Cherry (PG) 7.00pm<br />

+ Certified Copy (15) 9.05pm<br />

Mon 18 Abbas Kiarostami’s<br />

Taste of Cherry (PG) 7.00pm<br />

+ Certified Copy (15) 9.05pm<br />

Tue 19<br />

The Ferrari Dino Girl (15) 6.45pm<br />

+ Book Launch: Jachym<br />

& Filo Topol 8.20pm<br />

Wed 20 Memories of Murder (15) 6.00pm<br />

+ Mother (15) 8.35pm<br />

Thu 21<br />

Fri 22<br />

Sat 23<br />

Sun 24<br />

DocHouse Presents<br />

The Politician, the Poet, the Cook<br />

and the Lord 7.30pm<br />

+ The Girl with the<br />

Black Balloons 7.45pm<br />

Frozen River (15) 7.00pm<br />

+ Winter’s Bone (15) 9.05pm<br />

Frozen River (15) 2.30pm<br />

+ Winter’s Bone (15) 4.30pm<br />

Frozen River (15) 7.00pm<br />

+ Winter’s Bone (15) 9.05pm<br />

Sunrise: A Song<br />

of Two Humans (PG) 3.00pm<br />

White Heat (15) 6.30pm<br />

+ Bonnie and Clyde (15) 8.50pm<br />

Mon 25 Black History Month<br />

Borom Sarret (12A) 7.00pm<br />

+ Black Girl (12A) 7.20pm<br />

Xala (12) 8.45pm<br />

Tue 26<br />

An Education (12A) 6.50pm<br />

+ Tamara Drewe (15) 8.55pm<br />

Wed 27 An Education (12A) 6.50pm<br />

+ Tamara Drewe (15) 8.55pm<br />

Thu 28<br />

Fri 29<br />

Sat 30<br />

Sun 31<br />

Dare to Stare<br />

Itty Bitty Titty Committee<br />

(15) 8.30pm<br />

+ Unskinny Pop Opening Night Party<br />

Dare to Stare<br />

Unveiled (15) 6.50pm<br />

4 Minutes (15) 8.55pm<br />

Afternoon: closed for private event<br />

Dare to Stare<br />

Fucking Amal (25) 7.00pm<br />

Elo se (15) 8.55pm<br />

Dare to Stare<br />

Another Way (18) 2.30pm<br />

Drifting Flowers (12) 4.35pm<br />

High Art (18) 6.30pm<br />

Highly Strung (15) 8.35pm<br />

Cinema tickets are £7.50<br />

(£6.50 concs.) unless<br />

otherwise stated.<br />

Where a programme contains films with<br />

different age ratings, the highest rating<br />

applies. <strong>Riverside</strong> <strong>Studios</strong> reserves the<br />

right to ask for proof of age.

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