September / October 2010 - Riverside Studios
September / October 2010 - Riverside Studios
September / October 2010 - Riverside Studios
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<strong>September</strong> / <strong>October</strong> <strong>2010</strong><br />
Box Office 020 8237 1111<br />
riversidestudios.co.uk<br />
WHAT’S ON CINEMA / THEATRE / EXHIBITIONS / BAR & KITCHEN<br />
Shakespeare.<br />
The Man from Stratford
PERFORMANCE<br />
Performance<br />
Chris Dugdale<br />
An Evening of Magic and<br />
Mindreading<br />
World class magician Chris Dugdale returns to <strong>Riverside</strong> <strong>Studios</strong> by popular<br />
demand with a show that will leave you spellbound. In a journey through<br />
the mind, Chris fuses close-up magic and recorded video, mind-reading and<br />
theatrical artistry to create a perplexing, interactive spectacle. The face and<br />
expert of the new Britain’s Got Talent Stage Magic kit, Chris previously<br />
performed in venues the world over including the Monte Carlo Casino in<br />
Las Vegas and a private audience for Her Majesty The Queen. Experiencing<br />
magic before your eyes is a sensation like no other. Join Chris for a night<br />
that you will never forget!<br />
Dates + Times<br />
31 Aug –19 Sept<br />
Tue – Sat 7.45pm<br />
Sun 4pm<br />
Sat Mat 4, 11, 18 Sept 2.30pm<br />
Previews 31 Aug, 1 Sep<br />
Tickets<br />
£15 (£12 concs.)<br />
Sat mat £12<br />
Previews £10<br />
Studio 3<br />
Simon Callow<br />
Shakespeare<br />
The Man From Stratford<br />
A New Play by Jonathan Bate. Directed By Tom Cairns.<br />
Rediscover Shakespeare with one of Britain’s most<br />
celebrated actors. Simon Callow tracks down the real<br />
man behind the legend, bringing to life both the Bard<br />
and his unforgettable characters. Following the worldwide<br />
success of The Mystery of Charles Dickens (West<br />
End/Broadway) and his sell-out hit Dr Marigold & Mr<br />
Chops, Callow fills the stage with Shakespeare’s real and<br />
imagined worlds. A warm, classy and jovial night<br />
out not to be missed!<br />
Image Simon Annand<br />
Dates + Times<br />
2 - 12 <strong>September</strong> 8pm<br />
Sat mat 2.30pm<br />
Sun 3pm<br />
Tickets<br />
£25 (£20 concs.)<br />
Sat Mats £20 (£15 concs.)<br />
Studio 2<br />
A £30 reserved ticket is available,<br />
which guarantees you a seat situated<br />
centrally within the front four rows,<br />
and includes a complimentary<br />
programme (phone & counter only).<br />
“ So fresh... as if those well-trodden words<br />
were being uttered for the first time”<br />
Liverpool Echo<br />
“ A sparkling gemstone... a triumph of<br />
writing... a masterclass of performance”<br />
Bristol Evening Post
THEATRE<br />
The Open Couple<br />
By Dario Fo and Franca Rame, directed by Keti Dolidze<br />
The heartbreakingly funny course of a suburban<br />
marriage gone sour. Antonia has coped with her<br />
philandering husband for a while when he suggests they<br />
should have an open marriage. She agrees but will he<br />
cope when Antonia appears more successful than he<br />
ever imagined<br />
“This is what theatre should be”<br />
British Theatre Guide<br />
Georgian Theatre<br />
Season<br />
14 – 26 <strong>September</strong><br />
Two of the best known companies from Georgia: the<br />
Tumanishvili Film Actors Theatre and the Marjanishvili<br />
Drama Theatre present a season that will be a feast of<br />
laughter, high drama and great acting – come and see it!<br />
All performances are in Georgian with English surtitles.<br />
Season kindly supported by Turkish Airlines.<br />
Tickets<br />
£15 (£12 concs.)<br />
£10 Under 18s<br />
Bakula’s Pigs<br />
By David Kldiashvili, directed by Mikheil Tumanishvili<br />
A Gogolesque tale of the little man, his long<br />
suffering family, nosy neighbours and the disastrous<br />
consequences of inviting high officials to dine – not to<br />
mention the pigs of the title! A theatrical experience<br />
that transcends national boundaries and language.<br />
Dates & Time<br />
14 – 16 Sept 8pm<br />
Camino Real<br />
By Tennessee Williams, directed by Hilary Wood<br />
The play depicts Don Quixote’s dream of historical<br />
and mythical figures trying to escape from Camino Real<br />
– a town on the edge of civilization. Into this world<br />
comes Kilroy, an American boxer who fights to stay<br />
alive among characters who struggle to distinguish<br />
imagination from reality.<br />
Dates & Time<br />
Bakula’s Pigs<br />
Dates & Time<br />
21 – 22 Sept 8pm<br />
The Bald Prima Donna<br />
By Eugene Ionesco, directed by Zurab Getsadze<br />
Enter Ionesco’s mysterious and absurd world, where<br />
reality collapses. Be stunned by the eruptions of<br />
nonsensical natter, the ludicrous tales and the raving<br />
routines that are crammed into a very ordinary<br />
living room.<br />
Date & Time<br />
23 Sept 8pm<br />
Antigone<br />
By Jean Anouilh, directed by Temur Chkheidze<br />
With Otar Megvinetukhutsesi as Creon<br />
Based on Sophocles’ tragedy, Anouilh’s version was<br />
first performed in Paris during the German occupation<br />
of France. Here, Antigone’s fight for justice against<br />
Creon became a fierce commentary on the power<br />
struggle between the French Resistance and the<br />
Vichy Government.<br />
“One of those rare moments when theatre and history come<br />
together on stage, and leave us shaken and changed.”<br />
Scotsman<br />
Dates & Time<br />
24 – 26 Sept 8pm<br />
Otar Megvinetukhutsesi<br />
as Creon in Antigone<br />
17 – 19 Sept 8pm
PERFORMANCE<br />
The Sum of it All<br />
Performance<br />
Anomic Multimedia Theatre presents<br />
The Sum of it All...<br />
Dan Shorten, award-winning director and co-founder of Precarious, stars<br />
in a heartfelt story, lamenting the journey from banality through love to<br />
despair. At once witty and melancholic The Sum of it All... explores the<br />
tragic choices, unsettling circumstances and extreme emotions which lead<br />
the protagonist to the most profound and disturbing decision of his life.<br />
A giant wall of video forms a backdrop to live action merging technology,<br />
physicality and imagination, chock-a-block with ingenuity and originality.<br />
anomic.co.uk<br />
Dates + Time<br />
21 – 25 Sept<br />
7.45pm<br />
Tickets<br />
£12 (£9 concs.)<br />
Studio 3<br />
Dance Umbrella presents<br />
Cristina Caprioli (Sweden)<br />
cut-outs & trees UK Premiere<br />
Making her first appearance in the UK, Cristina<br />
Caprioli has developed cut-outs & trees in collaboration<br />
with architect and digital artist Panagiotis Michalatos.<br />
The six dancers deliver an explosive outburst of speed<br />
and complexity, urge and resistance, but also graceful<br />
simplicity and clarity. Caprioli references 1960’s and<br />
70’s minimalism, reconsidering and redesigning these<br />
ideas using digital technology. Original sound score<br />
by Carsten Nicolai a.k.a. alva noto.<br />
Please note this will be a promenade performance.<br />
Commissioned by Dance Umbrella (London), La Biennale<br />
di Venezia (Venice) and Dansens Hus (Stockholm) as part of<br />
European Network of Performing Arts (ENPARTS).<br />
Co-produced by Dansens Hans and ccap.<br />
Dates + Time<br />
20 – 21 Oct<br />
8pm<br />
Tickets<br />
£12 (£10 concs.)<br />
Studio 2<br />
After Dark presents<br />
How to Survive a Zombie<br />
Apocalypse - Reloaded<br />
The School of Survival are back!<br />
Dr. Dale, Judy, Donald and Tristen return to <strong>Riverside</strong><br />
with the second lesson in zombie survival training –<br />
new hints, tips, techniques and tactics to battle the<br />
same old problem – The Walking Dead!<br />
Direct from their return to Edinburgh and following<br />
the release of Zombie Dictionary there will be a<br />
special book signing after the show.<br />
Dates + Time<br />
cut-outs & trees<br />
Image Håkan Larsson<br />
Tickets<br />
23 Oct<br />
8pm<br />
£10 (£7 concs.)<br />
Studio 3
Image Hugo Glendinning<br />
Forced Entertainment present<br />
The Thrill of It All<br />
It’s bright under the lights, and hot, and frightening. Nine performers<br />
in grubby tuxedos and tarnished sequins play out a comical and<br />
disconcerting vaudeville to the strains of Japanese lounge music.<br />
After the minimalism of Spectacular and the animated graphic novel of<br />
Void Story, internationally renowned innovators Forced Entertainment<br />
return with a large cast of deranged dancing girls and derelict comedians.<br />
Dances turn into fights and jokes end in confusion as the show itself<br />
slowly starts to unravel.<br />
“One of Britain’s greatest theatre companies.” The Guardian<br />
“Theatre turned inside out.” Sunday Times<br />
Co-producers Kunstenfestivaldesarts (Brussels), Hebbel am Ufer (Berlin), PACT Zollverein (Essen),<br />
Les Spectacles vivants – Centre Pompidou in collaboration with Festival d’Automne (Paris), Theatre<br />
Garonne (Toulouse). Forced Entertainment is regularly funded by Arts Council England. This<br />
production is supported by Sheffield City Council.<br />
forcedentertainment.com<br />
Dates + Time<br />
26 Oct – 6 Nov<br />
8pm<br />
Not Sunday and Monday<br />
Post show discussions<br />
on 27 & 28 Oct and<br />
3 & 4 Nov<br />
Tickets<br />
£18 (£13 concs.)<br />
Groups £13<br />
(buy 10 get 1 free)<br />
School Groups £13<br />
(10 students and<br />
Teacher goes free)<br />
Studio 2<br />
How to Survive a Zombie<br />
Apocalypse - Reloaded
PERFORMANCE<br />
Forkbeard Fantasy present<br />
The Colour of Nonsense<br />
Forkbeard Fantasy, maestros of comic cine theatre,<br />
present a hilarious cartoon-style comedy about the<br />
Art World. With Forkbeard’s famed mix of visual<br />
trickery, film, cartoon, outlandish puppetry and<br />
mechanized sets, The Colour of Nonsense is an<br />
exuberant satire on an art and theatre world always<br />
in search of the New.<br />
At the studios of Splash, Line & Scuro, Cutting Edge<br />
Conceptualists, things have been sliding dangerously<br />
down hill of late. Paralyzed by indecision, they look on<br />
as all the bright Young Turks queue up, eager to knock<br />
them off their perch. Then, out of the blue, comes a<br />
unique and mysterious commission...<br />
“Brilliantly funny and full of insane invention”<br />
The Guardian<br />
Dates + Time<br />
9 – 21 Nov 7.45pm<br />
Sun 6pm<br />
Tickets<br />
£14 (£10 concs.)<br />
Studio 3<br />
Image Maisie Hill<br />
Sincerely Noël<br />
With Alistair McGowan<br />
and Charlotte Page<br />
A selection of Noël Coward’s lesser known songs and<br />
verse in an extended version of last year’s hit show<br />
Cocktails with Coward. Expect a lot of laughter and a few<br />
tears – proof positive that Coward was an unsurpassed<br />
observer of language, character and the human heart.<br />
The songs range from the iconic Mad About the Boy to<br />
the genial A Room With A View, from the poignant and<br />
haunting The Dream is Over to the happy Charleston<br />
of Poor Little Rich Girl.<br />
If you think you know Coward – or McGowan<br />
– think again!<br />
Dates + Times<br />
7 - 23 Dec 7.45pm<br />
Sun 4pm<br />
Matinees<br />
11, 18 and 22 Dec 3pm<br />
Previews 7 and 8 Dec<br />
Tickets<br />
£18.50 (£15.50 concs.)<br />
Previews £12<br />
Studio 3
EXHIBITION<br />
Exhibition<br />
John Williams<br />
Captured Live:<br />
Music Photography<br />
by John Williams<br />
1 – 17 <strong>September</strong><br />
West London-based live music and event<br />
photographer John Williams presents a selection of<br />
powerful live shots featuring some of the world’s<br />
finest contemporary artists and local talent alike. From<br />
international festival headliners such as Nick Cave and<br />
Grace Jones to established British venue-fillers Doves,<br />
John has produced images from across the UK, Europe<br />
and many of London’s most famous venues. Over the<br />
past few years his natural eye has developed an acute<br />
sense of the personal, with an honesty and rawness to<br />
his work that has the ability to portray a full sensory<br />
experience from within the frozen split second.<br />
johnwilliamsphotography.co.uk<br />
Ingrid Mackay<br />
Ingrid Mackay<br />
18 – 29 <strong>September</strong> & 4 – 9 <strong>October</strong><br />
A recent graduate of the Slade School of Fine<br />
Art, Ingrid Mackay creates paintings and drawings<br />
using a wide variety of sources: newspapers, family<br />
photographs, magazines, fabrics, ancient artefacts,<br />
religious paintings, patterns and symbols. The source<br />
of the imagery is of secondary importance; the artist<br />
intends that all works are treated with the same<br />
economy of mark and detail to instil an intense,<br />
personal and precious quality.<br />
Rhythmic Tales<br />
Alice Boyle<br />
11-31 <strong>October</strong><br />
Rhythmic Tales is a new collection of paintings that stimulate<br />
the viewer’s imagination by creating vignettes of stylised<br />
distortions of nature.<br />
The works contain specific symbols and colours to conjure<br />
up stories, involving the observer in creating the meaning of<br />
the piece. Combining her memories, dreams and experiences,<br />
Alice creates vibrant dreamlike worlds, evoking a surreal<br />
sensibility that gives the essence of a poem or song.<br />
aliceboyle.co.uk<br />
Alice Boyle
CINEMA<br />
Cinema<br />
<strong>September</strong><br />
Wednesday 1 <strong>September</strong><br />
Yvan Attal Double Bill<br />
Leaving (15) 6.50pm<br />
(Partir)<br />
Catherine Corsini, France, 2009, 85m subtitles<br />
Kristin Scott Thomas, Sergi López, Yvan Attal<br />
Suzanne (Scott Thomas) has been<br />
married to Samuel (Attal) for twenty years<br />
and has two children. Longing to return<br />
to work she constantly appears aloof<br />
and distracted, so when handyman Ivan<br />
(López) appears it’s only a matter of time<br />
before an affair begins.<br />
Rapt (15) 8.40pm<br />
Lucas Belvaux, France, 2009, 125m subtitles<br />
Yvan Attal, Anne Consigny, André Marcon<br />
A rich industrialist is kidnapped.<br />
The kidnapper, police and the board<br />
of his company negotiate about the<br />
requested 50 million Euro ransom while<br />
the press dredge up the businessman’s<br />
unpleasant past.<br />
Thursday 2 <strong>September</strong><br />
Jean-Luc Godard Double Bill<br />
Pierrot le Fou (15) 6.45pm<br />
Jean-Luc Godard, France/Italy, 1965,<br />
110m subtitles<br />
Jean-Paul Belmondo, Anna Karina,<br />
Graziella Galvani<br />
On impulse Ferdinand (Belmondo)<br />
abandons his wife and child to take off<br />
with Marianne, an old flame, on a crazy<br />
and eventually tragic adventure involving<br />
fast cars, mysterious gangsters and a<br />
Mediterranean idyll that turns sour.<br />
Breathless (PG) 9.00pm<br />
(A bout de souffle)<br />
Jean-Luc Godard, France, 1959, 89m<br />
subtitles, black and white<br />
Jean-Paul Belmondo, Jean Seaberg,<br />
Daniel Boulanger<br />
Godard’s debut feature is as fresh today<br />
as when it first dazzled audiences with<br />
its sly homage to American B-movies.<br />
Breathless<br />
Friday 3 <strong>September</strong> Double Bill<br />
Hilary and Jackie (15) 6.20pm<br />
Arnand Tucker, UK, 1998, 122m<br />
Emily Watson, Rachel Griffiths, James Frain<br />
A film based on the true story of worldrenowned<br />
classical cellist Jacqueline du<br />
Pré as told from the point of view of<br />
her sister, flautist Hilary du Pré-Finzi.<br />
A film of brilliant performances and<br />
lush cinematography.<br />
The Concert (15) 8.50pm<br />
Radu Mihaileanu, France/Italy/Romania, 2009,<br />
120m subtitles<br />
Mélanie Laurent, François Berléand,<br />
Aleksei Guskov<br />
Thirty years ago Andrei Simoniovich<br />
Filipov, the renowned conductor of the<br />
Bolshoi Orchestra, was fired for hiring<br />
Jewish musicians. When he learns that<br />
the Chatelet Theatre has invited the<br />
Bolshoi orchestra to play there he decides<br />
to gather all of his former musicians and<br />
go in its place.<br />
Saturday 4 <strong>September</strong> Double Bill<br />
Hilary and Jackie (15) 1.45pm<br />
The Concert (15) 4.10pm<br />
Hilary and Jackie (15) 6.20pm<br />
The Concert (15) 8.50pm<br />
Please see Friday 3 <strong>September</strong><br />
for details.<br />
Sunday 5 <strong>September</strong><br />
Jacques Tati Double Bill<br />
Playtime (U) 2.00pm<br />
Jacques Tati, France, 1967, 119m subtitles<br />
Jacques Tati, Barbara Dennek, Rita Maiden<br />
Monsieur Hulot is on the loose in 1960’s<br />
Paris with a group of American tourists.<br />
This rarely screened film was originally<br />
filmed in 70mm.<br />
Jour de Fete (U) 4.20pm<br />
Jacques Tati, France, 1948, 80m subtitles<br />
Jacques Tati, Guy Decomble, Paul Frankeur<br />
“The film observes a French village’s<br />
Bastille Day celebrations during which<br />
Tati’s pastoral postman, having seen the<br />
delivery systems of the US postal service<br />
on film, is enjoined to hasten his own<br />
mail-run, the American way.” Time Out<br />
Sunday 5 <strong>September</strong><br />
Bernardo Bertolucci Double Bill<br />
The Conformist (18) 6.00pm<br />
(Il Conformista)<br />
Bernardo Bertolucci, Italy, 1968) 115m subtitles<br />
An ironic and stylist study of pre-war<br />
Fascist Italy. The film was based on<br />
a novel by Alberto Moravia and has<br />
haunting camerawork by Vittorio Storano.<br />
Last Tango in Paris (18) 8.20pm<br />
(Ultimo tango a Parigi)<br />
Bernardo Bertolucci, France, 1972, 126m<br />
partly subtitled<br />
Marlon Brando, Maria Schneider, Jean-Pierre Leaud<br />
Brando plays a world-hopping American,<br />
who finally settles into a marriage and<br />
proprietorship of a hotel in Paris. His<br />
wife’s suicide sends him into a tailspin.<br />
Enter Jeanne (Schneider), a young<br />
Parisian girl with whom he strikes up<br />
an affair without names.<br />
Monday 6 <strong>September</strong><br />
New York Single Bill<br />
Please Give (15) 7.00pm<br />
Nicole Holofcener, USA, <strong>2010</strong>, 90m<br />
Catherine Keener, Amanda Peet, Rebecca Hall<br />
In New York City a husband and wife<br />
butt heads with the granddaughters of the<br />
elderly woman who lives in the apartment<br />
the couple own. “A beady-eyed satire.”<br />
Daily Telegraph<br />
Monday 6 <strong>September</strong><br />
New York Single Bill<br />
City Island (12A) 8.55pm<br />
Raymond De Felitta, USA, 2009, 103m<br />
Andy Garcia, Julianna Margulies, Alan Arkin<br />
Set in a quaint fishing community on<br />
the outskirts of New York City, this is<br />
a hilarious and touching tale about a<br />
family whose comfortable co-existence<br />
is suspended by surprising revelations<br />
of past secrets and present day lies.<br />
City Island<br />
Tuesday 7 <strong>September</strong><br />
Cinema closed for private event.
Wednesday 8 <strong>September</strong><br />
Single Bill<br />
The Garden 7.00pm<br />
Scott Hamilton Kennedy, USA, 2008, 80m<br />
documentary<br />
This Academy Award nominated<br />
documentary tells the story of an urban<br />
garden in south central Los Angeles,<br />
dealing with issues of environmental<br />
sustainability, social justice, and race<br />
relations surrounding the farmers’<br />
struggles to hold on to their land.<br />
Wednesday 8 <strong>September</strong><br />
Single Bill<br />
South of the Border 8.45pm<br />
Oliver Stone, USA, 2009, 78m documentary<br />
There’s a revolution underway in South<br />
America, but most of the world doesn’t<br />
know it. Oliver Stone sets out on a road<br />
trip across five countries to explore the<br />
social and political movements as well as<br />
the mainstream media’s misperception of<br />
South America while interviewing seven<br />
of its elected presidents.<br />
South of the Border<br />
Georgia: Life<br />
Through Cinema<br />
The 2nd London BGS<br />
Georgian Film Festival <strong>2010</strong><br />
23 – 26 <strong>September</strong><br />
Since 1912, cinema has been at the centre of<br />
Georgian culture and this festival brings some<br />
of the best works old and new. There will be<br />
three UK premieres of recent films by a new<br />
generation of Georgian directors, features by<br />
established directors now working abroad<br />
including Otar Iosseliani and newly restored<br />
prints of such classics as ‘My Grandmother’<br />
(1929), ‘Pirosmani’ (1969) and the original<br />
1912 documentary ‘Journey of a Georgian<br />
Poet Akaki Tsereteli in Racha-Lechkhumi’.<br />
Tickets: Opening and Closing Evenings: £10 (£9 Concessions)<br />
All other films: £7.50 (£6.50 Concessions)<br />
britishgeorgiansociety.com<br />
Life Through Cinema also hopes to present a programme of recent<br />
video work by Georgian artists curated by Sophio Mediodze and tank.tv<br />
Thursday 9 <strong>September</strong><br />
Double Bill<br />
Lebanon (15) 6.45pm<br />
Samuel Maoz, Germany/Israel/France/Lebanon,<br />
2009, 93m subtitles<br />
Raymond Amsalem, Ashraff Barhom, Oshri Cohen<br />
The film is based on the real-life<br />
experiences of its director centering on<br />
four soldiers who become trapped in an<br />
immobilised tank deep in enemy territory<br />
during the Lebanon War.<br />
I Am Love (15) 8.45pm<br />
(lo sono l’amore)<br />
Luca Guadagnino, Italy, 2009, 120m subtitles<br />
Tilda Swinton, Flavio Parenti, Gabriele Ferzetti<br />
Emma (Swinton), the matriarch of<br />
a wealthy Milanese family, lives in a<br />
carefully ordered world where her duty<br />
towards husband and children dominate,<br />
but a chance encounter ignites repressed<br />
passions and sets her on a journey of<br />
sexual awakening.<br />
Inception<br />
Friday 10 <strong>September</strong> Single Bill<br />
Inception (12A) 8.00pm<br />
Christopher Nolan, USA/UK, <strong>2010</strong>, 147m<br />
Leonardo DiCaprio, Marion Cotillard,<br />
Ken Watanabe<br />
Cobb (DiCaprio) is a skilled thief, the<br />
best in the dangerous art of ‘extraction’,<br />
stealing valuable secrets from deep within<br />
the subconscious during the dream state.<br />
His skill has also cost him everything<br />
he has ever loved. Now he is being<br />
offered a chance at redemption: instead<br />
of stealing an idea he must plant one.<br />
“Nolan delivers another true original:<br />
welcome to an undiscovered country.”<br />
Empire<br />
Went the Day Well<br />
Saturday 11 <strong>September</strong><br />
Single Bills<br />
Inception (12A) 2.00pm<br />
Inception (12A) 5.00pm<br />
Inception (12A) 8.00pm<br />
Please see Friday 10 <strong>September</strong><br />
for details.<br />
Sunday 12 <strong>September</strong><br />
Graham Greene Double Bill<br />
The Third Man (15) 2.30pm<br />
Carol Reed, UK, 1949, 103m<br />
Orson Welles, Joseph Cotton, Alida Valli<br />
War-torn Vienna, and an American writer<br />
arrives looking for his friend Harry Lime.<br />
An irresistible romantic thriller.<br />
Went the Day Well (PG) 4.35pm<br />
Alberto Cavalcanti, UK, 1942, 93m<br />
Leslie Banks, Elizabeth Allan, Frank Lawton<br />
From the short story “The Lieutenant<br />
Died Last”. Disguised as British soldiers<br />
during the Second World War, some<br />
German soldiers insinuate themselves<br />
into a pretty English village. Revived in a<br />
new print.<br />
Sunday 12 <strong>September</strong><br />
Graham Greene Double Bill<br />
The Third Man (15) 6.30pm<br />
Went the Day Well (PG) 8.40pm<br />
Please see above for details.
CINEMA<br />
Monday 13 <strong>September</strong><br />
Graham Greene Double Bill<br />
The Third Man (15) 7.00pm<br />
Went the Day Well (PG) 9.10pm<br />
Please see Sunday 12 <strong>September</strong><br />
for details.<br />
Tuesday 14 <strong>September</strong><br />
Cinema closed for private event.<br />
Wednesday 15 <strong>September</strong><br />
Double Bill<br />
The Band’s Visit (PG) 7.00pm<br />
(Bikur Ha-Tizmoret)<br />
Eran Kolirin, Israel, 2007, 90m subtitles<br />
Sasson Gabai, Ronit Elkabetz, Saleh Bakri<br />
“An Egyptian band gets stranded in an<br />
Israeli desert town in this warm and<br />
delightful tale of cross-cultural relations<br />
that proves that sometimes a light<br />
touch is just what’s needed to address<br />
serious topics.” Variety<br />
Frontier Blues (15) 8.55pm<br />
Babak Jalali, Iran/UK/Italy, 2009, 95m subtitles<br />
Abolfazi Karimi, Mahmoud Kalteh,<br />
Khajeh Araz Dordi<br />
The film is set in Golestan, Northern<br />
Iran. The director says: “The film looks<br />
at fragments from the everyday existence<br />
of several characters that reside in this<br />
region. It’s the story of longing, waiting,<br />
remembering, desperate men and absent<br />
women. It’s a film about not quite<br />
getting there”.<br />
Thursday 16 <strong>September</strong><br />
Catherine Breillat Double Bill<br />
The Last Mistress (15) 7.00pm<br />
Catherine Breillat, France, 2007, 104m subtitles<br />
Asia Argento, Fu-ad Ait Aattou, Roxane Mesquida<br />
Secrets, rumours and betrayals surround<br />
the upcoming marriage between a young<br />
dissolute man and a virtuous woman<br />
of the French aristocracy. Will he be<br />
willing to give up his mistress “Breillat’s<br />
meticulous, eloquent script and direction<br />
succeeds in relating a rich, complex and<br />
consistently engrossing story.”<br />
Time Out<br />
The Secret in Their Eyes<br />
Bluebeard (15) 9.10pm<br />
Catherine Breillat, France, 2009, 80m subtitles<br />
Dominique Thomas, Lola Créton, Daphné Baiwir<br />
In France in the mid-50s Catherine enjoys<br />
toying with her sister reading her the<br />
story of the murderous and often-married<br />
Bluebeard. “A fresh and slyly subversive<br />
reading of Perrault’s fairytale. A funny,<br />
touching, wholly unsentimental study in<br />
feminine fear, courage and desire.”<br />
Time Out<br />
Friday 17 <strong>September</strong> Double Bill<br />
Live Flesh (18) 6.30pm<br />
Pedro Almodovar, Spain, 1997, 110m subtitles<br />
Javier Bardem, Francesca Neri, Liberto Rabal<br />
A remarkable tale of coincidence based<br />
on a novel by Ruth Rendell. A young<br />
man on a first date becomes involved in<br />
the shooting of a policeman. Years later,<br />
he is released from prison and begins an<br />
obsessive search for the woman involved.<br />
The Secret in Their Eyes<br />
(18) 8.45pm<br />
(El secreto de sus ojos)<br />
Juan José Campanella, Argentina/Spain, 2009,<br />
127m subtitles<br />
Ricardo Darín, Soledad Villamil, Pablo Rago<br />
Benjamín Esposito (Darín), a former<br />
criminal court employee, sets about<br />
writing a novel about a case from the<br />
1970’s in which a woman was raped and<br />
murdered. An unpredictable crime thriller<br />
about judicial cover-ups and corruptions<br />
in Argentina.<br />
Saturday 18 <strong>September</strong><br />
Double Bill<br />
Live Flesh (18) 1.50pm<br />
The Secret in Their Eyes<br />
(18) 4.00pm<br />
Live Flesh (18) 6.30pm<br />
The Secret in Their Eyes<br />
(18) 8.45pm<br />
Please see Friday 17 <strong>September</strong><br />
for details.<br />
Sunday 19 <strong>September</strong><br />
Family Double Bill<br />
Wall-E (U) 3.00pm<br />
Andrew Stanton, USA, 2008, 97m animation<br />
Voices: Ben Burtt, Elissa Knight, Jeff Garlin<br />
Oscar-winning animation. Wall-E is a hardworking<br />
robot whose job is to clear up<br />
the mess that humans have left behind.<br />
“Wonderfully imagined and lovingly<br />
presented.” Time Out<br />
Toy Story 3 (U) 5.00pm<br />
Lee Unkrich, USA, <strong>2010</strong>, 108m animation<br />
“The gang face the reality of their indifferent<br />
owner leaving for college. They fear indefinite<br />
leave in the attic or the trash, the middle<br />
ground is relocation to a day-care centre.”<br />
Time Out<br />
All tickets: £5<br />
Sunday 19 <strong>September</strong> Single Bill<br />
Apocalypse Now – Redux<br />
(15) 7.15pm<br />
Francis Ford Coppola, USA, 2001, 202m<br />
Martin Sheen, Marlon Brando, Robert Duvall<br />
Coppola’s extended reworking of his 1979<br />
film adds new scenes and an improved<br />
sound mix. The film (based on Joseph<br />
Conrad’s novel “Heart of Darkness”)<br />
takes place in Vietnam. An American<br />
captain is sent up river on a mission to<br />
assassinate a renegade American colonel.<br />
Apocalypse Now – Redux<br />
Monday 20 <strong>September</strong><br />
DocHouse Presents Double Bill<br />
A Stone’s Throw Away 7.00pm<br />
Line Halvorsen, Norway, 2003, 52m documentary<br />
This powerful documentary follows<br />
the lives of three Palestinian boys from<br />
the Dheisheh refugee camp after their<br />
thirteen-year-old friend is shot and killed<br />
by Israeli soldiers. The children amuse<br />
themselves by throwing stones at Israeli<br />
tanks. Told exclusively from their point of<br />
view, the film provides an intimate insight<br />
into their thoughts and lives, and to the<br />
humiliation, hopelessness and anger of<br />
children growing up under occupation.<br />
A Stone’s<br />
Throw Away
Budrus 8.20pm<br />
Julia Bacha, Israel, 2009, 70m documentary<br />
Ayar Morrar, an unlikely community<br />
organiser, unites Palestinians from all<br />
political factions and Israelis to save<br />
his village from destruction by Israel’s<br />
Separation Barrier. Victory seems<br />
improbable until his fifteen-year-old<br />
daughter launches a women’s contingent<br />
that quickly moves to the front lines.<br />
“Budrus” shines a light on people who<br />
choose non-violence to confront a<br />
threat, yet remain virtually unknown<br />
to the world.<br />
Tuesday 21 <strong>September</strong><br />
Cinema closed for private event.<br />
The Brothers<br />
Warner<br />
29 <strong>September</strong><br />
DocHouse presents the UK premiere of a new<br />
documentary, a family biography and intimate<br />
portrait of the legendary film producer brothers.<br />
Directed by Harry Warner’s granddaughter, Cass<br />
Warner Sperling, the film is based on the book of<br />
the same title. Four pioneering brothers rose from<br />
immigrant poverty to create a major film studio<br />
with a social conscience.<br />
Wednesday 22 <strong>September</strong><br />
Australia Double Bill<br />
Somersault (15) 7.00pm<br />
Cate Shortland, Australia, 2004, 105m<br />
Abbie Cornish, Sam Worthington, Lynette Curran<br />
An award-winning, visually haunting<br />
film set at the foot of the Australian ski<br />
fields where a young girl begins a sensory<br />
journey and learns the difference between<br />
sex and love.<br />
Beautiful Kate (15) 9.10pm<br />
Rachel Ward, Australia, 2009, 90m<br />
Ben Mendelsohn, Rachel Griffiths, Sophie Lowe<br />
Based on the novel “Cutter and Bone”<br />
by Newton Thornburg. A writer returns<br />
to the family home to say goodbye to<br />
his father who is dying. Being there<br />
brings back many childhood memories<br />
and awakens long-buried family secrets.<br />
“Visually beautiful and emotionally<br />
rewarding.” Variety<br />
Thursday 23 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
Gala Evening Double Bill<br />
Journey of a Georgian Poet<br />
Akaki Tsereteli in<br />
Racha-lechkhumi (U) 6.30pm<br />
(Qartveli mgosnis akaki ceretlis<br />
mogzauroba racha lechkhumshi)<br />
Vasil Amashukeli, Georgia, 1912, 33m subtitles,<br />
documentary<br />
The journey of one of Georgia’s most<br />
famous poets, Akaki Tsereteli, to the<br />
mountainous region of Racha-Lechkhumi<br />
became a nationwide event and was<br />
filmed by cameraman Vasil Amashukeli<br />
in what is recognized as one of Europe’s<br />
earliest documentaries. It marked the<br />
beginning of Georgian cinema.<br />
Street Days (15) 7.00pm<br />
(Quchis dgeebi) London Premiere<br />
Levan Koguashvili, Georgia, 2009, 86m subtitles<br />
Guga Kotetishvili, Temo Gogidze, Levan Jividze<br />
From the back streets of Tbilisi comes a<br />
tough but tender tale of friendship and<br />
betrayal, redemption and forgiveness, love<br />
and bullets. “Georgian cinema has a new<br />
star in director Levan Koguashvili. This<br />
superb neorealist drama is just the calling<br />
card the beleaguered country needs.”<br />
Variety<br />
Friday 24 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
UK Premiere<br />
The Other Bank (15) 6.30pm<br />
(gagma napiri)<br />
Giorgi Ovashvili, Georgia/Kazakhstan, 2009,<br />
90m subtitles.<br />
Tedo Bekauri, Galoba Gambaria, Nika Alajaev<br />
Twelve-year-old Tedo, a refugee, journeys<br />
from Tbilisi to Abkhazia in search of his<br />
father in a moving tale about the internal<br />
drama of a boy, his thoughts, feelings and<br />
passions, and the grim reality of having to<br />
survive in a divided country by pretending<br />
to be dumb and focusing on stories he<br />
has heard from his glue sniffing friends<br />
back in Tbilisi. The film has won prizes at<br />
twenty-four international film festivals.<br />
Friday 24 <strong>September</strong><br />
Georgia – Life through Cinema<br />
Something About Georgia 8.30pm<br />
Nino Kirtadze, Georgia/France, 2009, 98m<br />
subtitles, documentary<br />
Having won best director for a<br />
documentary prize at the Sundance<br />
International Film Festival 2008, Nino<br />
Kirtadze was shooting a film on Georgia<br />
and President Saakashvili when the war<br />
with Russia broke out. The film raises<br />
questions about political responsibility<br />
and the morality of international affairs.<br />
There will be a Q & A with the<br />
director after the screening.<br />
Saturday 25 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
Short Films (12A) 12.30pm<br />
Recent short films by young Georgian<br />
directors and video artists.<br />
Details to follow.<br />
All tickets: £5<br />
Saturday 25 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
UK Premiere<br />
Susa (12A) 2.20pm<br />
(Susa)<br />
Rusudan Pirveli, Georgia, <strong>2010</strong>, 85m subtitles<br />
Avtandil Tetradze, Ekaterine Kobakhidze,<br />
Giorgi Gogishvili<br />
A dreamy twelve-year-old boy is running<br />
errands for an illegal vodka distillery<br />
where his mother works. He delivers<br />
bottles to small cafes, little booths,<br />
prostitutes and the odd drunk. One day<br />
his mother tells him that his father will<br />
return soon and all will change. First prize,<br />
Jeonju International Festival, Seoul.<br />
Saturday 25 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
The Wishing Tree (U) 4.20pm<br />
(Natvris Khe)<br />
Tengiz Abuladze, Georgia, 1976, 107m subtitles<br />
Lika Kavjaradze, Sophico Chiaureli,<br />
Ramaz Chkhikvadze<br />
Along with Sergo Paradjanov and Otar<br />
Iosseliani, Tengiz Abuladze is one of<br />
Georgia’s most important filmmakers.<br />
“The Wishing Tree” is the second film<br />
in his renowned trilogy made over three<br />
decades. A beautifully shot love story<br />
based on the writings of Giorgi Leonidze,<br />
the film is a spectacular mosaic of village<br />
life in pre-revolutionary Georgia.
CINEMA<br />
Saturday 25 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
UK Premiere<br />
Three Houses (U) 6.30pm<br />
(Sami saxli)<br />
Zaza Urushadze, Georgia, 2008, 96m subtitles<br />
Zhanri Lolashvili, Zurab Kipshidze, Murman Jinoria<br />
Three separate short stories about love,<br />
death and family are set in three different<br />
centuries, but all linked by the same<br />
painting. The first takes place at the end<br />
of the 19th century, the second during the<br />
Second World War, and the third at the<br />
beginning of the 21st century.<br />
Saturday 25 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
Songs of Georgia 8.30pm<br />
Jason Osborn, Georgia/France/UK, 2009,<br />
56m documentary<br />
Robert Parsons first went to Georgia<br />
in the 1980’s and was amazed that<br />
nearly every family he visited could sing<br />
traditional songs in complex harmonies.<br />
The film is a unique journey capturing<br />
a cultural tradition thousands of years<br />
old and still flourishing. All the music is<br />
recorded on location by the BBC World<br />
Routes team.<br />
Tabuni Live performance 9.30pm<br />
The young Georgian singer Tamta<br />
Turmanidze leads the wonderful London<br />
based women’s choir in a set of Georgian<br />
songs. “...What violence has destroyed, love<br />
will rebuild again...” Mravalzhamier<br />
(Long Life) – Georgian folk song<br />
Sunday 26 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
The Short Films of Mikhail<br />
Kobakhidze (U) 12.00pm<br />
Mikhail Kobakhidze, Georgia/France,<br />
1961-2002, subtitles<br />
Young Love (61), Carrousel (62), Umbrella (66),<br />
Musicians (67), On the Road (2002)<br />
The visionary director leads a lunchtime<br />
workshop and introduces his catalogue<br />
of short films banned in Soviet times not<br />
for any overt political content but, as the<br />
NY Times wrote, for an anti-Soviet mode<br />
“in their lightness, sly humor and tragiccomic<br />
refusal to accept the conventions<br />
of heroism or social obligation”.<br />
My Grandmother<br />
Sunday 26 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
My Grandmother (U) 2.30pm<br />
(chemi bebia)<br />
Kote Mikaberidze, Georgia, 1929, 65m subtitles<br />
Aleksandre Taqaishvili, Bela Chernova,<br />
Akaki Khorava<br />
A Georgian tour-de-force from the Soviet<br />
Eccentric Cinema movement. This<br />
satirical masterpiece, banned by the<br />
Soviet regime for forty years and noted<br />
for its anarchic styles, unspools the foibles<br />
and follies that abound when the hero,<br />
based on American silent comic Harold<br />
Lloyd, loses his job as a paper pusher.<br />
Sunday 26 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
Gun-shy (18) 4.00pm<br />
(Schussangst)<br />
Dito Tsintsadze, Germany, 2003, 105m subtitles<br />
Fabian Hinrichs, Lavinia Wilson, Lasha Bakradze<br />
One of Georgia’s leading directors<br />
who lives and works in Germany.<br />
Tsintsadze’s “Lost Killers” (2000) was<br />
one of the hits of the First BGS Georgian<br />
Film Festival in 2005. “Gun-shy” is a<br />
black comic thriller, winner of the Golden<br />
Seashell at Sebastian International Film<br />
Festival 2003.<br />
Sunday 26 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
Pirosmani (U) 6.10pm<br />
Giorgi Shengelaya, Georgia, 1969, 85m subtitles<br />
Avtandil Varazi, Dodo Abashidze,<br />
Aleksandre Rekhviashvili<br />
“Pirosmani” is not only one of Georgia’s<br />
most well known films but one of the best<br />
films made about an artist. It tells the<br />
story of Niko Pirosmani, Georgia’s most<br />
celebrated painter, who died homeless in<br />
the early 20th century. His naïve style is<br />
visually interpreted as the story unfolds in<br />
the basement taverns of old Tbilisi and in<br />
front of village landscapes in wonderfully<br />
faded colour. This is a newly restored<br />
print supervised by the Georgian National<br />
Film Centre.<br />
Sunday 26 <strong>September</strong><br />
Georgia – Life Through Cinema<br />
UK Premiere<br />
Chantrapas (12A) 8.00pm<br />
Otar Iosseliani, France/Georgia, <strong>2010</strong>,<br />
122m subtitles<br />
Dato Tarielashvili, Tamuna Karumidze, Pierre Etaix<br />
Nicholas is a filmmaker who merely wants<br />
to express himself and whom everyone<br />
wishes to reduce to silence. He leaves his<br />
homeland Georgia, and heads to France<br />
hoping to find the land of freedom and<br />
democracy. Selected for Cannes <strong>2010</strong>.<br />
Otar Iosseliani will be interviewed by<br />
Maryam d’Abo before the screening<br />
–TBC<br />
Monday 27 <strong>September</strong><br />
Single Bill<br />
Baaria (15) 8.00pm<br />
Giuseppe Tornatore, Italy, 2009, 150m subtitles<br />
Francesco Scianna, Margareth Madè, Raoul Bova<br />
An autobiographical epic of three<br />
generations set in the Sicilian village<br />
where the director was born.<br />
Baaria<br />
Tuesday 28 <strong>September</strong> Double Bill<br />
White Material (15) 7.00pm<br />
Claire Denis, France/Cameroon, 2009,<br />
100m subtitles<br />
Isabelle Huppert, Christopher Lambert,<br />
Isaach De Bankolé<br />
A white French family outlawed in its<br />
home and attempting to save its coffee<br />
plantation, connects with a black hero<br />
also embroiled in the tumult. All try to<br />
survive as their world rapidly crumbles<br />
around them.<br />
Le Refuge (15) 9.05pm<br />
François Ozon, France, 2009, 88m subtitles<br />
Isabelle Carré, Melvil Poupaud,<br />
Louis-Ronan Choisy<br />
Mousse and Louis are young, beautiful,<br />
rich and in love. They are also addicted<br />
to drugs. As tragedy strikes, Mousse<br />
runs away to a house in the countryside.<br />
Several months later she is joined in her<br />
refuge by Louis’s brother.<br />
Le Refuge<br />
Wednesday 29 <strong>September</strong><br />
DocHouse Presents Double Bill<br />
The Brothers Warner (U) 7.00pm<br />
Cass Warner Sperling, USA, 2008, 90m documentary<br />
Dennis Hopper, Debbie Reynolds, Norman Lear<br />
Please see highlight on previous page<br />
for details.
Confessions of a Nazi Spy<br />
(U) 8.55pm<br />
Anatole Litvak, USA, 1939, 110m b/w<br />
Edward G. Robinson, Paul Lukas, George Sanders<br />
An anti-Nazi propaganda film from<br />
Warners where Robinson plays a G-Man<br />
ferreting out Nazi Fifth Columnists<br />
working in America. The film achieved<br />
great popular and critical success in<br />
America, but was banned in many Latin<br />
American and European countries.<br />
Thursday 30 <strong>September</strong><br />
Documentary Single Bill<br />
Age of Extremes (12) 7.30pm<br />
Ishmahil Blagrove, Jr., UK, 60m documentary<br />
This new documentary focuses on<br />
the period between 11 <strong>September</strong><br />
2001 and 2009 looking into some of<br />
the factors that may have led to the<br />
radicalisation of some young British<br />
Muslims.<br />
The screening will be followed by a<br />
Q & A with Ishmahil Blagrove.<br />
<strong>October</strong><br />
Friday 1 <strong>October</strong> Double Bill<br />
Monsieur Hulot’s Holiday<br />
(U) 7.00pm<br />
Jacques Tati, France, 1953, 87m subtitles<br />
Jacques Tati, Nathalie Pascaud, Micheline Rolla<br />
Tati’s most consistently enjoyable<br />
comedy, a gentle portrait of the clumsy,<br />
well-meaning Hulot on vacation in a<br />
provincial seaside resort.<br />
The Illusionist (PG) 8.55pm<br />
Sylvain Chomet, UK/France, <strong>2010</strong>, 80m<br />
some subtitles, animation<br />
The film was developed from an unmade<br />
script by Jacques Tati. An account of the<br />
dying days of music hall entertainment,<br />
as seen through the eyes of an illusionist<br />
whose audiences are gradually being taken<br />
away by a new breed of rock ‘n’ roll bands.<br />
We travel with him from his home in Paris<br />
further and further afield in search of<br />
paid gigs until we meet a young fan who<br />
changes his life forever.<br />
The Illusionist<br />
Age of Extremes<br />
30 <strong>September</strong><br />
This new film examines the former US’s<br />
‘War on Terror’ and the implications it has had<br />
on British Muslims and community cohesion.<br />
Headline stories are unpacked unveiling<br />
stereotypes that have alienated British Muslims<br />
to bolster public support for the wars in Iraq<br />
and Afghanistan.<br />
The screening will be followed by<br />
a Q & A with the producer Ishmahil<br />
Blagrove, Jr.<br />
Monsieur Hulot’s Holiday<br />
(U) 7.00pm<br />
The Illusionist (PG) 8.55pm<br />
Please see Friday 1 <strong>October</strong><br />
for details.<br />
Sunday 3 <strong>October</strong> Double Bill<br />
La Vie en Rose (12A) 1.10pm<br />
Olivier Dahan, France, 2007, 140m subtitles<br />
Marion Cotillard, Gerard Depardieu,<br />
Emmanuelle Seigner<br />
A biopic on the life and career of Edith<br />
Piaf which focuses on Piaf’s relationships<br />
with some of the most eccentric<br />
personalities of her generation, including<br />
Marlene Dietrich and Yves Montand.<br />
Gainsbourg (15) 3.50pm<br />
(Vie héro que)<br />
Joann Sfar, France, <strong>2010</strong>, 122m subtitles<br />
Eric Elmosnino, Lucy Gordon, Laetitia Casta<br />
A glimpse at the life of French singer<br />
Serge Gainsbourg from growing up in<br />
1940’s Nazi-occupied Paris, through his<br />
successful song-writing years in the 1960’s,<br />
to his death in 1991. “Splendidly cast and<br />
consistently engaging.” Screen International<br />
Sunday 3 <strong>October</strong> Double Bill<br />
La Vie en Rose (12A) 6.00pm<br />
Gainsbourg (15) 8.45pm<br />
Please see above for details.<br />
Monday 4 <strong>October</strong> Double Bill<br />
La Vie en Rose (12A) 6.00pm<br />
Gainsbourg (15) 8.45pm<br />
Please see Sunday 3 <strong>October</strong> for details.<br />
Gainsbourg<br />
As part of a festival of screenings across<br />
London celebrating five years of quality<br />
documentary programming on More4,<br />
DocHouse is proud to present two<br />
evening screenings, “Dancing with<br />
the Devil” and “Albino United”.<br />
Tuesday 5 <strong>October</strong><br />
DocHouse and More4<br />
Dancing with the Devil 7.00pm<br />
Jon Blair, UK/Brazil, 2009, 104m<br />
A shockingly intimate and visually<br />
stunning portrait of the drug-related<br />
gang war that dominates the slums of Rio<br />
de Janeiro, following three very different<br />
men through the perilous backstreets.<br />
The film will be followed by a Q & A<br />
with the director Jon Blair.<br />
Wednesday 6 <strong>October</strong><br />
DocHouse and More4<br />
Albino United 7.00pm<br />
A film by Barney Broomfield, Marc Hoeferlin<br />
Juan Reina, UK/Tanzania, 2009, 72m<br />
In Tanzania, where albinos are murdered<br />
and their body parts used for ‘magic’<br />
potions, a brave group of albinos are<br />
using football to spread the message<br />
that they too are members of society.<br />
The film will be followed by a<br />
Q & A with filmmakers Marc<br />
Hoeferlin, Juan Reina and<br />
Barney Broomfield.<br />
Albino United<br />
Saturday 2 <strong>October</strong> Double Bill<br />
Monsieur Hulot’s Holiday<br />
(U) 2.30pm<br />
The Illusionist (PG) 4.20pm
CINEMA<br />
Thursday 7 <strong>October</strong><br />
Coco Chanel Double Bill<br />
Coco Before Chanel (12A) 6.30pm<br />
(Coco avant Chanel)<br />
Anne Fontaine, France, 2009, 105m subtitles<br />
Audrey Tautou, Emmanuelle Devos,<br />
Alessandro Nivola<br />
Tautou plays the legendary Coco Chanel<br />
in an enthralling exploration of her early<br />
life and humble beginnings before she<br />
rose to worldwide fame as the most<br />
celebrated fashion designer of the<br />
20th century.<br />
Coco Chanel and Igor Stravinsky<br />
(15) 8.40pm<br />
Jan Kounen, France, 2009, 120m subtitles<br />
Mads Mikkelsen, Anna Mouglalis, Yelena Morozova<br />
A film based on Chris Greenhalgh’s<br />
novel exploring the electric relationship<br />
between the French fashion icon and the<br />
radical Russian-born composer, which<br />
begins at the premiere of Stravinsky’s<br />
“The Rite of Spring”.<br />
Coco Before Chanel<br />
Friday 8 <strong>October</strong> Single Bill<br />
The Girl Who Played with Fire<br />
(15) 8.00pm<br />
Daniel Alfredson, Sweden/Denmark/Germany,<br />
2009, 129m subtitles<br />
Noomi Rapace, Michael Nyqvist, Lena Endre<br />
The second instalment in Stieg Larsson’s<br />
Millennium Trilogy. As computer<br />
hacker, Lisbeth, and journalist, Mikael,<br />
investigate a sex-trafficking ring, Lisbeth<br />
is accused of three murders, causing her to<br />
go on the run while Mikael works to clear<br />
her name.<br />
Saturday 9 <strong>October</strong><br />
Time and Space 12 noon<br />
Meet the people behind Doctor Who at<br />
the Doctor Who Appreciation Society’s<br />
one day convention “Time and Space”.<br />
The day will include interviews with<br />
cast and crew from both the new and<br />
classic eras of the programme, on screen<br />
presentations, photo studio, autographs,<br />
merchandise and more.<br />
For more details, and to buy<br />
tickets, please visit our website at<br />
timeandspace.biz or write to us at<br />
DWAS Events, Unit 117, 17 Piries<br />
Place, Horsham RH12 1BF.<br />
Sunday 10 <strong>October</strong> Single Bills<br />
The Girl Who Played with Fire<br />
(15) 3.00pm<br />
The Girl Who Played with Fire<br />
(15) 5.30pm<br />
The Girl Who Played with Fire<br />
(15) 8.05pm<br />
Please see Friday 8 <strong>October</strong> for details.<br />
The Girl Who Played with Fire<br />
Doctor Who<br />
Monday 11 <strong>October</strong><br />
Ealing Comedies Double Bill<br />
Whisky Galore (PG) 7.00pm<br />
Alexander Mackendrick, UK, 1948, 82m<br />
Basil Radford, Catherine Lacey, Bruce Seton<br />
“During World War II a ship full of whisky<br />
is wrecked on a small Hebridean island,<br />
and the local customs and excise man has<br />
his hands full. Marvellously detailed,<br />
fast moving, well-played and attractively<br />
photographed comedy.”<br />
Halliwell’s Film Guide<br />
The Ladykillers (U) 8.55pm<br />
Alexander Mackendrick, UK, 1955, 97m<br />
Alec Guinness, Cecil Parker, Katie Johnson<br />
An older lady takes in a sinister lodger<br />
who, with his four friends, commits a<br />
robbery. When she finds out, they plot<br />
to kill her.<br />
Tuesday 12 <strong>October</strong><br />
Kim Ki-Duk Double Bill<br />
Breathe (15) 7.00pm<br />
Kim Ki-Duk, South Korea/Japan, 2007,<br />
84m subtitles<br />
Chang Chen, Park Ji-A, Gang In-Hyeong<br />
Death Row inmate Jang Jin attempts<br />
to commit suicide by using a sharpened<br />
toothbrush handle to stab himself in the<br />
neck. Seeing this incident reported on<br />
the news, something about it captures<br />
the mind of depressed housewife and<br />
sculptress Yeon.<br />
Black Dynamite<br />
Time (15) 8.50pm<br />
Kim Ki-Duk, South Korea/Japan, 2006,<br />
97m subtitles<br />
Ha Jung-wood, Park Ji-A, Jang Jun-Yeong<br />
Seh-hee has been dating her boyfriend,<br />
Ji-woo, for over two years, but is fearful<br />
that he no longer finds her interesting<br />
and is consumed with jealousy when<br />
she catches him fantasising about other<br />
women. She decides on a radical solution<br />
and leaves him to go under the knife<br />
for extensive plastic surgery. “Fearlessly<br />
honest, attuned to contemporary anxieties<br />
about sex, love and social status.”<br />
The New York Times<br />
Wednesday 13 <strong>October</strong> Double Bill<br />
The Harder They Come (15) 7.00pm<br />
Perry Henzell, Jamaica, 1972, 102m<br />
Jimmy Cliff, Carl Bradshaw, Basil Keane<br />
A ground-breaking classic. Cliff plays<br />
Ivan Martin, a poor country boy who<br />
goes to the city to make money by<br />
becoming a street rebel and a pop idol<br />
overnight. Features an outstanding<br />
soundtrack which played an important<br />
part in introducing reggae and its<br />
Jamaican roots to a worldwide audience.<br />
Black Dynamite (15) 9.10pm<br />
Scott Sanders, USA, 2009, 84m<br />
Michael Jai White, Arsenio Hall, Tommy Davidson<br />
When “The Man” murders his brothers,<br />
pumps heroin into local orphanages and<br />
floods the ghetto with malt liquor, Black<br />
Dynamite is the one hero willing to fight<br />
back. Flawless spoof comedy.<br />
Thursday 14 <strong>October</strong> Double Bill<br />
Far From Heaven (12A) 6.30pm<br />
Todd Haynes, USA, 2002, 107m<br />
Julianne Moore, Dennis Quaid, Dennis Haysbert<br />
Cathy (Moore) is the perfect 50’s<br />
housewife living the perfect 50’s life:<br />
healthy kids, successful husband, social<br />
prominence. Then one night she catches<br />
her husband (Quaid) kissing a man. Her<br />
world begins to unravel.<br />
The Runaways
Undertow (TBC) 8.45pm<br />
(Contracorriente)<br />
Javier Fuentes-León, Peru/Austria/France/Germany,<br />
2009, 100m subtitles<br />
Christian Mercado, Tatiana Astengo,<br />
Manolo Cardona<br />
In a small fishing village on the Northern<br />
coast of Peru, where religious traditions<br />
run deep Miguel, a well-respected<br />
fisherman, and his beautiful bride, Mariela<br />
are about to welcome their firstborn, but<br />
Miguel harbours a scandalous secret.<br />
Friday 15 <strong>October</strong> Double Bill<br />
Nowhere Boy (15) 7.00pm<br />
Sam Taylor Wood, UK, 2009, 97m<br />
Aaron Johnson, Kristin Scott Thomas,<br />
Anne-Marie Duff<br />
An astute biopic focussing on the teenage<br />
years of John Lennon. “Rather than<br />
dwelling on the unique circumstances that<br />
produced a musical genius, it’s an affecting<br />
movie about coming of age and leaving<br />
home and about the radical changes in<br />
British life since the Second World War.”<br />
Observer<br />
The Runaways (15) 9.05pm<br />
Floria Sigismondi, USA, <strong>2010</strong>, 106m<br />
Dakota Fanning, Kristen Stewart, Michael Shannon<br />
A coming-of-age biopic about 70s<br />
teenage band The Runaways based<br />
on lead singer Cherie Currie’s book<br />
“Neon Angel”. Beautifully shot with<br />
electric performances.<br />
Saturday 16 <strong>October</strong> Double Bill<br />
Nowhere Boy (15) 2.30pm<br />
The Runaways (15) 4.30pm<br />
Nowhere Boy (15) 7.00pm<br />
The Runaways (15) 9.05pm<br />
Please see Friday 15 <strong>October</strong> for details.<br />
Sunday 17 <strong>October</strong><br />
Abbas Kiarostami Double Bill<br />
Taste of Cherry (PG) 2.30pm<br />
Abbas Kiarostami, Iran, 1997, 99m subtitles<br />
Homayoun Ershadi, Abdolrahman Bagheri,<br />
Safar Ali Moradi<br />
A middle-aged man on the way to his<br />
own death tries to find someone to bury<br />
him, but can the memory of “the taste of<br />
cherries” persuade him to live<br />
Certified Copy (15) 4.30pm<br />
Abbas Kiarostami, Fracne/Italy, <strong>2010</strong>,<br />
106m subtitles<br />
Juliette Binoche, William Shimell,<br />
Jean-Claude Carrière<br />
Kiarostami’s first film outside of his native<br />
Iran is a philosophical and post-modern<br />
interpretation of the romantic comedy<br />
genre set in picturesque Tuscany. French<br />
gallery owner (Binoche) and British<br />
author (Shimell) meet for the first time<br />
and allow the audience to interpret, or<br />
not, their afternoon together.<br />
DocHouse presents<br />
the London<br />
Premiere of<br />
Girl with<br />
Black Balloons<br />
21 <strong>October</strong><br />
The Chelsea Hotel is a New York City<br />
icon – ever wondered who lives in it<br />
‘Girl with Black Balloons’ is no ordinary<br />
character study but a multi-faceted<br />
portrait of Bettina – a reclusive artist<br />
living within the confines of Manhattan’s<br />
legendary lodgings.<br />
Sunday 17 <strong>October</strong><br />
Abbas Kiarostami Double Bill<br />
Taste of Cherry (PG) 7.00pm<br />
Certified Copy (15) 9.05pm<br />
Please see above for details.<br />
Monday 18 <strong>October</strong><br />
Abbas Kiarostami Double Bill<br />
Taste of Cherry (PG) 7.00pm<br />
Certified Copy (15) 9.05pm<br />
Please see Sunday 17 <strong>October</strong><br />
for details.<br />
Tuesday 19 <strong>October</strong><br />
1968 Inspired - The Ferrari Dino<br />
Girl + Jachym & Filip Topol<br />
Double Bill<br />
The Ferrari Dino Girl (15) 6.45pm<br />
Jan Nemec, CR, 2009, 68m subtitles<br />
Karel Roden, Tammy Sundquist, Jan Budar<br />
Jan Nemec’s ‘auto-documentary’ recounts<br />
the story of how he filmed the Soviet<br />
invasion of Czechoslovakia and smuggled<br />
the footage out of the country with the<br />
help of ‘the Ferrari Dino Girl’. Includes<br />
the original unedited 1968 footage.<br />
Book Launch<br />
Jachym & Filip Topol 8.20pm<br />
An evening of literature and live music<br />
with award-winning writer Jachym Topol<br />
who will read and discuss his new book<br />
“Gargling with Tar” (set in 1968), and<br />
his brother Filip, singer and pianist, leader<br />
of the Czech rock group Psi vojaci.<br />
If you buy a ticket for this double<br />
bill you will receive a free bottle of<br />
Bernard, Premium Czech Lager.<br />
“Gargling with Tar” is a Czech Tin Drum<br />
set during the crushing of the Prague Spring<br />
of Topol’s boyhood.” – Maya Jaggi, Guardian.<br />
Wednesday 20 <strong>October</strong> Double Bill<br />
Memories of Murder (15) 6.00pm<br />
Bong Joon-Ho, South Korea, 2003, 130m subtitles<br />
Kang-ho Song, Sang-kyung Kim, Roe-ha Kim<br />
South Korea in 1986 under military<br />
dictatorship. Two rural cops and a special<br />
detective from the capital investigate a<br />
series of brutal rape murders. Their rude<br />
measures become more desperate<br />
with each new corpse found. Based on<br />
a true case.<br />
Mother (15) 8.35pm<br />
Bong Joon-Ho, South Korea, 2009, 130m subtitles<br />
Kim Hye-ja, Won Bin, Jin Ku<br />
When Kim Hye-ja’s nameless mother of<br />
the title discovers her twenty-seven-yearold<br />
son suffering from learning difficulties<br />
has been arrested for the murder of a<br />
young girl, she obsessively sets out to<br />
track down the real killer and prove her<br />
son’s innocence at all costs.<br />
Jachym & Filip Topol<br />
Thursday 21 <strong>October</strong><br />
DocHouse Presents Double Bill<br />
The Politician, the Poet,<br />
the Cook & the Lord 7.30pm<br />
Corinne van der Borch, 2004, UK,<br />
12m documentary<br />
A short film about the life inside of a<br />
London cabbie shelter.
CINEMA<br />
Girl with Black<br />
Balloons 7.45pm<br />
Corinne van der Borch, <strong>2010</strong>, USA, 58m<br />
The Chelsea Hotel is a New York City<br />
icon – ever wondered who lives in it<br />
‘Girl with Black Balloons’ is no ordinary<br />
character study but a multi-faceted<br />
portrait of Bettina – a reclusive artist<br />
living within the confines of Manhattan’s<br />
legendary lodgings.<br />
Friday 22 <strong>October</strong> Double Bill<br />
Frozen River (15) 7.00pm<br />
Courtney Hunt, USA, 2008, 97m<br />
Melissa Leo, Misty Upham, Charlie McDermott<br />
The film tells the story of Ray Eddy (Leo)<br />
who is about to buy her family the house<br />
of her dreams. But when her gambleloving<br />
husband takes off with the money<br />
Ray finds herself alone with her kids and<br />
completely broke. While trying to trace<br />
her husband she meets Lila Littlewolf, a<br />
Mohawk girl, who provides her with a plan<br />
to earn easy money. An extraordinary film.<br />
Winter’s Bone<br />
Winter’s Bone (15) 9.05pm<br />
Debra Granik, USA, <strong>2010</strong>, 100m<br />
Jennifer Lawrence, John Hawkes, Kevin Breznahan<br />
Seventeen-year-old Ree (Lawrence)<br />
embarks on a mission to find her father<br />
after he uses their family house as a way<br />
of securing his bail and disappears without<br />
trace. A tense, naturalistic thriller based<br />
on a novel by Daniel Woodrell.<br />
Saturday 23 <strong>October</strong> Double Bill<br />
Frozen River (15) 2.30pm<br />
Winter’s Bone (15) 4.30pm<br />
Frozen River (15) 7.00pm<br />
Winter’s Bone (15) 9.05pm<br />
Please see Friday 22 <strong>October</strong> for details.<br />
Sunday 24 <strong>October</strong> Single Bill<br />
Sunrise: A Song of Two Humans<br />
(PG) 3.00pm<br />
F.W. Murnau, USA, 1927, 95m b/w<br />
George O’Brien, Janet Gaynor, Margaret Livingston<br />
A cinematic dream of passion. A heartrending<br />
tale of love first lost, then found<br />
again, voted one of the ten greatest films<br />
of all time.<br />
The film will be introduced by<br />
film historian and filmmaker,<br />
Kevin Brownlow.<br />
Sunday 24 <strong>October</strong><br />
Warner Bros Double Bill<br />
White Heat (15) 6.30pm<br />
Raoul Walsh, USA, 1949, 114m<br />
James Cagney, Virginia Mayo, Edmond O’Brien<br />
Scarface + Psycho = White Heat. This<br />
searing melodrama sees Cagney sitting<br />
on his mother’s lap as they plan their<br />
heists together. Spellbinding suspense,<br />
complimented by his vivid and hypnotic<br />
performance.<br />
Bonnie and Clyde (15) 8.50pm<br />
Arthur Penn, USA, 1967, 112m<br />
Warren Beatty, Faye Dunaway, Michael J. Pollard<br />
Bonnie (Dunaway) is bored with life and<br />
wants a change. She gets her chance when<br />
she meets young drifter Clyde Barlow.<br />
He has dreams of a life of crime which<br />
will free him from the hardships of the<br />
Depression. The two fall in love and begin<br />
a crime spree. Based on a true story and<br />
arguably one of the most influential films<br />
of the late 60’s.<br />
Monday 25 <strong>October</strong><br />
Black History Month Double Bill<br />
Borom Sarret (12A) 7.00pm<br />
Ousmane Sembene, Senegal, 1962, 20m subtitles<br />
Ly Abdoulay, Albourah<br />
Sembene’s interest in examining the<br />
impact of economic exploitation on<br />
ordinary Senegalese citizens is evocatively<br />
expressed in this early short film, in<br />
which a poor cart driver provides us with a<br />
“guided tour” through modern Dakar and<br />
his sense of marginality.<br />
Black Girl (12A) 7.20pm<br />
Ousmane Sembene, Senegal, 1964, 60m subtitles<br />
Mbissine Thérèse Diop, Anne-Marie Jelinek,<br />
Robert Fontaine<br />
Sembene’s first feature film is a<br />
seminal film in the history of African<br />
cinema. It tells the tragic story of a<br />
Senegalese girl employed as a servant to<br />
a French couple. Her initial enthusiasm<br />
regarding the colonial motherland and<br />
employment is quickly transformed into<br />
a profound sense of despair, as she finds<br />
herself being treated by the family like an<br />
object, a non-person, ‘the black girl’.<br />
Sunrise<br />
Monday 25 <strong>October</strong><br />
Black History Month Single Bill<br />
Xala (12) 8.45pm<br />
(The Curse)<br />
Ousmane Sembene, Senegal, 1974, 123m subtitles<br />
Fatim Diagne, Makhouredia Gueye, Thierno Leye<br />
Sembene’s satire of the modern African<br />
bourgeoisie was heavily censored in<br />
Senegal, and it remains to this day one<br />
of the sharpest and most incisive attacks<br />
on neo-colonialism in post-independence<br />
Africa made by an African filmmaker. The<br />
film follows the decline of a self-satisfied,<br />
westernised Senegalese businessman.<br />
Tuesday 26 <strong>October</strong> Double Bill<br />
An Education (12A) 6.50pm<br />
Lone Scherfig, UK, 2009, 99m<br />
Carey Mulligan, Peter Sarsgaard, Alfred Molina<br />
Based on writer Lynn Barber’s memoirs<br />
and a screenplay by Nick Hornby the<br />
film is a coming-of-age story about a<br />
teenage academic girl in the 60’s whose<br />
life changes with the arrival of a playboy<br />
nearly twice her age.<br />
Tamara Drewe (15) 8.55pm<br />
Stephen Frears, UK, <strong>2010</strong>, 111m<br />
Gemma Arterton, Dominic Cooper, Tamsin Greig<br />
Once a shy and unattractive teenager from<br />
a small rural idyll, Tamara’s (Arterton)<br />
past catches up with her when she returns<br />
to the village as a glamorous newspaper<br />
columnist and has to face an old flame.<br />
An entertaining romp based on the<br />
Posy Simmonds comic strip which was<br />
serialised in The Guardian.<br />
Wednesday 27 <strong>October</strong> Double Bill<br />
An Education (12A) 6.50pm<br />
Tamara Drewe (15) 8.55pm<br />
Please see Tuesday 26 <strong>October</strong><br />
for details.<br />
Thursday 28 <strong>October</strong> Dare to Stare<br />
Itty Bitty Titty Committee<br />
(15) 8.30pm<br />
Jamie Babbit, USA, 2007, 87m<br />
Melonie Diaz, Nicole Vicius, Daniela Sea<br />
This fun and witty tongue-in-cheek drama<br />
from Jamie “But I’m a Cheerleader”<br />
Babbit tells the story of Anna, a<br />
receptionist at a plastic surgeon’s office.<br />
Her dull life changes radically when she<br />
meets Sadie, head feminist of the C.I.A.<br />
(Clits in Action) Collective. Complete<br />
with smart Riot Grrrl soundtrack, ‘Max’<br />
from the L-Word and a pillow fight with a<br />
giant stuffed vagina – what’s not to like!<br />
Plus Unskinny Bop Opening<br />
Night Party
Friday 29 <strong>October</strong> Dare to Stare<br />
Unveiled (15) 6.50pm<br />
(Fremde Haut)<br />
Angelina Maccarone, Germany/Austria, 2005,<br />
97m subtitles<br />
Jasmin Tabatabai, Anneke Kim Sarnau<br />
This film is a stark reminder of how<br />
difficult it is to live freely in many<br />
countries. The striking Jasmin<br />
Tabatabai stars as Fariba, a lesbian<br />
fleeing persecution in Iran who arrives<br />
in Germany seeking asylum. When her<br />
application is denied Fariba resorts to<br />
desperate measures.<br />
Friday 29 <strong>October</strong> Dare to Stare<br />
4 Minutes (15) 8.55pm<br />
(Vier Minuten)<br />
Chris Kraus, Germany, 2006, 112m subtitles<br />
Monica Bleibtreu, Hannah Herzsprung<br />
Winner of twenty-one International Film<br />
Festival Awards, this stunning drama<br />
depicts the intense connection between<br />
two women: Traude, a piano teacher at a<br />
high-security women’s prison, and Jenny,<br />
the ferociously talented young prodigy<br />
whom Traude grooms to compete in a<br />
prestigious piano competition. Featuring<br />
extraordinary performances, Hannah<br />
Herzsprung tears up the screen in a<br />
sensational finale. Unmissable.<br />
Saturday 30 <strong>October</strong> Dare to Stare<br />
Fucking Amal (15) 7.00pm<br />
(Show Me Love)<br />
Lukas Moodysson, Sweden, 1998, 89m subtitles<br />
Alexandra Dahlstrom, Rebecka Liljeberg<br />
From the director of “Lilya 4-Ever” this<br />
classic first love drama tells the story<br />
of Agnes, a sixteen-year-old misfit who<br />
is secretly in love with Elin, the most<br />
beautiful and popular girl in school.<br />
When Elin ends up at Agnes’ birthday<br />
party, and fulfils a dare, she unexpectedly<br />
develops feelings of her own.<br />
Saturday 30 <strong>October</strong><br />
Afternoon: closed for private event.<br />
Saturday 30 <strong>October</strong> Dare to Stare<br />
Elo se (15) 8.55pm<br />
Jesus Garay, Spain, 2008, 118m subtitles<br />
Diana Gomez, Ariadna Cabrol<br />
Young, beautiful Àsia lies in a coma.<br />
In flashback we see what led up to her<br />
accident, her life as an architecture<br />
student and relationship with her<br />
overbearing mother. Asia’s world changes<br />
the day she meets the exotic and<br />
mysterious Eloïse. A strong erotic tension<br />
between the two caliente leads hurls them<br />
towards a tragic climax.<br />
DARE TO STARE<br />
A Season of<br />
Lesbian Cinema<br />
worth watching<br />
28 – 31 <strong>October</strong><br />
The films in this season are about choices,<br />
alternatives and following your heart. We<br />
believe they are unique films that will stay with<br />
you. Each illustrates the special connection<br />
that occurs between two women. From across<br />
Europe, Asia and the USA, highlights include:<br />
“4 Minutes”, “Eloïse” and “High Art”. With<br />
thanks to Lorna Paterson and Simone Tropea<br />
for programming the season. Be sure to join us<br />
on our opening night party where Unskinny<br />
Bop will have you dancing in the aisles and the<br />
question is, do you DARE TO STARE<br />
Sunday 31 <strong>October</strong> Dare to Stare<br />
Another Way (18) 2.30pm<br />
(Egymásra nézve)<br />
Károly Makk, Hungary, 1982, 102m subtitles<br />
Jadwiga Jankowska-Cieslak, Grazyna Szapolowska<br />
Nominated for the Palme d’Or at Cannes,<br />
this outstanding Hungarian feature is<br />
an important reminder of recent history.<br />
Set in 1958, against the backdrop of<br />
totalitarianism and the Stalinist regime,<br />
two female political journalists’ cautious<br />
attraction develops into an intense love<br />
affair. Powerful and beautifully shot.<br />
Sunday 31 <strong>October</strong> Dare to Stare<br />
Drifting Flowers (12) 4.35pm<br />
(Piao lang qing chun)<br />
Zero Chou, Taiwan, 2008, 97m subtitles<br />
Serena Fang, Chao Yi-lan, Lu Yi-ching<br />
Three tales of lesbian love are explored<br />
through the eyes of different generations<br />
of Taiwanese women. This poetic and<br />
lyrical film beautifully illustrates how<br />
lesbianism is perceived in Taiwan.<br />
Eloïse<br />
Sunday 31 <strong>October</strong> Dare to Stare<br />
High Art (18) 6.30pm<br />
Lisa Cholodenko, Canada/USA, 1998, 101m<br />
Radha Mitchell, Ally Sheedy, Patricia Clarkson<br />
Syd, newly appointed assistant editor at<br />
Frame magazine, lives with her boyfriend<br />
James. After discovering a leak in the<br />
roof, she heads upstairs to do a bit of DIY,<br />
only to find that her neighbour is the very<br />
talented and charismatic photographer<br />
Lucy Berliner. Patricia Clarkson is<br />
fabulous in her supporting role as a<br />
drugged up Fassbinder muse.<br />
Sunday 31 <strong>October</strong> Dare to Stare<br />
Highly Strung (15) 8.35pm<br />
(Je te mangerais)<br />
Sophie Laloy, France, 2009, 96m subtitles<br />
Judith Davis, Isild Le Besco<br />
Marie, an attractive young piano<br />
student, is accepted into the prestigious<br />
Conservatoire in Lyon. As her family<br />
cannot afford rent, she is obliged to<br />
share with a childhood friend she hasn’t<br />
seen in years. Emma is now a beautiful,<br />
mysterious and secretive young woman<br />
and when she puts a ‘no overnight<br />
guests’ rule into place, an obsessive and<br />
irrepressible affair begins.
INFO<br />
Information<br />
Bar and Kitchen at <strong>Riverside</strong><br />
<strong>Riverside</strong> Bar and Kitchen<br />
The atmospheric space at the heart of the building is a vibrant and<br />
contemporary setting for lunch, pre-show dinner and drinks.<br />
The <strong>Riverside</strong> Terrace is a stunning spot for entertaining.<br />
Bookings and enquiries 020 8237 1009<br />
<strong>Riverside</strong> Kitchen<br />
Seasonal daily specials with an emphasis on freshly prepared<br />
ingredients available for lunch and dinner every day.<br />
Sunday Brunch is served from 10.30am.<br />
Film Café<br />
Located in the foyer and open throughout the day serving fresh<br />
sandwiches, smoothies, salads and mozzo organic and fair trade coffee.<br />
Food served<br />
Monday – Friday<br />
Saturday<br />
Sunday<br />
Midday – 3pm<br />
4pm – 9pm<br />
12pm – 9pm<br />
10.30am – 9pm<br />
<strong>Riverside</strong> Friends<br />
Live life on the <strong>Riverside</strong>, become a Friend and enjoy<br />
our vibrant and inspirational programme of films and<br />
theatre for less. As a Friend you’ll receive invites to<br />
exclusive events and private views and you can enjoy<br />
a discounted ticket rate at BFI Southbank and Ciné<br />
lumière too.<br />
For more information and to become a Friend, please<br />
call 020 8237 1027. You can also join by sending the<br />
form below in the post; cheques should be made<br />
payable to <strong>Riverside</strong> Trust.<br />
Discounts may be subject to availability, selected events may be<br />
excluded. Full details online at riversidestudios.co.uk/friends<br />
Please cut out this page and send it to us:<br />
<strong>Riverside</strong> <strong>Studios</strong> Friends, Crisp Rd<br />
Hammersmith, London W6 9RL<br />
Your details<br />
NAME<br />
ADDRESS<br />
EMAIL<br />
TELEPHONE<br />
riversidestudios.co.uk<br />
Being a <strong>Riverside</strong> Friend entitles you to<br />
the following...<br />
Concessions price cinema tickets<br />
Concessions price theatre tickets<br />
Discount on coffee and tea<br />
Discount on food from the kitchen<br />
Discounted ticket price at Ciné lumière<br />
£1 off for screenings at BFI Southbank<br />
Invites to selected press nights and special events<br />
Email notification of special offers<br />
<strong>Riverside</strong> Friends / £30 per year / £20 concs.
This brochure is available in<br />
large print, please call 020 8237 1010 or<br />
email marketing@riversidestudios.co.uk<br />
to receive a copy.<br />
Visitors to <strong>Riverside</strong> <strong>Studios</strong><br />
Box Office<br />
Open daily<br />
12 – 9pm<br />
(closed Bank Holidays)<br />
Telephone 020 8237 1111<br />
Fax 020 8237 1001<br />
Web riversidestudios.co.uk<br />
Ticket discounts<br />
Concessions are usually available for students,<br />
unemployed, disabled plus companion, 60+, under<br />
16s, Ciné lumière, BFI members (cinema). Valid cards<br />
must be shown. For Friends and Groups discounts<br />
please check with the Box Office or online at<br />
riversidestudios.co.uk.<br />
Payment<br />
We accept Visa, MasterCard, Switch, Solo,<br />
Maestro, Delta, cash and cheques made payable<br />
to <strong>Riverside</strong> Trust.<br />
Mailing List<br />
If you would like to join our mailing list, please call the<br />
Box Office or email online@riversidestudios.co.uk.<br />
Refunds and Exchanges<br />
<strong>Riverside</strong> is unable to offer refunds or exchanges<br />
on tickets.<br />
Age Ratings<br />
Where a film programme contains films with different<br />
age ratings, the highest rating applies. <strong>Riverside</strong><br />
<strong>Studios</strong> reserves the right to ask for proof of age.<br />
Latecomers<br />
Cinema: All films start at the advertised time and<br />
latecomers will only be admitted during the first<br />
15 minutes of screening.<br />
Theatre: Latecomers may not be admitted.<br />
Access<br />
There are ramps throughout the building and a lift to<br />
our cinema.<br />
We advise our wheelchair user patrons to book in<br />
advance to guarantee their seats. An induction loop is<br />
available in the cinema only.<br />
How to get here<br />
Tube and foot from Hammersmith<br />
Piccadilly Line, District Line: From Broadway<br />
Shopping Centre, use south exit, pass Hammersmith<br />
Apollo, follow Queen Caroline Street and turn left into<br />
Crisp Road.<br />
Hammersmith & City Line: walk towards<br />
Hammersmith Apollo, follow Queen Caroline Street<br />
and turn left into Crisp Road.<br />
Public transport info on tfl.gov.uk or 020 7222 1234.<br />
Bus<br />
Buses to Hammersmith Broadway station<br />
9, 10, 27, 33, 72, 190, 209, 211, 220, 266, 267, 283, 295,<br />
391, 419, H91.<br />
Road<br />
From Hammersmith Broadway roundabout turn left<br />
at Hammersmith Apollo into Queen Caroline Street,<br />
turn left into Crisp Road.<br />
Parking<br />
Pay and Display street parking until 6.30pm.<br />
Free from 6.30pm and all day Sunday.<br />
APOLLO<br />
<strong>Riverside</strong> <strong>Studios</strong><br />
Crisp Road . Hammersmith . London . W6 9RL
CINEMA<br />
Cinema Diary<br />
<strong>September</strong> <strong>2010</strong><br />
Wed 1<br />
Thu 2<br />
Fri 3<br />
Sat 4<br />
Sun 5<br />
Mon 6<br />
Tue 7<br />
Wed 8<br />
Thu 9<br />
Fri 10<br />
Sat 11<br />
Sun 12<br />
Yvan Attal in<br />
Leaving (15) 6.50pm<br />
+ Rapt (15) 8.40pm<br />
Jean-Luc Godard’s<br />
Pierrot le Fou (15) 6.45pm<br />
+ Breathless (PG) 9.00pm<br />
Hilary and Jackie (15) 6.20pm<br />
+ The Concert (15) 8.50pm<br />
Hilary and Jackie (15) 1.45pm<br />
+ The Concert (15) 4.10pm<br />
Hilary and Jackie (15) 6.20pm<br />
+ The Concert (15) 8.50pm<br />
Jacques Tati’s<br />
Playtime (U) 2.00pm<br />
+ Jour de Fete (U) 4.20pm<br />
Bernardo Bertolucci’s<br />
The Conformist (18) 6.00pm<br />
+ Last Tango in Paris (18) 8.20pm<br />
Please Give (15) 7.00pm<br />
City Island (12A) 8.55pm<br />
CINEMA CLOSED<br />
The Garden 7.00pm<br />
South of the Border 8.45pm<br />
Lebanon (15) 6.45pm<br />
+ I Am Love (15) 8.45pm<br />
Inception (12A) 8.00pm<br />
Inception (12A) 2.00pm<br />
Inception (12A) 5.00pm<br />
Inception (12A) 8.00pm<br />
Graham Greene's<br />
The Third Man (15) 2.30pm<br />
+ Went the Day Well (PG) 4.35pm<br />
The Third Man (15) 6.30pm<br />
+ Went the Day Well (PG) 8.40pm<br />
Mon 13 Graham Greene's<br />
The Third Man (15) 7.00pm<br />
+ Went the Day Well (PG) 9.10pm<br />
Tue 14<br />
CINEMA CLOSED<br />
Wed 15 The Band’s Visit (PG) 7.00pm<br />
+ Frontier Blues (15) 8.55pm<br />
Thu 16<br />
Fri 17<br />
Sat 18<br />
Sun 19<br />
Catherine Breillat’s<br />
The Last Mistress (15) 7.00pm<br />
+ Bluebeard (15) 9.10pm<br />
Live Flesh (18) 6.30pm<br />
+ The Secret in Their Eyes<br />
(18) 8.45pm<br />
Live Flesh (18) 1.50pm<br />
+ The Secret in Their Eyes<br />
(18) 4.00pm<br />
Live Flesh (18) 6.30pm<br />
+ The Secret in Their Eyes<br />
(18) 8.45pm<br />
Wall-E (U) 3.00pm<br />
+ Toy Story 3 (U) 5.00pm<br />
Apocalypse Now – Redux (15) 7.15pm<br />
Mon 20 DocHouse Presents<br />
A Stone’s Throw Away 7.00pm<br />
+ Budrus 8.20pm<br />
Tue 21<br />
CINEMA CLOSED<br />
Wed 22 Somersault (15) 7.00pm<br />
+ Beautiful Kate (15) 9.10pm<br />
Thu 23<br />
Georgia – Life Through Cinema<br />
Journey of a Georgian Poet<br />
Akaki Tsereteli in Racha-lechkhumi<br />
(U) 6.30pm<br />
+ Street Days (15) 7.00pm<br />
Fri 24<br />
Sat 25<br />
Sun 26<br />
Georgia – Life Through Cinema<br />
The Other Bank (15) 6.30pm<br />
Something About Georgia 8.30pm<br />
Georgia – Life Through Cinema<br />
Short Films (12A) 12.30pm<br />
Susa (12A) 2.20pm<br />
The Wishing Tree (U) 4.20pm<br />
Three Houses (U) 6.30pm<br />
Songs of Georgia 8.30pm<br />
+Tabuni Live Performance 9.30pm<br />
Georgia – Life Through Cinema<br />
The Short Films of Mikhail<br />
Kobakhidze (U) 12.00pm<br />
My Grandmother (U) 2.30pm<br />
Gun-shy (18) 4.00pm<br />
Pirosmani (U) 6.10pm<br />
Chantrapas (12) 8.00pm<br />
Mon 27 Baaria (15) 8.00pm<br />
Tue 28<br />
White Material (15) 7.00pm<br />
+ Le Refuge (15) 9.05pm<br />
Wed 29 DocHouse Presents<br />
The Brothers Warner (U) 7.00pm<br />
+ Confessions of a Nazi Spy<br />
(U) 8.55pm<br />
Thu 30<br />
Age of Extremes (12) 7.30pm<br />
<strong>October</strong> <strong>2010</strong><br />
Fri 1<br />
Sat 2<br />
Sun 3<br />
Mon 4<br />
Tue 5<br />
Wed 6<br />
Thu 7<br />
Fri 8<br />
Sat 9<br />
Sun 10<br />
Monsieur Hulot’s Holiday (U) 7.00pm<br />
+ The Illusionist (PG) 8.55pm<br />
Monsieur Hulot’s Holiday (U) 2.30pm<br />
+ The Illusionist (PG) 4.20pm<br />
Monsieur Hulot’s Holiday (U) 7.00pm<br />
+ The Illusionist (PG) 8.55m<br />
La Vie en Rose (12A) 1.10pm<br />
+ Gainsbourg (15) 3.50pm<br />
La Vie en Rose (12A) 6.00pm<br />
+ Gainsbourg (15) 8.45pm<br />
La Vie en Rose (12A) 6.00pm<br />
+ Gainsbourg (15) 8.45pm<br />
DocHouse and More4<br />
Dancing with the Devil 7.00pm<br />
DocHouse and More4<br />
Albino United 7.00pm<br />
Coco Before Chanel (12A) 6.30pm<br />
+ Coco Chanel and Igor Stravinsky<br />
(15) 8.40pm<br />
The Girl Who Played<br />
with Fire (15) 8.00pm<br />
Time and Space 12 noon<br />
The Girl Who Played<br />
with Fire (15) 3.00pm<br />
The Girl Who Played<br />
with Fire (15) 5.30pm<br />
The Girl Who Played<br />
with Fire (15) 8.05pm<br />
Mon 11 Ealing Comedies<br />
Whisky Galore (PG) 7.00pm<br />
+ The Ladykillers (U) 8.55pm<br />
Tue 12<br />
Kim Ki-Duk’s<br />
Breathe (15) 7.00pm<br />
+ Time (15) 8.50pm<br />
Wed 13 The Harder They Come (15) 7.00pm<br />
+ Black Dynamite (15) 9.10pm<br />
Thu 14<br />
Fri 15<br />
Far From Heaven (12A) 6.30pm<br />
+ Undertow (TBC) 8.45pm<br />
Nowhere Boy (15) 7.00pm<br />
+ The Runaways (15) 9.05pm<br />
Sat 16<br />
Sun 17<br />
Nowhere Boy (15) 2.30pm<br />
+ The Runaways (15) 4.30pm<br />
Nowhere Boy (15) 7.00pm<br />
+ The Runaways (15) 9.05pm<br />
Abbas Kiarostami’s<br />
Taste of Cherry (PG) 2.30pm<br />
+ Certified Copy (15) 4.30pm<br />
Taste of Cherry (PG) 7.00pm<br />
+ Certified Copy (15) 9.05pm<br />
Mon 18 Abbas Kiarostami’s<br />
Taste of Cherry (PG) 7.00pm<br />
+ Certified Copy (15) 9.05pm<br />
Tue 19<br />
The Ferrari Dino Girl (15) 6.45pm<br />
+ Book Launch: Jachym<br />
& Filo Topol 8.20pm<br />
Wed 20 Memories of Murder (15) 6.00pm<br />
+ Mother (15) 8.35pm<br />
Thu 21<br />
Fri 22<br />
Sat 23<br />
Sun 24<br />
DocHouse Presents<br />
The Politician, the Poet, the Cook<br />
and the Lord 7.30pm<br />
+ The Girl with the<br />
Black Balloons 7.45pm<br />
Frozen River (15) 7.00pm<br />
+ Winter’s Bone (15) 9.05pm<br />
Frozen River (15) 2.30pm<br />
+ Winter’s Bone (15) 4.30pm<br />
Frozen River (15) 7.00pm<br />
+ Winter’s Bone (15) 9.05pm<br />
Sunrise: A Song<br />
of Two Humans (PG) 3.00pm<br />
White Heat (15) 6.30pm<br />
+ Bonnie and Clyde (15) 8.50pm<br />
Mon 25 Black History Month<br />
Borom Sarret (12A) 7.00pm<br />
+ Black Girl (12A) 7.20pm<br />
Xala (12) 8.45pm<br />
Tue 26<br />
An Education (12A) 6.50pm<br />
+ Tamara Drewe (15) 8.55pm<br />
Wed 27 An Education (12A) 6.50pm<br />
+ Tamara Drewe (15) 8.55pm<br />
Thu 28<br />
Fri 29<br />
Sat 30<br />
Sun 31<br />
Dare to Stare<br />
Itty Bitty Titty Committee<br />
(15) 8.30pm<br />
+ Unskinny Pop Opening Night Party<br />
Dare to Stare<br />
Unveiled (15) 6.50pm<br />
4 Minutes (15) 8.55pm<br />
Afternoon: closed for private event<br />
Dare to Stare<br />
Fucking Amal (25) 7.00pm<br />
Elo se (15) 8.55pm<br />
Dare to Stare<br />
Another Way (18) 2.30pm<br />
Drifting Flowers (12) 4.35pm<br />
High Art (18) 6.30pm<br />
Highly Strung (15) 8.35pm<br />
Cinema tickets are £7.50<br />
(£6.50 concs.) unless<br />
otherwise stated.<br />
Where a programme contains films with<br />
different age ratings, the highest rating<br />
applies. <strong>Riverside</strong> <strong>Studios</strong> reserves the<br />
right to ask for proof of age.