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OPINION Vol.1, No.1 June 2013 - National Defence University

OPINION Vol.1, No.1 June 2013 - National Defence University

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Technological Advancements – WW 1<br />

Few major developments, which impacted operational art during WW-1 included inventions of<br />

machine guns, tanks, submarines (German U-Boats) and the wireless equipped aircrafts. Chemical<br />

warfare was also one of the components of WW-1; however, the killing capacity was limited only to 4%<br />

of combat deaths.<br />

Inter War Years. Inter war period was used by the militaries to further develop the operational art.<br />

Country wise summary of interwar period is given below.<br />

Germany<br />

The Germans began to move their army from Sitzkrieg to Blitzkrieg. They developed from<br />

static mass and firepower to dynamic use of manoeuvrability and flexibility. 13<br />

Russia<br />

Russian modernization in the art of warfare can be credited to two names; Svechin and<br />

Tukhachevsky. However, the senseless purge undertaken by Stalin thereafter, adversely affected<br />

this transition and even the performance of Russian Army in the initial part of WW-II.<br />

General Svechin in a series of lectures on strategy in 1923–24, for the first time coined the<br />

term operational art. He described operational art as,<br />

‘the bridge between tactics and strategy, the means by which the senior<br />

commander transformed a series of tactical successes into operational “bounds”<br />

linked together by the commander’s intent and plan and contributing to strategic<br />

success in a given theatre of military actions.’ 14<br />

The principles of operational art outlined in the 1936 Field Regulations bore<br />

Tukhachevsky’s imprint 15 (Mikhail Tukhachevsky 1893–1937), in which no aspect of technology<br />

associated with the conduct of deep operations escaped his attention (i.e. armour, mechanized<br />

infantry, aviation, artillery and rockets and even engineers and radio communications).<br />

United States<br />

A great deal of effort went into extracting lessons from the AEF’s experiences in 1918.<br />

American operational art remained centered on the idea of applying as much combat power as<br />

possible to achieve a decision on the battlefield with emphasis on coordination between land and<br />

naval forces and the air elements of both. 16<br />

Britain<br />

The vivid experience of WW I was most influential in development of the thinking of<br />

J.F.C Fuller and B.H Liddell-Hart:<br />

<br />

<br />

<br />

World War - II (1939-1945)<br />

JFC Fuller. By 1930s, Fuller had postulated that future wars would have high tempo of<br />

action, unpredictability of events and depth of the battlefield. He had realized that battles<br />

were likely to become more and more area operations and not merely positional ones. 17<br />

Liddell-Hart. In his works, the stress was on movement and surprise. He sought strategic<br />

dislocation through mystification of the enemy.<br />

Both Fuller and Liddell-Hart converged upon similar concepts that anticipated the<br />

evolution of operational art. 18<br />

Operational Art in Germany – WW II. Germany initiated WW II by invading Poland on<br />

1 September 1939, with a mindset of certain victory. German units had no match as they<br />

imbalanced the system of Polish forces, who reached their culminating point by 6 October 1939.<br />

However, the invasion triggered a global conflict, the scale of which proved to exceed the German<br />

grasp of operational art.<br />

Fall of France. France had excellent defensive fortifications in the form of Maginot Line<br />

and better tanks than the German Panzers, but they lost to the German’s Blitzkrieg. Some<br />

of the pertinent facets of this offensive were:-<br />

<strong>OPINION</strong> <strong>Vol.1</strong> <strong>No.1</strong> 117 <strong>June</strong> <strong>2013</strong>

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