Session 3 presentation - Wolf Trap Opera

More documents

Recommendations

Info

Overview 1. Rossini & What Came Before The Journey to Reims 2. Mid-‐Century Roman:cism La traviata 3. Toward the End of an Era Falstaff
SESSION 3 Listening to Voices: Technique Verdi’s Late Style & Falstaff Fach Soprano: soubrette & lyric Mezzo: High lyric & contralto Dramatic baritone Bass-baritone <strong>Opera</strong> People Librettists Director/Designer/Producer
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9 and 10: 1839-1849: EARLY Oberto Un giorno d
Page 11 and 12: Falstaff Verdi’s second comic ope
Page 13 and 14: Parameter: Rhythm La traviata macro
Page 15 and 16: Parameter: Form La traviata recitat
Page 17 and 18: FACH: Determining Factors The H
Page 19 and 20: Dramatic Baritone Powerful, ringing
Page 21 and 22: Soubrette Soprano Characteristics:
Page 23 and 24: Dramatic Soprano “horn and helmet
Page 25 and 26: High Lyric Mezzo Color and tessitur
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

Create successful ePaper yourself

Delete template?

Save as template?