Session 3 presentation - Wolf Trap Opera

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FACH – MEZZO-SOPRANO Distinguished more by quality than range “The Voice of Common Sense” Lyric Trouser roles, ingenues (Cherubino, Octavian, Dorabella, Hansel) Coloratura Vocal agility (subcategory) (Rosina, Cenerentola, Isabella) Dramatic Vamps and tramps (Carmen, Azucena, Amneris, Eboli, Maddalena) Contralto Low tessitura (Ulrica, Erda, Handel castrato roles, Quickly) Countertenor / Male Soprano (Oberon, Akhnaten, Baroque castrato roles)
High Lyric Mezzo Color and tessitura of a mezzo Range similar to soprano Examples: Cherubino, Meg, Dorabella
Page 2 and 3: Overview 1. Rossini & What Cam
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9 and 10: 1839-1849: EARLY Oberto Un giorno d
Page 11 and 12: Falstaff Verdi’s second comic ope
Page 13 and 14: Parameter: Rhythm La traviata macro
Page 15 and 16: Parameter: Form La traviata recitat
Page 17 and 18: FACH: Determining Factors The H
Page 19 and 20: Dramatic Baritone Powerful, ringing
Page 21 and 22: Soubrette Soprano Characteristics:
Page 23: Dramatic Soprano “horn and helmet
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

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