Session 3 presentation - Wolf Trap Opera

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FACH – SOPRANO Into late 18th C, all women were sopranos Soubrette (French soubrette = shrewd) Bell-like silvery quality; “ina/etta” maids, servants Susanna, Despina, Zerlina, Adina, Norina, Marzelline, Adele, Nannetta, Sophie Coloratura (Koloratur: add to an idea using the main thought as point of departure) Great agility, decorative (Subtypes: lyric coloratura, dramatic coloratura) Lucia, Queen, Gilda, Zerbinetta, Fiordiligi, Konstanze, Manon, Juliette Lyric (“of a lyre”) Communicate beauty, romance , pathos (JB Steane: “the world’s girlfriend”) Mimi, Violetta , Marguerite, Micaëla, Liù, Countess, Fiordiligi, Marschallin, Lauretta Spinto (spingere: to push) / Lyric Dramatic Tonal beauty of the lyric and power of the dramatic Butterfly, Tosca, Aida, Leonoras, Lady Macbeth, La Gioconda, Sieglinde, Ariadne Dramatic (“horn-and-helmet”) Cut through large orchestra; warm and metallic; powerful; flexibility compromised Salome, Elektra, Brünnhilde, Isolde, Marie,Turandot
Soubrette Soprano Characteristics: Bell-like, silvery quality Cleanly focused and strong midvoice (French: shrewd) Examples: Susanna, Despina, Zerlina, Adina, Norina
Page 2 and 3: Overview 1. Rossini & What Cam
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9 and 10: 1839-1849: EARLY Oberto Un giorno d
Page 11 and 12: Falstaff Verdi’s second comic ope
Page 13 and 14: Parameter: Rhythm La traviata macro
Page 15 and 16: Parameter: Form La traviata recitat
Page 17 and 18: FACH: Determining Factors The H
Page 19: Dramatic Baritone Powerful, ringing
Page 23 and 24: Dramatic Soprano “horn and helmet
Page 25 and 26: High Lyric Mezzo Color and tessitur
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

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