Session 3 presentation - Wolf Trap Opera

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La traviata Parameter: Text Falstaff Librettist becoming increasing important Collaboration between composer and librettist: a new creative force Pietro Metastasio Baroque opera seria Lorenzo da Ponte Mozart Carlo Goldoni <strong>Opera</strong> buffa Arrigo Boito Verdi
Parameter: Form La traviata recitatives: accompanied, not secco “number opera” with long scenes Falstaff recitative not separable from aria or ensemble through-composed, with few stops
Page 2 and 3: Overview 1. Rossini & What Cam
Page 4 and 5: Listening to Voices Range Proje
Page 6 and 7: Singing Lessons on YouTube! Marilyn
Page 9 and 10: 1839-1849: EARLY Oberto Un giorno d
Page 11 and 12: Falstaff Verdi’s second comic ope
Page 13: Parameter: Rhythm La traviata macro
Page 17 and 18: FACH: Determining Factors The H
Page 19 and 20: Dramatic Baritone Powerful, ringing
Page 21 and 22: Soubrette Soprano Characteristics:
Page 23 and 24: Dramatic Soprano “horn and helmet
Page 25 and 26: High Lyric Mezzo Color and tessitur
Page 27 and 28: FACH - BASS & BASS-BARITONE Distinc
Page 29 and 30: Metropolitan Opera House October 10
Page 31 and 32: The Stage Director Emergence of the
Page 33 and 34: Regietheater: The Interventionist A

Session 3 presentation - Wolf Trap Opera

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